National Gallery of Ireland Annual Report 2014
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Galway City Walls Conservation, Management and Interpretation Plan
GALWAY CITY WALLS CONSERVATION, MANAGEMENT & INTERPRETATION PLAN MARCH 2013 Frontispiece- Woman at Doorway (Hall & Hall) Howley Hayes Architects & CRDS Ltd. were commissioned by Galway City Coun- cil and the Heritage Council to prepare a Conservation, Management & Interpre- tation Plan for the historic town defences. The surveys on which this plan are based were undertaken in Autumn 2012. We would like to thank all those who provided their time and guidance in the preparation of the plan with specialist advice from; Dr. Elizabeth Fitzpatrick, Dr. Kieran O’Conor, Dr. Jacinta Prunty & Mr. Paul Walsh. Cover Illustration- Phillips Map of Galway 1685. CONTENTS 1.0 INTRODUCTION 1 2.0 UNDERSTANDING THE PLACE 6 3.0 PHYSICAL EVIDENCE 17 4.0 ASSESSMENT & STATEMENT OF SIGNIFICANCE 28 5.0 DEFINING ISSUES & VULNERABILITY 31 6.0 CONSERVATION PRINCIPLES 35 7.0 INTERPRETATION & MANAGEMENT PRINCIPLES 37 8.0 CONSERVATION STRATEGIES 41 APPENDICES Statutory Protection 55 Bibliography 59 Cartographic Sources 60 Fortification Timeline 61 Endnotes 65 1.0 INTRODUCTION to the east, which today retains only a small population despite the ambitions of the Anglo- Norman founders. In 1484 the city was given its charter, and was largely rebuilt at that time to leave a unique legacy of stone buildings The Place and carvings from the late-medieval period. Galway City is situated on the north-eastern The medieval street pattern has largely been shore of a sheltered bay on the west coast of preserved, although the removal of the walls Ireland. It is located at the mouth of the River during the eighteenth and nineteenth centuries, Corrib, which separates the east and western together with extra-mural developments as the sides of the county. -
Weekend in Dublin
2L Travel +1 (305) 432 -2458 [email protected] Weekend in Dublin ________________________________________________________________________________Itinerary Package price includes: 49-seater coach for Half Day on Day 1 (09:00 – 13:00 or 13:30 – 17:30) Guide for Half Day (Panoramic tour) on day 1 Coach for Half Day on day 1 (Panoramic tour) 3 Nights in a three star centrally located hotel in Dublin, Bed & Full Irish Breakfast basis Airport transfer from your hotel to Dublin Airport on Day 4 Day 1 Details Arrive at the Dublin Airport and meet with your guide at the arrival halls. Depart for Dublin Panoramic City Tour (appr 3h). The guided panoramic city tour takes you through the most famous monuments and landmarks of Dublin, the city on the banks of River Liffey. You’ll see some of the town’s most important buildings, including GPO which dominates the famous O’Connell Street, arterie of the Northern City and Palace of Justice in Four Courts, an old Dubiln port area with beautiful Customs House. You’ll also drive through Phoenix Park which is the biggest town park in the Europe and houses the residence of the President of Republic of Ireland and famous Dublin Zoo. The Southern City is more sophisticated with elegant Georgian houses with their multicolored doors and magnificent Grafton Street are with its great shops and the famous Trinity College with its huge Old Library and Book of Kells. You’ll see the St.Patrick’s Cathedral, the most important church in Ireland and medieval church of Christ Church where the 14th century copy of Magna Carta is displayed. -
Kenmare News [email protected] Page 17
FREE KENMARE NEWS June 2013 Vol 10, Issue 5 087 2513126 • 087 2330398 Love food? Tuosist ‘lifts Love the latch’ Let’s party in The Kenmare? ...See Breadcrumb! ...See page 24 ...See page 17 pages and much, 20/ 21 much more! SeanadóirSenator Marcus Mark O’Dalaigh Daly SherryAUCTIONEERS FitzGerald & VALUERS T: 064-6641213 Daly Lackeen, 39 Year Campaign Blackwater 4 Bed Detached House for New Kenmare Panoramic Sea Views Hospital Successful 6 miles to Kenmare Town Mob: 086 803 2612 Clinics held in the Michael Atlantic Bar and all Asking Price surrounding €395,000 Healy-Rae parishes on a Sean Daly & Co Ltd T.D. regular basis. Insurance Brokers EVERY SUNDAY NIGHT IN KILGARVAN: Before you Renew your Insurance (Household, Motor or Commercial) HEALY-RAE’S MACE - 9PM – 10PM Talk to us FIRST - 064-6641213 HEALY-RAE’S BAR - 10PM – 11PM We Give Excellent Quotations. Tel: 064 66 32467 • Fax : 064 6685904 • Mobile: 087 2461678 Sean Daly & Co Ltd, 34 Henry St, Kenmare T: 064-6641213 E-mail: [email protected] • Johnny Healy-Rae MCC 087 2354793 TAXI KENMARE Cllr. Patrick Denis & Mags Griffin O’ Connor-Scarteen M: 087 2904325 087 614 7222 €8 Million for Kenmare Hospital by FG led Government See Page 16 Kenmare Furniture Bedding & Suites 064 6641404 OPENINGKenmare Business HOURS: Park, Killarney MON.-SAT.: Road, Kenmare. 10am-6pm Email: [email protected] Web: www.kenmarefurniture.com Come in and see the fabulous new ranges now in stock Page 2 Phone 087 2513126 • 087 2330398 Kenmare News The July edition of The Kenmare News will be Kenmare sisters, published on Friday July 26th and closing date for Cora and Sabrina O’Leary are submissions is Friday July 19th. -
