Microhistory and the Picaresque Novel
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The Work of the Historian: to Research, Summarize, and Communicate1
DOI: 10.5533/TEM-1980-542X-2014203606 Revista Tempo | 2014 v20 | Article The work of the historian: to research, summarize, and communicate1 O trabalho do historiador: pesquisar, resumir, comunicar El trabajo del historiador: buscar, resumir, comunicar Le travail de l’historien: rechercher, résumer et documenter Giovanni Levi would like to begin by explaining in what sense History is a science. It may seem childish to start by defining what History is, but I think it is essential I to explain why 95% of jobs in the area are uninteresting and only 5% are interesting. That happens mostly because many people have a false idea of the sense in which history is a science. My definition is: history is the science of the general questions, but of the local responses. We cannot imagine a generalization in history that is valid. In other words, we can ask what fascism is, but there are different fascisms in Italy, Spain or Portugal. Therefore, we must preserve the peculiarities and the place — here understood as a specific situation — in the works of historians. To work on the general, but a general that is always set as questions, and not as answers. Let me give an example that is not historiographical (but still usefu. When Freud talks about the Oedipus complex, he poses a good general question: everyone has the Oedipus complex, but none of the complexes is generalizable. The fact that we all have the Oedipus complex tells us nothing. It is a relevant question, but it will have different answers for each of us. -
Ginzburg!S Menocchio
— — — — — — — — — — — — — — — — — — — — — — — — — — ÉTUDE CRITIQUE / REVIEW ESSAY Ginzburg’s Menocchio: Refutations and Conjectures DAVID LEVINE ZUBEDEH VAHED* CARLO GINZBURG’S way of doing history is based on using “new meth- ods and new standards of proof to bring to light those forms of knowledge or understanding of the world which have been suppressed or lost”.1 For most of his English-speaking readers, the proof of this assertion has been found in The Cheese and the Worms: The Cosmos of a Sixteenth-Century Miller.2 Domenico Scandella, the sixteenth-century miller who was called by the nickname “Menocchio” by his contemporaries, was born in 1532 in the pre- Alp foothills of Friuli, about 100 kilometres north of Venice. As he told the court, “I am from Montereale, in the diocese of Concordia. My father was called Zuane and my mother Menega and I have lived in Montereale most of my life, except for two years when I was banished, of which I spent one in Arba and one in Cargna, and I was banished for being in a brawl.”3 Menoc- chio’s creative and imaginative ideas about the creation of the world — and his unconventional opinions about orthodox Catholicism — brought him to * David Levine is professor at the Ontario Institute for Studies in Education at the University of Tor- onto. Zubedeh Vahed is employed by the Peel Board of Education in Ontario. We would like to thank Nathalie Davis, Konrad Eisenbichler, Stan Engermann, Ed Hundert, Barry Reay, Chuck Tilly and, of course, the journal’s anonymous reviewer for their helpful comments. 1 Keith Luria, “The Paradoxical Carlo Ginzburg”, Radical History Review, vol. -
Life Among Good Women: the Social and Religious Impact of the Cathar Perfectae in the Thirteenth-Century Lauragais
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 12-2017 Life among Good Women: The Social and Religious Impact of the Cathar Perfectae in the Thirteenth-Century Lauragais Derek Robert Benson Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the European History Commons, and the History of Gender Commons Recommended Citation Benson, Derek Robert, "Life among Good Women: The Social and Religious Impact of the Cathar Perfectae in the Thirteenth-Century Lauragais" (2017). Master's Theses. 2008. https://scholarworks.wmich.edu/masters_theses/2008 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. LIFE AMONG GOOD WOMEN: THE SOCIAL AND RELIGIOUS IMPACT OF THE CATHAR PERFECTAE IN THE THIRTEENTH-CENTURY LAURAGAIS by Derek Robert Benson A thesis submitted to the Graduate College in partial fulfillment of the requirements for the degree of Master of Arts History Western Michigan University December 2017 Thesis Committee: Robert Berkhofer III, Ph.D., Chair Larry Simon, Ph.D. James Palmitessa, Ph.D. LIFE AMONG GOOD WOMEN: THE SOCIAL AND RELIGIOUS IMPACT OF THE CATHAR PERFECTAE IN THE THIRTEENTH-CENTURY LAURAGAIS Derek Robert Benson, M.A. Western Michigan University, 2017 This Master’s Thesis builds on the work of previous historians, such as Anne Brenon and John Arnold. It is primarily a study of gendered aspects in the Cathar heresy. -
