Corridors of Power the SUNY Central Building in Albany -The Fourth Estate: Editorial I. I Total Integration: Total Paralysis

Total Page:16

File Type:pdf, Size:1020Kb

Corridors of Power the SUNY Central Building in Albany -The Fourth Estate: Editorial I. I Total Integration: Total Paralysis Vo. 9, No. 15 @ University Community's Weekly Feature Paper * May 5, 1988 Realpolitik page 3 Lobsters page 4 Administration page 5 Polity page 7 Smithereens page 13 Drugs back page Corridors of Power The SUNY Central Building in Albany -The Fourth Estate: Editorial I._I Total Integration: Total Paralysis Welcome to ROLMphone. True, the computer, like any other man-made And the phones themselves are cheaply made. Sounds like the bad guy in a schlock science fiction device, is subject to its quirks, but the phones are not Eight months and the buttons start to stick When the film But the bad guy is really the brochure printed up an occasional luxury like a video game. A telephone volume button sticks, you've got to hold the phone at yesterday morning for the benefit of each and every system is not something that can or should be arms length in order to keep from going deaf Think of campus resident subject to periodic downtime. Even after Hurricane the Bank of New York cash machines. You really need Welcome to a flat $65 per semester charge. No Gloria, while the Three Village area was without that $10 bucks, but either the machine is "tempor- choice, either. Everybody will have a ROLMphone in power for over two weeks, the phones worked. And arily out of service" or it eats your card when you can't their room, three phones in a suite. Everybody that when ROLM crashes, you can't bypass it with any- tell if you entered in the right password because the opts to.will get an access number to punch into the thing. Al the lines are tied into the computer, a fire in buttons are malfunctioning, phone to allow off-campus calls (on campus calls are the computer room, and it's all over, no dial tone, no .All this and more for $65 dollars a semester. free). Everybody, thus, will get their own computer- way to reach the hospital, or the police, no way to call a According to Dallas Bauman, Director of Residen- personalized bill And everybody will be subject to cab. ce Life, the portion of the system for the dormitories the quirks of the tempermental ROLM computer that And it's not too difficult to get the system to crash. is leased from ROLM at a cost of about $1,000,000 a handles all the phone traffic on campus. When the system was first installed, an over-abun- year. The money from the phone charge will pay that And believe us, that computer is quirky. All the dance of incoming calls to WUSB caused the entire lease. offices on campus have had ROLM phones for over a answering-machine section to gag and shut down. The least that can be expected for the charges is year, so we've been thoroughly ROLMed atthe Press The system, when it's working is less than would prompt and competent maintenance. Before AT&T What's supposed to make the system so wonderful is be expected from IBM, the self-proclaimed leader of was trust-busted, and everyone had to rent phones, a modern, high-tech IBM manufactured computer the computer age. Just to call an ambulance you have telephones were solid, abuseable, and dependable, controlling all the phone lines. No aging electro- to dial 122-22-8888. like an old American V-8. If the phones did fail, AT&T mechanical switches, no mazes of wire to fray and Nasty loopholes exist, that have already been would send over a repairman right away. The ROLM crack. exploited by hackers with the time to poke around. A phones are more like Yugos with all the options. But the computer is, in a word, cracked itself (Or writer in 2600, a "hacker" magazine, gives all the Hopefully, repairs won't be a problem. should we say its'software', in this computer literate details necessary to "kidnap" calls going to another Residents of G-Quad have probably already seen age?) When the computer crashes, as it has a number phone to your phone. Others have been able to con- the crews installing the new phone lines. The rest of of times already, the phones crash. That means no nect two parties together and listen in on the results, a the installation will be completed over the summer, incoming or outgoing calls, on or off campus. Three sort of prank party calL Fine, until you really want to so don't be surprised in the fall when you see that weeks ago, the system was down for an entire use your phone and you discover Marburger's sec- sleek little piece of phone wizardy in your dorm weekend. Two days; no calls to or from any office. retary, or phone sex, on the other end. room. The contract has been signed. -Letter Welcome to ROLMphone. informative, but is especially