ACMR BIBLIOGRAPHY UPDATE 2010
ASSOCIATION FOR CHINESE MUSIC RESEARCH MAY 2010
Contributors: Lei Ouyang Bryant, Valerie Samson, and Gloria Wong
BOOKS AND MONOGRAPHS
Bonds, Alexandra B. 2008. Beijing Opera Costumes: The Visual Communication of Character and Culture. University of Hawaii Press. [ISBN: 9780824829568] Reviewed by: Andrea S. Goldman (2010), Journal of Asian Studies. 69:207-208. Clark, Mitchell. 2005. Sounds of the Silk Road: Musical Instruments of Asia. Boston: MFA Publications. [ISBN: 0878466886] Reviewed by: Jesse A. Johnston (2010). Asian Music 41(1)169-172. Cho, Gene J. 2010. Music Culture of China: Is Music a Universal Language? Anthology of Essays and Songs. University of North Texas College of Music. [ISBN: 1440192510] Davis, Sara L.M. 2005. Song and Silence: Ethnic Revival on China’s Southwest Borders. New York: Columbia University Press. [ISBN: 9780231135269] De Kloet, Jerome. 2010. China with a Cut: Globalisation, Urban Youth and Popular Music. Amsterdam: IIAS Publications, Amsterdam University Press. [ISBN: 9089641629] Fields, Rebecca. 2010. The Power of Music: Bell Ownership and the Evolving Definition of the 'Other' in Ancient China. Saarbrücken: VDM Verlag [ISBN: 9783639227505] Furniss, Ingrid Maren. 2008. Music in Ancient China : an archaeological and art historical study of strings, winds, and drums during the Eastern Zhou and Han periods (770 BCE-220 CE). Amherst N.Y.: Cambria Press. [ISBN 9781604975208, 1604975202] Reviewed by: Ania Peczalska (2009). Journal of Folklore Research. http://www.indiana.edu/~jofr/review.php?id=951. Goldstein, Joshua. 2007. Drama Kings: Players and Publics in the Re-creation of Peking Opera, 1870-1937. Berkeley : University of California Press. [ISBN: 9780520247529] Reviewed by: Bingbing Wei (2009). Asian Theatre Journal 26(2): 365-367. Hay, Trevor. 2009. China's Proletarian Myth: The Revolutionary Narrative and Model Theatre of the Cultural Revolution. Saarbrücken, Germany. LAP Lambert Academic Publishing. [ISBN: 9783838308586; 3838308581] Ho, Fred. 2009. Wicked Theory, Naked Practice: A Fred Ho Reader. Edited by Diane C. Fujino. Foreword by Robin D.G. Kelley. Afterword by Bill V. Mullen. Minneapolis: University of Minnesota Press. [ISBN: 9780816656844] Hsieh, Fang-Lan and Terry W. York. 2010. A History of Chinese Christian Hymnody: From Its Missionary Origins to Contemporary Indigenous Productions. Lewiston, N.Y.: Mellen Press. [ISBN: 0773438165] [ISBN: 9780773438163] Idema, Wilt L. 2009. Heroines of Jiangyong: Chinese Narrative Ballads in Women’s Script. Seattle: University of Washington Press. [ISBN: 9780295988412, 9780295988429] Reviewed by: Katherine Dimmery (2009). Journal of Folklore Research. http://www.indiana.edu/~jofr/review.php?id=836 ACMR Bibliography Update 2010 2
Idema, Wilt, Maghiel Van Crevel, Tian Yuan Tan, and Michel Hockx, eds. 2009. Text, Performance and Gender in Chinese Literature and Music: Essays in Honor of Wilt Idema. Leiden: Brill Academic Publishers. Sinica Leidensia 92. [ISBN: 9004179062] Jiang, Jin. 2008, 2009. Women Playing Men: Yue Opera and Social Change in Twentieth- Century Shanghai. Seattle: University of Washington Press. [ISBN: 9780295988436] Jones, Stephen. 2007. Ritual and Music of North China: Shawm Bands in Shanxi. Burlington, VT: Ashgate, SOAS Musicology Series. [ISBN: 0754661636] Lee, Tong Soon. 2009. Chinese Street Opera in Singapore. Urbana: University of Illinois Press. [ISBN: 9780252032462] Light, Nathan. 2008. Intimate Heritage (Halle Studies in the Anthropology of Eurasia) Berlin: LIT Verlag. [ISBN: 9783825811204] Liu, C. C. ed. 2010. A Critical History of New Music in China. trs. Caroline Mason. Zhongguo xin yinyueshi lunji. 4 vols. Centre of Asian Studies, 1986-1992. Hong Kong: Chinese University Press. [ISBN: 9629963604] Miller, Frederic P., Agnes F. Vandome, and John McBrewster, eds. 2010. Music of Vietnam: Syncretism, Music of China, Indochina, Champa, Nhã nhạc, Quan họ, Hat chau van, Nhạc dân tộc cải biên, Ca trù, Đàn bầu, Đàn gào, Đàn nguyệt, Đan nhị, Đàn sến, Đàn tam thập lục, Đàn tranh, Đàn tỳ bà Alphascript Publishing, VDM Publishing House Ltd.