B. Sproul, Primal Myths, "Introduction"
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Adventurous Tales Stories of the Sea and the City
UNIVERSITY OF MICHIGAN Adventurous Tales Stories of the Sea and the City By Victor-Émile Michelet A selection, translated with an introduction by Liz Medendorp April 19th, 2011 Submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts, with Honors in Arts and Ideas in the Humanities Dedication This work is dedicated to my advisor, Professor William Paulson, without whose insight and guidance its full realization would not have been possible. I also dedicate this work to my husband, Anthony, whose love, support, and encouragement have been invaluable throughout the entire time that I have had the privilege to know him. i Table of Contents Translator’s Introduction…………………………………………………………………... iii The Impossibility of Translation…………………………………………………… iii Who is Victor-Émile Michelet? …………………………………………………… v Issues of Translation……………………………………………………………….. x Issues of syntax…………………………………………………………….. xii Issues of tone………………………………………………………………. xiv Issues of vocabulary………………………………………………………... xviii No Hard and Fast Rule……………………………………………………………... xxi Adventurous Tales: Stories of the Sea and the City……………………………………….. 1 The Betrothed of the Dead…………………………………………………………. 2 Captain Lemeur…………………………………………………………………….. 8 The Bad Brother……………………………………………………………………. 15 The Unforgettable Gaze……………………………………………………………. 22 The Tuft of Honeysuckle…………………………………………………………... 26 The End of Pierre Elleck…………………………………………………………… 31 Interlude (On the Beach)…………………………………………………... 36 Exiled from Heaven………………………………………………………………... 38 Three Kisses………………………………………………………………………... 47 Lover’s Sentence…………………………………………………………………… 54 Bibliography……………………………………………………………………………….. 58 ii The Impossibility of Translation Translation is hard. Impossible, really. The barrier between languages, even very closely related ones, is often insurmountable. Not because near equivalences don’t exist, but because, no matter how close you come, you can never perfectly render the tone, the undertones, or the style of a literary work in any language other than the original. -
The Titanic Origin of Humans: the Melian Nymphs and Zagreus Velvet Yates
The Titanic Origin of Humans: The Melian Nymphs and Zagreus Velvet Yates HE FIRST PART of this paper examines a minor mystery in Hesiod’s Theogony, centering around the Melian Nymphs, Tin order to assess the suggestions, both ancient and modern, that the Melian Nymphs were the mothers of the human race. The second part examines the afterlife of Hesiod’s Melian Nymphs over a thousand years later, in the allegorizing myths of late Neoplatonism, in order to suggest that the Hesiodic myth in which the Melian Nymphs primarily figure, namely the castration of Ouranos, has close similarities to a central Neoplatonic myth, that of Zagreus. Both myths depict a “Titanic” act of destruction and separation which leads to the birth of the human race. Both myths furthermore seek to account for a divine element which human nature retains from its origins. The Melian Nymphs in Hesiod ˜ssai går =ayãmiggew ép°ssuyen aflmatÒessai, pãsaw d°jato Ga›a: periplom°nou d' §niautoË ge¤nat' ÉErinËw te krateråw megãlouw te G¤gantaw, teÊxesi lampom°nouw, dol¤x' ¶gxea xers‹n ¶xontaw, NÊmfaw y' ìw Mel¤aw kal°ous' §p' épe¤rona ga›an. Gaia took in all the bloody drops that spattered off, and as the seasons of the year turned round she bore the potent Furies and the Giants, immense, dazzling in their armor, holding long spears in their hands, and then she bore the Melian Nymphs on the boundless earth.1 1 Theog. 183–187. Translations of Hesiod adapted from A. Athanassakis, Hesiod: Theogony, Works and Days, Shield (Baltimore 1983). -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Varieties of Boundary Crossings
Varieties of Boundary Crossings V. V. Raman1 Introduction Boundary-crossings are valuable in many ways. Sometimes they may even be essential for survival. In the complex world in which we live boundary crossings occur in a variety of contexts: Among the sciences, among religions, between science and religion, among cultures, within cultures, and so on. Normally every of us, whether professionally or individually, functions within circumscribed boundaries. Most of our thoughts, actions and behavior are within some boundaries. This is necessary for efficiency, personal security and self-confidence. It is also constrained by our capacities and resources. However, there arise situations