so to artists to film-makers. potential writers, artists, and film- The I-CON committee has a makers. responsibility to produce the event This is directly related to the on minimal funding. Many of the The Cons events that Mr. Silfer frowns comment regarding just who is upon being honored, to quote Mr. Silfer help finance the programming and Stony Brook To the editor: again, "the source because of the speakers that we hope will make the We at I-CON are grateful for the product or the product because of difference. It comes as little sur- Press extensive coverage of I-CON this the source?" This wrongly suggests prise that the most well-attended year. In contrast to most of those that I-CON attendees praise the panels and talks were not those of who covered our event, it is evident packagers instead of the creative the actors, but those of author that Kyle Silfer attended some of sources. When the attendees have HarlanEllison. Itis the sort of result Executive Editor .. .... Craig Goldsmith our programming. the opportunity to meet the author that we have been working for year Managing Editor. Kyle Silfer However, there are points made of a piece of work they admired, be after year. Also the science and Associate Editor ......... Quinn Kaufman by Mr. Silfer which appear to be it in print,paint, or celluloid; it is far technology programming that Mr. Photo Editor ................ Ed Bridges coptradictory. In particular,there is more likely that the meeting will Silfer just touches upon was more Science Editor................ Ryder Miller extensive and well-attended than a comment regarding our diversity produce a greater understanding of Assistant Editor............ Karin Falcone of programming which Mr. Silfer the creativity of the individual than ever before. Both of these points described as "perpetuating-in its the faceless corporation which say something positive about the Business Manager. ......... Kristin Rusin own innocent way-the same evils packages a product We would like attendees of the I-CON program in Editor Emeritus. ......... Michael DePhillips so graphically described by its to know of any other program which ,egard to their curiosity and con- guests." Yet Mr. Silfer admits that presents the opportunity, to the cern for the future. News and Feature: Lisa Caiafa, Joe Caponi, Joe our guests are free to (and often do) same extent that ours does, to meet DiStefano, John Dunn, Socrates G. Gianis, Rob Gil- John speak out and inform the public in on an informal basis with profes- Madonia heany, R Sienna, Paula Tishin, Rich Wieda regard to exploitation of their ta- sionals in so many different fields, Vice-chairman lents. Not only is this generally from writers to scientists, from I-CON VII Committee Arts: Rob Becker, Joe Castelli, John Gabriel, Peter Kang Alexandra Odulalk Rob Rothenberg ~·//~7/~/~7~/Js5~-//~7/6~7~7~'~7/~ Graphics: Stephen Coyne, Jennifer Flatow, Greta Guarton, CJ. Morgan, Mary Rafferty, Joseph Sterin- bach, Warren Stevens, Pippy the Zinhead Proofing: Laurence Hitchens It's that time of year again when the dreaded graduation The Stony Brook Press is published most once again spirits away members of our staff So if you'd like to every Thursday during the academic year and hang out in the basement of Central Hall at odd hours, shoot summer session by The Stony Brook Press Inc, flashbulbs off in administrators' faces, play with razor blades, a student run and student funded not-for- profit corporation. Advertising policy does not or type away furiously on a battered typewriter, come down necessarily reflect editorial policy. For more and see us in Suite 020 Central Hall We'll be printing over the information on advertising call at 632-6451. Staff meetings are held weekly in The Press summer too, so if you'llbe around, put on your old shoes and offices on Monday nights at approximately pay us a visit 7:30 pm. The opinions expressed in letters and view- points do not necessarily reflect those of our staff. Phone: 632-6451 Office: Suite 020 Central Hall (Old Biology) .U.N.Y. at Stony Brook ~apo~s~··~m,~lmm/lsTmrrun/~,~~ Stony Brook, NY 11794-2790 page 2 The Stony Brook Press t'r ", CC "1 v » . r r ) · i + C r * C ~r i 1 ' i ,~L r C· Put a Gag in It Students Welcome New Chancellor by R. Sienna ation of the State University-and only one tuition hike within the next year, and his tained that a "tuition hike is inevitable in a ALBANY, APRIL 27-Amid the nearly student sat on the Advisory Committee, alleged lack of minority recruitment at year". SASU representatives feel that a deafening student chants of "Vote Down former SASU President and Trustee Buffalo State have not endeared him to chancellor should be pressuring the Gover- Bruce!", the SUNY Board of Trustees Everett Joseph, leaving students nearly students.