The Carlyle Society
THE CARLYLE SOCIETY SESSION 2006-2007 OCCASIONAL PAPERS 19 • Edinburgh 2006 President’s Letter This number of the Occasional Papers outshines its predecessors in terms of length – and is a testament to the width of interests the Society continues to sustain. It reflects, too, the generosity of the donation which made this extended publication possible. The syllabus for 2006-7, printed at the back, suggests not only the health of the society, but its steady move in the direction of new material, new interests. Visitors and new members are always welcome, and we are all warmly invited to the annual Scott lecture jointly sponsored by the English Literature department and the Faculty of Advocates in October. A word of thanks for all the help the Society received – especially from its new co-Chair Aileen Christianson – during the President’s enforced absence in Spring 2006. Thanks, too, to the University of Edinburgh for its continued generosity as our host for our meetings, and to the members who often anonymously ensure the Society’s continued smooth running. 2006 saw the recognition of the Carlyle Letters’ international importance in the award by the new Arts and Humanities Research Council of a very substantial grant – well over £600,000 – to ensure the editing and publication of the next three annual volumes. At a time when competition for grants has never been stronger, this is a very gratifying and encouraging outcome. In the USA, too, a very substantial grant from the National Endowment for the Humanities means that later this year the eCarlyle project should become “live” on the internet, and subscribers will be able to access all the volumes to date in this form. -
New Perspectives on the History of Political Economy Robert Fredona · Sophus A
New Perspectives on the History of Political Economy Robert Fredona · Sophus A. Reinert Editors New Perspectives on the History of Political Economy Editors Robert Fredona Sophus A. Reinert Harvard Business School Harvard Business School Boston, MA, USA Boston, MA, USA ISBN 978-3-319-58246-7 ISBN 978-3-319-58247-4 (eBook) https://doi.org/10.1007/978-3-319-58247-4 Library of Congress Control Number: 2017943663 © Te Editor(s) (if applicable) and Te Author(s) 2018 Tis work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifcally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microflms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Te use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. Te publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Te publisher remains neutral with regard to jurisdictional claims in published maps and institutional afliations. -
Carlo Ginzburg and the Historian's Craft: Questions and Remarks
Tarantino, G. (2014). Carlo Ginzburg and the Historian’s Craft: Questions and Remarks. Cromohs - Cyber Review of Modern Historiography, 18, 123-127. https://doi.org/10.13128/Cromohs-14125 Carlo Ginzburg and the Historian’s Craft: Questions and Remarks GIOVANNI TARANTINO University of Melbourne It was a real honour for me to be invited to join the first session of IinteR-La+b 2012 in the prestigious setting of the Accademia Nazionale dei Lincei in Rome, and to share with such an informed audience a few brief considerations, hopefully pertinent, stimulated by the talk given by Carlo Ginzburg on that occasion and which, unsurprisingly, offered just a glimpse of an extraordinarily original and fertile path of studies, research and writings. I believe that we can attribute to Carlo Ginzburg, without any risk of flattery, what Lucien Febvre acknowledged in Marc Bloch, namely that his works “seem to make one more intelligent as one reads them; they clarify a great many things and stir endless curiosity.”1 That said, Lucio Biasiori and I have been set a hard task, because it is difficult to ask Carlo Ginzburg questions that he has not already heard first hand from the devil’s advocate, a very rigorous, on-the-ball and far-from-shy interlocutor who seems to have come along with him to this public conversation as well. Each of us, I believe, will have been profoundly struck when reading Ginzburg’s works, not just because they reveal a highly curious, attentive, “slow” reader, but also because it is evident that he takes great pains in his narrative. -
Rationality and History
