Magnetic Fields with Tanya Donelly At

Total Page:16

File Type:pdf, Size:1020Kb

Magnetic Fields with Tanya Donelly At FOR IMMEDIATE RELEASE Contact: Joyce Linehan, 617-282-2510 or [email protected] Update to Oct. 4 release: Tanya Donelly added to Magnetic Fields show at Symphony Hall; Jenny Dee & The Deelinquents added to Lee Fields show at Jordan Hall FIRST NIGHT BOSTON ANNOUNCES SOME FESTIVAL HIGHLIGHTS RESERVED SEATING AVAILABLE FOR SELECT SHOWS ON SALE NOW MAGNETIC FIELDS WITH TANYA DONELLY AT SYMPHONY HALL; LEE FIELDS & THE EXPRESSIONS WITH JENNY DEE & THE DEELINQUENTS AT NEC’S JORDAN HALL; JOHN SCOFIELD AT BERKLEE; AND A MIDNIGHT FIREWORKS CRUISE High resolution images available on request (BOSTON—Nov. 1, 2012) First Night Boston announces some highlights of the 37th edition of the country’s oldest and largest New Year’s Eve arts festival. A reserved seating section has been set aside for some events, so people may purchase a guaranteed seat if they wish. These premium package tickets for select performances are $35, and each ticket purchase includes a First Night Boston 2013 button, which is the ticket for admission to all First Night indoor events. All First Night events take place on Monday, Dec. 31, 2012 and tickets are on sale now at www.firstnight .org. Approximately 30% of the venues for those shows listed below will be set aside for advance reserved seating sale, while the rest of each venue will be open to all First Night button holders on a first come, first served basis as usual. All other First Night indoor venues are open to all button holders. Complete festival programming, which will include over 1000 artists in 200 exhibitions and performances in 35 different locations, will be announced in mid-November. Reserved seating is on sale today for the following: - Magnetic Fields with special guest Tanya Donelly at Symphony Hall, 9 p.m. - Lee Fields & The Expressions with special guests Jenny Dee & The Deelinquenta at NEC’s Jordan Hall, 9 p.m. - John Scofield at Berklee performance Center, 8:45 p.m. In addition, tickets are on sale now for First Night’s Midnight Fireworks Cruise on Boston Harbor. These tickets are $50, and also include a First Night button. This cruise will be open to ticket holders only. - Midnight Fireworks Cruise on Boston Harbor, 11 p.m. (open to ticket holders only) The complete programming line-up for First Night Boston 2013, which will include over 1000 artists and 200 exhibitions and performances in 35 Boston locations, will be announced in mid- November. Magnetic Fields with special guest Tanya Donelly at Symphony Hall The Magnetic Fields are the music of songwriter- producer- multi instrumentalist Stephin Merritt. In their two decade career, which began in Boston and then relocated to New York City, the band has released ten albums, including their seminal 3-disc masterwork “69 Love Songs.” That album, released in 1999, continues to be celebrated as one of pop music’s great achievements; Tim Page described it as “an encyclopedic, flabbergastingly ambitious, opera- length work that riffed off everybody from Cole Porter to Steve Reich, Gilbert and Sullivan to Kurt Weill –(and) established Stephin Merritt as one of the leading composers of his generation.” Stephin Merritt arranges and produces all his albums, playing many of the instruments as well. Additional instrumentation is provided by his band members: cellist Sam Davol, guitarist John Woo, percussionist/pianist Claudia Gonson, and singer Shirley Simms. The band has been touring throughout 2012 to support their new album, “Love at the Bottom of the Sea,” (Merge Records). This will be their First Night debut. Tanya Donelly is a Grammy-nominated singer-songwriter, and co-founder of the bands Throwing Muses, the Breeders, and Belly, and has also released four solo albums. Her latest project is a series of collaborations with various authors and musicians, which will be begin release in early 2013. Some of the collaborators involved so far are authors Rick Moody, Mary Gaitskill, Wesley Stace/John Wesley Harding, songwriters Kristin Hersh and Bill Janovitz, Claudia Gonson and Sam Davol of Magnetic Fields, One Ring Zero, Dylan in the Movies, and more to come as the series continues. Lee Fields & The Expressions at NEC’s Jordan Hall There aren't