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Identifying the Best – Theory, Methods, Practice Proceedings of the 9Th Forum on the Internationalization of Sciences and Humanities
2015 Identifying the Best – Theory, Methods, Practice Proceedings of the 9th Forum on the Internationalization of Sciences and Humanities October 18–19, 2015 • Berlin CONTENTS Identifying the Best – Panel 1: Defining “the Best” Theory, Methods, Practice 12 Better Practices in Scientific Publishing Proceedings of the 9th Forum on the | by Richard N. Zare Internationalization of Sciences and Humanities 14 Selecting the Best in Psychology and Cognitive Science October 18–19, 2015 • Berlin | by Ulrike Hahn Panel 3: Identifying the Best – 16 Scientific Research and Higher In Practice Education in the Arab World Preface | by Sultan Abu-Orabi 24 Supporting the Best, so That They Can | by Helmut Schwarz and Helen F. Siu Become Even Better | by Maciej Żylicz Panel 2: Methods of Selecting the 25 Intuition-Based Decisions in Selecting Introduction Best the Best | by Kazuyuki Tatsumi 4 Identifying the Best – 18 Identifying the Best in an Unevenly Theory, Methods, Practice Diverse Global Community 27 Identifying the Best Research for | by Daya Reddy Awards by the US National Institutes 6 Challenges in Research Excellence of Health | by Philip Campbell 20 Selecting the Best, a Brazilian | by Richard Nakamura Perspective | by Carlos F. O. Graeff 29 “No Magic Equation” | by Katja Doerschner 21 Flexibility and Future-focus in Assessing the Quality of Research 30 Contributors | by Majella Franzmann Speakers of the 9th Forum on the Internationalization of Sciences and Humanities The IAB 33 The International Advisory Board of the Alexander von Humboldt Foundation 34 An Independent Expert Group – The Members of the International Advisory Board 38 Forum on the Internationalization of Sciences and Humanities 40 Imprint PREFACE | 3 Preface Dear Reader, Rising numbers of excellent researchers mean rising competition for grants and positions in academic systems worldwide. -
Design Research Quarterly Volume 2, Issue 3
Design Research Society DRS Digital Library Design Research Quarterly DRS Archive 1-7-2007 Design Research Quarterly Volume 2, Issue 3 Peter Storkerson Follow this and additional works at: https://dl.designresearchsociety.org/design-research-quarterly Recommended Citation Storkerson, Peter, "Design Research Quarterly Volume 2, Issue 3" (2007). Design Research Quarterly. 4. https://dl.designresearchsociety.org/design-research-quarterly/4 This Book is brought to you for free and open access by the DRS Archive at DRS Digital Library. It has been accepted for inclusion in Design Research Quarterly by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. V.2:3 July 2007 www.designresearchsociety.org Design Research Society ISSN 1752-8445 Designing the Interface Between Research, Learning and Teaching Linda drew University of the Arts, London Abstract Introduction Table of Contents: This paper’s central argument is that ‘Universities need to set as a mission teaching and research need to be re- goal the improvement of the nexus Articles: shaped so that they connect in a pro- between research and teaching.... The 1 Designing the Interface Between ductive way. This will require actions aim is to increase the circumstanc- Research, Learning and Teaching at a whole range of levels, from the es in which teaching and research Linda Drew individual teacher to the national have occasion to meet, and to provide system and include the international rewards not only for better teaching or 4 DRS 2008 Conference: communities of design scholars. To do for better research but also for demon- Undisciplined! this, we need to start at the level of the strations of the integration between individual teacher and course team. -
The Grand Challenges in the Chemical Sciences