Rationality and History By Georg G. Iggers (Lecture which he gave at East China Normal University, 2007) I The past two decades have seen a lively theoretical discussion internationally on how history is to be written and at the same time a conscious reorientation in the writing of history itself. The term "postmodernism" has at times been applied to the new theoretical outlook and the new historiography.1 The discussion has raised certain very fundamental questions regarding the nature of historical inquiry similar to those which have been asked regarding other forms of intellectual activity. These questions have revolved around the assumptions which have underlain historical writing - and philosophical thought - since the beginning of the Western tradition of secular history. There were two assumptions which were central to this tradition from Herodotus and Thucydides to the very recent past, namely, that there is a distinction, even if not necessarily an absolute dividing line, between fact and fiction, and similarly that there is a difference between rational thought and free imagination, even if the two may intersect In dealing with the problems of reality and rationality raised in those segments of recent philosophic thought which have identified themselves as post-modern or deconstructionist,2 this article proceeds from the assumption, rejected by this thought, that a historical text must be understood with reference to the context to which it refers and that this context contains an element of objectivity not fully identical with the subjectivity of the historian and an element of rationality which presumes elements of intersubjectivity in the methods of historical inquiry. -
Twelve Snapshots from a Conversation with Carlo Ginzburg […] Dynamism in a Single Image
Twelve snapshots from a conversation with Carlo Ginzburg In late October of 2014, Magnus Bärtås, Andrej Slávik and Michelle Teran trav- elled to Bologna for a conversation with Carlo Ginzburg. Andrej had already met Carlo about a year before when he gave a guest lecture at Södertörn University, and seized the opportunity to tell him about the particulars of the Microhistories project, asking him if he would be interested in giving an interview.1 Indeed, he was. At the summit of a dizzying flight of stairs tucked behind massive front doors, Carlo welcomed us into an apartment where every availa- ble surface – shelves, tables, even chairs – was piled high with books, journals and assorted papers. After the introductions and niceties, we settled down in the innermost study and started out on what was to become a long and winding dialogue that lasted for most of the day (with a break for lunch) and reached into the next morning, touching on a broad range of sometimes unexpected topics. What follows is the first of twelve fragments – or ‘snapshots’ – from our discussions; the remaining eleven are interspersed throughout the anthology as […] a kind of counterpoint to the different contributions. We chose this particular Dynamism in a mode of presentation, not only to cut the rather unwieldy outcome down to Single Image. size, but also to retain a sense of in medias res with regard both to the present of our conversation and to the passato prossimo of Carlo’s vivid recollections. The original recording has been roughly but faithfully transcribed by Michelle, light- ly edited and annotated by Andrej and double-checked by Carlo for accuracy as well as consistency. -
The Friulian Language
The Friulian Language The Friulian Language: Identity, Migration, Culture Edited by Rosa Mucignat The Friulian Language: Identity, Migration, Culture Edited by Rosa Mucignat This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Rosa Mucignat and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5817-X, ISBN (13): 978-1-4438-5817-5 TABLE OF CONTENTS List of Illustrations ................................................................................... vii Acknowledgments ................................................................................... viii Introduction ............................................................................................... ix Rosa Mucignat Part I: History and Status Chapter One ................................................................................................ 2 History, Language and Society in Friuli (Thirty Years Later) Fulvio Salimbeni Chapter Two ............................................................................................. 15 Laws for the Protection of the Friulian Language William Cisilino Part II: Language and Culture -
The Civil War of Images Political Tragedies, Political Iconographies