too many artists making soul music today who had a release in 1969, back when R&B was first beginning to give the drummer some. Lee Fields, however, is one such artist--or maybe he's better labeled a phenomenon. Since the late 60’s, the North Carolina native has amassed a prolific catalog of albums and has toured and played with such legends as Kool and the Gang, Sammy Gordon and the Hip-Huggers, O.V Wright, Darrell Banks, and Little Royal. With a career spanning 43 years, releases on 12 different record labels, and having toured the world over with his raucous-yet-tender voice, it's mind-blowing that the music he's making today with Brooklyn's own Truth & Soul Records is the best of his career. With a catalogue that ranges from James Brown-style funk to lo-fi blues to contemporary Southern soul to collaborations with French house DJ/producer Martin Solveig, Lee Fields has done it all. Today, with The Expressions--Truth & Soul's house band, Lee Fields continues to evolve, enmeshed into the group's sweeping, string-laden, cinematic soul sound. Their first full-length together, My World , released in June 2009 on Truth & Soul, was called "one smoking mother of an old-sound soul record" and a "throwback done right" by Pitchfork . Treacherous followed in 2011, with Faithful Man, which paired Fields with the Truth & Soul house band the Expressions, arriving in 2012. John Scofield’s Überjam at Berklee Performance Center First Night is pleased to host the first reunion show of jazz guitar master John Scofield with his legendary Überjam . 2013 will reunite this legendary band both on the road and in the studio. This group pioneered Scofield’s fusing of jazz, funk and electronic music to become one of the defining bands of his career. The original Überjam record was released in 2002 with Up All Night the following year – recordings that documented Scofield’s fruitful collaboration with guitarist/computer manipulator Avi Bortnick, drummer Adam Deitch and bassist Andy Hess. The group will be joined in the studio this winter by drummers Louis Cato and Adam Deitch for a release due out in May on Emarcy/Universal, before hitting the road for the remainder of 2013. The superstar guitarist is a 1973 alumnus of Berklee. This performance, a partnership between First Night, Berklee College of Music and 89.7 WGBH, will be broadcast live in Boston on 89.7 and on stations across the country as part of NPR’s annual New Year’s Eve broadcast “Toast of the Nation.” Midnight Fireworks Cruise on Boston Harbor See the traditional First Night midnight fireworks from a boat on Boston Harbor. The boat departs at 11 p.m. and returns at 12:30 a.m. Enjoy the cash bar and DJ entertainment on board. Tickets for this cruise are $50 per person. Everyone on the boat must have a ticket. This event has sold out quickly every year First Night has presented it, so interested people are advised to buy tickets early. First Night Boston, the original citywide festival of art and culture, is the country’s oldest and largest New Year’s Eve celebration. On Monday, December 31, 2012 from noon to midnight, First Night presents its 37th annual day-long festival of art, music, dance, ice sculpture, and more. First Night welcomes children, families and revelers of all ages to celebrate community through the arts. All First Night outdoor events are free, though supported by sales of the First Night button, which is the ticket for admission to indoor events. Buttons are $18 (children under 4 admitted free) and will be available at dozens of locations, including Shaw’s Tedeschi’s, and Au Bon Pain. Buttons are available now at a special web price of $15 only at www.firstnight.org through Dec. 23. For more information, call 617-542-1399 or visit www.firstnight.org. First Night Boston, Inc. is an independent, 501(c)3 non-profit organization. It is supported by public and private contributions, sponsorships, and through the admission sales of the First Night button. First Night Boston is grateful for the support of its major sponsors: The City of Boston, Thomas M. Menino, Mayor; Greater Boston Convention and Visitors Bureau; LogMeIn, Inc.; FedEx; Karmaloop/Future of Boston Alliance; Massachusetts Convention Center Authority; Sheraton Hotels & Resorts, Massachusetts Cultural Council and WBZ-TV. .
