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Spring Program (5.6.08)Pub2000.Pub ANCHOR BAY BAND BOOSTER EXECUTIVE BOARD The Anchor Bay High School Instrumental Music Department Eileen Zelenak, President Chris Worton, Vice President - Fundraising proudly presents the Sarah Plachinski, Vice President - Special Event Fundraising Rhonda Schehr, Treasurer Heidi Gnesda, Financial Secretary SYMPHONIC BAND Lynnette O’Brien, Secretary Molly J. Dee, Instrumental Music Director P. David Visnaw II, Instrumental Music Director and the ANCHOR BAY HIGH SCHOOL ADMINISTRATION WIND ENSEMBLE Ms. Judy Stefanac, Principal Mr. Hank Anderson, Assistant Principal in a Mr. Vic Balaj, Assistant Principal Mrs. Sherry Kenwood, Assistant Principal SPRING CONCERT WWW.ANCHORBAYBANDS.ORG UPCOMING INSTRUMENTAL MUSIC EVENTS 5/15/08 - 5/18/08 — Chicago Trip 5/22/08 — New Marcher Orientation 5/24/08 — Metro-Michigan Jazz Festival (Pontiac) Tuesday, May 6, 2008 5/26/08—New Baltimore Memorial Day Parade 7:30 P.M. 5/27/08 — Instrumental Music Banquet (Salt River) Anchor Bay High School Auditorium 6/1/08 — Graduation (McMorran Auditorium, Port Huron) 6/10/08—6/12/08 Pre-Marching Band Camp (‘08 - ‘09 MB) 6/11/08—Tiger Game Fundraiser (5:00pm) Molly J. Dee, Instrumental Music Director 6/25/06 — Bay Rama Parade (‘08- ‘09 MB) P. David Visnaw II, Instrumental Music Director 7/28/08-8/2/08—Marching Band Camp Anthony Messina, Student Teacher PROGRAM WIND ENSEMBLE PICCOLO OBOE FRENCH HORN 5th HOUR SYMPHONIC BAND Courtney Sykes# Lyndsay Donnellon* Theresa Bellak Shannon Rowe Kari Caretti*+#h^x FLUTE Alicia Haydamack Christine Carter BASSOON Kevin O’Bryan Highlights from Aladdin………………….….arr. Paul Jennings Tina Gastmeier James Rowe*^ ◄ Brittany Rutland Katelin Thomas a TROMBONE Emily Schmeisl* Lydia Lanni Jon Carrothers*x x Angela Szypa* # Darrell Haas ALTO SAXOPHONE Glenn Hutcheson CLARINET Philip Olivares Cameron O’Brien* Ashley DeCaluwe Christen Williams Jennifer Pavlica 4th HOUR SYMPHONIC BAND Lauren Ellis Kristen Zelenak*◄h~ Brittany Jury EUPHONIUM Linda Reed TENOR SAXOPHONE Shannon Eaton ◄~ Kyle Ribant* h# Samuel Gargulinski Nick Sabella 80’s Flashback……………………………..…...arr. Paul Murtha Meagan Sutkiewicz Lynae Werner BARITONE SAXOPHONE TUBA Kirsten White Brandon Ehrhardt Stephanie Cardillo Kimberly Zelenak* Steven Ostrander TRUMPET BASS CLARINET PERCUSSION Richard Bright^ x x Joseph Iafrate # Kyle Croes^ Michael D’Angelo # COMBINED SYMPHONIC BAND Jordan Rososko Hope Legg Tylor Good# #◄x ~ Andrew Miller* h Matt Monsur ENGLIGH HORN Susan Rudnicka Adam Ribant# Bethany Phillipsx Jacquie Wirick Chorale and Shaker Dance……………………...John Zdechlik Ashley Zacharski* David Zwolinski* WIND ENSEMBLE STEPHANIE DOPPKE for her help in providing lights, sound, and video footage for Channel 6. Festive Overture…..D. Shostakovich / trans. D. Hunsberger SUSAN SCHMEISL for organizing the afterglows at both Winter Concerts. EILEEN ZELENAK and the BAND BOOSTER EXECUTIVE BOARD for Tempered Steel………….………….Charles Rochester Young the time dedication and volunteer service to the students of the Anchor Bay HS Instrumental Music Program!. Immediately following tonight’s concert, please join us in the cafeteria for an afterglow and chamber ensemble performances SYMPHONIC BAND CONCERT ETIQUITTE FLUTE BASSOON FRENCH HORN A performer's intense concentration can be interrupted by little things that may seem Keelie Cottick Chandler Foote*# Jamie Bartkowicz trivial to audience members. The following suggestions will help audience members Erin Healy Courtney Sykes Courtney Batchelder show respect to the performers on stage as well as other members of the audience. Elizabeth June Elizabeth Buckner* This will help the performers to do their best. Sierra Kemp ALTO SAXOPHONE Katie DeWolf Kaitlin LaFeve Ken Beierlein*# Jennifer Donnellon* When To Applaud - Performers always appreciate applause, but there are appropriate Molly Monte* Kayleigh Butler Rachel Kuss moments to applaud. In a multi-movement work, applaud after all movements are Laura Pokorski Joshua Makar Andrew Miller completed. This allows the continuity of the piece to flow from one movement to the Shelby Reed* Zack Murray Rebecca Strobel next. “Hooting and hollering” is not appropriate in the concert setting. Lauren Schmidt Kelsey Parsons* Bryan Piepenbrok TROMBONE Arrival Time - Leave early and allow enough time for parking and traffic. If you do CLARINET Michael Quinn Marci Bratkowski arrive late, wait by the doors until the first piece (not just a movement) is finished, then Katie Bartholomew Tyler White Lauren Ellis discreetly take the nearest seat available. Alexis Collica* Brandon Jewell Cory Juresich Ashleigh Dahl Madison McClintock# Entering and Exiting the Auditorium - Never enter or exit the auditorium during a Sarah DeRita TENOR SAXOPHONE Jenna McQuiston* performance. If you must enter