Quarterdeck MARITIME LITERATURE & ART REVIEW
Quarterdeck MARITIME LITERATURE & ART REVIEW AUTUMN 2020 Compliments of McBooks Press MARITIME ART British Marine Watercolors A brief guide for collectors PD - Art BY JAMES MITCHELL All images courtesy of John Mitchell Fine Paintings in London ABOVE Detail from “A Frig- James Mitchell is the co-proprietor of John Mitchell ate and a Yacht becalmed Fine Paintings which has been associated with tradi- in the Solent,” oil on can- tional British and European paintings for ninety years. vas, 25” x 29”, by English marine artist Charles With a gallery just off Brook Street in the heart of Lon- Brooking (1723-1759). don’s Mayfair, the business is now run by James and William Mitchell, the grandsons of John Mitchell who began the dealership in 1931, and their colleague James Astley Birtwistle. ver the centuries, “the silver sea,” of which Shakespeare wrote, shaped Britain’s island home and deepest identity. Britons, many Obelieved, had saltwater running in their veins. However, in modern Britain, our extraordi- nary history as a seafaring nation is not nearly as familiar as it once was. The great Age of Sail has become the esoteric province of historians and enthusiasts sustained by regular doses of Quar- terdeck and the latest gripping novels of our fa- collectors of pictures from the same period. vorite naval authors. Once-acclaimed sea painters – Brooking, Similarly, English marine painting no longer Serres, Cleveley, Swaine, Pocock, among others receives the attention it deserves, and its subject – aren’t a common currency in the way they matter thought too specialized, even among were, say, half a century ago. -
The Reemergence of Emigration from Ireland
THE RE-EMERGENCE OF EMIGRATION FROM IRELAND NEW TRENDS IN AN OLD STORY By Irial Glynn with Tomás Kelly and Piaras Mac Éinrí TRANSATLANTIC COUNCIL ON MIGRATION THE RE-EMERGENCE OF EMIGRATION FROM IRELAND New Trends in An Old Story By Irial Glynn with Tomás Kelly and Piaras Mac Éinrí December 2015 Acknowledgments Much of the research on which this report is based was carried out as a result of a one-year Irish Research Council grant, which enabled the completion of the EMIGRE (“EMIGration and the propensity to REturn”) project at University College Cork between October 2012 to September 2013. The resulting paper was completed with the support of a Marie Curie Intra-European Fellowship within the 7th European Community Framework Program. Thanks go to Natalia Banulescu-Bogdan and Kate Hooper from the Migration Policy Institute for their insightful comments on earlier drafts. This research was commissioned by the Transatlantic Council on Migration, an initiative of the Migration Policy Institute (MPI), for its twelfth plenary meeting, held in Lisbon. The meeting’s theme was “Rethinking Emigration: A Lost Generation or a New Era of Mobility?” and this paper was one of the reports that informed the Council’s discussions. The Council is a unique deliberative body that examines vital policy issues and informs migration policymaking processes in North America and Europe. The Council’s work is generously supported by the following foundations and governments: Open Society Foundations, Carnegie Corporation of New York, the Barrow Cadbury Trust, the Luso- American Development Foundation, the Calouste Gulbenkian Foundation, and the governments of Germany, the Netherlands, Norway, and Sweden. -
SEA SCIENCE GALLERY GALWAY CITY MUSEUM Floor Plan
SEA SCIENCE GALLERY GALWAY CITY MUSEUM Floor plan Contents The blue whale ........................................................................................................................................ 3 Mapping the Atlantic ............................................................................................................................... 4 Our ocean resource ................................................................................................................................. 7 The water cycle ....................................................................................................................................... 7 Tides – where does the water go? .......................................................................................................... 8 Life in a drop of seawater ........................................................................................................................ 9 Who eats who? ..................................................................................................................................... 10 The real map of Ireland ......................................................................................................................... 11 What am I? ............................................................................................................................................ 12 Under pressure .................................................................................................................................... -