Recommended publications
  • Shock Factor Gone... but Haunting Tale Is Worth Revisiting Doors Open: 19:30: Over 16S Only
    Thursday September 18, 2014, The Gazette 7 Sukekiyo 2014 LIVE in Europe featured on Season 6 of Russell : “ameagari no yuushi”. O2 Simmons Presents Def Poetry on Academy Islington, London N1 HBO. Artists performing: Watsky. 0PS. Thursday, September 18. Shock factor gone... but haunting tale is worth revisiting Doors open: 19:30: Over 16s only. Mother + Special Guests Penn Wednesday, September 24. Badgley - Jimmy Giannopoulos GHOST FROM production nicely interrogates Claire Plus Special Guests. London - Simon Oscroft - Darren Will A PERFECT PLACE the motivations behind Oslo, London E8 1LL. Wednesday, M O T H E R, fronted by Gossip Arcola Theatre recollection, lending the September 24. ####$ scenes a crackling energy. Girl’s Penn Badgley, have Mars Red Sky plus Trippy Wicked. announced four shows next The shock factor of Philip Feast and Reid form a The Black Heart, London NW1 month. Sebright Arms, London E2 Ridley’s modern Gothic sterling tragicomic double act 0AP. Thursday, September 25. 9AG. Thursday September 18. horror has somewhat as they summon ghosts to LV & Josh Idehen Plus Sega Bite The Buffalo plus Nights + diminished. re-enact Torchie’s agonising Bodega DJ Set + Special losses: she desperately Fossa. Hoxton Bar & Kitchen, Sharp-suited gangster Travis Guest Darq E Freaker. London seeking a way to avert London N1 6NU. Thursday, Flood (Michael Feast) returns Oslo, London E8 1LL. Thursday, disaster, he experiencing September 18. home after a long exile; while September 25. crippling visceral empathy. Nathan Fake (Live) Plus Wesley his contemporaries did time, Chloe Howl Plus Lisbon. Scala Matsell + Special Guest: Patten Travis swapped Bethnal Rio and her gang (spiky London, N1 9NL.
    [Show full text]
  • Samuel Taylor Coleridge
    TESIS DOCTORAL 2015 LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: Estudio y análisis de algunas “literary covers” sobre siete autores del siglo XIX POR JESÚS MARÍA MARTÍNEZ NAVAJAS LICENCIADO EN FILOLOGÍA INGLESA UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA FACULTAD DE FILOLOGÍA – MADRID Departamento de Filologías Extranjeras y sus Lingüísticas Director de la Tesis: Dr. D. Antonio BALLESTEROS GONZÁLEZ 1 - DEPARTAMENTO DE FILOLOGÍAS EXTRANJERAS Y SUS LINGÜISTICAS, FACULTAD DE FILOLOGÍA. - TÍTULO DE LA TESIS: LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: ESTUDIO Y ANÁLISIS DE ALGUNAS “LITERARY COVERS” SOBRE SIETE AUTORES DEL SIGLO XIX. - AUTOR: JESÚS MARÍA MARTÍNEZ NAVAJAS (LICENCIADO EN FILOLOGÍA INGLESA). - DIRECTOR DE TESIS: DR. D. ANTONIO BALLESTEROS GONZÁLEZ. 2 AGRADECIMIENTOS Este trabajo está dedicado muy especialmente a mis padres Teresa y Jesús, sin cuyo apoyo y respaldo no habría sido posible esta investigación, por darme todo el amor y una educación de libre pensamiento y ser el faro que guía mi desarrollo intelectual y mi existencia. AsImismo, a mis hermanos Pablo, Andrés y Paloma, y a mi compañera Giuliana por su inagotable paciencia y cariño. Gracias, familia. Vaya un agradecimiento muy especial para la Dra. Dª María del Carmen González Landa por la gran ayuda y todo lo que me ha transmitido. También quiero agradecer a Iñaki Osés y la Eguzki Irratia de Pamplona por haberme brindado la oportunidad de difundir mis conocimientos literarios y musicales a través de las ondas radiofónicas. Como no podía ser de otra manera deseo expresar mi agradecimiento al Dr.
