DOCSLIB.ORG

Vintage Hitchcock a Live Radio Play

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vintage Hitchcock a Live Radio Play Vintage Hitchcock A Live Radio Play APRIL 16 through M A Y 2 2021 Robert Jeffrey (Jeff) Wolford Samuel F. Robinson, III Debt Collection, Business Law, Personal Injury, Family Law, Criminal Defense, and Contract Lawyers in Tennessee and Georgia 423-622-6461 1700 McCallie Ave • Chattanooga, Tennessee 37404 Since 1923 The Chattanooga Theatre Centre presents VINTAGE HITCHCOCK A LIVE RADIO PLAY By Joe Landry Director RODNEY VAN VALKENBURG Original Musical Underscoring MICHAEL HUSEMAN Production Design R. SCOTT DUNLAP Technical Direction JUSTIN HOLDERMAN Sound Engineer GARY MAY Stage Managers Jesse Headrick Robert Soderstrom Produced by special arrangement with Playscripts, Inc. www.playscripts.com Headshots by Brad Cansler Thanks to Our Friends & Supporters Board of Directors Mitch Collins, President 1st Vice President Scott Shaw, 2nd Vice President AngieJennifer Griffin, Major, Secretary Alesia Carter, Treasurer Roger Cass, John Echols, Josh Garcia, Tom Griscom, Magge Hudgins, Kim Jackson, Melissa Loyd, Beth McClary-Wolford, Amy Meller, Pam Miller, Lisi Phillips, Steve Ray, Alfred Smith, Rodney Strong, Jan Suhrbier, LaFrederick Thirkill, Marté Williams, Shelia Wofford, Kat Wright Board of Stewards Owen Allen, Jo Coke, Paula Henderson, Sonia Young Founded in 1923, the Chattanooga Theatre Centre is dedicated to enriching the cultural, intellectual, and emotional development of people of all ages by providing high-quality theatrical experiences and creating opportunities to engage in them. To join us in this mission, call 423.267.8534 or visit us at TheatreCentre.com to find out how you can take part. CASTS Psycho Cast Performances on (in order of appearance) April 16 (8 PM), 17 (2:30 PM), 22 (7 PM), 24 (8 PM), 25 (2:30 PM), 30 (8 PM) and May 1 (2:30 PM) Actor 1 .................................................... JEFFREY FOWERS Actor 2 .................................................. JASON RUSSELL Actor 3 .................................................. RICHARD NICHOLS Actor 4 .................................................. GREER CALDWELL Actor 5 .................................................... SANDRA JENNINGS Keyboard ................................................. MICHAEL HUSEMAN Foley Artist .............................................. HELENE HAILE Notorious Cast Performances on April 17 (8 PM), 18 (2:30 PM), 23 (8 PM), 24 (2:30 PM), 29 (7 PM), May 1 (8 PM) and May 2 (2:30 PM) Actor 1 .................................................... GREG RAMBIN, SR. Actor 2 .................................................. CRIS KING Actor 3 .................................................. DYLAN KUSSMAN Actor 4 .................................................. CLAIRE BARTLETT Actor 5 .................................................... EMILY ADKINS Keyboard ................................................. ANDREW CHAUNCEY Foley Artist ............................................ JOHN ECHOLS SETTING WCTC, a radio studio, circa 1946 I support because our future depends on it. Our community is not going to need just laborers; we need dreamers, thinkers, and visionaries. We have learned and grown more through our involvement in the arts than any other experience. Our future leaders require the creativity and boldness that are developed over a lifetime through involvement in the arts. Join Bryan and Mindy in supporting ArtsBuild today! Give online at www.artsbuild.com (423) 756-2787 Bryan Kelly Mindy Kelly Financial Advisor, Tandem Artist Financial Partners MEET THE CAST EMILY ADKINS (Actor 5/Notorious Cast) is making her first debut appearance on the CTC stage. After moving from Florida almost two years ago, she is currently studying in the PATP program at Chattanooga State, with goals of becoming a voice actress in the future. She is excited for her first theatre performance in almost two years and hopes to do more. CLAIRE BARTLETT (Actor 4/Notorious Cast) is thrilled to be back on the CTC stage for Vintage Hitchcock! She made her CTC debut in Lobby Hero as Officer Dawn Wilson. She has her bachelor’s degree in English from the University of Florida and her master’s degree in Kinesiology/Sport Psychology from the University of Ten- nessee Knoxville. Claire also played collegiate