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The Literary Herald
ISSN : 2454-3365 THE LITERARY HERALD AN INTERNATIONAL REFEREED ENGLISH E-JOURNAL A Quarterly Indexed Open-access Online JOURNAL Vol.1, No.1 (June 2015) Editor-in-Chief: Dr. Siddhartha Sharma Managing Editor: Dr. Sadhana Sharma www.TLHjournal.com [email protected] hhhhhhhhhhhhhhhhhhkkkkkkkkkkkkkkkkk;khngggh www.TLHjournal.com The Literary Herald ISSN: 2454-3365 An International Refereed English e-Journal The Representation of Agony during Partition as shown in M S Sathyu’s film “Garm Hawa” Ms Rekha Paresh Parmar Associate Professor Department of English Veer Narmad South Gujarat University, Surat Abstract “Garm Hawa” (Scorching Winds/Hot Winds) is a 1973 Hindi Urdu drama film directed by M S Sathyu with veteran actor Balraj Sahni as the lead. It was written by Kaifi Azmi and Shama Zaidi, based on an unpublished short story by a famous Urdu writer Ismat Chughtai. This controversial film has won several national awards in 1974 including a National Integration award. This political narrative deals with the plight of a North Indian Muslim businessman Salim Mirza and his family in 1947 in Agra. He is a patriot and a Muslim shoemaker, struggles to survive in this pathetic and critical condition of communal riots. He is in a dilemma either to live in India or to emigrate to Pakistan like his other family members. The Mirza family suffers for not doing anything wrong in this post-partition environment. They could neither manage their business nor got the job. The social and marital relations are affected. Salim Mirza’s elder son Baqar moves to Pakistan with his family. His daughter Amina is frustrated having two affairs with her cousins and committed suicide. -
Naushad Aan Mp3, Flac, Wma
Naushad Aan mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Folk, World, & Country / Stage & Screen Album: Aan Country: India Released: 1983 Style: Hindustani, Bollywood, Soundtrack MP3 version RAR size: 1240 mb FLAC version RAR size: 1369 mb WMA version RAR size: 1829 mb Rating: 4.7 Votes: 380 Other Formats: ADX MMF MP3 VQF AIFF AUD MP4 Tracklist A1 –Mohd. Rafi* Man Mera Ehsan A2 –Shamshad Begum Aag Lagi Tanman Men A3 –Lata Mangeshkar Tujhe Kho Diya Hamne A4 –Mohd. Rafi* Mohabbat Choome Jinke Hath A5 –Shamshad Begum, Lata Mangeshkar, Mohd. Rafi* & Chorus* Gao Tarane Man Ke B1 –Mohd. Rafi* Dil Men Chhupa Ke B2 –Lata Mangeshkar & Chorus* Aaj Mere Man Men Sakhi B3 –Shamshad Begum Main Rani Hoon Raja Ki B4 –Mohd. Rafi* Takra Gaya Tumse B5 –Shamshad Begum, Lata Mangeshkar & Chorus* Khelo Rang Hamare Sang Companies, etc. Record Company – EMI Copyright (c) – The Gramophone Company Of India Ltd. Phonographic Copyright (p) – The Gramophone Company Of India Ltd. Manufactured By – The Gramophone Company Of India Ltd. Distributed By – The Gramophone Company Of India Ltd. Printed By – Printwell Credits Lyrics By – Shakeel Badayuni Music By – Naushad Notes From The Original Soundtrack Hindi movie - Aan Other versions Category Artist Title (Format) Label Category Country Year New Light , 10001, IND 6048-C Naushad Aan (LP) 10001, IND 6048-C 1955 New Light LKDA-350 Naushad Aan (LP) Odeon LKDA-350 Pakistan 1980 Related Music albums to Aan by Naushad Laxmikant Pyarelal - Farz / Jigri Dost Naushad - Baiju Bawra Shankar Jaikishan / S. D. Burman - Jab Pyar Kisi Se Hota Hai / Asli Naqli / Tere Ghar Ke Samne Salil Chowdhury, Shankar-Jaikishan - Maya / Love Marriage Roshan , Sahir - Barsat Ki Rat / Taj Mahal Mohd. -
