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Buddy Holly Center Plaza
Buddy Holly Center Plaza Heath Barfield Olivia Sievers Ross Surinder Aulakh LARC 2402 Design Process Dr. Yi Luo “I’m not trying to stump anybody... It’s the beauty of the language that I’m interested in.” Studio Context Design - Heath Barfield Site Context Design - Olivia Sievers Ross Group Work Design - Surinder Aulakh Programming- Goals & Objectives Landscape Performance Benefits Case Studies Heath Barfield Inventory Olivia Sievers Ross Programming Surinder Aulakh Goals & Objectives - Heath Barfield Works Cited Goals & Objectives - Olivia Sievers Ross Goals & Objectives - Surinder Aulakh Site Analysis Heath Barfield Olivia Sievers Ross Surinder Aulakh Concept Plan Heath Barfield Olivia Sievers Ross Surinder Aulakh Heath Barfield Olivia Sievers Ross Surinder Aulakh Table of Contents Comprehension of physical, cultural and ecological issues at diverse scales allow for a designer to enrich the built environment with communal and social spaces. Enhancement and design decisions for the Buddy Holly Center are established with proprietary evidence. Site Inventory is a process which the designer uses to assess the context and Site Analysis is the interpretation of the forces influencing a site. Conceptual design is an iterative process which entails the designer to test, make and repeat until a refined design emerges. The methodologies implemented during the design development range from sketches, models, doodles, etc., thus, leading into finished documents. Studio Context Heath Barfield Olivia Sievers Ross Surinder Aulakh “The Buddy Holly Center, a historical site, has dual missions; preserving, collecting and promoting the legacy of Buddy Holly and the music of Lubbock and West Texas, as well as providing exhibits on Contemporary Visual Arts and Music, for the purpose of educating and entertaining the public. -
Post-World War II Jazz in Britain: Venues and Values 19451970
University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Society and Culture Post-World War II Jazz in Britain: Venues and Values 19451970 Williams, KA http://hdl.handle.net/10026.1/4429 10.1558/jazz.v7i1.113 Jazz Research Journal Equinox Publishing All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. [JRJ 7.1 (2013) 113-131] (print) ISSN 1753-8637 doi:10.1558/jazz.v7i1.113 (online) ISSN 1753-8645 Post-World War II Jazz in Britain: Venues and Values 1945–1970 Katherine Williams Department of Music, Plymouth University [email protected] Abstract This article explores the ways in which jazz was presented and mediated through venue in post-World War II London. During this period, jazz was presented in a variety of ways in different venues, on four of which I focus: New Orleans-style jazz commonly performed for the same audiences in Rhythm Clubs and in concert halls (as shown by George Webb’s Dixielanders at the Red Barn public house and the King’s Hall); clubs hosting different styles of jazz on different nights of the week that brought in different audiences (such as the 100 Club on Oxford Street); clubs with a fixed stylistic ideology that changed venue, taking a regular fan base and musicians to different locations (such as Ronnie Scott’s Jazz Club); and jazz in theatres (such as the Little Theatre Club and Mike West- brook’s compositions for performance in the Mermaid Theatre). -
West Texas Fiddlers and the Buddy Holly Center "Hardy Pioneers" And
Carr: West Texas Fiddlers and the Buddy Holly Center West Texas Fiddlers and the B “Hardy Pioneers” and Amarillo’s Panhandle Fiddle Contests By Joe Carr In the period from 1928 to 1931, at least six fiddle contests were held in Amarillo, Texas, most under the auspices of the Tri-State Fair Association. Contemporary newspaper re- ports offer interesting insights into the workings of the contests and the activities of the contestants, giving us a fascinating glimpse into the lives and fortunes of numerous early Panhandle fiddlers, including noted musicians Eck Robertson, J. T. Wills - father of Western Swing legend Bob Wills, Jess Morris, and others.1 Census statistics