[ISBN: 9786130231811] Miller, Frederic P., Agnes F. Vandome, and John McBrewster, eds. 2009. Music of Taiwan: Demographics of Taiwan, Taiwanese people, Hoklo people, Hakka people, Mainlander (China), Chiang Kai-shek, Taiwanese aborigines, Music of China, Kuomintang, Culture of Taiwan, Standard Mandarin. Alphascript Publishing, VDM Publishing House Ltd. [ISBN: 9786130255756] Miller, Frederic P., Agnes F. Vandome, and John McBrewster. 2009. Cantonese Opera: Chinese opera, Guangdong, Guangxi, Chinese art, Singing, Martial arts, Acrobatics, Acting, Zhejiang, Cantopop, Huangmei opera, Beijing opera, Music of China, Music of Hong Kong. Alphascript Publishing, VDM Publishing House Ltd. [ISBN: 6130267029] Moskowitz, Marc L. 2009. Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Discontents. Honolulu: University of Hawaii Press. [ISBN: 0824834224] Ou, Chaoquan. [2004] 2007. Life in a Kam Village in Southwest China, 1930-1949. trs. D. Norman Geary. Boston: Brill. Sinica Leidensia 80. [ISBN: 9789004162297] Pfeifer, Mark Edward. 2007. Hmong-Related Works, 1996-2006: An Annotated Bibliography. Lanham MD: Scarecrow Press. [ISBN: 0810860163] Rees, Helen, Ed. 2009. Lives in Chinese Music. Urbana: University of Illinois Press. [ISBN: 0252033795] Steen, Andreas. 2006. Zwischen Unterhaltung und Revolution: Grammophone, Schallplatten und die Anfange der Musikindustrie in Shanghai. (Between the Status Quo and Revolution: Grammophones, Records and the Beginning of Music Industry in Shanghai.) Weisbaden: Harrassowitz Verlag. [Reprint of 2003 dissertation] [ISBN: 9783447053556] Reviewed by: Lena Henningsen (2007), H-Soz-u-Kult. 01.08.2007. http://hsozkult.geschichte.hu- berlin.de/rezensionen/2007-3-080. Thorpe, Ashley. 2007. The Role of the Chou (“Clown”) in Traditional Chinese Drama: Comedy, Criticism, and Cosmology on the Chinese Stage. Lewiston NY: Edwin Mellen Press. Reviewed by: Megan Evans (2009), Asian Theatre Journal, 26(2): 368-371. ACMR Bibliography Update 2010 3
Tian, Min. 2010. China's Greatest Operatic Male Actor of Female Roles: Documenting the Life and Art of Mei Lanfang, 1894-1961. Lampeter, Ceredigion, U. K. Edwin Mellen Press. [ISBN: 0773437770] ISBN: 9780773437777] –––––––. 2008. The Poetics of Difference and Displacement: the Twentieth-Century Chinese- Western Intercultural Theatre. Hong Kong University Press. [ISBN: 9622099076] Reviewed by: Ronald Gilliam (2009), Asian Theatre Journal, 26(2): 371-374. Reviewed by: Hesse Phillips (2010), Theatre Research International 35:77-78. Wang, Ying-Fen and Liu-Yu Liou, eds. 2008. Sounds from Wartime Taiwan, 1943. Kurosawa and Masu’s Recordings of Taiwan Aboriginal and Han Chinese Music. Taipei: National Taiwan University. Ward, Adrienne. 2010. Pagodas in Play: China on the Eighteenth-century Italian Opera Stage. Bucknell University Press. [ISBN: 9780838756966] Wong, Samuel Shengmiao and Desmond Kon. 2003. Impressions of a Pipa Player: Profiles of the World’s Most Premier. Singapore: Ngee Ann Polytechnic, Beaumont Pub. [ISBN: 981048461X] Reviewed by: John Meyers (2005) Ethnomusicology. 49(2): 325- 327. Wong, Samuel Shengmiao. 2005. Qi: An Instrumental Guide to the Chinese Orchestra. Singapore: Teng. [ISBN: 9810540124] Yang, Wang and Ju Zi. 2009. Chorus Singing from the People. Beijing. New World Press. [ISBN: 9787802289987] Yung, Bell. 2008. The Last of China’s Literati: The Music, Poetry, and Life of Tsar Teh-yun. Hong Kong: Hong Kong University Press. [ISBN: 9789622099166] Yung, Bell. 2010. The Flower Princess: A Cantonese Opera by Tong Dik Sang. trs. by Bell Yung, Sonia Ng and Katherine Carlitz. Hong Kong: Chinese University Press. [ISBN: 978- 962-996-374-3]. Yung, Bell, Mei Xiao and Anita Wong. 2002. The Musical Arts of Ancient China. Reviewed by: Tong Soon Lee (2005), Asian Music 36(2): 107-8. Zheng, Su. 2010. Claiming Diaspora: Music, Transnationalism, and Cultural Politics in Asian/Chinese America. Oxford, New York: Oxford University Press. [ISBN: 9780195134377]
