IPRU Iinnssiigghhttss Issue 05,2020

Total Page:16

File Type:pdf, Size:1020Kb

IPRU Iinnssiigghhttss Issue 05,2020 AN INVESTOR EDUCATION INITIATIVE BY IPRU IInnssiigghhttss Issue 05,2020 Setting sails for an investment journey Please visit us at www.iciciprumf.com Follow us on: https:/ / www.facebook.com/ iciciprumf https:/ / twitter.com/ iciciprumf Mutual Fund investments are subject to market risks, read all scheme related documents carefully. INDEX CEO Letter: Setting sails for a journey with debt funds 02 CIO Letter: Don’t stop SIPs! 03 Infograph: Who Doesn’t Love A Good Bargain? 04 Checklist : Investing in uncertain/ Covid times 06 Topic of the month : Achieving Financial Independence 07 Fundaclear: Make the most of your SIP with its features 08 TAX Corner: What is new for you in 09 Form 26AS Quiz : Are You Ready to Test 11 Storyboard: Don't panic amidst the 12 pandemic, invest more Parenting & Money: How to teach money 13 matters to kids Crossword 15 Travel: Precautions for domestic travel 16 in current times Recipe: Banana Cake/Bread with Choco chips 17 Fitness: Meditation for beginners 18 Book Review: Think and Grow Rich 19 by Napolean Hill Movie Review: AARYA – Impressive 20 Performance By Sushmita Sen Disclaimer 21 CEO Letter Setting sails for a journey with debt funds Mr. Nimesh Shah, MD & CEO, ICICI Prudential AMC Despite the recent developments in debt mutual fund universe, one cannot negate the importance of its presence as an asset class in a portfolio. It only emphasizes the need to assess the risk-reward trade-o in various debt schemes and try to match it to personal goals. To begin with, the case for investing in debt funds is strong given that it balances a portfolio against riskier asset classes such as equities. This is because debt funds invest in xed-interest generating securi- ties such as corporate bonds, government securities, treasury bills, commercial paper and other money market instruments. The xed interest rate for a pre-determined period of time makes debt fund inves- tors earn a steady interest income and capital appreciation. And, since the interest earned on these instruments is generally better than traditional investment options, it boosts overall returns of the inves- tor. That said, there are a plethora of schemes under debt funds that an investor can choose from. But ensure that one selects a fund which matches one’s goals and risk appetite. Hence, it pays for an investor to be aware of the key parameters to look for, in debt fund schemes. Risk-Return equation Typically, riskier securities yield higher return. So, it is important to match the debt fund chosen to one’s risk appetite. For instance, gilt funds invest in only government securities . These are very low credit risk since the government seldom defaults. However, credit risk funds as a category invests in weaker rated/ riskier papers. Interest rate is another factor which impacts debt funds’ returns. Typically, when interest rates fall, returns earned on debt funds are higher and vice versa. Investment horizon Debt schemes invest in securities of varying time horizons. Investors can consider liquid, short term or ultra-short category of debt funds if the investment is only for a short duration. These funds are more liquid in nature as they invest in debt instruments with a short maturity. Hence, the risk associated is also relatively lower. Diversication: Sectoral & Security Level Investors should be mindful of diversication both on issuer and sectoral level within a portfolio. Con- centration risk has the potential to jeopardise returns during challenging times. A well-diversied port- folio with stable credit spreads has the potential to weather market volatilities which may arise. To conclude, debt funds are eective investment vehicles to minimise risk in asset allocation, stabilise overall returns and provide liquidity. 02 IPRU Insights CIO Letter Don’t stop SIPs! Mr. S. Naren, ED & CIO, ICICI Prudential AMC The monthly SIP inows have not been impacted much inspite of severe market corrections and- subsequent market volatility amidst the Covid-19 uncertainty. While the inows in the equity funds dipped signicantly during June 2020, the SIP inows dipped 2% to clock Rs. 7,927 crores during the same month. The sustained SIP inows reect mature and disciplined investing behavior by the retail investors. However, the trend for SIPs getting discontinued increasing is not a healthy sign. The ratio of SIPs discontinued to the fresh SIPs registered was around 58% during the year 2019-20. However, this ratio has risen to 72% during April 2020 and had further risen to 81% in May 2020 (Source: Association of Mutual Funds in India - AMFI). There might be two signicant reasons for the number of SIPs discontinuing being higher than earlier – continued market volatility and disruptions in the regular cash ows for the investors. SIPs were conceived to eliminate the timing risk from the investments. This is because the investments continue to happen irrespective of whether markets are going up or down. When