and professional tennis. When she is not on the stage, she is staying physically active and working on other creative projects such as singing, piano, painting, and seeing how many languages she can learn on Duo Lingo. She also enjoys caring for her two fur babies (Daisy the Doberman (4) and Draco who looks like Puss in Boots (2). She wants to thank her partner James for talking with her in so many differ- ent accents and her family across the pond in England for the inspiration. She’d like to dedicate this performance to her grandfather, John Devonald Turberville. GREER CALDWELL (Actor 4/Psycho Cast) is excited and thrilled to be returning to the CTC stage after her most recent performances as Ginette/Waitress/Marci/Su- zette in Almost, Maine, Mrs. Banks in Mary Poppins (Theater Award for Best Sup- porting Actress), Mrs. Phelps in Matilda, and Kate Monster in Avenue Q (Theater Awards for Best Actress and Audience Favorite Actress). Greer is co-founder of the local community activist organization Moms for Social Justice. She is also a mom of five amazing kids! Thanks, as ever, to my husband Joe for encouraging and supporting my other love, even during a pandemic. JEFFREY FOWERS (Actor 1/Psycho Cast) has experience as an actor with Montana TheatreWorks in Bozeman, Montana, and other various theatrical productions while working as a professional in Chicago. Some of his favorite roles include Curly in Oklahoma, Nicely Nicely Johnson in Guys and Dolls, and the role of Stephen Foster in a locally written production in Chicago. This is Jeff’s first production in Chattanooga, and he is very happy to be here. SANDRA JENNINGS (Actor 5/Psycho Cast) and her husband, Mike, have raised four children here in Chattanooga. She has been involved at the CTC for almost 20 years, from How to Succeed..., The Nerd, Bye, Bye, Birdie, Harvey, and others as life has allowed. Sandra says, “It is amazing to be back on stage with this play, cast, and crew.” CRIS KING (Actor 2/Notorious Cast) is thrilled to make her theatrical debut at CTC! She has been a voice and improv actress since 2015, performing in indie cartoons, video games, and commercials. She also produces videos showcasing her vocal talents, content that in total has been viewed over 20 million times. Cris hails from Birmingham, AL, and moved to Chattanooga with her beautiful girlfriend Ramsay in 2019. Together they raise two rowdy black cats, Finn and Poe. DYLAN KUSSMAN (Actor 3/Notorious Cast) most recently played the title role in Shakespeare’s Julius Caesar with the Théâtre National de Bretagne, a production which toured throughout France and the United States. He has appeared on numerous stages throughout his 40-year stage acting Beautiful performances broaden all of our horizons The enduring value of performing arts is the way it pushes us to see the world with new eyes. That’s why we’re proud to support the Chattanooga Theatre Centre and the performances it brings to life. ©2020 First Horizon Bank. career, including the Berkeley Repertory Theater, the Magic Theater, the San Fran- cisco and Oregon Shakespeare Festivals, the Victory Theater in Los Angeles, and the Ensemble Theater of Chattanooga. On-camera credits include the feature films Dead Poets Society, The Way of the Gun, X2, Jack Reacher, The Mummy (2017), The Mule, and Richard Jewell, along with numerous television appearances. He’d like to thank his wife Amy and son Walter for giving him the time, space, and encouragement to participate in this production, and he’d especially like to thank his director Rodney for the opportuni- ty. This cast and crew have been a joy to work with. RICHARD NICHOLS (Actor 3/Psycho Cast) is a 2017 graduate of Chattanooga State’s Professional Actor’s Training Program, and he also received his Bachelor of Arts degree in 2014 from Columbia College in Chicago, where he studied and grew his passionate interest in movies and filmmaking. Vintage Hitchcock is his second show to perform here on the CTC stage, his first being the wonderful 2019 production of Avenue Q. He has also performed and crewed on several shows around Chattanooga. Some of his favorite roles and performances include: Fiddler on the Roof (Lazar Wolfe), Secret Garden (Dr. Craven), Into the Woods (The Wolf), Willy Wonka (The Candy Man), Shrek (Lord Farquaad), Urinetown (Officer Lockestock), and Mamma Mia (Assistant