2018 1868 Music Hall Hall Music March 17, March 2018 the SOCIETY of the SOCIETY of the FRIENDLY SONS of ST
Sesquicentennial Banquet of The Society of The Friendly Sons of St. Patrick - 2018 Patrick of St. of Banquet Sons Sesquicentennial of The Society The Friendly 1868 - 2018 THE SOCIETY OF THE FRIENDLY SONS OF ST. PATRICK SESQUICENTENNIAL BANQUET Music Hall March 17, 2018 Glue here to front of book This is a ~ LIMITED EDITION ~ Historical Banquet Program Published to Commemorate The Society of The Friendly Sons of St. Patrick Sesquicentennial Banquet March 17, 2018 CINCINNATI, OHIO | KAHNY PRINTING INC. | 550 PRINTED COPIES Mosaic of St. Patrick Athenaeum of Ohio ~ Cincinnati Photographed by Robert McNary Flischel 1 The Society of The Friendly Sons of Saint Patrick is a private organization dedicated to the principles of brotherhood, charity and community service. Since the founding of the Cincinnati chapter in 1868, the society has maintained a tradition of openness to Irish as well as non-Irish men of goodwill, without regard to ethnic or religious origin. There were two predecessors to the Cincinnati Society - Philadelphia, founded in 1771 and New York, founded in 1784. With God’s blessing we look forward to another century of fraternity and service. 2 George A. Doherty First President of the Friendly Sons of St. Patrick in the City of Cincinnati 1868 “The Friendly Sons of St. Patrick - We meet tonight unshackled by sectarianism untrammeled by politics” Dr. George A. Doherty First Banquet, St. Nicolas Hotel March 17th, 1869 3 "A Society distinguished for the firm adherence of its Members to the glorious cause in which we are embarked" - Gen. George Washington 4 Marc f. Shiels President 5 History of the Shiels Family “The Irish surname Shiels allegedly originates from the counties Antrim, Derry, Donegal, and Down. -
DUTCH and ENGLISH PAINTINGS Seascape Gallery 1600 – 1850
DUTCH AND ENGLISH PAINTINGS Seascape Gallery 1600 – 1850 The art and ship models in this station are devoted to the early Dutch and English seascape painters. The historical emphasis here explains the importance of the sea to these nations. Historical Overview: The Dutch: During the 17th century, the Netherlands emerged as one of the great maritime oriented empires. The Dutch Republic was born in 1579 with the signing of the Union of Utrecht by the seven northern provinces of the Netherlands. Two years later the United Provinces of the Netherlands declared their independence from the Spain. They formed a loose confederation as a representative body that met in The Hague where they decided on issues of taxation and defense. During their heyday, the Dutch enjoyed a worldwide empire, dominated international trade and built the strongest economy in Europe on the foundation of a powerful merchant class and a republican form of government. The Dutch economy was based on a mutually supportive industry of agriculture, fishing and international cargo trading. At their command was a huge navy and merchant fleet of fluyts, cargo ships specially designed to sail through the world, which controlled a large percentage of the international trade. In 1595 the first Dutch ships sailed for the East Indies. The Dutch East Indies Company (the VOC as it was known) was established in 1602 and competed directly with Spain and Portugal for the spices of the Far East and the Indian subcontinent. The success of the VOC encouraged the Dutch to expand to the Americas where they established colonies in Brazil, Curacao and the Virgin Islands. -
Volume 1 TOGHCHÁIN ÁITIÚLA, 1999 LOCAL ELECTIONS, 1999
TOGHCHÁIN ÁITIÚLA, 1999 LOCAL ELECTIONS, 1999 Volume 1 TOGHCHÁIN ÁITIÚLA, 1999 LOCAL ELECTIONS, 1999 Volume 1 DUBLIN PUBLISHED BY THE STATIONERY OFFICE To be purchased through any bookseller, or directly from the GOVERNMENT PUBLICATIONS SALE OFFICE, SUN ALLIANCE HOUSE, MOLESWORTH STREET, DUBLIN 2 £12.00 €15.24 © Copyright Government of Ireland 2000 ISBN 0-7076-6434-9 P. 33331/E Gr. 30-01 7/00 3,000 Brunswick Press Ltd. ii CLÁR CONTENTS Page Foreword........................................................................................................................................................................ v Introduction .................................................................................................................................................................... vii LOCAL AUTHORITIES County Councils Carlow...................................................................................................................................................................... 3 Cavan....................................................................................................................................................................... 8 Clare ........................................................................................................................................................................ 