are markets are falling, the investors gain by getting more units per SIP installment, helping them to benet from relatively reasonable valuations. It also helps them to average their cost of investments and gain once the markets recover and rise further. If the investors are leaving their investment journey mid-way due to the Covid-19 uncertainty, it is indeed a failure of SIPs as an investing strategy itself. - While it is natural for the investors to stay cautious, staying on the sidelines of the equity markets may derail the overall investment journey towards the achievement of nancial goals. SIPs allow the investors to consistently accumulate regular amounts in the mutual fund schemes of their choice. Such investments not only get accumulated but also grow over time. Further, the equities may be volatile over the short-term but have been great wealth creators over the long term. Just like an ECG graph reects the health of the human heart, such short-term market movements reect that the equity markets are indeed healthy. Investors must realize that such short-term volatility is inherent to the equity markets. As such, one may not be able to eliminate it in entirety but can certainly take steps to mitigate such risks from the investments. SIP investing is indeed one of such steps. - When the markets are falling lower, the fear of losing in further market corrections may stop the- investors from investing more. Similarly, when the markets are rising, one may be inclined to book some prots, which may cause them to miss future market rallies. With SIPs, one can also eliminate emotional biases from the investing journey, as such investments into equity markets are automatic. So, instead of fearing the markets and stopping your SIP investments, it can be your tool to stagger the investments across a period and continue to gain from the long term wealth creation potential of equity markets. 03 IPRU Insights Infograph WHO DOESN’T LOVE A GOOD BARGAIN? VALUE INVESTING IS JUST LIKE A GOOD BARGAIN FOR YOUR INVESTMENT PORTFOLIO, AND SHOULD BE EXPLORED SALE = PRICE - DISCOUNT = VALUE DISCOVER LONG TERM BENEFITS OF VALUE INVESTING BUYING STOCKS OF GOOD COMPANIES FINDING GOOD BUYS IN AT A DISCOUNT TO THEIR TRUE VALUE DIFFICULT MARKET SITUATIONS Benefits of VALUE INVESTING Invest for your Disciplined and Portfolio long term goals structured investing diversification 04 IPRU Insights Infograph BRINGING VALUE INVESTING ALIVE: KNOW THE FUNDAMENTALS AND FUTURE POTENTIAL Know what feels right For e.g., You’d research about the builder, locality, future development within the area, when buying a house. The same approach holds hood here. UNDERSTAND THE VALUE Learning the prospect of growth and development IDENTIFY THE OPPORTUNITY EARLY AND AIM FOR GAINS Be there at the right time at the right opportunity AIM TO ENHANCE YOUR PORTFOLIO RETURNS THROUGH VALUE INVESTING 1 3 VALUE INVESTING COMPLEMENT AIMS TO MAKE THE YOUR OVERALL 2 MOST OF UNCERTAIN INVESTMENT MARKET STRATEGY CONDITIONS MUTUAL FUNDS HAVE SCHEMES THAT ARE STRUCTURED TO FOLLOW THE VALUE INVESTING PHILOSOPHY 05 IPRU Insights Checklist Investing in uncertain/ Covid times As the times continue to stay uncertain, it is important that the investors continue to stay glued to the fundamental investment principles. Here are three quick rules to be revisited for investing during these uncertain Covid times. Remember equity is not the only investment option Not a single asset class is conssistently performing in the markets. The investment portfolio should be diversified across asset classes. One can choose debt mutual funds to add stability to the portfolio. Asset Allocation is key to investing in equities One must implement dynamic asset allocation when it comes to investing in equities. Such strategy helps to invest more when the valuations are low and book profits when the valuations are higher. One can also consider investing into asset allocation funds. Avoid Recency Bias Recency bias refers to getting influenced with the recent per- formance. One must not be biased to discontinue/ pause SIPs based on the recent underperformance of investment portfolio. Instead, one must stay focused on the long term financial goals. 06 IPRU Insights Topic of the month AchievingGoal Financialplanning and Independenceits importance Achieving financial independence at an early stage is often the most common aspiration amongst the investors of today. Here are the key investing principles to achieve financial independence: Start Early Invest Consistently Allows more time for investments to grow and Small drops of water make an ocean. Regular enables investors to reap the benets of investments allow investors to accumulate healthy compounding. With extended investment horizons, corpus over time. It also adds a sense of discipline one can take aggressive investment decisions and into nancial plans. gain from potential of higher returns. Step-up periodically Dynamic Asset Allocation Investors may avail to top-up their SIPs to step up It is important to stay diversied.