The Israel Academy of Sciences and Humanities Celebrating the 70 th birthday of the State of Israel conference on THE GRAND CHALLENGES IN THE CHEMICAL SCIENCES Jerusalem, June 3-7 2018 Biographies and Abstracts The Israel Academy of Sciences and Humanities Celebrating the 70 th birthday of the State of Israel conference on THE GRAND CHALLENGES IN THE CHEMICAL SCIENCES Participants: Jacob Klein Dan Shechtman Dorit Aharonov Roger Kornberg Yaron Silberberg Takuzo Aida Ferenc Krausz Gabor A. Somorjai Yitzhak Apeloig Leeor Kronik Amiel Sternberg Frances Arnold Richard A. Lerner Sir Fraser Stoddart Ruth Arnon Raphael D. Levine Albert Stolow Avinoam Ben-Shaul Rudolph A. Marcus Zehev Tadmor Paul Brumer Todd Martínez Reshef Tenne Wah Chiu Raphael Mechoulam Mark H. Thiemens Nili Cohen David Milstein Naftali Tishby Nir Davidson Shaul Mukamel Knut Wolf Urban Ronnie Ellenblum Edvardas Narevicius Arieh Warshel Greg Engel Nathan Nelson Ira A. Weinstock Makoto Fujita Hagai Netzer Paul Weiss Oleg Gang Abraham Nitzan Shimon Weiss Leticia González Geraldine L. Richmond George M. Whitesides Hardy Gross William Schopf Itamar Willner David Harel Helmut Schwarz Xiaoliang Sunney Xie Jim Heath Mordechai (Moti) Segev Omar M. Yaghi Joshua Jortner Michael Sela Ada Yonath Biographies and Abstracts (Arranged in alphabetic order) The Grand Challenges in the Chemical Sciences Dorit Aharonov The Hebrew University of Jerusalem Quantum Physics through the Computational Lens While the jury is still out as to when and where the impressive experimental progress on quantum gates and qubits will indeed lead one day to a full scale quantum computing machine, a new and not-less exciting development had been taking place over the past decade. -
Neri Oxman Material Ecology
ANTONELLI THE NERI OXMAN CALLS HER DESIGN APPROACH MATERIAL ECOLOGY— A PROCESS THAT DRAWS ON THE STRUCTURAL, SYSTEMIC, AND AESTHETIC WISDOM OF NATURE, DISTILLED AND DEPLOYED THROUGH COMPUTATION AND DIGITAL FABRICATION. THROUGHOUT HER TWENTY- ECOLOGY MATERIAL NERI OXMAN NERI OXMAN YEAR CAREER, SHE HAS BEEN A PIONEER OF NEW MATERIALS AND CONSTRUCTION PROCESSES, AND A CATALYST FOR DYNAMIC INTERDISCIPLINARY COLLABORATIONS. WITH THE MEDIATED MATTER MATERIAL GROUP, HER RESEARCH TEAM AT THE MIT MEDIA LAB, OXMAN HAS PURSUED RIGOROUS AND DARING EXPERIMENTATION THAT IS GROUNDED IN SCIENCE, PROPELLED BY VISIONARY THINKING, AND DISTINGUISHED BY FORMAL ELEGANCE. ECOLOGY PUBLISHED TO ACCOMPANY A MONOGRAPHIC EXHIBITION OF OXMAN’S WORK AT THE MUSEUM OF MODERN ART, NEW YORK, NERI OXMAN: MATERIAL ECOLOGY FEATURES ESSAYS BY PAOLA ANTONELLI AND CATALOGUE HADAS A. STEINER. ITS DESIGN, BY IRMA BOOM, PAYS HOMAGE TO STEWART BRAND’S LEGENDARY WHOLE EARTH CATALOG, WHICH CELEBRATED AND PROVIDED RESOURCES FOR A NEW ERA OF AWARENESS IN THE LATE 1960S. THIS VOLUME, IN TURN, HERALDS A NEW ERA OF ECOLOGICAL AWARENESS—ONE IN WHICH THE GENIUS OF NATURE CAN BE HARNESSED, AS OXMAN IS DOING, TO CREATE TOOLS FOR A BETTER FUTURE. Moma Neri Oxman Cover.indd 1-3 9.01.2020 14:24 THE NERI OXMAN MATERIAL ECOLOGY CATALOGUE PAOLA ANTONELLI WITH ANNA BURCKHARDT THE MUSEUM OF MODERN ART, NEW YORK × Silk Pavilion I Imaginary Beings: Doppelgänger Published in conjunction with the exhibition Published by Neri Oxman: Material Ecology, at The Museum of The Museum of Modern Art, New York Modern Art, New York, February 22–May 25, 2020. 11 West 53 Street CONTENTS Organized by Paola Antonelli, Senior Curator, New York, New York 10019 Department of Architecture and Design, www.moma.org and Director, Research and Development; and Anna Burckhardt, Curatorial Assistant, © 2020 The Museum of Modern Art, New York 9 FOREWORD Department of Architecture and Design Certain illustrations are covered by claims to copyright cited on page 177. -
In Celebration of the 65Th Birthday of Professor Yitzhak Apeloig
DOI: 10.1002/chem.200902001 In Celebration of the 65th Birthday of Professor Yitzhak Apeloig This special issue of Chemistry—A European Journal is the British Mandate, which became a few months later the dedicated to our friend and colleague Yitzhak Apeloig on State of Israel. the occasion of his 65th birthday. The manuscripts published in this issue cover a large variety of themes spanning from Yitzhak grew up in the Tel-Aviv area and after 2.5 years of mandatory army service in the paratroopers he enrolled in the Hebrew University of Jerusalem to study chemistry and physics, where he received a B.A. degree (summa cum laude) (1967), and where he continued with his graduate studies and completed (summa cum laude) his M.Sc (1969) and Ph.D (1974) degrees, under the supervision of Prof. Zvi Rappoport. The title of his Ph.D Thesis was: “Intermediates in SN1 Vinylic Substitution”. This research led to several im- portant publications in the field of experimental mechanistic organic chemistry; the first one, which remains vivid for Yitzhak, was entitled: “Vinylic Cations from Solvolysis. The Stereochemistry of the SN1 Reaction of 1,2-Dianisyl-2-phe- nylvinyl Halides” (J. Am. Chem. Soc. 1969, 91, 6734). During the two years of his postdoctoral studies with Profes- sors Paul von Ragu Schleyer and John A. Pople (Nobel Laureate in Chemistry, 1998), who formed one of the most fruitful and remarkable partnerships in chemistry, Yitzhak became fascinated by the application of quantum mechani- cal calculations to chemistry and this outlined his future in- dependent way in chemistry, using theory and experiment in synergy, an approach which leads his research to this date. -