ARTICLES
Chen, Szu-Wei. 2005. “The Rise and Generic Features of Shanghai Popular Songs in the 1930s and 1940s.” Popular Music 24(1): 107-125. Chiu, Wai Yee Lulu. 2009. “From 1746 to 1786: The Continual Revision of the Imperial Music Treatise Yuzhi LüLü Zhangyi Houbian.” Fontes Artis Musicae 56(3): 271-282. Dermorest, Steven M., Steven J. Morrison, Münir N. Beken, Denise Jungbluth. 2008. “Lost in Translation: An Enculturation Effect in Music Memory Performance.” Music Perception 25(3): 213-223. Doggett, Anne. 2008. “Strains from Flowery Land: Responses to Chinese Musical Activity in Mid-Nineteenth-Century Ballarat.” Context 33:107-120. Furniss, Ingrid. 2009. “Unearthing China’s Informal Musicians: An Archaeological and Textual Study of the Shang to Tang Periods.” Yearbook for Traditional Music 41:23-41. ACMR Bibliography Update 2010 4
Goodman, Howard L., and Lien, Y. Edmund. 2009. “A Third Century A.D. Chinese System of Di – Flute Temperament: Matching Ancient Pitch-standards and Confronting Modal Practice.” The Galpin Society Journal 62. Guy, Nancy. 2009. “Flowing Down Taiwan’s Tamsui River: Towards an Ecomusicolgy of the Environmental Imagination.” Ethnomusicology 53(2): 218-248. Ho, Wai-Chung. 2007. "Music and Cultural Politics in Taiwan." International Journal of Cultural Studies 10(4): 463-483. Hung, Eric. 2009. “Introduction: Music in the Asian Diaspora.” Asian Music. 40(1): 1-3. –––––––. 2009. “Performing Chineseness on the Western Concert Stage: The Case of Lang Lang.” Asian Music 40(1): 131-148. Kong, Lily. 1995. “Music and Cultural Politics: Ideology and Resistance in Singapore.” Transactions of the Institute of British Geographers New Series 1(4): 447-459. Koo, Jasmine Ching Lan and Peter Warring. 2008. “Metadata Design for Digital Chinese Orchestra Scores with Instrumental Parts.” Fontes Artis Musicae 55(2): 297-339. Latartara, John. 2005. “Theoretical Approaches toward Qin Analysis: Water and Clouds over Xiao Xiang.” Ethnomusicology 49(2): 232-265. Law, Wing-Wah, and Ho, Wai-Chun. 2009. “Sociopolitical Culture and School Music Education in Hong Kong.” In British Journal of Music Education 26(1): 71-85. Lee, Tong Soon. 2007. “Chinese Theatre, Confucianism, and Nationalism: Amateur Chinese Opera Tradition in Singapore.” Asian Theatre Journal 24(2): 397-421. Leman, Marc, Frank Desmet, Frederik Styns, Leon can Noorden, Kirk Moelants. 2009. “Sharing Musical Expression through Embodied Listening: A Case Study Based on Chinese Guqin Music.” Music Perception 26(3): 263-278. Lindorff, Joyce. 2004. “Missionaries, Keyboards and Musical Exchange in Ming and Qing Dynasty Courts.” Early Music 32(3): 403,405-414. Lowmaster, Kaelyn, and John Crespi. 2009. “Y. R. Chao's New Poetry Songbook, (1) Introduction; (2) Translations of three essays by Y. R. Chao; (3) Audio recordings of three musical pieces” (from the Songbook with Chinese and English lyrics). MCLC Resource Center Publication. http://mclc.osu.edu/rc/pubs/chao.htm. Nicholas, Arsenio. 2009. “Gongs, Bells, and Cymbals: The Archeological Record in Maritime Asia from the Ninth to the Seventeenth Centuries.” Yearbook for Traditional Music 41:62- 93. Steen, Andreas. 1997. “Sound, Protest and Business: Modern Sky Co. and the New Ideology of Chinese Rock.” Paraplui. http://parapluie.de/archiv/china/rock/original_aus.html [ISSN: 14391163] Tang, Yating. 2004. “Reconstructing the Vanished Musical Life of the Shanghai Jewish Diaspora: a Report.” Ethnomusicology Forum 13(1): 101-118. Tian, Min. 2007. “Gordon Craig, Mei Lanfang and the Chinese Theatre.” Theatre Research International 32:161-177. Utz, Christian. 2007. "Dislocated Identities. Fragmentary Thoughts on East Asian Music in Europe." World New Music Magazine 17:55-61. –––––––. 2010. "Kunstmusik und reflexive Globalisierung. Alterität und Narrativität in chinesischer Musik des 20. und 21. Jahrhunderts." (“Art Music and Reflexive Globalization: Alteration and Narration in Chinese Music of the Twentieth and Twenty- First Centuries.” Archiv für Musikwissenschaft 67(1). [includes discussions of Chen ACMR Bibliography Update 2010 5