indicate just over 15,000 Amarillo residents in 1920, and the town had grown to a city of 43,000 by 1930.2 Amarillo’s older citizens who noticed the changing landscape may have had fond memories of the old days, and the Old Fiddler contests gave them an opportunity to enjoy what was perceived as a fast dying art. The first All Panhandle Old Fiddlers Contest in Amarillo was Loyd obviously felt an appeal based on memories of the “old sponsored by the Tri-State Fair Association and directed by Dr. days” was the best approach to draw a crowd. His language pre- O. H. Loyd. It was held March 20, 1928, a Tuesday night, at the sents the frontier days as the long distant past while, in truth, city auditorium in conjunction with the Cattlemen’s Conven- only twenty years had past since the “days of the cowboy.” He 44 tion. -
“Late 'Punk Poet' Jim Carroll Had Strong Seattle Music Ties (Part 1 Of
Late 'punk poet' Jim Carroll had strong Seattle music ties (part 1 of 2) 9/21/09 Mon 9/21, 11:57 PM Go mobile | Favorite Examiners | Meet the Examiners Search articles from thousands of Examiners Select your city National Home Entertainment Business Family & Home Life News & Politics Sports & Recreation National Arts and Entertainment Seattle Local Music Examiner Late 'punk poet' Jim Carroll had strong YOUR AD HERE Seattle music ties (part 1 of 2) September 16, 6:54 PM Seattle Local Music Examiner Greg Roth Comment Print Email RSS Subscribe Previous Next Part 1 of a 2 part series (Part 2 will run on Sunday, September 20th)... With, the sad death of Patrick Swayze and the MTV Video Music Awards featuring "Kaynegate", The death of legendary performance artist/singer/songwriter and poet, Jim Carroll, on September 14th, by a sudden heart attack, somehow got lost in the mix in Recent Articles the last few days. Late 'punk poet' / artist Jim Carroll had strong Carroll, who's "no holds barred" style of prose Seattle music ties (part 2 of 2) married with hard edged rock music, garnered Sunday, September 20, 2009 a fiercely loyal following and influenced many Part 2 of a 2 part series, Part 1 or the newer generation of artists today. ran on Wednesday, September 16th... With the death of Patrick Swayze and Kanye West's It could be said that Carroll was hard core rap interruption of Taylor Swift's … before the genre ever officially existed. Carroll Local Licks: Seattle local musical happenings: was an artist years ahead of his time and weekend of: 9/18 - 9/20 used his art to uncover the underbelly of the Saturday, September 19, 2009 human condition during an era, when others As always, there is an invariable chose to look away. -
Mahogany Rush, Seattle Center Coliseum
CONCERTS 1) KISS w/ Cheap Trick, Seattle Center Coliseum, 8/12/77, $8.00 2) Aerosmith w/ Mahogany Rush, Seattle Center Coliseum,, 4/19/78, $8.50 3) Angel w/ The Godz, Paramount NW, 5/14/78, $5.00 4) Blue Oyster Cult w/ UFO & British Lions, Hec Edmondson Pavilion, 8/22/78, $8.00 5) Black Sabbath w/ Van Halen, Seattle Center Arena, 9/23/78, $7.50 6) 10CC w/ Reggie Knighton, Paramount NW, 10/22/78, $3.50 7) Rush w/ Pat Travers, Seattle Center Coliseum, 11/7/78, $8.00 8) Queen, Seattle Center Coliseum, 12/12/78, $8.00 9) Heart w/ Head East & Rail, Seattle Center Coliseum, 12/31/78, $10.50 10) Alice Cooper w/ The Babys, Seattle Center Coliseum, 4/3/79, $9.00 11) Jethro Tull w/ UK, Seattle Center Coliseum, 4/10/79, $9.50 12) Supertramp, Seattle Center Coliseum, 4/18/79, $9.00 13) Yes, Seattle Center Coliseum, 5/8/79, $10.50 14) Bad Company w/ Carillo, Seattle Center Coliseum, 5/30/79, $9.00 15) Triumph w/ Ronnie Lee Band (local), Paramount NW, 6/2/79, $6.50 16) New England w/ Bighorn (local), Paramount NW, 6/9/79, $3.00 17) Kansas w/ La Roux, Seattle Center Coliseum, 6/12/79, $9.00 18) Cheap Trick w/ Prism, Hec Edmondson Pavilion, 8/2/79, $8.50 19) The Kinks w/ The Heaters (local), Paramount NW, 8/29/79, $8.50 20) The Cars w/ Nick Gilder, Hec Edmondson Pavilion, 9/21/79, $9.00 21) Judas Priest w/ Point Blank, Seattle Center Coliseum, 10/17/79, Free – KZOK giveaway 22) The Dishrags w/ The Look & The Macs Band (local), Masonic Temple, 11/15/79, $4.00 23) KISS w/ The Rockets, Seattle Center Coliseum, 11/21/79, $10.25 24) Styx w/ The Babys, Seattle -