Theory and Design in the First Digital
Theory and design in the first digital age Rivka Oxman, Faculty of Architecture and Town Planning Technion, Haifa 32000, Israel Digital design and its growing impact on design and production practices have resulted in the need for a re-examination of current design theories and methodologies in order to explain and guide future research and development. The present research postulates the requirements for a conceptual framework and theoretical basis of digital design; reviews the recent theoretical and historical background; and defines a generic schema of design characteristics through which the paradigmatic classes of digital design are formulated. The implication of this research for the formulation of ‘digital design thinking’ is presented and discussed. Ó 2005 Elsevier Ltd. All rights reserved. Keywords: digital design, design theory, design methodology, design thinking he evolution of digital design as a unique field of design endeavor, motivated by its own body of theoretical sources, promulgated by Ta culture of discourse, supported by new technologies, and pro- ducing unique classes of designs is a phenomenon that has been rapidly crystallizing in the past decade. Among the significances of digital design for the design theoretical community is the way that this form of highly mediated design is beginning to evolve unique design methodologies, unique forms of design interaction and unique formal content. Due to the large body of diverse publication that has accompanied these devel- opments the problem of encompassing the intellectual domain of digital design culture is, in itself, a difficult mandate. Beyond this problem of diversity, there are other, more theoretical, challenges to our interpreta- tion and understanding of digital design. -
Theories and Models of Parametric Design Thinking
Thinking difference: Theories and models of parametric design thinking Rivka Oxman, Faculty of Architecture and Town Planning, Technion Israel Institute of Technology, Haifa, 32000, Israel The paper examines the uniqueness of seminal parametric design concepts, and their impact on models of parametric design thinking (PDT). The continuity and change within the evolution of design thinking is explored through review of key texts and theoretical concepts from early cognitive models up to current models of parametric design thinking. It is proposed that the seminal role for parametric schema, as a strategic medium of parametric design thinking, is formulated at the intersection of three bodies of knowledge: cognitive models of typological and topological design in architecture; process models of digital design; and tectonic order of material fabrication design (MFD). Differentiation is introduced as a key design strategy of PDT and is demonstrated through classification of prominent case studies. Ó 2017 Elsevier Ltd. All rights reserved. Keywords: computational models, parametric design, design cognition, design knowledge, parametric design thinking eyond being another tool for modeling complex forms, parametric design is emerging as a unique and distinctive model of design. BBoth research and praxis in parametric design are influencing the emergence of parametric design theories that are currently undergoing a re- formulation and an epistemological shift. In parallel, the development of cur- rent tools and practices of parametric design are beginning to impact forms of parametric design thinking (PDT). Current parametric design systems are adapting to changing context under the impact of a new generation of script- ing languages and techniques (Burry, 2011), relational topological schema, associative geometries, and re-editing processes (Woodbury, 2010; Jabi, 2015) and computational process models of digital design (Oxman, 2006). -
Materializing Design: the Implications of Rapid Prototyping in Digital Design