12 Cork (Northern Division) .......................................................................................................................................... 19 Cork (Southern Division)......................................................................................................................................... -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 689 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to your submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. Anthony Sheehy, Mike at the Hunt Museum, OUR READERS Steve Whitfield, Stevie Winder, Ann in Galway, Many thanks to the travellers who used the anonymous farmer who pointed the way to the last edition and wrote to us with help- Knockgraffon Motte and all the truly delightful ful hints, useful advice and interesting people I met on the road who brought sunshine anecdotes: to the wettest of Irish days. Thanks also, as A Andrzej Januszewski, Annelise Bak C Chris always, to Daisy, Tim and Emma. Keegan, Colin Saunderson, Courtney Shucker D Denis O’Sullivan J Jack Clancy, Jacob Catherine Le Nevez Harris, Jane Barrett, Joe O’Brien, John Devitt, Sláinte first and foremost to Julian, and to Joyce Taylor, Juliette Tirard-Collet K Karen all of the locals, fellow travellers and tourism Boss, Katrin Riegelnegg L Laura Teece, Lavin professionals en route for insights, information Graviss, Luc Tétreault M Marguerite Harber, and great craic. -
2017 Annual Report 2017 NATIONAL GALLERY of IRELAND
National Gallery of Ireland Gallery of National Annual Report 2017 Annual Report 2017 Annual Report nationalgallery.ie Annual Report 2017 Annual Report 2017 NATIONAL GALLERY OF IRELAND 02 ANNUAL REPORT 2017 Our mission is to care for, interpret, develop and showcase art in a way that makes the National Gallery of Ireland an exciting place to encounter art. We aim to provide an outstanding experience that inspires an interest in and an appreciation of art for all. We are dedicated to bringing people and their art together. 03 NATIONAL GALLERY OF IRELAND 04 ANNUAL REPORT 2017 Contents Introducion 06 Chair’s Foreword 06 Director’s Review 10 Year at a Glance 2017 14 Development & Fundraising 20 Friends of the National Gallery of Ireland 26 The Reopening 15 June 2017 34 Collections & Research 51 Acquisition Highlights 52 Exhibitions & Publications 66 Conservation & Photography 84 Library & Archives 90 Public Engagement 97 Education 100 Visitor Experience 108 Digital Engagement 112 Press & Communications 118 Corporate Services 123 IT Department 126 HR Department 128 Retail 130 Events 132 Images & Licensing Department 134 Operations Department 138 Board of Governors & Guardians 140 Financial Statements 143 Appendices 185 Appendix 01 \ Acquisitions 2017 186 Appendix 02 \ Loans 2017 196 Appendix 03 \ Conservation 2017 199 05 NATIONAL GALLERY OF IRELAND Chair’s Foreword The Gallery took a major step forward with the reopening, on 15 June 2017, of the refurbished historic wings. The permanent collection was presented in a new chronological display, following extensive conservation work and logistical efforts to prepare all aspects of the Gallery and its collections for the reopening. -
The Life and Works of Robert Woodcock
~: ',; I" I -'~ S -- .a '/~~*~~~-u~ y ", :i~i'. ~__ ct~. ~s~'~ The Life and Works of ~ Robert Woodcock, 1 1690-1728 David Lasoc~i and Helen Neate ~ ... ~ !If ~• ...•'\~0 ,<'}Cfj~'l ,,~" , .. ~ " f-i..,rr.. f· ;-J '" .. .",f}/';,[:'.::t lr{/ii8ilfl!; controversial since 1954, when Brian made public Carl Dolmetsch's suggestion Priestman alleged that at least two of them that "Robert Woodcock was not the musi, were probably written by one of the Loeil, cian alluded to by both Burney and Haw, lets (on stylistic grounds, he attributed kins, but Robert Woodcock the celebrated them to Jacques) and stolen by Woodcock. marine painter ... [who} was a noted ama' Because music scholars have known little teur musician."5 MacMillan apparently re, about Woodcock, 4 it has been difficult to jected this notion, going on to argue on come to firm conclusions about his role in musical grounds that the composer of the the composition and publication of these concertos was "the recorder player Robert Woodcock" rather than "Woodcock the "'\~ .. (~" ~ ('~J~ \JY'\ -. \""' 7' ~\.Y'\' The purposes of our article are: first, to demonstrate that there was only one Rob, ert Woodcock, a marine painter, amateur woodwind player, and composer; second, to present new biographical information about him; and finally, to discuss the con' certos in the light of this information as well as musical evidence, concluding that the sole Robert Woodcock probably did compose the concertos published under his name. Woodcoc~'s life The life of Robert Woodcock the marine painter is described in two brief accounts by the engraver George Vertue (1684 1756) among the forty volumes of notes he ltm~ made between 1713 and 1731 for a pro' jected general history of art in England in the sixteenth and seventeenth centuries.