Recommended publications
  • Toward a Redefinition of Musical Learning in the Saxophone Studios of Argentina
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Toward a redefinition of musical learning in the saxophone studios of Argentina Mauricio Gabriel Aguero Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Aguero, Mauricio Gabriel, "Toward a redefinition of musical learning in the saxophone studios of Argentina" (2013). LSU Doctoral Dissertations. 2221. https://digitalcommons.lsu.edu/gradschool_dissertations/2221 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. TOWARD A REDEFINITION OF MUSICAL LEARNING IN THE SAXOPHONE STUDIOS OF ARGENTINA A Monograph Submitted to the Graduate Faculty of Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Mauricio Gabriel Agüero B.M., Universidad Nacional de Cuyo, 2005 M.M., University of Florida, 2010 December 2013 Acknowledgments This monograph would not have been possible without the help of many people. Most important, I want to thank to my Professor and advisor Griffin Campbell, who guided my studies at LSU for the last three years with his musical passion, artistry and great teaching ability. As a brilliant saxophonist and thoughtful educator, Professor Campbell has been an important mentor and role model for me.
    [Show full text]
  • Merciad Editor Know As the Bayfront Development Plan Was Individual Point O F View, in Other Words One : That Planning Was Either Poorly Dor Born
    VOL. 61 NO. 2 2 MERCYHURST COLLEGE. GLENWOOD HILLS. ERIE APRIL 21.1988 • Mercyhurst profs oppose bayfront development By Matthew J. Clark As a result, the project which we now because they're only looking at this from an "The idea of development is good Merciad Editor know as the bayfront development plan was individual point o f view, in other words one : that planning was either poorly dor born. development, then another one next t o it, then planned well enough," he said, i '\£ In the late 1970's, with the future of Erie's There are many who are very excited another. economy looking less certain than it had been about the development project, such as the They haven t taken into consideration *to**b#0&&- in recent memory, the Erie Port Authority port authority. But, there are many, especially what kind of impact all of t h o s e developments began searching for ways to revitalize the environmentalists, who oppose die develop- together will have on the environment area, <% f $ \ ment f o r o n e r e a s on or another. Many o f them "The best example of that is that no one The plan which the organizers devised, don't oppose the plan entirely but would like has ever considered what the carrying capac- known as the Erie Bayfront Redevelopment to see some aspects of it done differently. ity of the harbor is in terms of the number of project, has been met with its fair share of * ' M o s t p e o p l e would like to see some sort boats." j j£& 'I criticism.
    [Show full text]
  • Beatles Cover Albums During the Beatle Period
    Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • How to Re-Shine Depeche Mode on Album Covers
    Sociology Study, December 2015, Vol. 5, No. 12, 920‐930 D doi: 10.17265/2159‐5526/2015.12.003 DAVID PUBLISHING Simple but Dominant: How to Re­shine Depeche Mode on Album Covers After 80’s Cinla Sekera Abstract The aim of this paper is to analyze the album covers of English band Depeche Mode after 80’s according to the principles of graphic design. Established in 1980, the musical style of the band was turned from synth‐pop to new wave, from new wave to electronic, dance, and alternative‐rock in decades, but their message stayed as it was: A non‐hypocritical, humanist, and decent manner against what is wrong and in love sincerely. As a graphic design product, album covers are pre‐print design solutions of two dimensional surfaces. Graphic design, as a design field, has its own elements and principles. Visual elements and typography are the two components which should unite with the help of the six main principles which are: unity/harmony; balance; hierarchy; scale/proportion; dominance/emphasis; and similarity and contrast. All album covers of Depeche Mode after 80’s were designed in a simple but dominant way in order to form a unique style. On every album cover, there are huge color, size, tone, and location contrasts which concluded in simple domination; domination of a non‐hypocritical, humanist, and decent manner against what is wrong and in love sincerely. Keywords Graphic design, album cover, design principles, dominance, Depeche Mode Design is the formal and functional features graphic design are line, shape, color, value, texture, determination process, made before the production of and space.