Khairiyat Guitar Chords Arijit Singh - 05-14-2020 by Admin - Guitarchords
Khairiyat Guitar Chords Arijit Singh - 05-14-2020 by admin - Guitarchords - https://guitarchords.in Khairiyat Guitar Chords Arijit Singh by admin - Thursday, May 14, 2020 https://guitarchords.in/khairiyat-guitar-chords-arijit-singh/ Khairiyat Guitar Chords Arijit Singh Khairiyat Lyrics from the movie Chhichhore and sung by Arijit Singh. this song written by Amitabh Bhattacharya and music is composed by Pritam. The video song features Sushant Singh & Shraddha Kapoor.Khairiyat Guitar Chords Arijit Singh Capo on 3rd Fret Strumming - DD UDUD DDU Intro: Am - Am- G - F - x2 [Am]Khairiyat [G]pucho Kabhi to [F]kaifiyat [G]pucho Tumhaare [Dm]bin diwaane [G]ka Kya haal [E]hai [Am]Dil mera [G]dekho Na meri [F]haisiyat [G]pucho Tere [Dm]bin ek din [G]jaise Sau saal [E]hai Anjaam [Dm]hai tay [G]mera Hona [C]tumhe hai [F]mera Kitni bhi [G]ho [Gm]dooriyaan 1 / 4 Khairiyat Guitar Chords Arijit Singh - 05-14-2020 by admin - Guitarchords - https://guitarchords.in filhal [E]hai [G]Yeh dooriyaan [F]filhal [E]hai [Am]Khairiyat [G]pucho Kabhi to [F]kaifiyat [G]pucho Tumhaare [Dm]bin diwaane [G]ka Kya haal [E]hai [Am]Dil mera [G]dekho Na meri [F]haisiyat [G]pucho Tere [Dm]bin ek din [G]jaise Sau saal [E]hai Tumhari [Am]tasveer ke [F]sahare [Am]Mausam kayi [F]guzaare [Dm]Mausami naa [F]smjho Parr [G]ishq ko [E]humare [Am]Nazaaro ke [F]samne me [Am]Aata nhi [F]tumhare Magar [Dm]rhte ho [F]har pal [G]Manzar me tum [E]humare Gar ishq [Dm]se hai [G]mila Fir dard [C]se kya [F]gila Is dard [G]me [Gm]zindagi khushhaal [E]hai [G]Ye dooriyaan [F]filhal [E]hai 2 / 4 Khairiyat -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Letting the Other In, Queering the Nation
Letting the Other in, Queering the Nation: Bollywood and the Mimicking Body Ronie Parciack Tel Aviv University Bombay’s film industry, Bollywood, is an arena that is represented and generated by the medium as a male intensively transmits cultural products from one na - homosexual body. tionality to another; it is a mimicking arena that in - cessantly appropriates narratives of Western Culture, particularly from Hollywood. Hence its nick-name Bollywood and the work of mimicry that contains the transcultural move back and forth Bollywood, Mumbai’s cinematic industry, is an inten - between and Bombay/Mumbai, all the while retain - sive arena absorbing foreign cultural products, mainly ing the ambivalent space positioned betwixt and be - Western. Characters, cultural icons, genres, lifestyle tween, and the unsteady cultural boundaries derived accoutrements such as clothing, furnishing, recreation from the postcolonial situation. styles, western pop songs and entire cinematic texts This paper examines the manner in which this have constantly been appropriated and adapted dur - transcultural move takes place within the discourse of ing decades of film-making. gender; namely, how the mimicking strategy forms a The mimicry phenomenon, with its central locus body and provides it with an ambiguous sexual iden - in the colonial situation and the meanings it contin - tity. My discussion focuses on the film Yaraana ues to incorporate in the postcolonial context, is a (David Dhawan, 1995) – a Bollywood adaptation of loaded focus in current discourse on globalization and Sleeping with the Enemy (Joseph Ruben, 1989). The localization, homogenization and heterogenization. Hollywood story of a woman who flees a violent hus - This paper examines the way in which the mimicking band exists in the Bollywood version, but takes on a deed can highlight the gendered layout of the mim - minor role compared to its narrative focus: an (insin - icking arena. -