Director). He is thrilled to be returning to the stage again, and to see such perseverance and pride among the theatre community! He sends all his love to his friends and family who have been so gracious to share their marvelous encouragement and bountiful creativity! GREG RAMBIN, SR. (Actor 1/Notorious Cast) last appeared at the CTC in the role of Freddie Filmore in It’s a Wonderful Life: A Live Radio Play. Other shows at CTC include The Mousetrap, Camelot, Of Mice and Men, God of Carnage, A Christmas Story: The Musical (he played Jean Shepherd the “announcer” in that one three times), and Peter and the Starcatcher. He appeared as Nathan Detroit in Guys & Dolls, the Major General in Pirates of Penzance, and was in Wit and The Dining Room in productions at EBCT and played Albert Einstein in the Ringgold Playhouse production of Picasso at the Lapin Ag- ile. Greg is the midday DJ on Rock 105, where you can hear him announcing Monday through Satur- day
Load more

Recommended publications
  • 1 the Work of an Invisible Body: the Contribution of Foley Artists to On
    1 The Work of an Invisible Body: The Contribution of Foley Artists to On-Screen Effort Lucy Fife Donaldson, University of Reading Abstract: On-screen bodies are central to our engagement with film. As sensory film theory seeks to remind us, this engagement is sensuous and embodied: our physicality forms sympathetic, kinetic and empathetic responses to the bodies we see and hear. We see a body jump, run and crash and in response we tense, twitch and flinch. But whose effort are we responding to? The character’s? The actor’s? This article explores the contribution of an invisible body in shaping our responsiveness to on-screen effort, that of the foley artist. Foley artists recreate a range of sounds made by the body, including footsteps, breath, face punches, falls, and the sound clothing makes as actors walk or run. Foley is a functional element of the filmmaking process, yet accounts of foley work note the creativity involved in these performances, which add to characterisation and expressivity. Drawing on detailed analysis of sequences in Cabaret (Bob Fosse, 1972) and Die Hard (John McTiernan, 1988) which foreground exertion and kinetic movement through dance and physical action, this article considers the affective contribution of foley to the physical work depicted on-screen. In doing so, I seek to highlight the extent to which foley constitutes an expressive performance that furthers our sensuous perception and appreciation of film. On-screen bodies are central to our engagement with film; the ways they are framed and captured by the camera guides our attention to character and action, while their physical qualities invite a range of engagement from admiration, appreciation and desire to awe, fear and repugnance.
    [Show full text]
  • Woods Citizens Unhappy With
    IICYCUNG ClNIU HOffIC 01 eM NftfJI IOnllS on4 'ANI ,................. --- ......,.,.... ta ......~ _, CANs : ... c..".III~ - ....._ e- M a.-. " IoeIioIa. !Co-UNE 17'.1333 M J I "." 10 ...... I _. rosse Pointe ews Complete Ne.." Coverage of AU the Pointe. Vol. 35-No, 3. lie'" e.., GROSSE POINTE, MICHIGAN, THURSDAY, AUGUST 22, 1974 fl." Ptr Year 26 Pages-Two Sections-Section One HEADLINES Dedicated Coach Receives Honor Woods Citizens SEMTA Is ... • Concerned Unhappy with Over Decree Ordinance Provides for :ng n AMual Inspection, Pav... Pla Licensing, of Buses ft.1In4Iay, A.... 15 Opereted in City R Fb°rdR R ._PRESIDENTb Many Question Necessity end Overall Benefit of Bv D-er A, W.1.. Ic a ~Jl!IIi. NlAOD. was su • PEt H If J --a _ poeDaed today to appear ill Proposed' Improvement to Ive IS I The Woods Council at the Water.gate cover.yp trial of Sunningdale Plrk Via Specil' the refUlar meeting Mon- wasnext fUedmonth.in TbeU.S. subpoenaDistrict , Assessment Method day. 1August ed19, unanl.rdl Court on behalf of John D. By Roger A, Waha mous y pus an 0 • Ebrlichman, former domes. Over a dozen residents attended the regular nance to provide for the tic counsel to Mr. Nixon. meeting of The Woods Council Monday, August 19, annual ,inspection and H. The subpoena was addressed . d' I d ri bllc h cens1ng of all buaes op- to Mr. Nixon at the "Presl. to express their ISp easure, u ng a pu. c. .ear. erated within the city. dential compoWId, San Cleo ing, with the proposed special assessment dlstnci.