Materializing design: the implications of rapid prototyping in digital design Larry Sass, Department of Architecture, Massachusetts Institute of Technology, 77 Massachusetts Avenue, Cambridge, MA 02139, USA Rivka Oxman, Faculty of Architecture and Town Planning, Technion, Israel Institute of Technology, 32000 Haifa, Israel Rapid prototyping (RP) today is absorbed into practice and is being recognized as a significant technology for design. This paper attempts to formulate key aspects of the design methodological framework that are coalescing with RP’s capability to build artifacts as part of the creative design process. In doing so, it attempts to formulate questions and issues of RP as a design medium that supports the full spectrum of digital design as a paperless process. These issues have been the resultant of early experimental and hands-on involvement with RP technologies in research and educational environments. In this paper, a DDF method (Digital Design Fabrication) is introduced. The DDF method is a two-stage process of working that integrates generative computing and RP into one process. Together they support a process to generate diverse candidate artifacts as solutions to design problems. Through a presentation of issues, procedural observations, and research findings, a range of potential applications of the DDF model are defined and presented. It demonstrates a process of design situated between conceptual design and real-world construction. Ó 2005 Elsevier Ltd. All rights reserved. Keywords: digital process, rapid prototyping hysical modeling is one way through which designers realize mental concepts (Cuff, 1992). As a design representational medi- Pum, the model making process can lead to new forms beyond the original concept. -
Design Research Quarterly Volume 2, Issue 4
Design Research Society DRS Digital Library Design Research Quarterly DRS Archive 1-10-2007 Design Research Quarterly Volume 2, Issue 4 Peter Storkerson Follow this and additional works at: https://dl.designresearchsociety.org/design-research-quarterly Recommended Citation Storkerson, Peter, "Design Research Quarterly Volume 2, Issue 4" (2007). Design Research Quarterly. 5. https://dl.designresearchsociety.org/design-research-quarterly/5 This Book is brought to you for free and open access by the DRS Archive at DRS Digital Library. It has been accepted for inclusion in Design Research Quarterly by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. Emerging Trends in Design Research V.2:4 October, 2007 www.designresearchsociety.org Design Research Society 12-15 November, 2007 ISSN 1752-8445 Hong Kong Polytechnic Confessions of a Journal Editor Jeffrey J. Williams Carnegie Mellon University Editor, Minnesota Review Want to know what an editor is really thinking when Table of Contents: he’s reading that article you submitted? Articles: It’s good that people can’t hear me it better. Nowadays there is very little 1 Confessions of a Journal Editor when I edit their writing. “Blah blah serious editing in academe. It’s a scan- Jeffrey J. Williams blah.” “Is this a garbled translation dal, and I think we should change it. (reprinted from The Chronicle of Higher from the Cyrolean?” “Did you reread Editing, like sending thank-you Education) your writing? I’m not your mother.” cards, is one of those things that every- “Urrrh.” It wouldn’t be polite. one acknowledges is a good idea but 4 DRS 2008 Conference: Undisciplined! I have edited a literary and cultur- that few people do. -
Parametric Design and Prototyping Considerations on Gaudí's Sagrada
PP Periodica Polytechnica Between Designer and Design: Architecture Parametric Design and Prototyping Considerations on Gaudí’s Sagrada 47(2), pp. 89-93, 2016 Familia DOI: 10.3311/PPar.10335 Creative Commons Attribution b Rodrigo Makert1*, Gilfranco Alves1 research article Received 28 November 2016 Abstract 1 Introduction Digital technologies have enabled new design methods, cast- This paper analyses the Expiatory Church of the Sagrada ing a reassessment of current theories of design. Rivka Oxman Família, designed by Antoni Gaudí in Barcelona, started at the proposed five paradigmatic classes of digital design models end of the XIX century and still not completed. The objective according to the various relationships between the designer, is to investigate the theory and practice, from the design pro- conceptual content, applied design processes, and the design cesses