Recommended publications
  • 50 3 August / 2020
    www.openthemagazine.com 50 3 AUGUST /2020 OPEN VOLUME 12 ISSUE 30 3 AUGUST 2020 CONTENTS 3 AUGUST 2020 5 6 7 12 16 18 20 LOCOMOTIF INDRAPRASTHA MUMBAI NOTEBOOK IN memoriAM SOFT POWER WHISPERER OPEN ESSAY The politics of masks By Virendra Kapoor By Anil Dharker John Lewis (1940-2020) Gold’s own country By Jayanta Ghosal The Mahatma and By S Prasannarajan By Ramesh Sharma By Makarand R Paranjape Kashmir By MJ Akbar 28 IS SCIENCE ABOUT 28 TO DEFEAT THE CORONAVIRUS? With the recent vaccine results, new drugs and experienced care, the first glimmers of hope arrive By Lhendup G Bhutia 34 A TALE of Three Vaccines The world has responded to Covid-19 by developing and testing vaccines 12 at record speed By Shahid Jameel 38 BEGINNINGS AND ALTERNATIVE ENDS The trajectory of pandemics suggests that humanity will always triumph in the end but without control over the time and toll By Madhavankutty Pillai 42 42 THE DESERT FOX The daring and durability 46 50 of Ashok Gehlot By Amita Shah 46 virtuaL checKMate 58 Chess streaming goes mainstream in India By V Shoba 50 LETTER FROM LAHORE The ideal and the real By Mehr Tarar 54 54 58 62 65 66 THE SECOND ACT PREMCHAND’S PARTNER A MOVEABLE FEAST HOLLYWOOD REPORTER NOT PEOPLE LIKE US Yesteryear actors return to play On the writer’s 140th birth A detective’s diet Colin Farrell on his London calling complex roles as streaming anniversary, why it’s important to By Shylashri Shankar new Artemis Fowl series By Rajeev Masand platforms allow greater variety celebrate his wife Shivrani Devi By Noel de Souza By Kaveree
    [Show full text]
  • Hindi DVD Database 2014-2015 Full-Ready
    Malayalam Entertainment Portal Presents Hindi DVD Database 2014-2015 2014 Full (Fourth Edition) • Details of more than 290 Hindi Movie DVD Titles Compiled by Rajiv Nedungadi Disclaimer All contents provided in this file, available through any media or source, or online through any website or groups or forums, are only the details or information collected or compiled to provide information about music and movies to general public. These reports or information are compiled or collected from the inlay cards accompanied with the copyrighted CDs or from information on websites and we do not guarantee any accuracy of any information and is not responsible for missing information or for results obtained from the use of this information and especially states that it has no financial liability whatsoever to the users of this report. The prices of items and copyright holders mentioned may vary from time to time. The database is only for reference and does not include songs or videos. Titles can be purchased from the respective copyright owners or leading music stores. This database has been compiled by Rajiv Nedungadi, who owns a copy of the original Audio or Video CD or DVD or Blu Ray of the titles mentioned in the database. The synopsis of movies mentioned in the database are from the inlay card of the disc or from the free encyclopedia www.wikipedia.org . Media Arranged By: https://www.facebook.com/pages/Lifeline/762365430471414 © 2010-2013 Kiran Data Services | 2013-2015 Malayalam Entertainment Portal MALAYALAM ENTERTAINMENT PORTAL For Exclusive
    [Show full text]
  • Chandrachur Singh Was Working Actively in films and Was Considered to Be an out of the I Ordinary and Outstanding Mainstream Actor of Bollywood