Mujhse Shaadi Karogi Download 720P in Hindi
Mujhse Shaadi Karogi Download 720p In Hindi 1 / 4 Mujhse Shaadi Karogi Download 720p In Hindi 2 / 4 3 / 4 Mujhse Shaadi Karogi 2015 Hindi 720p Torrent > DOWNLOAD. f27b91edd8 . mujhse shaadi karogi full movie hd 720p , mujhse shaadi karogi .... Mujhse Shaadi Karogi 2002 720p Hindi BRRip Full Movie Download. February 24, 2018. Poster of Mujhse Shaadi Karogi 2002 720p Hindi BRRip Full Movie .... Mujhse Shaadi Karogi Full Movie Watch Online, Mujhse Shaadi Karogi Full Movie Direct Download Free, ... Hindi 2CH SUBTITLES.. Mujhse Shaadi Karogi 2004 BluRay 720p x264 AAC ShAaNiG. Download Free Full Movie......... http://bit.ly/1MYbzha · http://bit.ly/1I3Xdiy.. Gabbar Ki Shaadi Honeymoon Basanti Ka Hindi Film Song Download ... Tvlogy 720p HD Quality Online Links Yeh Rishta Kya Kehlata Hai 11th March 2019 ..... Hai Dillagi Mujhse Shaadi Karogi, Mujhse Shaadi Karogi Mujhse Shaadi Karogi, .... Download Mujhse Shaadi Karogi (2004) 720p Hindi Mp4 Video Songs.. Download Mujhse Shaadi Karogi Part 1 In Hindi Dubbed In 3gp. Karogi 2 ... 3gp Mujhse Shaadi Karogi Full Movie Hd 1080p video Download,. Смотреть Mujhse Shaadi Karogi (Eng Subs) Hindi Full Movie & Songs- Salman Khan, Akshay Kumar, Priyanka Chopra Скачать MP4 360p, .... Mujhse Shaadi Karogi (Eng Subs) Hindi Full Movie & Songs- Salman Khan, ... Priyanka Chopra scenes from Mujhse Shaadi Karogi - Comedy Hindi Movie.. Mujhse Shaadi Karogi 2004 Full Movie Download 720P HD Quality HDRip Hindi Film Watch Online 9xmovies Khatrimaza WorldFree4u On HDmovie16.. Mujhse shaadi karogi full movie download dailymotion, . ... 2018 New Released Full Hindi Dubbed Movie Nithin Goldmines .. Trending Hindi Movies and Shows ... Salman Khan and Priyanka Chopra in Mujhse Shaadi Karogi (2004) Priyanka Chopra in Mujhse Shaadi Karogi (2004) ... -
DEEPIKA PADUKONE Is One of India's Highest- Paid Actresses
DEEPIKA PADUKONE is one of India’s highest- paid actresses—and you’re about to find out why photographed by JOHN AKEHURST styled by JESSICA DE RUITER Altuzarra viscose sweater and 146 InSTYLE FEBRUARY 2017 nylon skirt. Prada jersey dress. BEAUTY BEAT Love Padukone’s soft red lipstick? Get the look Loewe with L’Oréal polyamide dress. Paris Colour Charlotte Riche Le Matte Olympia suede Lip Pen in Mad sandals. for Matte ($10; lorealparisusa .com). FEBRUARY 2017 InSTYLE 149 hen 31-year-old actress Deepika I was there, but over time that number increased,” she PadukonewascastinXXX: The says. She doesn’t mind being recognized, as long as it Return of Xander Cage, it wasn’t doesn’t put anyone else out. “Sometimes fan encoun- just the prospect of being in a Hol- ters can be an inconvenience for the people around lywoodactionmoviethatintrigued me, unless, of course, the people around me are more her. It was also the idea of relocating famous,” she says, referencing outings with her Xan- to Toronto, 7,755 miles away from her der Cage co-stars Vin Diesel and Nina Dobrev. mod duplex in a Mumbai skyscraper. “I With her move to Toronto, Padukone left behind wasanxiousbeforeIlefttostartfilm- perks like an entourage and a security team and now ing,” she recalls. “But I wanted to move out of my com- focuses onthebasicsherself:makingher ownscram- fort zone and start over.” bledeggsandorderingIndiantakeout.