through to the parametric design thinking and digital object. Kotnik states that catenary curve computational think- fabrication. The catenary curve was chosen as an experiment in ing is changing the way we think and design in architecture; the digital and physical world. it can be distinguished by three main levels of “computabil- Carpo states that the current logic for the project’s idea pres- ity”: representational, parametric and algorithmic. Kolarevic entation before Albert would be something like “if you can’t clarifies that new digital approaches to design (based on com- draw what you have in mind in order to have others make it putational concepts), construction and prototyping can be for you, you can still try to make it yourself” (Carpo, 2011). achieved by computerised numerical control process (CNC). -
Feb 2 7 2004 Libraries Rotch
Architecture Theory 1960-1980. Emergence of a Computational Perspective by Altino Joso Magalhses Rocha Licenciatura in Architecture FAUTL, Lisbon (1992) M.Sc. in Advanced Architectural Design The Graduate School of Architecture Planning and Preservation Columbia University, New York. USA (1995) Submitted to the Department of Architecture, in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy in Architecture: Design and Computation at the MASSACHUSETTS INSTITUTE MASSACHUSETTS INSTITUTE OF TECHNOLOGY OF TECHNOLOGY February 2004 FEB 2 7 2004 @2004 Altino Joso Magalhaes Rocha All rights reserved LIBRARIES The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. Signature of Author......... Department of Architecture January 9, 2004 Ce rtifie d by ........................................ .... .... ..... ... William J. Mitchell Professor of Architecture ana Media Arts and Sciences Thesis Supervisor 0% A A Accepted by................................... .Stanford Anderson Chairman, Departmental Committee on Graduate Students Head, Department of Architecture ROTCH Doctoral Committee William J. Mitchell Professor of Architecture and Media Arts and Sciences George Stiny Professor of Design and Computation Michael Hays Eliot Noyes Professor of Architectural Theory at the Harvard University Graduate School of Design Architecture Theory 1960-1980. Emergence of a Computational Perspective by Altino Joao de Magalhaes Rocha Submitted to the Department of Architecture on January 9, 2004 in Partial Fulfilment of the Requirements for the degree of Doctor of Philosophy in Architecture: Design and Computation Abstract This thesis attempts to clarify the need for an appreciation of architecture theory within a computational architectural domain. It reveals and reflects upon some of the cultural, historical and technological contexts that influenced the emergence of a computational practice in architecture. -
Speakers & Members of the Board *
Speakers & Members of the Board * Mr. Ammar Abdulhamid Founder and Director of the Tharwa Foundation and a leading Syrian human rights and pro- democracy activist. He is a former Fellow of the Saban Centerfor Middle East Policy at the Brookings Institute and co- founder of the Hands Across the Mideast Support Alliance (HAMSA). A known poet and author, he was a Fellow at the International Institute for Modern Letters in Las Vegas. He holds a BA in History from the University of Wisconsin. Mr. Aharon Abramowicz Former General Director of the Israeli Foreign Ministry. Currently a partner in the law offices of Lipa Meir and Co., he previously served as General Director of the Israeli Ministry of Justice. He was General Director of the Jewish Agency. He served as legal advisor to a number of organizations, such as the Jewish Agency, the World Zionist Federation, the World Jewish Restitution Organization and the United Israel Appeal. He holds an LLB from the Hebrew University. Mr. Elliott Abrams Senior Fellow for Middle Eastern Studies at the Council on Foreign Relations (CFR). As a member of the George W. Bush administration he served as Deputy Assistant to the President and Deputy National Security Advisor for Middle East Affairs as well as the Senior Director on the National Security Council for Near East and North African Affairs. During the Reagan administration he served as Assistant Secretary of State for Human Rights, and later Assistant Secretary for Inter-American Affairs. He received his JD from Harvard Law School. Prof. Oded Abramsky Chairman of the National Council for Civilian Research and Development.