Xiaoyong's Speechlessness, Clearness and Ease, Tan Dun's Ghost Opera, and Zhu Jian'er's Sixth Symphony] Wang, Grace. 2009. “Interlopers in the Realm of High Culture: Music Moms and the Performance of Asian and Asian American Identities.” American Quarterly 61(4): 881- 903. Wang, Yuwen. 2010. “Expressiveness in the Premodern Performance Style of Chinese Music: ‘Equanimity’ in Abing.” Asian Music 41(1): 127-165. Young, Samson. 2009. “The Voicing of the Voiceless in Tan Dun’s The Map: Horizon of Expectation and the Rhetoric of National Style.” Asian Music 40(1): 83-99.
BOOK CHAPTERS
Addiss, Stephen. 1999. “The Qin in China from the Han Dynasty to the Present” In The Resonance of the Qin in East Asian Art (Catalogue of the exhibition of the same name held at the China Institute, New York City, 17 September–12 December 1999). Edited by J. May Lee Barrett, 27-34. New York: China Institute. [ISBN: 0965427021] –––––––. 1999. “The Qin in Japan” In The Resonance of the Qin in East Asian Art. Edited by J. May Lee Barrett, 35-43. New York: China Institute. [ISBN: 0965427021] Bagley, Robert. 2000. “Percussion.” In Music in the Age of Confucius. Jenny F. So, ed. (Volume published on the occasion of the exhibition held under the same title at the Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C., 30 April through 17 September 2000). Seattle: University of Washington Press, 35-64. [ISBN: 0295979534] Baranovitch, Nimrod. 2009. “Representing Tibet in the global cultural market: The case of Chinese-Tibetan musician Han Hong.” In Music and Cultural Rights. Edited by Andrew N. Weintraub and Bell Yung, 187-218. Chicago: University of Illinois Press. [ISBN: 9780252076626] Chen Ya-ping. “Dancing Chinese Nationalism and Anticommunism: The Minzu Wudao Movement in 1950s Taiwan.” In Dance, Human Rights, and Social Justice: Dignity in Motion. Edited by Naomi Jackson and Toni Shapiro-Phim, 34-50. Lanham, MD: Scarecrow Press. [ISBN: 0810861496] Chi, Robert. 2007. "The March of the Volunteers: From Movie Theme Song to National Anthem." In Re-envisioning the Chinese Revolution: The Politics and Poetics of Collective Memories in Reform China. Edited by Ching Kwan Lee and Guobin Yang, 217-244. Washington, D.C.: Woodrow Wilson Center Press. [ISBN: 9780804758536] Chou Wen-Chung. 2004. “Wenren and Culture” In Locating East Asia in Western Art Music. Edited by Yayoi Uno Everett and Frederick Lau, 208-220. Middletown, CT: Wesleyan University Press. [ISBN: 9780819566621] Clark, Mitchell. 1999. “Two histories: The Qin in Korea and Vietnam” In The Resonance of the Qin in East Asian Art. Edited by J. May Lee Barrett, 44-56. New York: China Institute. [ISBN: 0965427021] Crossley-Holland, Peter. 2000. “The Ritual Music of Tibet” In Song of the Spirit: The World of Sacred Music. Sudhamahi Regunathan, ed. Nai Dilli, India: Tibet House. [ISBN: 0195643720] ACMR Bibliography Update 2010 6
DeWoskin, Kenneth J. 1998. “Symbol and Sound: Reading Early Chinese Instruments” In Hearing the Past: Essays in Historical Ethnomusicology and the Archaeology of Sound. Ann Buckley, ed. Liège, Belgium: Université de Liège. –––––––. 1999. “The Chinese Qin” In The Resonance of the Qin in East Asian Art. Edited by J. May Lee Barrett, 21-26. New York: China Institute. [ISBN: 0965427021] Falkenhausen, Lothar Alexander von. 2000. “The Zeng Hou Yi Finds in the History of Chinese Music.” In Music in the Age of Confucius. Edited by Jenny F. So, 101-113. Seattle: University of Washington Press. [ISBN: 0295979534] Feng Guangsheng. 