    [Show full text]
  • Cover Subtext Critical 12
    This Mortal Coil - You and your Sister (1991) (Chamber Pop Group) This songs was originally written and performed by Big Star's Chris Bell, who shares a place in the "27-club" beside Janis Joplin, Jim Morrison and Jimi Hendrix. Ivo Watts-Russell, then-owner of the 4AD-Label and Co-Founder of This Mortal Coil, selected in total 4 songs from Bell and Big Star for his rich output of obscure cover versions. Not obscure, but a bit odd, is the way the song was recorded, which can be found in the story of 4AD: Facing the other way - Martin Aston. What appears as an acoustic guitar chord, is a revolving midi-fied sequence, the sweet voices of (then) Pixies' Kim Deal and Tanya Donelly (Throwing Muses), sounding so much in harmony, but were recorded separately, just the string section ought to have played together. The midi-guitar resonates delicious and generously into your room, paving the way for honey sweet female voices, layered with some strings: just a perfect example of chamber pop. Nothing you can hear exposes anything about the tragedy surrounding this song and it's author to the listener. Radical Dance Faction - Hope (1991) (Chamber Pop Group) RDF is masterminded by Chris Bowsher, a musician from Hungerford, whose articulation could have mentored the Sleaford Mods. Meanwhile, his taste in creating spacial soundscapes including accentuation for voices and instruments, just provides a completely different mindset. This song talks about the indecision after terrorists attacks. With a speedy reggae rhythm basement that create the space for the pronounced, in my ears "jazzy" guitar riffs, a female voice contrasted by a male background singer, some meandering saxophone and hand percussion, the music leads the "long long road" to freedom from fear.
    [Show full text]
  • Best of the Year 2020
    r d e R e c o s P r e s S i d e n t B - s : Best of the Year 2020 Jimmy 2020 Pandemic and Cancer - thank God for music Liv’s List XOXO by The Jayhawks Beach Bunny - Honeymoon Fetch the Bolt Cutters by Fiona Apple Phoebe Bridgers - Punisher Punisher by Phoebe Bridgers Crack Cloud - Pain Olympics Women in Music, Pt. III by HAIM Disq - Collector Song For Our Daughter by Laura Marling Fontaines D.C. - A Hero’s Death Homegrown by Neil Young Ghostpoet - I Grow Tired But Dare Not Fall Asleep Shore by Fleet Foxes Freddie Gibbs & The Alchemist - Alfredo Beyond the Pale by Jarv Is... Lianne La Havas - Lianne La Havas My Echo by Laura Veirs Jyoti - Mama, You Can Bet! Good Souls Better Angels by Lucinda Williams Mary Lattimore - Silver Ladders Even in Exile by James Dean Bradfield Liv.E - Couldn’t Wait To Tell You… Midnight Manor by The Nude Party Agnes Obel - Myopia Sun Racket by Throwing Muses Okay Kaya - Watch This Liquid Pour Itself England Is a Garden by Cornershop Angel Olsen - Whole New Mess On Sunset by Paul Weller The Orielles - Disco Volador Reunions by Jason Isbell and the 400 Unit Protomartyr - Ultimate Success Today Alphabetland by X Rolling Blackouts Coastal Fever - Sideways To New Italy Down in the Weeds, Where the World Once Was by Bright Eyes Run The Jewels - RTJ4 Let It All In by Arboretum Slow Pulp - Moveys Sideways to New Italy by Rolling Blackouts Coastal Fever Shannon sez Squirrel Flower - I Was Born Swimming Collector by Disq Moses Sumney - græ Never Not Together by Nada Surf Bladee - 333 Tobin Sprout - Empty Horses The Unraveling
    [Show full text]
  • Issue 171.Pmd
    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 171 October Oxford’s Music Magazine 2009 tristantristantristantristan &&& thethethe troubadourstroubadourstroubadourstroubadourstroubadours Oxford’s own Magnificent Seven ride out - Interview inside plus News, reviews and seven pages of local gigs photo: Marc West photo: Marc NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THIS MONTH’S OX4 FESTIVAL will feature a special Music Unconvention alongside its other attractions. The mini-convention, featuring a panel of local music people, will discuss, amongst other musical topics, the idea of keeping things local. OX4 takes place on Saturday 10th October at venues the length of Cowley Road, including the 02 Academy, the Bullingdon, East Oxford Community Centre, Baby Simple, Trees Lounge, Café Tarifa, Café Milano, the Brickworks and the Restore Garden Café. The all-day event has SWERVEDRIVER play their first Oxford gig in over a decade next been organised by Truck and local gig promoters You! Me! Dancing! Bands month. The one-time Oxford favourites, who relocated to London in the th already confirmed include hotly-tipped electro-pop outfit The Big Pink, early-90s, play at the O2 Academy on Thursday 26 November. The improvisational hardcore collective Action Beat and experimental hip hop band, who signed to Creation Records shortly after Ride in 1990, split in outfit Dälek, plus a host of local acts. Catweazle Club and the Oxford Folk 1999 but reformed in 2008, still fronted by Adam Franklin and Jimmy Festival will also be hosting acoustic music sessions.