    [Show full text]
  • 23Rd Annual Asbury Music Awards SHOW SCHEDULE 2015 THURSDAY, DECEMBER 17, 2015 @THE STONE PONY, ASBURY PARK, NJ
    23rd Annual Asbury Music Awards SHOW SCHEDULE 2015 THURSDAY, DECEMBER 17, 2015 @THE STONE PONY, ASBURY PARK, NJ 6:45 OPENING REMARKS by Taylor Allen 7:00 MUSIC: Taylor Tote (Young Band) 7:15 AWARDS: Top Male Solo/Acoustic Act // Top Female Solo/Acoustic Act // Top Young Band (Under 21) // Top Indie Folk 7:20 MUSIC: Chris Brown (Singer-Songwriter) 7:35 AWARDS: Award Winner’s Announced By Taylor Allen: Top Blues/Soul Act / Top Keyboardist / Top Multi-Instrumentalist / Top Music Website or Facebook Page in Support of Live Music / Top Punk Band 7:45 MUSIC: UFOTOFU (Jam/Groove/Funk Band) 8:00 AWARDS: Award Winners Announced By Taylor Allen: Top Hangout Bar / Top Americana Act / Top Avant Garde Act / Top Poet / Top Club DJ 8:10 MUSIC: Williams Honor (Pop Country) 8:25 AWARDS: James M. MacDonald’s "Behind The Scenes" Lifetime Achievement Award 2015 / Top “Beyond/Classic” Release: Top Record-Single Release-Digital Release 8:30 MUSIC: Pat Dinizio (Legendary New Jersey Artist of The Smithereens) 8:50 AWARDS: Top Rock Band / Top Live / Top Sound Engineer / Top Jam- Groove Band / Top Classic (Asbury Artist) / Top Journalist In Support Of Live Music / Top Music Video 9:05 MUSIC: Sandy Mack Band 9:20 AWARDS: Top “Beyond” Asbury Artist / Top Male Vocalist / Best Thing To Happen 2014-2015 / Living Legend Award 2015 9:35 MUSIC: Joseph Makoviecki (Thomas Wesley Stern) (Indie Folk) 9:50 AWARDS: Top Pop Band / Top Female Vocalist / Top Live Performance / Top Live Original Music Venue (Small) / Song Of The Year 10:05 POETRY: Keith Baird, Poet Laureate 10:10
    [Show full text]
  • Major New Festival Features Legendary Rock Band Spring and Fall Are the Busy Times in Southern Maryland for Festivals, Fairs
    Major new festival features legendary rock band Posted by Dick.Myers_Editor On 05/29/2013 Spring and fall are the busy times in Southern Maryland for festivals, fairs and other special events. But there was that short window of opportunity right after Memorial Day for another major event. Summerseat Farm on Route 235 in Oakville has seized that opportunity. This Saturday, June 1st will be the first Beer, Bands & BBQ. The bands part of the event features legendary rockers the Smithereens. To order tickets for Beer, Bands and BBQ, go to the Summerseat website at http://www.summerseat.org/Home/tabid/36/Default.aspx The Smithereens formed in1980 and continue to this day with most of the original members, including lead vocalist and guitarist Pat DiNizio. All the original members were from New Jersey. The only change from the original band occurred in 2006 when Severo Jomacion took over bass guitar from Mike Mesaros. Other members are Jim Babjak (guitar and vocals), and Dennis Diken (drums and percussion). The band is noted for writing and playing catchy 19060’s influenced power pop. Their first album, “Blood and Roses” was included in the soundtrack for the 1986 movie “Dangerously Close.” This month and next the Smithereens will be special guests of Tom Petty and the Heartbreakers for six concerts. They have collaborated in the studio with musicians such as Suzanne Vega and Belinda Carlisle and on stage with Graham Parker and the Kinks. Other bands performing from Beer, Bands and BBQ from 1-8 p.m. are 80’s Metal Hair tribute band “One Louder” and local favorites “Justin Myles Experience” and the “Sam Grow Band.” Rounding out the other two “B’s” in the title of the event are 10 premium and craft beers and plenty of finger lickin’ food.