“Ireceivedan It’s not as though she needed to reinvent herself— allowance and had to find my own accommodations back in India, Padukone is as big as they come. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Bollywood Bourgeois Author(S): Rachel Dwyer Source: India International Centre Quarterly, Vol
Bollywood Bourgeois Author(s): Rachel Dwyer Source: India International Centre Quarterly, Vol. 33, No. 3/4, India 60 (WINTER 2006-SPRING 2007), pp. 222-231 Published by: India International Centre Stable URL: http://www.jstor.org/stable/23006084 . Accessed: 07/11/2013 09:20 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. India International Centre is collaborating with JSTOR to digitize, preserve and extend access to India International Centre Quarterly. http://www.jstor.org This content downloaded from 146.96.128.36 on Thu, 7 Nov 2013 09:20:14 AM All use subject to JSTOR Terms and Conditions INDIA 60 Bollywood Bourgeois cliche of Indian cinema being the domain of the escapist fantasies of the Indian masses can now be safely put to rest. While this may have been true for The the 1980s, when the study of Indian cinema began to grow, the present cinema audiences, who are willing to pay Rs. 200 and upwards for a cinema ticket, are from various sections of the Indian middle classes and elites. These classes now dominate the public sphere in India and film is one of the major media which they are producing and consuming. -
50 3 August / 2020
www.openthemagazine.com 50 3 AUGUST /2020 OPEN VOLUME 12 ISSUE 30 3 AUGUST 2020 CONTENTS 3 AUGUST 2020 5 6 7 12 16 18 20 LOCOMOTIF INDRAPRASTHA MUMBAI NOTEBOOK IN memoriAM SOFT POWER WHISPERER OPEN ESSAY The politics of masks By Virendra Kapoor By Anil Dharker John Lewis (1940-2020) Gold’s own country By Jayanta Ghosal The Mahatma and By S Prasannarajan By Ramesh Sharma By Makarand R Paranjape Kashmir By MJ Akbar 28 IS SCIENCE ABOUT 28 TO DEFEAT THE CORONAVIRUS? With the recent vaccine results, new drugs and experienced care, the first glimmers of hope arrive By Lhendup G Bhutia 34 A TALE of Three Vaccines The world has responded to Covid-19 by developing and testing vaccines 12 at record speed By Shahid Jameel 38 BEGINNINGS AND ALTERNATIVE ENDS The trajectory of pandemics suggests that humanity will always triumph in the end but without control over the time and toll By Madhavankutty Pillai 42 42 THE DESERT FOX The daring and durability 46 50 of Ashok Gehlot By Amita Shah 46 virtuaL checKMate 58 Chess streaming goes mainstream in India By V Shoba 50 LETTER FROM LAHORE The ideal and the real By Mehr Tarar 54 54 58 62 65 66 THE SECOND ACT PREMCHAND’S PARTNER A MOVEABLE FEAST HOLLYWOOD REPORTER NOT PEOPLE LIKE US Yesteryear actors return to play On the writer’s 140th birth A detective’s diet Colin Farrell on his London calling complex roles as streaming anniversary, why it’s important to By Shylashri Shankar new Artemis Fowl series By Rajeev Masand platforms allow greater variety celebrate his wife Shivrani Devi By Noel de Souza By Kaveree -