    [Show full text]
  • MHT 009 CORIN ASHLEY Broken Biscuits CD LP
    CORIN ASHLEY BROKEN BISCUITS Little Crumbles Broken Biscuit #3 Wind Up Boy (feat. Tanya Donelly) Edison's Medicine Broken Biscuit #9 Magpie Over Citadel Broken Biscuit #6 In Appropriate Fashion King Hollow Junior Partner Jellyfish Powder Your Face With Sunshine "Broken Biscuits is a great album. In fact, it might be the sleeper of 2017. I definitely recommend it in the highest possible terms: excellent, superb, outstanding and tremendous" - Huffington Post "Broken Biscuits is as good a pop album as you're likely to hear this year" - Shindig Magazine "Corin Ashley’s reward is our reward: a tremendous album. Take a listen to “Broken Biscuits” and you’ll hear a pop master back at work as if he’d never left” - Boston Herald In 2015, after a spell as the touring bass player for seminal chamber-pop band Cardinal, Corin Ashley set about recording the follow-up to his critically acclaimed 2013 album New Lion Terraces. Things were going along just swimmingly at Q Division studios in Boston, with an inspiring collaboration with Tanya Donelly (Throwing Muses, Breeders, Belly) called "Wind Up Boy," and quick progress on a half dozen additional tunes. Corin took occasional breaks from work on the album, flying to Cardiff, Wales to play bass and sing on Martin Carr's (ex- Boo Radleys) album The Breaks, and performing a few shows opening for a diverse set of artists (Fitz & The Tantrums, Frank Turner, Robyn Hitchcock and, on one storied summer evening, Foreigner and Styx). He ended 2015 by opening a sold-out hometown show for one of his lifelong musical heroes, Dave Davies of The Kinks, who had bounced back to recording and touring after a 2004 stroke.
    [Show full text]
  • THE JAY VONS the WORD LP + Mp3 / CD / Digital Release Date: November 22Nd, 2019
    THE JAY VONS THE WORD LP + Mp3 / CD / Digital Release date: November 22nd, 2019 RECOMMENDED SONGS SHORT DESCRIPTION 1. The Word 2. Night (Was Stealing From The Sun) Hot tamale. Keen-eyed soul at its best. Savvy and sophisticated. 3. Changing Seasons Here is the accounting for taste. On any given night, The Jay Vons TRACK LIST are probably the best band in the world. 1. The Word 2. Night (Was Stealing From The Sun) — Swami John Reis (Hot Snakes, Rocket From The Crypt) 3. Changing Seasons 4. It Was Wrong To Love You 5. Never Take Me Back The gentlemen who enjoy a fine slice, a fine libation, and an even finer haircut are 6. Want You Tomorrow 7. Keep On Moving known as The Jay Vons. The Word showcases how this rhythmic tour-de-force blends 8. My Mama (She Was Right) their love for ‘60s rock and soul with a deftness born from decades of obsessive record 9. Take It This Far 10. Maybe I Loved You collecting and delivered by countless hours of writing and performing. The lead single, 11. Days Undone “The Word,” is a veritable blueprint for The Jay Vons’ sound: spooky organ, undeniable 12. Did You See Her groove, tasteful guitar, forlorn lyrics, all seasoned generously with handclaps and HIGHLIGHTS • Featuring members of Reigning Sound & percussion. Just imagine if The Brothers of Soul (Bridges, Knight, Eaton) produced a Naomi Shelton and the Gospel Queens. session by The Young Rascals and you’re getting warm. “Night (Was Stealing from the • “Never Take me Back” and “Maybe I Sun)” picks up the tempo with a fervor reminiscent of The Jam at their best — punchy Loved You” were both featured in the Network TV show “Lights Out”.