    [Show full text]
  • 2009 Spring Newsletter
    The Southern Scream Volume XI, Issue 1, Spring/Summer 2009 For ACE members in Alabama, Georgia, Mississippi, North Carolina, South Carolina, Tennessee, & the Florida panhandle Six Flags Over Georgia Try 2 Opening Weekend March 7th - It was beautiful and love was in the air as a couple got engaged in the train station of Batman The Ride! The Mr. Six dance party was worth the price of admission and lines, well there were no lines! The kids anxiously awaited the opening of Monster Mansion. Walk in the Park--Celebration of Courage event was held on April 26th at Six Flags. We are thrilled to announce that the event raised nearly $50,000 for the Aflac Cancer Center at Children's Healthcare of Atlanta and had over 500 participants registered. Wow! Thanks to Terry, Chip and Kim for coming out to join Melinda's team. I hope that more ACErs will come out and join this great cause next year. We really had a great time at the park. Dear ACE: I just wanted to say thank you for all your hospitality during my time as PR Manager. I will miss working for Six Flags tremendously, and I will also miss all of you. ACErs always made me feel welcome and could bring a smile to my face. I sincerely wish you all the best. Here’s hoping for some sunny skies for next year’s Spring Fling! -Hela Six Flags files for bankruptcy INSIDE THIS ISSUE protection (June 13) 2 More Than a Park: A Heritage Story from John Odum: Six Flags has 3 Lake Winnie Flyer filed for Chapter 11 Bankruptcy 4 Cobra Media Day protection.
    [Show full text]
  • Confusions Program [1992]
    University of Southern Maine USM Digital Commons Programs 1992-1993 Season Theatre Programs 1990-2000 Fall 1992 Confusions Program [1992] University of Southern Maine Department of Theatre Follow this and additional works at: https://digitalcommons.usm.maine.edu/theatre-programs-1992-1993 Part of the Theatre History Commons Recommended Citation University of Southern Maine Department of Theatre, "Confusions Program [1992]" (1992). Programs 1992-1993 Season. 5. https://digitalcommons.usm.maine.edu/theatre-programs-1992-1993/5 This Program is brought to you for free and open access by the Theatre Programs 1990-2000 at USM Digital Commons. It has been accepted for inclusion in Programs 1992-1993 Season by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. Brian C. Lamphier (Waiter, Martin) Is a senior theatre minor while enjoying a major in communication with an emphasis in Con~tJ~!!JJlie'9apmys sports broadcasting. His last performance at USM was the role by Alan Ayckbourn of Creon in "The Medea Myth" Directed by Jane Bergeron Time: The Present Diet/Ind Vanderschaaf (Lucy, Paula, Polly, Milly) is a The action takes place in a Living-Room, a Bar, freshman this year at USM, with a major In psychology. She a Restaurant, and a Marquee. has worked with the Theatre Project in Brunswick for six years. This past summer she was a camp counselor and drama coach for a YMCA camp in Winthrop, Maine. Her vUot~ell tligUlle favorite production to date was one she acted in, "Red Lucy.. ........ ...... Diet/ind Vanderschaaf Sneaks'~ a rap-rock musical.
    [Show full text]
  • Paddler's Guide to Civil War Sites on the Water
    Southeast Tennessee Paddler’s Guide to Civil War Sites on the Water If Rivers Could Speak... Chattanooga: Gateway to the Deep South nion and Confederate troops moved into Southeast Tennessee and North Georgia in the fall of 1863 after the Uinconclusive Battle of Stones River in Murfreesboro, Tenn. Both armies sought to capture Chattanooga, a city known as “The Gateway to the Deep South” due to its location along the he Tennessee River – one of North America’s great rivers – Tennessee River and its railroad access. President Abraham winds for miles through Southeast Tennessee, its volume Lincoln compared the importance of a Union victory in Tfortified by gushing creeks that tumble down the mountains Chattanooga to Richmond, Virginia - the capital of the into the Tennessee Valley. Throughout time, this river has Confederacy - because of its strategic location on the banks of witnessed humanity at its best and worst. the river. The name “Tennessee” comes from the Native American word There was a serious drought taking place in Southeast Tennessee “Tanasi,” and native people paddled the Tennessee River and in 1863, so water was a precious resource for soldiers. As troops its tributaries in dugout canoes for thousands of years. They strategized and moved through the region, the Tennessee River fished, bathed, drank and traveled these waters, which held and its tributaries served critical roles as both protective barriers dangers like whirlpools, rapids and eddies. Later, the river was and transportation routes for attacks. a thrilling danger for early settlers who launched out for a fresh The two most notorious battles that took place in the region start in flatboats.