2000. “Winds.” In Music in the Age of Confucius. (Volume published on the occasion of the exhibition held under the same title at the Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C., 30 April through 17 September 2000). Edited by Jenny F. So, 87-100. Seattle: University of Washington Press. [ISBN: 0295979534] Han, Kuo-Han. 2001. “The Importation of Western Music to China at the Turn of the Twentieth Century.” In Essays in Honor of John F. Ohl: a Compendium of American Musicology. Edited by Enrique Alberto Arias, Susan M. Filler, William V. Porter, Jeffrey Wasson, 229- 240. Evanston, IL: Northwest U. Press. [ISBN: 0810115360] Jones, Andrew F. 2003. “Black Internationale: Notes on the Chinese Jazz Age.” In Jazz Planet. Editd by E. Taylor Atkins, 225-244. Jackson, MS: University Press of Mississippi [ISBN: 1578066093] Kartomi, Margaret J. 2000. “Indonesian-Chinese Oppression and the Musical Outcomes in the Netherlands East Indies” In Music and the Racial Imagination. Edited by Ronald Michael Radano and Philip Bohlman, 271-317. Chicago: University of Chicago Press. [ISBN: 0226702006] Lai, Eric. 2004. “The Evolution of Chou Wen-chung's Variable Modes.” In Locating East Asia in Western Art Music. Edited by Yayoi Uno Everett and Frederick Lau, 146-167. Middletown, CT: Wesleyan University Press. [ISBN: 9780819566621] Lam, Joseph S. C. 2008. “Imperial Agency in Ming Music Culture.” In Culture, Courtiers, and Competition: The Ming Court (1368-1644). Edited by David M. Robinson, 269-320. Cambridge, MA: Harvard East Asian Monographs 301. [ISBN: 9780674028234] –––––––. 2003. “The Presence and Absence of Female Musicians and Music in China.” In Women and Confucian Cultures in Premodern China, Korea and Japan. Edited by Jahyun Kim Haboush, Dorothy Ko, Joan R. Piggott, 97-122. U. C. Berkeley Press. Berkeley, California. [ISBN: 0520231058] Lau, Frederick. 2004. “Fusion or Fission: The Paradox and Politics of Contemporary Chinese Avant-garde Music.” In Locating East Asia in Western Art Music. Edited by Yayoi Uno Everett and Frederick Lau, 22-39. Middletown, CT: Wesleyan University Press. [ISBN: 9780819566621] Lawergren, Bo. “Strings” In Music in the Age of Confucius. Edited by Jenny F. So, 65-86. Seattle: University of Washington Press. [ISBN: 0295979534] Linares, María. 2007. “The Chinese Presence in Cuba.” In Music in Latin America and the Caribbean: An encyclopedic history: Volume 2: Performing the Caribbean experience (Joe R. and Teresa Lozana Long Series in Latin American and Latino Art and Culture). Edited by Malena Kuss, 109-122. Austin: University of Texas Press. [ISBN: 9780292709515] ACMR Bibliography Update 2010 7
Picken, Laurence E.R. 2000. “How the Tōgaku Repertory was Acquired, and the Processes of Acculturation that Followed its Acquisition.” In Music from the Tang court: Volume 7: Some Ancient Connections Explored. Edited by Noël J. Nickson and Laurence E.R. Picken, 1-48. Cambridge: Cambridge University Press. [ISBN: 0521780845] –––––––. 2000. “Modal Note-sets and Related Matters (in Ancient China, in Ancient and Modern India, in Persia, and in Ancient Greece).” In Music from the Tang court: Volume 7: Some Ancient Connections Explored. Edited by Noël J. Nickson and Laurence E.R. Picken, 185-251. Cambridge: Cambridge University Press. [ISBN: 0521780845] –––––––. 2000. “The Modal System of Tōgaku as a Vestige of the 28 Mode-Keys of the Tang Inheritance: Different Modes with Like Finals, Like Modes with Different Finals” In Music from the Tang court: Volume 7: Some Ancient Connections Explored. Edited by Noël J. Nickson and Laurence E.R. Picken, 252-262. Cambridge: Cambridge University Press. [ISBN: 0521780845] Picken, Laurence E.R. and Noël J. Nickson. “Locational and Functional Names of Notes in Modal Note-sets Across Eurasia.” In Music from the Tang court: Volume 7: Some Ancient Connections Explored. Edited by Noël J. Nickson and Laurence E.R. Picken, 100-184. Cambridge: Cambridge University Press. [ISBN: 0521780845] Picken, Laurence E.R., Nicholas Gray and Robert Walker. “Parallels in the Organization of Music in Time in Indonesia, ancient India, and ancient China” In Music from the Tang court: Volume 7: Some Ancient Connections Explored. Edited by Noël J. Nickson and Laurence E. R. Picken, 263-285. Cambridge: Cambridge University Press. [ISBN: 0521780845] Qiao Jianzhong and Yibing Xue. Helen Rees and Ben Wu, trans. 