    [Show full text]
  • The Roots Report: an Interview with Dennis Diken
    The Roots Report: An Interview with Dennis Diken In December of last year, Pat DiNizio, lead singer, guitarist and songwriter of the band The Smithereens, died at the age of 62. The Smithereens have had hits with songs such as, “Blood and Roses,” “Only a Memory” and “A Girl Like You.” DiNizio’s untimely passing was not only an emotional blow to the band, but it put their future in jeopardy. In January of this year they turned an already scheduled show into a tribute to DiNizio. At that concert several guest vocalists/musicians joined the band and among them was Marshall Crenshaw. He is known for his hits, “Someday, Someway” and “Whenever You’re On My Mind.” Besides those songs and others he played the role of Buddy Holly in the film LaBamba and began his career as John Lennon in Beatlemania. Crenshaw will be filling the vacant vocalist spot along with the surviving members of the Smithereens: Dennis Diken, Jim Babjak, and Mike Masaros when they come to the Greenwich Odeum on Saturday, November 17. I spoke with drummer, Dennis Diken about what has been going on with the band. Dennis Diken (Smithereens): Hey, John, it’s Dennis Diken from the Smithereens John Fuzek (Motif): Hi, how are you? Thanks for calling! DD: I am good, how are you doing, man? JF: I am good, so you are playing a show at the Greenwich Odeum next week, it’s a nice venue, have you ever played there? DD: It does not ring a bell but it’s been a long time we’ve been touring, it’s possible but I don’t think so JF: Maybe you played the Narrows last time that you were in town? I am not sure, I just know that I have missed your show every time you play! DD: I don’t think we have been to RI in a while.
    [Show full text]
  • THE SMITHEREENS Bio
    THE SMITHEREENS bio Pat DiNizio—vocals, guitar Jim Babjak—guitar, vocals Dennis Diken—drums, vocals Severo "the Thrilla" Jornacion—bass "I think it's as good as anything we've ever done," Pat DiNizio says of Smithereens 2011 , the Smithereens' first album of original songs in 11 years. "I hate to use the term 'comeback album,' and it certainly wasn't planned that way, but it really feels like it," adds his longtime bandmate Jim Babjak. "It has the raw vibe of our early albums, while showing that we're moving forward and that we're still at the top of our game after 31 years." Indeed, the 13-song set shows the New Jersey-bred quartet to be making some of the most urgent music of their three-decade career, delivering their timeless brand of punchy, heartfelt rock 'n' roll with as much fire as ever. Such instantly memorable new tunes as "Sorry," "One Look At You," "A World of Our Own" and "Rings On Her Fingers" exemplify the Smithereens' trademark brand of punchy melodic songcraft, driven home by DiNizio's expressive vocals and emotionally complex lyrics, along with fiery ensemble performances that show off the uncanny musical chemistry of longstanding musical partners DiNizio, Babjak and Dennis Diken, and later addition Severo "the Thrilla" Jornacion, who joined in 2006. Smithereens 2011 's title slyly acknowledges the fact that it's the band's 11th studio album, and that it's been 11 years since their last collection of original material. The album's moniker—as well as its cover design—also pays tribute to the foursome's beloved 1989 release Smithereens 11 .