    [Show full text]
  • 25Th Anniversary 1985-2010
    TheThe September 2010 Vol. 26, No. 9 CCarouselarousel $5.95 NewsNews && TraderTrader Carousel News &25TH25TH Trader, September 2010 ANNIVERSANNIVERSwww.carouselnews.comAARYRY 1985-20101985-2010 1 CAROUSELS FOR SALE 1927 Illions Supreme – SOLD This is the last of the three complete supremes including the world famous American Beauty rose horse. 1895 Looff Carousel. Last operated at Asbury Park A huge 4-row with 78 replacement animals. 1925 PTC. Last operated Kiddieland in Melrose, IL 3-row carousel with an amazing 16 signature PTC horses. 1900s PTC Carousel Last operated by the world famous Strates shows. In storage awaiting restoration. 1900s Looff Carousel Huge 4-row menagerie carousel. Has been in storage for years, awaiting restoration. 1900s PTC Carousel Rare 4-row unrestored carousel great for community project. Priced to sell. Restoration available. 1927 Dentzel frame from Rock Springs, WV The last carousel Dentzel ever built with the trim still in original paint. Replacement animals available. 1880s Herschell-Spillman Steam-Operated Carousel Original steam engine with 24 animals and 2 chariots. 1900s Dentzel Menagerie Carousel All original animals. Currently up and operating looking for new home. 1900s PTC Carousel A huge 4-row with all original animals. Restored and ready to operate. 1920s Dentzel Menagerie Carousel All original animals. Deluxe trim. Currently in storage. Videos of it operating at its last location. 1920s Dentzel Carousel Another huge 4-row machine, just like Disneyland’s, with 78 replacement animals. Allan Herschell Carousel 30 horses. New sweeps and platforms. Set up for outdoor use. Located on East Coast. Up and running; ready to go.
    [Show full text]
  • Glossary of Filmmaker Terms
    Above the Line Clapboard Generally the portion of a film's budget that covers A small black or white board with a hinged stick on the costs associated with major creative talent: the top that displays identifying information for each shot stars, the director, the producer(s) and the writer(s). in the movie. Assists with organizing shots during (See also Below the Line) editing process; the clap of the stick allows easier Art Director synchronization of sound and video within each shot. The crew member responsible for the design, look Construction Coordinator and feel of a film's set. Includes props, furniture, sets, Also known as the construction manager, this person etc. Reports to the production designer. supervises and manages the physical construction of Assistant Director (A.D.) sets and reports to the art director and production Carries out the director’s instructions and runs the set. designer. The first A.D. is responsible for preparing the Dailies production schedule and script breakdown, making The rough shots viewed immediately after shooting sure shooting stays on schedule and on budget. The each day by the director, along with the second A.D. is responsible for distributing information cinematographer or editor. Used to help ensure and cast notifications, keeping track of hours worked proper coverage and the quality of the shots gathered. by cast and crew, management of extras, signing Director actors in and out and preparing call sheets. The The person in charge of the overall cinematic vision of second A.D. is also in charge of the production the film and the performance of the actors.