or exit, please wait until the performance on stage has Kari Harvey*. Zach Chuckran Brandon O’Bryan* been completed. The most appropriate times to move about are during audience Sarah Hensley Troy Foster* Alex Price applause or set changes. Cassie Hinderliter Steven Hromek Steven Salmen Krystal Hoxey Jennifer Kensicki* Talking - Talking should not be tolerated. It is not only distracting to the performer, but Julia Kinter EUPHONIUM to every person in the audience. It is just plain rude to talk (even whispering can be Taylor Miller BARITONE SAXOPHONE Josh Beck heard) during a musical performance. If someone around you is talking, ask them Samantha Parisi Adam Coppa* Kari Caretti nicely to please stop. Rebecca Piotruchowski Dayna Diebold* Sarah Bradley-Kosanke*# Alyssa Ranilovich Harold Reintjes Ariel Gostovich Other Noises - Avoid rustling your program, tapping your foot, bouncing your legs, etc. Rebecca Saelens Holly Miller*# Pagers and cell phones should be turned off. Watches set to beep on the hour should Courtneay Smith TRUMPET also be turned off. These high-pitched beeps are distracting to the performers and Rachel Vredevoogd Jacob Beach TUBA audience members. Adrienne Woodall Greg Cluney* Chris Buckner Melissa Esser Keiffer Heino Coughing - It is hard to avoid a spontaneous cough. Be prepared with some type of BASS CLARINET Zack Grashik# James Rowe* cough drops or candies. Avoid cellophane wrappers. Many come with a soft wax- Cassy Bridges* Megan Hill Randy Schehr paper wrapping that will be much less noisy. Alyssa Gaglio Jennifer Kowalski Angelo Gutierriez Brittany Martin PERCUSSION Taking Pictures - Refrain from taking any photographs during a performance. The Brittany Smith* Shawn Moore* James Barber* click of a camera and especially the flash are very distracting. Pictures should be Lauren Vardon Ben Parenteau Daniel Bowron taken after the performance. Eric Root Scott Demers OBOE Derek Dunsmore Children - Children need exposure to good music and live performances. If your Alexa Bidigare* Duane Gaedcke young child begins to get restless in the middle of a performance, it may be best that Anthony Petix Michael Ingrao you exit the auditorium until calmer times prevail. Evan LaPensee* Justin Martin Evan O’Hearn By following basic edicts of respect and consideration, performers and the audience Josh Ross will have a more pleasurable and meaningful experience as they perform and attend Justin Smith* live concerts. Because they have worked so hard for their performance, the students on stage deserve to be treated with respect. * Denotes Section Leader aOakland Youth Orchestra ◄ Michigan Youth Band/Orchestra # East Shore Honors Band ~ MSBOA All-State Band x MSBOA District XVI Honors Band ^ Detroit Symphony Youth Ensembles hMichigan State University Honors Band + Central Michigan University High School Honors Band PROGRAM NOTES WHAT IS MUSIC? Tempered Steel Music is a SCIENCE As we grow stronger and more resilient through hardship, we become “tempered.” Tempered Steel is a celebration of our triumph over these unavoidable hardships and It is exact, specific; and it demands exact acoustics. A conduc- obstacles that we regularly face. It rejoices in the tenacious and unrelenting resolve tor’s full score is a chart, a graph which indicates frequencies, in- that is part of us all. As the title implies, the metallic sonorities of the wind band are tensities, volume changes, melody, and harmony all at once and continually explored and developed throughout the work, while the “tempest” is a symmetric hexachord that is exposed and developed through a variety of juxtaposed with the most exact control of time. gestures and themes. Tempered Steel was “forged” in 1997 as the first work to be commissioned by the Big 12 Band Directors Association. Charles Rochester Young (born 1965) has won the high praises and honors for his Music is MATHEMATICAL work as a composer. Major awards include: first prize in the National Flute Association It is rhythmically based on the subdivisions of time into fractions New Publications Competition, first prize in the National Band Association/Merrill Jones which must be done, not worked out on paper. Composition Competition, High Commendation from the British and International Bass Foundation, second prize in the 1990 Fischoff Competition, second prize in the National Association of Composers in the USA Young Composers Competition, prize winner in the Vienna Modern Masters Competition, and financial awards from ASCAP Music is a FOREIGN LANGUAGE (for the unique prestige value of his original works), the National Endowment for the Arts, Meet the Composer, the Aaron Copland Foundation, the Minnesota Composers Most of the terms are in Italian, German, or French; and the nota- Forum, the Presser Foundation and Arts
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