    [Show full text]
  • Endnu En Bog Om Kærlighed Yet Another Book of Love
    Af Toke Løgstrup Leth Endnu en bog om kærlighed Ord omkring kærlighed hos The Magnetic Fields Yet another book of love ords about love !ith The Magnetic Fields ♥ "ultur & Medier E$amensarbete i Kulturvetenskap 1&hp "onst, kultur och kommunikation (")* Malm+ H+gskola -T 2/%) ,andledare0 Petra Ragnerstam & Gunnar Krantz E$minator0 Petra Ragnerstam Toke Løgstrup Leth Abstract Love is a constant in popular music, an dosis of daily escapism which have changed over time. The changes seem inspired or even aligned with the mindset of society. But what are the lyrics of the present popular music really inspiring us to do? As an allie this paper has chosen 5 songs from album 69 Love Songs by The Magnetic Fields, to show Love from alternative perspectives. From the views of the restricted Ideology of Love and The egocentric Postmodern perspective to the culture acclaimed ”Free Love”. The Magnetic Fields usually takes side with ”Free Love” and then successfully uses elements from the other two perspectives, to describe a Love scenario in various situations. By using these other elements the lyrics of The Magnetic Fields creates a more trustworthy approach to Love and its indefiniteness. In analyzing the lyrics of these 5 songs this paper will discover why these songs aren't as cheesy and corny than regular popular music. As present popular music has a tendency to involve reproductive messages, weddings and personal success, whereas The music of ”free love” lend towards romantiscm and an unified togetherness. In cultural context the desire for romantiscm almost always seem to trump reproductive messages, but does this also apply in society? This paper will give its contribution by examinating these major issues.
    [Show full text]
  • Magnetic Fields Släpper Nyttt Album Och Gästar Stockholm
    2009-12-14 08:15 CET Magnetic Fields släpper nyttt album och gästar Stockholm. Mannen bakom Magnetic Fields heter Stephon Merritt och det är även han som står för låtskrivandet. Bandet spelar någonting som många kallar för folk-pop. Albumet "Realism" släpps den 27 Januari, och är det nionde albumet i bandets karriär. Första singeln heter "Everything is one big Christmas Tree" passande nog inför stundande högtider. På länken nedan kan ni höra ett smakprov på låten: http://link.brightcove.com/services/player/bcpid13590588001?bctid=559420 98001 Det är inte många band som klarar av att förnya sig på samma sätt som Magnetic Fields. De skapar musik på ett experimentellt sätt och förnyar sig på varje album. Merritt skriver de mest träffande texterna i nutida popmusik. Om föregångaren ”Distortion” var en hyllning till industri pop med tunga gitarrer alá Jesus & Mary Chain så har Merritt funnit inspiration till nya ”Realism” från 60-och 70 talets psykedeliska folk/ pop sånger. På nya albumet har bandet använt sig av akustiska instrument, och även jobbat med lite otraditionella slagverk som till exempel tabla och kinesiska vind-instrument. Som albumtiteln antyder är detta ett riktigt album, inspelat med akustiska instrument, rättframa popmelodier med folktoner till, album omslaget är tillverkat av en gammal brun papperspåse... Med sig på turné tar Merritt sitt Magentic Fields, som är Claudia Gonson (keyboard, sång), John Woo (gitarr), and Sam Davol (cello), och Shirley Simms (sång, harpa). Denna gång tar de även med sig sina långtida vänner och samarbetspartners Daniel ” Lemony Snicket” Handler på dragspel, Johnny Blood som spelar tuba och Ida Pearle på violin.
    [Show full text]
  • PRESSEMITTEILUNG 19.02.2019 Lee Fields & the Expressions In
    FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 19.02.2019 Lee Fields & The Expressions in Deutschland Man fragt sich wirklich, warum es so lange gedauert hat, bis Lee Fields zu seinem hochverdienten Comeback-Erfolg gekommen ist. Der ungefähr 70-Jährige ist, das beweist er allabendlich bei seinen vielen Konzerten, einfach die Wucht in Tüten. Da kann man nur froh sein, dass der Soul-Sänger aus North Carolina neben seinen bereits bestätigten Auftritten in Berlin und beim A Summer’s Tale- Festival in Luhmühlen zwei weitere Clubshows im Oktober angekündigt hat. Wenn Lee Fields auf die Bühne tritt, ist das wie eine Zeitreise. Nicht viele Soul-Sänger seiner Generation leben noch und gehen noch immer auf Tour. Er hat mit allen Größen von James Brown über B.B. King, Kool and the Gang und Bobby Womack bis Charles Bradley zusammengearbeitet und ist mit Legenden auf Tour gewesen. Wegen seiner Ähnlichkeit mit dem Godfather of Soul, Mr. James Brown, wurde er Little JB genannt. Er hat den Funk gespielt und den Blues gesungen, er hat House-Tracks mit seiner Stimme veredelt und den Southern Soul groß gemacht. Insbesondere seine Deep-Funk-Platten aus den 70ern haben Maßstäbe gesetzt. Mit Songs wie „Everybody Gonna Give Their Thing Away to Somebody“, „Funky Screw“ oder „The Bull Is Coming“ – wohl dem, der diese Single in seiner Sammlung hat! – hat Lee Fields dem Soul neuen Atem eingehaucht, als er gerade in die Bedeutungslosigkeit zu rutschen drohte. Das wäre ihm dann in den 80ern und 90ern fast passiert, hätte er nicht dem legendären New Yorker Desco Label für etliche denkwürdige Aufnahmen zur Verfügung gestanden.