Trestleboardtrestl
NEW JERSEY LODGE OF MASONIC RESEARCH AND EDUCATION NO. 1786 V OLUME 13 I SSUE 1 March 2015 TrestleboardTrestl NJ Lodge of Masonic Research and Education’s purpose is to foster the education of the Craft at large through prepared research and open discussion of the topics concerning Masonic history, symbolism, philosophy, and current events. Next Communication New Jersey Lodge of Masonic Research and Education meets on the second Saturday in March, June, September and December. Our next communication will be held on Saturday, March 14, 2015 at 9:30 a.m. at : Hightstown/Apollo Lodge #41 535 North Main Street Hightstown, NJ 08520 All Master Masons are Welcome! P AGE 2 V OLUME 13 I SSUE 1 From the East WB David Tucker, Worshipful Master Fiat Lux – Let there be light. NJ LORE is here to provide you with Masonic information. As we begin a new year of research and education, I ask for your Masonic feedback. What do you want to hear? As I travel the state, I hear many questions from Brothers. They ask a range of questions – from ritual to protocol (no, they are not the same) to symbolism. LORE will try to shed some light on your concerns. In addition to papers of general interest, LORE will answer Masonic questions in our Trestleboards and at our meetings. We will provide information about your concerns. Write to me with your questions at: [email protected] . If you would like to research a topic and present it at a meeting, let us know. All Brothers are encouraged to attend and participate in our meetings. -
MICHIGAN MONTHLY ______May, 2021 Diane Klakulak, Editor & Publisher ______
MICHIGAN MONTHLY ________________________________________________________________________________________________________________ May, 2021 Diane Klakulak, Editor & Publisher __________________________________________________________________________________________________________________ DETROIT PISTONS – LITTLE CAESAR’S ARENA CAR EVENTS – cruisnews.com On Fox Sports Detroit Year-round Car Cruise in: Parking at Pasteiner’s, 33202 Woodward, Birmingham; 248-646-2886, May 1 at Charlotte Hornets; 7 pm pasteiners.com May 3 vs. Orlando Magic; 7 pm Monday: Cruise Nights at Lakeside Mall Food Court May 4 vs. Charlotte Hornets; 7 pm with Fun Time Cruzers; 586-260-3459, May 6 vs. Memphis Grizzlies; 8 pm funtimecruzers.com May 8 at Philadelphia 76ers; 7 pm Monday: Cruise Nights at Rams Horn, 432 Clair, May 9 vs. Chicago Bulls; 8 pm Garden City; [email protected] May 11 vs. Minnesota Timberwolves; 7 pm Tuesday: Cruise Nights at Ukranian Cultural May 14 vs. Denver Nuggets; 8 pm Center, Warren; 586-757-8130 May 16 vs. Miami Heat; TBD Tuesday: Cruise Nights at Culver’s Lake Orion; 4963 Interpark Drive North; 248-276-2222; DETROIT RED WINGS – LITTLE CAESARS [email protected] ARENA – on FSD unless otherwise stated Wednesday: Cruise Nights at The Packard Proving Grounds, 49965 Van Dyke • Shelby May 1 vs. Tampa Bay Lightning; 3 pm Township; 586-739-4800; May 2 vs. Tampa Bay Lightning; 3 pm; NBC packardprovinggrounds.org/upcoming-events/ May 7 at Columbus Blue Jackets; 7 pm Thursday: Cruise Nights at Big Boy, 200 W. Maple, May 8 at Columbus Blue Jackets; 7 pm Troy; 248-719-9865 Thursday: Cruise Nights at Striker Lounge, 30971 DETROIT TIGERS – Armada Ridge, Richmond; 586-727-9292 April 30 at New York Yankees; 7 pm May 12 Wednesday Cruise Nights with W. -
Music One Sheet FINAL.Indd
THE music scene Talent is bursting at the seams in every corner of Lubbock, from the West Texas Walk of Fame to the Buddy Holly Center and beyond. On any given Guitar night, you can follow the sounds of live bands, two-steppin’ country, Top 40 and many more right into the heartbeat of Lubbock’s nightlife, the Depot Entertainment District. MUSIC EVENTS Buddy Holly Center Summer Showcase Lubbock Moonlight Musicals Each summer the Buddy Holly Center heats up with a The summer nights heat up in Lubbock with the sound courtyard full of music, food, drinks, dancing and fun. of hit musicals. Guests have the chance to enjoy