    July 26, 2020 Vineet Raina Dr. Blossom Kochhar Monsoon Tips & Tricks Travel Budapest - The City Of Palinka And Ruin Bars editor’s letter Saroj Khan: A Brilliance & Exceptional choreographer the starting week of this month, At Bollywood lost its legendary ace choreographer Saroj Khan due to a Rituparna Sengupta Basu cardiac arrest at the age of 71. Any expression is less to describe our darling ‘Masterji’ who not only pioneered the exact meaning of the word ‘good choreographer’ but every dancer like me also surely fall in love with her most remarkable dance moves. Saroj Khan was an inspiration to many including myself. Masterji started her career in this industry as a child artist in the 1950s. At the age of 10, she joined a dance troupe. She had given us numerous dance moves and I have been blessed to have got the chance to work with her in some dance projects. I had every pleasure to share that her every movement looks as easy as pie as anyone can dance. She was one of the most caring, kind-hearted, and loving personas. Her journey as a child actor, dancer, and choreographer is incredible and unbelievable enough. She began to learn dancing and took training under another remarkable dance guru B Sohanlal. She got her first break as an individual choreographer in ‘Geeta Mera Naam' (1974) and became famous later with the song ‘Hawa Hawai’ from “Mr. India" (1987). Her collaboration with Madhuri Dixit Nene and late Sridevi will always be remembered. Over the years she redefined Bollywood’s choreography, she was so precise about the expression in the dance moves.
    [Show full text]
  • Download Download
    "Light Your Cigarette with My Heart's Fire, My Love": Raunchy Dances and a Golden- hearted Prostitute in Bhardwaj's Omkara (2006) Madhavi Biswas, University of Texas Dallas Abstract This essay argues that Omkara (dir. Vishal Bhardwaj, 2006) foregrounds contemporary gender concerns in modern, small-town India, primarily through the film's reformulation of the three female roles in Othello. Billo/Bianca, played by a glamorous, contemporary, female star, gets her own romance and two popular and raunchy song-and-dance tracks in Omkara. These dance tracks are a peculiar mixture of traditional folk Nautanki and identifiable Bollywood masala "item numbers," whose layered lyrics have been penned by Gulzar, a well-known poet, lyricist, scriptwriter, and ex-film-director who closely collaborates with Bhardwaj. The essay argues for the recognition of the songs in Omkara as a parallel narrative that intertwines with and intersects the central narrative of the plot, inflecting it with a range of cultural and social intertexts, along with a dash of metatextual flavor. The article examines how the two song-and-dance sequences by Billo/Bianca in the film use the familiar tropes of the "courtesan" figure of Hindi films and draw upon traditional folk-theater — reflecting both its local poetry and its vulgarity — to evoke a new kind of verbal and visual "realism" that intertwines Bollywood glamor with local histories. Omkara, with its big budget stars, glossy production values, and popular song- and-dance numbers interspersing the narrative — elements that are often associated with the "Bollywood" style of Hindi cinema — is the most obviously commercial of Vishal Bhardwaj's three Shakespearean adaptations.