1999. “Zhongguo minzu yuedui de jianshe ju zhongsai yinyue wenhua de jiaoliu”/ “The Establishment of the Modern Chinese Orchestra and the Interchange between Chinese and Western Musical Culture” In Intercultural Music: Volume 2. Akin Euba and Cynthia Tse Kimberlin, eds. Richmond, CA: Music Research Institute. [ISBN: 0962747319] Rao, Nancy Yunhwa. 2004. “Henry Cowell and his Chinese Music Heritage: Theory of Sliding tone and his Orchestral Work of 1953-1965.” In Locating East Asia in Western Art Music. Edited by Yayoi Uno Everett and Frederick Lau, 119-145. Middletown, CT: Wesleyan University Press. [ISBN: 9780819566621] Rees, Helen. 2009. “Use and Ownership: Folk Music in the People's Republic of China.” In Music and Cultural Rights. Edited by Andrew N. Weintraub and Bell Yung, 42-85. Chicago: University of Illinois. [ISBN: 9780252076626] Silvio, Teri. 2002. “Chinese Opera, Global Cinema, and the Ontology of the Person: Chen Kaige's Farewell my Concubine” In Between Opera and Cinema. Edited by Jeongwon Joe and Rose M. Theresa, 177-198. New York: Routledge. [ISBN: 0815334508] So, Jenny F. and John S. Major. “Music in Late Bronze Age China” In Music in the Age of Confucius. Edited by Jenny F. So, 13-34. Seattle: University of Washington Press. [ISBN: 0295979534] Stock, Jonathan P.J. 2005. “'Yang's Eight Pieces': Composing a Musical Set-piece in a Chinese Local Opera Tradition.” In Analytical Studies in World Music. Edited by Michael Tenzer, 275-302. New York: Oxford University Press. [ISBN: 0195177894] Tan, Chung. 2000. “Chinese Concept of Sound” Song of the Spirit: The World of Sacred Music. Sudhamahi Regunathan, ed. Nai Dilli, India: Tibet House. ACMR Bibliography Update 2010 8
Tan, Sooi Beng. 2000. “The Chinese Performing Arts and Cultural Activities in Malaysia.” In The Chinese in Malaysia. Chee-Beng Tan and Kam Hing Lee, eds. Kuala Lumpur, Malaysia: Oxford University Press. [ISBN: 9835600562] Tuohy, Sue. 2003. “The Choices and Challenges of Local Distinction: Regional Attachments and Dialect in Chinese Music.” In Global Pop, Local Language. Edited by Harris M. Berger and Michael Thomas Carroll, 153-186. Jackson, MS: University Press of Mississippi. [ISBN: 1578065364] –––––––. 2008. “Reflexive cinema: Reflecting on and representing the worlds of Chinese film and music.” In Global soundtracks: Worlds of Film Music. Edited by Mark Slobin, ed. Middletown, 177-214. CT: Wesleyan University Press. [ISBN: 9780819568823] –––––––. 2006. “The Sonic Dimensions of Nationalism in Modern China: Musical Representation and Transformation.” In Ethnomusicology: A Contemporary Reader. Edited by Jennifer C. Post, 225-242. New York: Routledge. [ISBN: 0415972035] Utz, Christian. 2010. "Neue Musik in Ostasien als Kritik essentialistischer Kulturmodelle. Wege zu einer interkulturellen Kompositionsgeschichte." (“New Music in East Asia as Criticism of Cultural Norms: The Way to an Intercultural Composition Narative.”) In Kulturelle Identität(en). Edited by Jörn Peter Hiekel and Marion Demuth, 173-196. Saarbrücken: Pfau. [includes discussions of Qin Wenchen's He Yi, Tan Dun's Ghost Opera and Symphony 1997, Guo Wenjing's She Huo] –––––––. 2007. "Zur kompositorischen Relevanz kultureller Differenz. Historische und ästhetische Perspektiven." (“On the Compositional Relevance of Cultural Difference: Historical and Aesthetic Perspectives.”) In Musik und Globalisierung. Zwischen kultureller Homogenisierung und kultureller Differenz (musik.theorien der gegenwart 1). Edited by Christian Utz, 29-49. Saarbrücken: Pfau. [includes a discussion of Ge Ganru's Yi Feng] [ISBN: 9783897273665] Witzleben, Lawrence J. 2004. “Cultural Interactions in an Asian Context: Chinese and Javanese ensembles in Hong Kong” In Performing Ethnomusicology: Teaching and Representation in World Music Ensembles. Edited by Ted Solís, 138-154. Berkeley: University of California Press. [ISBN: 