a picnic Concerts are held every Thursday evening during the meal and a show under the stars at the Wells Fargo summer months, and patrons can enjoy original and unique Amphitheatre in beautiful Mackenzie Park. Group ticket Texas-made music. rates and motorcoach parking are available. Cactus Theater Lubbock Symphony Orchestra Constructed in 1937, this historical venue features live Offering performances throughout the year, including musical productions, theatrical plays and musicals. Well- during the holiday season, the Lubbock Symphony known classics and regionally written productions will Orchestra boasts nationally-known guest conductors and entertain audiences of all ages year-round. soloists. Group ticket rates and motorcoach parking are available. Celebrity Attractions Broadway Series Celebrity Attractions brings world-famous performances National Cowboy Symposium and Celebration to the “Hub City.” Attendees will enjoy shows including Every September in Lubbock, one of the largest “Camelot” and “Broadway Holiday.” Group ticket rates and gatherings of cowboys in the world takes place. -
Lange Nacht Der Museen JUNGE WILDE & ALTE MEISTER
31 AUG 13 | 18—2 UHR Lange Nacht der Museen JUNGE WILDE & ALTE MEISTER Museumsinformation Berlin (030) 24 74 98 88 www.lange-nacht-der- M u s e e n . d e präsentiert von OLD MASTERS & YOUNG REBELS Age has occupied man since the beginning of time Cranach’s »Fountain of Youth«. Many other loca- – even if now, with Europe facing an ageing popula- tions display different expression of youth culture tion and youth unemployment, it is more relevant or young artist’s protests: Mail Art in the Akademie than ever. As far back as antiquity we find unsparing der Künste, street art in the Kreuzberg Museum, depictions of old age alongside ideal figures of breakdance in the Deutsches Historisches Museum young athletes. Painters and sculptors in every and graffiti at Lustgarten. epoch have tackled this theme, demonstrating their The new additions to the Long Night programme – virtuosity in the characterisation of the stages of the Skateboard Museum, the Generation 13 muse- life. In history, each new generation has attempted um and the Ramones Museum, dedicated to the to reform society; on a smaller scale, the conflict New York punk band – especially convey the atti- between young and old has always shaped the fami- tude of a generation. There has also been a genera- ly unit – no differently amongst the ruling classes tion change in our team: Wolf Kühnelt, who came up than the common people. with the idea of the Long Night of Museums and The participating museums have creatively picked who kept it vibrant over many years, has passed on up the Long Night theme – in exhibitions, guided the management of the project.We all want to thank tours, films, talks and music. -
Antioch University COMMON THREAD
Antioch University COMMON THREAD JANUARY 25, 2018 SANTA BARBARA CAMPUS & COMMUNITY BEGIN RECOVERY FROM THOMAS FIRE AND MONTECITO FLOOD DISASTERS The Antioch University Santa Barbara campus and surrounding community was significantly impacted by the Thomas Fire -now measured as the largest wildfire in California history- in December 2017, and by the subsequent floods and mudslides in Montecito on January 9, 2018. At the time of writing this, twenty lives were confirmed lost and three are missing as a result of the mudslide tragedy. Highway 101, the only highway route in and out of the city toward the south, remains closed as Caltrans clears mud and debris. To say the least, our entire campus community has been tremendously impacted by the injury and loss of people we may know. In addition, many of us have experienced damage and loss of homes and property, as well as the impact of damaged infrastructure, isolation or disruption of transportation, and local economic impact. Antioch University has responded in a number of ways to generously support students, staff, and faculty in Santa Barbara. For example, AU increased the number of pro Zoom accounts for each academic department which allow faculty to include all students in their classes so that they may make academic progress. We remain grateful to first responders, search and rescue crews, and the current search and recovery teams in our area. The compassion and kindness demonstrated by the recovery teams has been appreciated as we mourn the loss of those in our community, and acknowledge the profound impact on each one of us. -