    [Show full text]
  • Brochure Print New.Indd
    “excellence is the fabric of our work, spun with the yarn of knowledge and expertise, built on the foundation of transparent dealing”. 91 ABOUT US ................................................................................................................................................... 04 EVENT MANAGEMENT ................................................................................................................................................... 06 EVENT HIGHLIGHTS ................................................................................................................................................... 10 INTERNATIONAL SHOWS ................................................................................................................................................... 12 CHARITY EVENTS ................................................................................................................................................... 14 AWARD NIGHTS ................................................................................................................................................... 20 MOTION PICTURES ................................................................................................................................................... 26 WEDDING PLANNERS ................................................................................................................................................... 32 THEME SHOWS ..................................................................................................................................................
    [Show full text]
  • Pragyaan Mass Comm. December-2011.Cdr
    ISSN No. : 0974-5521 ims Journal of Mass Communication a bi-annual Journal Institute of Management Studies Dehradun Volume 9 : Issue 2. Deceber 2011 Listed in Ulrich's International Periodicals Directory, USA Research Papers/Articles The Effect of Web Advertising on Online News: The Audience Perception Dr. Mahendra Kumar Padhy Problems of Rural Women to Access The Mass Media Archna Katoch, Vir Bala Aggarwal Films of Gulzar: Sources, Narrative Structure, Technique and Use of Language Harjeet Singh Jago Grahak Jago Ad Campaign : A Study on Hisar and Jind Sandeep Kumar, Dr. Manoj Dayal Impact of New Media on Teenagers Dr. Durgesh Tripathi, Gitika Khurana Coverage of Copenhagen Summit (2009) : A Comparative Analysis of The Two National Dailies-The Times of India and The Hindu Saad Ullahkhan Interactive Media and Social Crossover: An Indian Riddle Dr Silajit Guha New World Information and Communication Order: A Status Report Dr. Sudhanshu Jayaswal Video Editing : A Visual Art and Technique Deepak Uniyal Pragyaan : Journal of Mass Communication Panel of Referees Volume 9 : Issue 2. December 2011 Dr. Manoj Dayal Prof. & Dean Patron Shri Amit Agarwal Faculty of Media Studies Secrectary Guru Jambheshwar University of Science & IMS Society, Dehradun Technology Hissar Chief Editor Dr. Pawan K Aggarwal Prof. R.C. Tripathi Director Deptt. of Journalism and Mass Communication IMS, Dehradun University of Lucknow Editor Prof. Dhiraj Shukla Dr. Vir Bala Aggarwal Assistant Professor Professor & Chairperson IMS, Dehradun Department of Journalism & Mass Communication Sub Editor Ms Nitasha Sodhi Himachal Pradesh University, Summer Hill, Senior Lecturer Shimla IMS, Dehradun Dr. M. Shafey Kidwai Editorial Advisory Board Prof.
    [Show full text]
  • Magazine1-4 Final.Qxd (Page 3)
    SUNDAY, JUNE 21, 2020 (PAGE 4) BOLLYWOOD-BUZZ SOCIETY "Can't work in something that is regressive" The Beautiful Bond Sushmita Sen says she cannot be a part of Anmoll Khanna to recover. Life is a wonderful thing; it does get relief without disturbing us. Whoever passes this becomes "something regressive" as an actor and that's "Chanda ne poocha taaron se, taaron ne poocha muqaddar ka sikandar. Being a father of a daughter hazaaron se, sab se pyara kaun hai, papa mere papa, it's very difficult for a father because ultimately he why web series "Aarya", which marks her papa mere papa" has to marry his princess which is really a hard thing return to mainstream acting after a decade, A man being known by different names such as for a father. Today is a very special day to thank my Dad, Daddy, Pops, Father, and even Papa is the pillar father for whatever he has done for me and even appealed to her. of strength, support, and discipline in his child's life. doing for me. Father is the one who doesn't need any kind of intro- Without him I am nothing. Because of him, I am The actor said she had offers prior to the show but duction, appreciation; he just they were not as "appetising and interesting" as her needs your love and affection. role in the Disney+Hotstar series. The show start Father is that binding glue to streaming from June 19. the family without whom life "I don't think women today in India are 'bechari'.