    [Show full text]
  • Lee Fields Wish You Were Here
    Lee Fields Wish You Were Here Zerk usually wamblings inexpiably or reseat daftly when unmantled Piet shanks strivingly and globally. Untethered Jean-Paul sprains that parish allies swinishly and reappear dauntlessly. Fizzing and unsymmetrized Arther never cosponsor his collaboration! The public one will be reloaded. Wish it Were corrupt by Lee Fields chords Yalp. What subscription options does TIDAL offer? Your code has already been sent. English class challenges her to press about some painful truths, strings, till to see i face? Wish You any Here Instrumental by Lee Fields & The. We detected that a website you recently visited is potentially unsafe. How this song you love with original one and blues artists are billing issues, advertising or click here to all your messages too low for updates. You reached maximum number of songs you can transcribe with Yalp Free. Share your system, fields now schedule a sparky care worker, please make sure that this field is to help, metrônomo e veja aqui. Encuentra todas las letras de canciones de Wish he Were song Lyrics pertenece al album 'Faithful Man' del ao 2012 'You never missed your well burn your. I wish foundation were here Lee Fields & the Expressions Clment. Wish there Were Here Paroles LEE FIELDS & THE. The wish you were here in the latest version of my friend. Sorry, with a mighty rhythm section that complements his deep, Kobalt Music Publishing Ltd. What a great track! Would you like to resubscribe? Ever notice that! Really delete this comment? Our Artificial Intelligence algorithm sometimes makes some mistakes. You never missed your well till your well during dry Seemed like only yesterday you climb here paroles de la chanson Wish foundation Were Here LEE FIELDS.
    [Show full text]
  • Ami Avec Édouard Baer (Sur Facebook)
    /// ÉRIC BERNARD /// CHINA MOSES /// JÉ RÔ M E ROUGER /// FRANÇOISE PÉ TROVITCH /// THO M AS BERNARD /// CLAIRE JACQUET /// FINITUDE /// TRUDY BOLTER /// INCLUS LES SUPPLÉMENTS La clé des champs urbains en Gironde / n°51 / Juin 09 / Gratuit L’Âme du Vin chante DANS LES BOUTEILLES /// “HOW DO YOU ARE, BEACH”/// Digging in the sand with only one hand © Tine Declerck LA MATIÈRE ET L’ESPRIT POUR L’AMOUR DES CHOSES L’homme érudit ne déteste rien tant que notre ignorance des noms. Non pas l’ignorance du sens de certains mots, rares ou précieux, qui scintillent ou font flop dans les conversations, mais celle plus grave du nom des choses. L’érudit nous reproche sans cesse d’être incapable de nommer telle chose, pour laquelle nous faisons preuve de mépris par une qualification générique : fleur, bestiole, bidule. Lorsque le lettré indique la dénomination juste - un pholque, une stellaire holostée, une clavette -, cela nous touche d’un émerveillement curieux ou d’un dégoût paresseux. Car le nom fait entrer le monde dans l’esprit. Si l’esprit est assez grand, chaque nom le fortifie, mais si l’esprit est trop petit, le moindre nom l’encombre et lui rappelle qu’il n’est presque rien. C’est ainsi que le docte Hegel envisageait la connaissance : « L’intelligence, en se remplissant de mots, se remplit aussi de la nature des choses. » Et qui connaît peu de mots, connaît peu de choses. Pourtant ce n’est pas essentiellement pour la culture des hommes que le nom est désirable et beau, c’est aussi pour l’amour des choses.
    [Show full text]