Saint Motel Debut Uk Single ‘My Type’ Is out Now
SAINT MOTEL DEBUT UK SINGLE ‘MY TYPE’ IS OUT NOW Playlists include A list at Radio 2, B list at Radio 1 and XFM’s Daytime list WATCH ON YOUTUBE https://www.youtube.com/watch?v=IyVPyKrx0Xo “Each of their songs announces itself with a flourish and no little élan, and there's a light sprinkling of Caribbean rhythms, tropical flavours and lounge-jazziness throughout.” – The Guardian “Jackson and his cohorts inject Caribbean lilts, stomping beats and lounge-jazz licks into giddy power-pop.” – The Washington Post Already a growing proposition in the States where they’ve played shows with the likes of Arctic Monkeys and Imagine Dragons, the Los Angeles quartet SAINT MOTEL are making a strong impression with their debut Parlophone track and first Top 40 single ‘My Type’. A record Track of the Day at Radio 1 and Record of the Week at Radio 2, it’s also been playlisted at Radio 2 (A list), Radio 1 (B list), XFM (Daytime list) and Absolute (B list). ‘My Type’ is an exuberant collision of gorgeous tropical horns and percussion, suave indie style and frontman A/J Jackson’s velveteen croon. Recalling the glam flair of the Seventies with elements of retro power-pop, SAINT MOTEL also possess a tongue-in- cheek twist on cynicism and irony that reflects their status as a Los Angeles band influenced by British culture. The single is the first new song that SAINT MOTEL have issued ahead of their upcoming EP which will be their first full UK release. Having recently introduced themselves to British audiences with London show at Club NME and The Lexington, they’ll return to these shows in November for a full tour: November 2nd – Brighton, The Haunt 5th – London, The 100 Club 6th – Sheffield, The Plug 8th – Bristol, The Lanes 13th – Manchester, The Ruby Lounge 14th – Leeds, Brudenell Social Club 15th – Newcastle, Think Tank 16th – Edinburgh, Electric Circus SAINT MOTEL’S debut album ‘Voyeur’ demonstrated a band that contrasts immediate, hook-fuelled pop melodies with leftfield subject matter. -
Marco Pittori
7358 Beverly Blvd Los Angeles, CA 90036 [email protected] | t. 323.936.7020 www.artspacewarehouse.com Mon – Fri 10am – 6pm | Sat 10am – 8pm | Sun 12 – 6pm MARCO PITTORI Marco Pittori was born in Switzerland in 1978. He studied at the School of Design in Aarau, Switzerland working in stone, gravure, screen and letterpress. Pittori creates vibrant artworks that pay homage to the mesmerizing images of Brad Elterman and the mythic culture of 1970’s Hollywood. By using licensed images of Brad Elterman’s photographs, he provides viewers with a window into a fascinating and exclusive time on Los Angeles’ Sunset Strip. Looking through Elterman’s photographs, one can quickly realize that he wasn’t the average teenager growing up in the 1970s. Rather, his celebrity photographs attest that he was living the dream. As his classmates munched on Cap’n Crunch and listened to the new Runaway’s record, Brad hung at the infamous Tropicana Motel with Joan Jett. On weekends, he swam with the The Sex Pistols, frequented the Playboy Mansion, and casually grabbed late night grub with Joey Ramone. Young and clever, Brad knew where to be and how to get in. With his cool demeanor and Bob Dylan hairstyle, he fit the part. At the age of 17, Brad became one of Hollywood’s most influential celebrity photographers, providing uncensored documentation of the gritty-glamorous life of 1970′s Rock n’ Roll. Marco Pittori states of Elterman’s photos, "Brad’s photos provide a rare, often raunchy glimpse into a rock and roll history where it seems Brad is always at the right place at the right time, camera ready.” Some of Marco Pittori’s multi-layered photographs are based on Brad Elterman’s iconic images “Behind the Beverly Hills Hotel, 1977”.