    [Show full text]
  • WELCOME to CHATTANOOGA Below You Will Find a List of Activities and Attractions in the City
    WELCOME TO CHATTANOOGA Below you will find a list of activities and attractions in the city. Name of Brief Description Price/ Admission Attraction/Activity Tennessee Aquarium More than 9,000 animals swim, fly and Adult (ages 13+) $34.95 crawl through this aquarium dedicated 1 Broad St. to educating visitors about freshwater Child (ages 2-12) $21.95 10:00 AM - 5:00 PM ecosystems. Rock City Ancient rock formations, gardens & Adult (ages 13+) $21.95 panoramic views of 7 states draw (ages 2-12) 1410 Pattern Rd visitors to this walking trail. Child $12.95 8:30am-8:00pm Rock City is a tourist attraction on Lookout Mountain in Lookout Mountain, Georgia. ADVENTURE AWAITS! Ruby Falls is the (ages 13+) Ruby Falls tallest and deepest underground waterfall Adult $22.95 1720 Scenic Hwy open to the public in the United States. Take Child (ages 2-12) $12.95 8:00 AM - 8:00 PM a guided Classic Waterfall Tour, Lantern Tour or Extended Cavern Experience Tour along TICKETS SOLD ONLY the scenic cavern trail to the breathtaking ONLINE Suggested duration waterfall. See ancient geological formations, millions of years in the making, and learn 2-3 hours about the cave's storied history. Chattanooga Riverboat Co. The absolute best sightseeing of the Adult (ages 13+) $29.99 lovely city of Chattanooga is from the Southern Belle Southern Belle Riverboat. Enjoy a Child (ages 2-12) $19.99 151 Riverfront sightseeing cruise on our open-air deck with live narration! High Point Climbing and ""The country's coolest climbing gym" with Adult (ages 13+) $21 30,000 square feet of climbing surface.
    [Show full text]
  • Weekend of One Act Plays and Monologues at Theatre Artists Workshop in Norwalk, May 19 to 21
    Darienite News for Darien https://darienite.com Weekend of One Act Plays and Monologues at Theatre Artists Workshop in Norwalk, May 19 to 21 Author : David Gurliacci Categories : Theater Tagged as : Spring Playwrights Festival 2017, Theatre Artists Workshop 2017 Date : May 3, 2017 In three days of extraordinary performances that will entertain, amuse, enlighten and move, eight short original works for the theatre — comedy, drama, mystery and fantasy — will debut in the Theatre Artists Workshop’s 2017 Spring Playwrights Festival on the weekend of May 19 to 21. The event takes place Friday and Saturday, May 19 and 20 starting at 8 p.m. each night, and Sunday, May 21 at 3 p.m. in TAW’s beautiful black box theatre at 5 Gregory Blvd, Norwalk. From the underworld to the apocalypse, a bedroom to an airplane, these original one-act plays and monologues represent the diverse sensibilities and some of the current efforts of the Workshop’s talented playwrights. They will be performed by TAW’s gifted company of professional actors. 1 / 3 Darienite News for Darien https://darienite.com Tickets for the benefit are $25.Reservations are strongly recommended and can be made at the box office at 203-854-6830 or online. Produced by actor/writer/directors Granville Burgess of Greenwich, and Carole Schweid of Westport, who also produces the popular lunchtime series, “Play With Your Food,” the Playwrights Festival is part of the annual TAW fundraising campaign for the not-for-profit organization whose mission is to promote theatrical excellence. In Fran Dorf’s claustrophobic dystopian drama “The Basement of Everything You Need,” a married couple find themselves in paradise with no way out.
    [Show full text]
  • DOCUMENT RESUME CE 056 758 Central Florida Film Production Technology Training Program. Curriculum. Universal Studios Florida, O
    DOCUMENT RESUME ED 326 663 CE 056 758 TITLE Central Florida Film Production Technology Training Program. Curriculum. INSTITUTION Universal Studios Florida, Orlando.; Valencia Community Coll., Orlando, Fla. SPONS AGENCY Office of Vocational and Adult Education (ED), Washington, DC. PUB DATE 90 CONTRACT V199A90113 NOTE 182p.; For a related final report, see CE 056 759. PUB TYPE Guides - Classroom Use - Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC08 Plus PoQtage. DESCRIPTORS Associate Degrees, Career Choice; *College Programs; Community Colleges; Cooperative Programs; Course Content; Curriculun; *Entry Workers; Film Industry; Film Production; *Film Production Specialists; Films; Institutional Cooperation; *Job Skills; *Occupational Information; On the Job Training; Photographic Equipment; *School TAisiness Relationship; Technical Education; Two Year Colleges IDENTIFIERS *Valencia Community College FL ABSTRACT The Central Florida Film Production Technology Training program provided training to prepare 134 persons for employment in the motion picture industry. Students were trained in stagecraft, sound, set construction, camera/editing, and post production. The project also developed a curriculum model that could be used for establishing an Associate in Science degree in film production technology, unique in the country. The project was conducted by a partnership of Universal Studios Florida and Valencia Community College. The course combined hands-on classroom instruction with participation in the production of a feature-length film. Curriculum development involved seminars with working professionals in the five subject areas, using the Developing a Curriculum (DACUM) process. This curriculum guide for the 15-week course outlines the course and provides information on film production careers. It is organized in three parts. Part 1 includes brief job summaries ofmany technical positions within the film industry.