    [Show full text]
  • 1St Filmfare Awards 1953
    FILMFARE NOMINEES AND WINNER FILMFARE NOMINEES AND WINNER................................................................................ 1 1st Filmfare Awards 1953.......................................................................................................... 3 2nd Filmfare Awards 1954......................................................................................................... 3 3rd Filmfare Awards 1955 ......................................................................................................... 4 4th Filmfare Awards 1956.......................................................................................................... 5 5th Filmfare Awards 1957.......................................................................................................... 6 6th Filmfare Awards 1958.......................................................................................................... 7 7th Filmfare Awards 1959.......................................................................................................... 9 8th Filmfare Awards 1960........................................................................................................ 11 9th Filmfare Awards 1961........................................................................................................ 13 10th Filmfare Awards 1962...................................................................................................... 15 11st Filmfare Awards 1963.....................................................................................................
    [Show full text]
  • 4YZ R UZU ¶E Z Ecfuv TR ¶E Er\V R Z TY+ A>
    2 G9 + H H H SIDISrtVUU@IB!&!!"&#S@B9IV69P99I !%! %! ' *$0*(249 31314 31560 378'9 + 1 'K: 0 *0'(:'92JB5 * 0*'/9 ( 9*:'*E(7 8 2: *2:E2780 0E7'J 'H*'0$9'*2J5A' 7E**F/ '9 E( " 07(:'0'E0 (:79'.0: 9:09E7 :J9029/'@J89 I*( 1&;4**- 456 I + , # 68,6868<"= 266 R R 7 ,( - + $ + + ;" '( " $ L $ & # M ! L9 " " 789*:' Modi said no one can take *(?9 " 789*:' even an “inch of the land”. " ' . said negotiations at the diplo- ays after 20 Indian jawans “Today, we possess the + +3 matic and military level were Dwere killed by the Chinese capability that no one can eye *(?'. O hree days after they were kept a closely guarded secret to soldiers in an ambush at even one inch of our land. $ Tdetained following the prevent any harm coming to Galwan valley in eastern India’s Armed forces have the $M bloody brawl in the Galwan those in captivity. Ladakh on the intervening capability to move into multi- valley, ten Indian Army per- The release of the 10 sol- night of June 15-16, Prime ple sectors at one go,” 9(" sonnel, including two officers, diers figured in three rounds of Minister Narendra Modi on announced the Prime Minister. # 0@9 were released by the Chinese talks between Indian and Friday told an all-party meet- The important interaction on Thursday. Chinese delegations of Major ing that Chinese army neither was an attempt by the PM to The breakthrough came General level near Patrol Point entered the Indian territory evolve a national consensus on following several rounds of 14 in Galway Valley between nor any of “our posts has been political, economic and mili- Major General level meetings Tuesday and Thursday.
    [Show full text]
  • The Making of a Terrorist: Through the Lens of Bollywood
    THE MAKING OF A TERRORIST Through the Lens of Bollywood by Coonoor Kripalani Bollywood: The Voice of the Subaltern1? The offerings of Bollywood have frog-leaped from the “low-brow”2 entertainment of yesteryear to become the cultural representatives of all things Indian in the current global economy. Popularity of these films is at an all-time high, reflecting their influence in food, fashion, music, dance, ritual, and worship to audi- ences around the globe.3 The patriotic fervor that runs through many of these films, both in terms of national identity and “Indian-ness” of culture, sends subliminal messages of what constitutes the national entity. To students of South Asia, viewing these films will provide a look into the Indian national psyche. The concepts of unity despite diversity, the sovereignty of territory, the sanctity of family, and sacrifice for the nation are reinforced in the popular genre of Hindi film. ell may the student ask why these messages of national bombs, suicide bomber attacks, and other acts of terror, which take unity are pervasive in a free market, where the producers place somewhere or other around the globe. Having moved out of W and directors of film are funded from the private sector, the Cold War era following the collapse of the Soviet Union, we and the commercial success of the film is the main objective. I now live in an Age of Terror.5 believe it’s what sells: it’s what audiences wish to hear. The chal- Yet, for almost twenty years before 9/11, the Indian sub-conti- lenge is to produce a film of universal appeal, appealing to both nent has been the site of terrorist attacks and activity.