0520238311] Witzleben, J. Lawrence and Tsui, Ying-Fai. 2004. “Archiving Chinese Music Materials at the Chinese University of Hong Kong.” In Archives for the Future: Global Perspectives on Audiovisual Archives in the 21st Century. Edited by Anthony Seeger and Shubha Chaudhuri, 238-244. Calcutta: Seagull Books. [ISBN: 8170462231] Wong, Deborah. “The Asian American Body in Performance.” In Music and the Racial Imagination. Edited by Ronald Michael Radano and Philip Bohlman, 57-94. Chicago: University of Chicago Press. [ISBN: 0226702006] Wong, Isabel K. F. 2009. “The Heritage of Kunqu: Preserving Music and Theatre Traditions in China.” In Intangible Heritage Embodied. Edited by D. Fairchild Ruggles and Helaine Silverman, 15-35. New York: Springer. [ISBN: 1441900713] –––––––. [1997] 2008. “The Music of China.” In Excursions in World Music. Edited by Bruno Nettl, Charles Capwell, Isabel K. F. Wong, Thomas Turino and Philip V Bohlman, 88-133. Upper Saddle River, NJ: Pearson/Prentice Hall. [ISBN: 9780131887855] Xiao, Xiaoyu and D. Ray Heisey. 2005. “Shifting the Performance Characteristics of Opera and the Status Quo for Women in China.” In Intercultural Communication and Creative ACMR Bibliography Update 2010 9
Practice: Music, Dance, and Women’s Cultural Identity. Edited by Laura B. Lengel, 195- 210. Westport, CT: Praeger Publishers. [ISBN: 0275982408] Yao Si-Yuan. 1997. “Overviews of School Music in the People's Republic of China.” In Music in Schools and Teacher Education: A Global Perspective. Edited by Samuel Leong. Nedlands, Australia: Callaway International Resource Centre for Music Education. [ISBN: 0864225423] Yang, Hon-Lun. 2006. “Home Studio Aesthetics: Tracking Cultural Processes of Popular Music Production – Migration and Mediation of Music. People’s Music in the People’s Republic of China: A semiotic reading of socialist musical Culture from the mid to late 1950s.” In Music, Meaning and Media. Edited by Erkki Pekkilä, Davic Neumeyer, and Richard Littlefield. Imatra, Finland: University of Helsinki. [ISBN: 9525431185] Yu Siu-wah. 2004. “Two Practices Confused in One Composition: Tan Dun's Symphony 1997: Heaven, Earth, Man” In Locating East Asia in Western Art Music. Edited by Yayoi Uno Everett and Frederick Lau, 57-71. Middletown, CT: Wesleyan University Press. [ISBN: 9780819566621] Yung, Bell. 2009. “Historical Legacy and the Contemporary World: UNESCO and China's Qin Music in the Twenty-first Century.” In Music and Cultural Rights. Edited by Andrew N. Weintraub and Bell Yung, 140-168. Chicago: University of Illinois. [ISBN: 9780252076626] Zeitlin, Judith T. 2006. “'Notes of Flesh’ and the Courtesan's Song in Seventeenth-Century China.” In The Courtesan's Arts: Cross-Cultural Perspectives. Edited by Martha Feldman and Bonnie Gordon, 75-102. New York: Oxford University Press. [ISBN: 0195170288] Zheng, Su. 1999. “Redefining Yin and Yang: Transformation of Gender/Sexual Politics in Chinese Music.” In Audible Traces: Gender, Identity, and Music. Edited by Lydia Hamessley and Elaine Barkin, 153-176. Zürich, Switzerland: Carciofoli. [ISBN: 3- 905323001]
THESES AND DISSERTATIONS
Bindler, Eric. 2009. “Global Rhythms: Youth, Music, and Identity in the 21st Century.” A.B. Honors Thesis, Rollins College. Chen, Zhao-Rong. 2010. “The Western Flute in China: History, Pedagogy, and New Trends.” D.M.A. Thesis, University of Washington. Cheong, Sharon Hwee Ling. 2009. “Creating with Asian Folk and Traditional Music: a Study of the Chinese Folk Dance Suite for Violin and Orchestra by Chen Yi and a Compositional Response.” M.A. Thesis, National Institute of Education, Nanyang Technological University. Chiu, Kan. 2009. “Voices From the East: Culture and Expression in Contemporary Chinese Piano Music.” D.M.A. Thesis, UCLA. Hsu, Chih-Jung. 2009. “The Fusion of East and West: "Yangguan Sandie" as Used in Works by Chinese composers Written Between 1947 and 2006.” D.M.A. Thesis, Peabody Conservatory of Music. Hui, Wing-Yiu. 2009. “Canton-Pop and the Teaching of Chinese in Hong Kong.” M.A. Thesis, University of Hong Kong. ACMR Bibliography Update 2010 10