    [Show full text]
  • FILM 5 Budget Example
    TFC Production Budget-DETAIL Title: My FILM 5 Movie Budget Dated: 22-Aug-18 Series: Medium/Format: Prodco: Length: 5 mins Location/Studio: Halifax 01.00 STORY RIGHTS/ACQUISITIONS Acct Description CASH 01.01 Story Rights/Acquisitions (0) 01.95 Other (0) TOTAL STORY 01.00 (0) RIGHTS/ACQUISITIONS 02.00 SCENARIO Acct Description # # Units Unit Rate/Amt CASH 02.01 Writer(s) 1 1 --- 0.00 (0) 02.05 Consultant(s) 1 1 --- 0.00 (0) 02.15 Storyboard 1 1 --- 0.00 (0) 02.20 Script Editor(s) 1 1 --- 0.00 (0) 02.25 Research 1 1 --- 0.00 (0) 02.27 Clearances/Searches 1 1 --- 0.00 (0) 02.30 Secretary 1 1 --- 0.00 (0) 02.35 Script Reproduction 1 1 --- 0.00 (0) 02.60 Travel Expenses 1 1 --- 0.00 (0) 02.65 Living Expenses 1 1 --- 0.00 (0) 02.90 Fringe Benefits 0.00 % 0 (0) 02.95 Other 1 1 --- 0.00 (0) 02.00 TOTAL SCENARIO (0) 03.00 DEVELOPMENT COSTS Acct Description CASH 03.01 Preliminary Breakdown/Budget (0) 03.05 Consultant Expenses (0) 03.25 Office Expenses (0) 03.50 Survey/Scouting (0) 03.60 Travel Expenses (0) 03.65 Living Expenses (0) 03.70 Promotion (0) TFC0208-0612 Page 1 of TFC Production Budget-DETAIL 03.95 Other (0) 03.00 TOTAL DEVELOPMENT COSTS (0) 04.00 PRODUCER Acct Description # # Units Unit Rate/Amt CASH 04.01 Executive Producer(s) 1 1 --- 0.00 (0) 04.05 Producer(s) 1 1 --- 0.00 (0) 04.07 Line Producer(s) / Supervising Prod.(s) 1 1 --- 0.00 (0) 04.10 Co-Producer(s) 1 1 --- 0.00 (0) 04.15 Associate Producer(s) 1 1 --- 0.00 (0) 04.25 Producer's Assistant 1 1 --- 0.00 (0) 04.60 Travel Expenses 1 1 --- 0.00 (0) 04.65 Living Expenses 1 1 --- 0.00
    [Show full text]
  • Costume Design and Production for the Mystery of Edwin Drood by Rupert Holmes
    Costume Design and Production for The Mystery of Edwin Drood by Rupert Holmes THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Fine Arts in the Graduate School of The Ohio State University By Samantha Anne Kuhn Graduate Program in Theatre The Ohio State University 2013 Committee: Kristine Kearney, Advisor Mary Tarantino A. Scott Parry Copyright by Samantha Anne Kuhn 2013 Abstract The purpose of this paper is to document the costume design and production process for Rupert Holmes’ musical The Mystery of Edwin Drood, as produced by the Department of Theatre and the School of Music at The Ohio State University and directed by A. Scott Parry, the School of Music’s Director of Lyric Theatre. The musical was presented in the Thurber Theatre at Ohio State, November 7 through November 11, 2012. The Mystery of Edwin Drood is a musical in which a Victorian Music Hall troupe in 1892 England performs a dramatization of Charles Dickens’ final, unfinished novel, The Mystery of Edwin Drood. Told in the vaudevillian manner of English Music Hall Theatre of the late nineteenth century, the piece utilizes song, dance, bawdy humor and audience participation to tell and ultimately discover an ending to Dickens’ story. Research and designs for the production were derived from photographs, historical research and artwork of Music Hall performers and everyday English citizens from the late nineteenth century. The scenic design transformed the Thurber Theatre into a nineteenth century Music Hall, necessitating that the costume design also transform the actors into Victorian performers to support the historical demands of the script and to create an authentic experience for the audience.
    [Show full text]