67Th National Film Awards, 2019 Most Film Friendly State Award Sr. No. State Medal 1. Sikkim Rajat Kamal & Certificate 67Th
67th National Film Awards, 2019 Most Film Friendly State Award Sr. No. State Medal 1. Sikkim Rajat Kamal & Certificate 67th National Film Awards, 2019 Best Writing on Cinema Award for Best Book on Cinema: Sr. No. Title of the Book Language Name of Name of the Medal and the Author Publisher Cash prize 2. A GANDHIAN English Sanjay Suri HarperCollins Swarna AFFAIR: INDIA’S Publishers Kamal and CURIOS PORTRAYAL India Rs. OF LOVE IN CINEMA 75,000/- Special Mention: Sr. No. Title of the Book Language Name of the Award Author 1. CINEMA PAHANARA Marathi Ashok Rane Certificate MANUS 2. KANNADA CINEMA: Kannada P R Ramadasa Certificate JAGATHIKA CINEMA Naidu VIKASA-PRERANE- PRABHAVA Award for Best Film Critic: Sr. No. Name of Critic Language Medal and Cash Prize 1. Sohini Chattopadhyay English Swarna Kamal and Rs. 75,000/- 67th National Film Awards, 2019 Non-Feature Films Section 67th National Film Awards 2019 Non-Feature Films Results S.No. Category of Award Title of the Film Awardee Medal & Cash Prize 1. BEST NON-FEATURE AN ENGINEERED Producer & Swarna Kamal FILM DREAM (HINDI) Director : Rs. 1,50,000/- Hemant Gaba each 2. BEST DEBUT NON- KHISA Producer : P P Rajat Kamal FEATURE FILM OF A (MARATHI) Cine DIRECTOR Production Director : Raj Rs. 75,000/- Pritam More each 3. BEST ETHNOGRAPHI CHARAN-ATVA Producer : Rajat Kamal C FILM THE ESSENCE OF Films Division BEING A NOMAD Director : Dinaz (GUJARATI) Rs 50,000/- Kalwachwala each 4. BEST BIOGRAPHICAL ELEPHANTS DO Producer : Rajat Kamal FILM REMEMBER Films Division Rs 50,000/- (ENGLISH) Director : Swati Producer Pandey, Rs. -
Nowadays, the Meaning of Comedy Is Changed: Krushna Abhishek Krushna Abhishek Is Known for His Comic Roles in the films and TV
TM Volume 5 I Issue 08 I March 2020 I Film Review p27 John Abraham to produce well-known social entrepreneur Revathi Roy’s biopic p06 Social values and cinema p25 Nowadays, the meaning of Sanjay Dutt sets the bar high as the quintessential villain. Check the list! comedy is changed: p08 KRUSHNA ABHISHEK #BOLLYWOODTOWN CONTENTSCONTENTS ¡ Sanjay Dutt sets the bar high as the ¡ Karisma Kapoor along with ACE quintessential villain. Check the list! Business Awards to felicitate Achievers p08 p20 p34 Small Screen ¡ John Abraham to produce well-known social entrepreneur p30 Revathi Roy’s biopic Fashion & Lifestyle p06 ¡ "Now people are curious and they want to watch such films", Fatima Sana Shaikh spills beans on the shift in Bollywood p14 ¡ Social values and cinema p25 ¡ Himansh Kohli on break up with Neha Kakkar: She would cry on shows and people would blame me! p16 p10 Cover Story ¡ Film Review p27 From the publisher's desk Editor : Tarakant D. Dwivedi ‘Akela’ Editor-In-Chief : Yogesh Mishra Dear Readers, Sr. Columnist : Nabhkumar ‘Raju’ The month of February was an average month for many of the filmmakers. Spl. Correspondent : Dr. Amit Kr. Pandey (Delhi) Movies released in the month were- Shikara, Malang, Hacked, Love Aaj Kal, Graphic Designer : Punit Upadhyay Bhoot Part One: The Haunted Ship, Shubh Mangal Zyada Saavdhan, The Sr. Photographer : Raju Asrani Hundred Bucks, Thappad, Guns of Banaras, Doordarshan and O Pushpa I Hate Tears etc. COO : Pankaj Jain Hardly few of the movies did an average business on box office, rest of the Executive Advisor : Vivek Gautam movie could not do well on box office.