Liu, Jiarui. 2009. “The Tough Reality of Copyright Piracy: a Case Study of the Music Industry in China.” J.S.M. Thesis, Stanford University. Monroe IV, J. Carlton. 2009. “A Conductor's Guide to the Choral Works of Chen Yi.” D.M.A. Thesis, University of Cincinnati. Ren, Xiang. 2009. “An Investigation into the Use of Music Notation Software by Both European and Chinese Composers.” M.Sc. Information Systems Thesis, University of Sheffield, Department of Information Studies. Song, Tian. 2009. “The Chinese Model Drama: with Emphasis on the Opera Hong Deng Ji (The Legend of the Red Lantern).” D.M.A. Thesis, Manhattan School of Music. Su, Wen-hui. 2009. “An Acoustic Study of the Singer's Formant the Comparison between Western Classical and Traditional Chinese Opera Singing Techniques.” Ph.D. Dissertation, Indiana University, Dept. of Speech and Hearing. Tang, Pan-hang. 2009. “IT-Assisted Music Composition Education in Hong Kong Primary Schools.” Ph.D. Dissertation, Deakin University, Victoria. Tham, Gloria. 2009. “The Influence of Socialist Realism on the Yellow River Piano Concerto.” D.M.A. Thesis, University of Alabama. Tung, Stephanie. 2009. “Situating the ABCs of Mandopop: Who Owns the American Born Chinese Musicians of Mandarin Popular Music?.” Honors Thesis, Wellesley College. Wong Shengmiao, Samuel. 2010. “Hua Yue: The Chinese Orchestra in Contemporary Singapore.” Ph.D. Dissertation, University of Sheffield, Department of Music. Zhang, Shuo. 2009. “Erhu as Violin: Development of China's Representative Musical Instrument, c. 1990-2008.” M.A. Thesis, University of Pittsburgh.
REVIEWS
Chang, Peter. 2008. Review of Ritual Music in a North China Village: The Continuing Confucian and Buddhist Heritage. Du Yaxiong. Ethnomusicology 52(2): 330. Chan, Sauyan. 2005. Review of Zhongguo Beifang Nongcun De Kouchuan Wenhua: Shuochang De Shu, Wenben, Biaoyan (Oral Traditions of Rural Northern China: Text and Performance in Narrative Music). Iguchi Junko and Lin Qi. Yearbook for Traditional Music 37:164-167. DuJunco, Mercedes M. 2009. Review of Plucking the Winds: Lives of Village Musicians in Old and New China. Stephen Jones. 2004. Ethnomusicology 53(2): 346-350. Li, Wai Chung. 2009. Review of Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s-1920s. Krystyn R. Moon. ACMR Newsletter 5(1): 7. Patch, Justin. 2009. Review of Chinese Street Opera in Singapore. Tong Soon Lee. 2007. Southwest Journal of Cultures. http://southwestjournalofculturesasia.blogspot.com/ Pegg, Carole. 2004. Review of Echoes from Dharmsala: Music in the Life of a Tibetan Refugee Community. Keila Diehl. Popular Music 23(3): 384-387. Rao, Nancy Yunwha. 2002. “Hearing Pentatonicism Through Serialism: Integrating Different Traditions in Chinese Contemporary Music.” Perspectives of New Music 40(2): 190-231. Rees, Helen. 2010. Review of Ritual and Music of North China. Stephen Jones. Bulletin of the School of Oriental and African Studies 73:139-141. ACMR Bibliography Update 2010 11
Schaeffer, Kurtis R. 2007. Review of Tibetan Songs of Realization: Echoes from a Seventeenth- century Schola and Siddha in Amdo. Victoria Sujata. 2005. Journal of Asian Studies 66:844-846. Spinetti, Federico. 2010. Review of The Making of a Musical Canon in Chinese Central Asia: The Uygur Twelve Muqam. Rachel Harris. 2008. Ethnomusicology 54(1): 147-152. Stock, Jonathan. 2006. Review Addendum: “A Response to Kagan’s Review of Huju: Traditional Opera in Modern Shanghai. 2003. Asian Music 37(2): 147-150. –––––––. 2009. Review of Music in China: Experiencing Music, Expressing Culture. Fred Lau. Ethnomusicology 53(1): 156-158. Tan, Hwee-San. 2010. Review of Plucking the Winds: Lives of Village Musicians in Old and New China. Stephen Jones. Asian Music 41(1): 166-168. Wong, Cynthia P. 2006. Review of China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997. Nimrod Baranovitch. 2003. Asian Music 37(2): 147-150.