Filozofski vestnik | Volume XXXIX | Number 2 | 2018 | 17–40 Alberto Toscano* The Civil War of Images Political Tragedies, Political Iconographies An officer of the Nazi occupation forces visited the painter in his studio and, pointing to Guernica, asked: ‘Did you do that?’ Picasso is said to have: answered, ‘No, you did.’ — Theodor W. Adorno, ‘Commitment’ What would art-historical analysis look like if its paradigm were not the greeting of a friend to a friend, but instead a mortal enemy slipping by unnoticed, or signalling cryptically to a co-conspirator invisible to us? … Lulled into the illusion that the objects we interpret are our friends, we struggle to make sense of enemy pictures. — Joseph Leo Koerner, Bosch & Breughel Introduction Tragedy has recently emerged as a privileged keyword through which to think the political fate of images, or the fate of political images, in the history of art and media. I am thinking in particular of two projects that make strong claims 17 to reinterpret the history of visual forms from perspectives at once attached to, and variously despondent about, the passionate marriage of politics and poet- ics – that marriage hailed, under the names of Rimbaud and Marx, by André Breton, and which today is annulled by a quotidian, if spectacular, barbarism. These projects are Georges Didi-Huberman’s political recovery of Aby Warburg’s morphology of the formulas of pathos – in his book sequence L’Oeil de l’histoire (2009–2016), but also in his remarkable film and video installation at the Palais de Tokyo (co-produced with Arno Gisinger), Nouvelles histoires de fantômes / New Ghost Stories (2014) – and T. -
CRSO Working Paper No. 193 SOCIOLOGY, MEET HISTORY
........................... -. SOCIOLOGY, MEET HISTORY Charles Tilly University of Michigan February, 1979 CRSO Working Paper No. 193 Copies available through: Center for Research on Social Organization University of Michigan 330 Packard Street Ann Arbor, Michigan 48109 CONTENTS As Sociology Meets History: Plan of the Book .............1 Mercurial Views of the Seventeenth Century ..............2 \fiat Sort of Book is This? ......................7 History'sPlace ............................9 The Historical Zoo ..........................13 Historical Practice as Social Structure ................17 Handling the Evidence ........................23 Reinterpretations and Theories ....................27 Stinchcombe's Challenge .......................30 SOCIOLOGY. MEET IIISTORY A Survey of Historians ........................38 History and Retrospective Ethnography .................45 . "Social Science History" ......................-56 How Do History and Social Science Coalesce? ..............60 Is Quantification the Essence? ....................67 Sociology Reaches for History .....................69 Historical Analyses of Structural Change and Collective Action ....76 Charles Tilly University of Michigan References 08 January 1979 .............................. Drnft of chapter 1 of Charles Tilly. As Sociology Meets History. The section on History and Retrospective Ethnography is a close adaptation of Charles Tilly . "Anthropology . History and the Annales. " Review . 1 (1978). 207-213 . The National Science Foundation supports the program -
Montaillou: Cathars and Catholics in a French Village, 1294-1324 Pdf
FREE MONTAILLOU: CATHARS AND CATHOLICS IN A FRENCH VILLAGE, 1294-1324 PDF Emmanuel Le Roy Ladurie,Barbara Bray | 400 pages | 30 Aug 1990 | Penguin Books Ltd | 9780140137002 | English | London, United Kingdom [PDF] Montaillou, Cathars and Catholics in a French village, | Semantic Scholar Cookies are used to provide, analyse and improve our services; provide chat tools; and show you relevant content on advertising. You can learn more about 1294-1324 use of cookies here. Are you happy to accept all cookies? Accept all Manage Cookies Cookie Preferences We use cookies and similar tools, including those used by approved third parties collectively, "cookies" for the purposes described below. You can learn more about how we plus approved third 1294-1324 use cookies and how to change your settings by visiting the Cookies notice. The choices you make here will apply to your interaction with this service on this device. Essential We use cookies to provide our servicesfor example, to keep track of items stored in your shopping basket, prevent fraudulent activity, improve the security of our services, keep track of your specific preferences e. These cookies are necessary to provide our site and services and therefore cannot be disabled. For example, we use cookies to conduct research and diagnostics to improve our content, products and services, and to measure and analyse the performance of our services. Show less Show more Montaillou: Cathars and Catholics in a French Village ON OFF We use cookies to serve you certain types of adsincluding ads relevant to your interests on Book Depository and to work with approved third parties in the process of delivering ad content, including ads relevant to your interests, to measure the effectiveness of their ads, and to perform services on behalf of Book Depository.