    [Show full text]
  • UZR Trars]V `W Cveczsfez` + A>
    / > 4# 96844);64?:4# #$;64?:4#? SIDISrtVUU@IB!&!!"&#S@B9IV69P99I !%! %! ' #$%& '"( 0 )%- 1 &%* 2 8C4 @&0.2.*%-C @&0*%.E0.!2&.*E0/D@%00@02. * @&./2.* *%2.*/ ./&0/@(-! "&- */"&"*.2!*% [email protected] &(*0-*/2.@%0D"0// ..%C*@ 2.02 %*@&0%*0 % @&*0*%& .&%* &D.%*"*E0+*D!** /@ !" A*26$.9*::68 )* +,)-./ Q R ! .!./&0 .!./&0 446#4#0##4#/)$4 watching what happened in 89#$:4# eastern Ladakh, she has taken acing a BJP offensive on ! "#$ %&& ' ( ending out a stern message -84:4##4#4#6# a vow…and the vow is that she Ffund received from China Sin the backdrop of the ongo- 4#$4#4#44940# will buy only ‘local’….and for by the Rajiv Gandhi 100 crores from Paytm, which ing India-China stand-off on #64#844##6 $;+ the sake of ‘local’, she will also Foundation, the Congress on has 38 per cent Chinese own- the Line of Actual Control )98 0##:#9$4 be vocal. I am receiving mes- Sunday hit back at Prime ership, and from other Chinese (LAC) in the eastern Ladakh, *9<#0#48844# sages on these lines from every Minister Narendra Modi for firms like Oppo 1 crore and Prime Minister Narendra Modi :# corner of the country. Many receiving about 50 crore as Xiomi 15 crore in the fund. on Sunday said the country has 64#444946)4#:4#46) have expressed through their donation from Chinese com- “Has Prime Minister Modi given a befitting response to :#4946:4#4:4#K9#$ letters that they have adopted panies in the PM Cares Fund diverted the donations received “those who cast an evil eye on 644###$##$64#4#84#$ this very path.
    [Show full text]
  • A Qualitative Analysis of Young Hindi Film Viewers' Readings of Gender, Sexuality and Politics On- and Off-Screen
    A Qualitative Analysis of Young Hindi Film Viewers' Readings of Gender, Sexuality and Politics On- and Off-screen by Shakuntala Banaji This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy Culture, Language and Communication Institute of Education University of London July 2004 Abstract This thesis presents a qualitative analysis of the connections between meanings made from discourses of gender, sexuality and ethnicity in commercial Hindi films and the construction of gender, sexual and ethnic identity by young adult viewers. While expressing an understanding of cinema texts and audiences as always shaped by and responding to complex intersections of social, psychological and historical events, it also identifies and describes mechanisms of pleasure and discourses of gender ideology in Hindi films from the points of view of 'academic' and 'ordinary' viewers. Original photographs, observations and interviews at cinema halls and transcripts from in-depth interviews with young viewers from diverse social, linguistic and religious backgrounds in Bombay and London provide the bulk of the data. Critical discourse analysis and aspects of social semiotics and Screen theory provide the tools for analysis of the data. This study suggests that young viewers respond to films from a variety of intersecting subject positions; they rarely experience film texts as unitary and organic entities, treating certain sequences as far more significant than others. This study also finds strong connections between the discourses of gender, sexuality and politics articulated by or read into Hindi films and those voiced by young South Asian viewers. Saliently, though certain viewers use sequences in Hindi films as justifications for their political beliefs and/or private actions, others who express similar enjoyment, ridicule or despise the meanings they read into film sequences, remaining wary of their perceived 'effects'.
    [Show full text]