    [Show full text]
  • 11, 1999 USPS 402420 35 Cents Neptune Avon's City's ...Lovgs S Ftfsclo
    From our House to your House... TViingsToPo .P laces to Go ...at the jersey shore TN >iywci Aynasy Bn¥ isyid OQ'r: a il Diiarid >ii¥d Aynasy IMES at the jersey shor< Asburvj Park, Avon-by-the-Sea, Belmar, Bradley Beach, Neptune, Neptune City, Ocean Grove, Point Pleasant BeacK Spring Lake, Sea Girt, Wall, Sr Surrounding Communities Since 187S Vo}. CXXJV No. 10 Township of Neptune Thursday, March 11, 1999 USPS 402420 35 cents Neptune Avon's City's ...LovGS S ftfSclo... Tax Rate Heinzinger Decreases Retires "ASBURY PARK PUBLIC UBRARY By Lois Ellermann ASBURY PARK, NEW JERSEY By Bonnie Graham Neptune City - M onday Avon-By-The-Sea - The night's Mayor/Council meet­ public hearing was held on ing of March 8, 1999 began the 1999 budget during with Borough Clerk Joel Monday’s Mayor/Commis- Popkin reading a letter of retirement from Neptune sioner meeting of March 8, City Police Lieutenant 1999. The new municipal Ronald Heinzinger, a police tax rate, at 1.006 per as­ officer since 1971, effective sessed $100 of valuation, is April 1,1999, to which Mayor a 6 cent decrease from the Deeves added, “He was an 1998 rate of 1.06. outstanding police officer Borough Clerk/Busi- and we wish him the best in ness Administrator Timothy his retirement." Gallagher explained how Resolutions were the decrease was reached. passed enabling United “Operating expenses were Fire Company #1 to have a cut by $80,000, which de­ parade to celebrate their creased the tax rate by 4 100th year anniversary to begin 12 noon on July 10, cents.
    [Show full text]
  • Place Your Ad in This Space!
    MAILED FREE TO EVERY HOME AND BUSINESS IN FANWOOD Published by Renna Media Issue 28 • January 2018 HIGH SCHOOL FALL SPORT’S ATHLETES RECOGNITION Place Your Tuesday, December 12, 2017, at the Town Conference Meeting, the following Scotch Plains-Fanwood High School Ad In Athletes were honored: Ben Fleischer Cross Country First Team e! All County; Brandon Garcia Cross Country First Team All ThisA GSREpAaT c County; Madeline Bord Cross Country First Team All County; ATTENTION GRABBER Michael Ferrara Boys Soccer First Team All County; Brogan Quigley Boys Soccer First Team All County; Cooper Heisey #1 in completed passes in 2017; #1 in passing yards with 3039 yards and which broke the previous school passing record in a single season, was named First -Team All - Area Football by the Courier News and was a 2017 Maxwell Football Club New Jersey Mini Max Award recipient. Scotch Plains-Fanwood High School Girls Varsity Soccer Team has won the Union County Championships for the eighth season in a row. Team members are: Taylor Diggs; Ashley First come, first served. Vincent; Danielle Mrozek; Kaitlyn Mrozek; Gina Fahrenholz; Kayla Krutis; Brianna O’Brien; Erica Muskus; Sabrina DiLollo; CALL TINA Kylie Bierne; Kerri McNeely; Maria DelSordi; Isabella Corsaro; Stefanie DeVizio; Maggie Traina; Gabriella Kowlaczyk; FOR DETAILS Elizabeth Ley; Gabby Aloe; Maya Kessler; Isabelle Richardson; (above, back) Mayor Al Smith and Councilman John 908-418-5586 Michaela Genty; Maya Sutterlin; Jada Gomillion; Brooke Del Sordi Jr.; (front) members of Scotch Plains-Fanwood Klurman; Corinne Lyght; Abigail Hanvey; and Jamie Valian. High School Girls Varsity Soccer Team. 5 7 E 1 5 D G 9 7 S .
    [Show full text]
  • The Complete Poetry of James Hearst
    The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring.
    [Show full text]