when we have to go beyond the boundaries: for enrichment, understanding, and peace. In this lecture, I propose to explore the variety of contexts in which boundary crossings occur, as well as their impacts, some beneficial and others not so. I will also indulge in some linguistic boundary crossing as I discuss the subject. Boundary Crossings in Different Spheres David Hilbert famously said that mathematics knows no race or geographical boundary [Die Mathematik kennt keine Rassen oder geographische Grenzen]. This is true of love and music also. But this is not the case in many other contexts. we need bridges not just between scientists and literati, but between physicists and biologists, cosmologists and theologians, theoreticians and common citizens, moral philosophers and soldiers in the battle-field, social reformers and traditionalists, evolutionists and creationists, cultural anthropologists and practitioners of the cultures studied, even between cartoonists and ardent religionists who demand everyone in the world to be subject to the laws of blasphemy of their own religion. -
Columbia University Department of Art History and Archaeology Miriam and Ira D. Wallach Fine Arts Center Fall 2013
COLUMBIA UNIVERSITY DEPARTMENT OF ART HISTORY AND ARCHAEOLOGY MIRIAM AND IRA D. WALLACH FINE ARTS CENTER FALL 2013 826schermerhorn 1 from the chair's office new faculty Dear Alumni and Friends, We are delighted to welcome five new members to the Columbia/Barnard art history faculty: Avinoam Shalem, Riggio Professor of the History of the Arts of Islam; Diane Bodart, Assistant Professor of Southern Renaissance and Baroque Art; Frédérique Baumgartner, It has been an exciting and busy year in and around Schermerhorn Hall, one marked by many Lecturer and Director of MA in Art History; Kent Minturn, Lecturer and Director of MA in Modern Art: Critical and Curatorial different types of academic events, activities, and accomplishments of our students and faculty Studies (MODA); and Megan O’Neil as a Term Assistant Professor in the Barnard Art History Department. in the Department of Art History and Archaeology. We feature some of the most noteworthy of these events in the current edition of 826 Schermerhorn, which was produced on a slightly different avinoam shalem, riggio professor of the diane bodart, assistant professor, is a fall of the cosmopolitan ideal and the rise of schedule this year to coincide with the Chair’s Annual Appeal and a brief report on some of our history of the arts of islam, studied at the specialist in the art of the Italian Renaissance nationalism. Dr. Baumgartner was an assistant past and future fundraising activities. universities of Tel Aviv, and Baroque. She was curator at the Musée national d’art moderne– Munich (lmu), and educated at Università Centre Pompidou in Paris and remains inter- Since becoming Chair of the Department in 2012, I have had the pleasure of meeting many of you in Edinburgh, where he degli Studi di Roma ested in video and performance art. -
Why Me Lord.P7
This book is designed for your personal reading pleasure and profit. It is also designed for group study. A leader’s guide with helps and hints for teachers and visual aids (Victor Multiuse Transparency Masters) is available from your local bookstore or from the publisher. Fifth printing, 1987 Most of the Scripture quotations in this book are from the King James Version of the Bible (KJV). Other quotations are from the Holy Bible: New International Version (NIV), © 1973, 1978, 1984, International Bible Society. Used by permission of Zondervan Bible Publishers; the New American Standard Bible (NASB), © the Lockman Foundation, 1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977. Used by permission. Recommended Dewey Decimal Classification: 241.1 Suggested subject heading: THE WILL OF GOD IN CRISES Library of Congress Catalog Card Number 80-52947 ISBN: 0-89693-007-6 © 1981 by SP Publications, Inc. All rights reserved Printed in the United States of America VICTOR BOOKS A division of SP Publications, Inc. Wheaton, Illinois 60187 Dedication To the women in my life: Mary, my mother Emma, Pat, and Lillian, my sisters Cathy, my wife Lori, my daughter Gerrie, my editor Gloria, my secretary Anita, my typist Contents Preface 9 Part I—How to Live 1 Why? Why? Why? 13 2 The Choice Is Yours 22 3Triumph Out of Tragedy 28 Part II—How to Die 4 Life after All 39 5 Am I Normal? 45 6 Broken Hearts Do Heal 52 Part III—How to Help 7 How to Help a Grieving Friend 63 8 Helping a Friend Cope with a Terminal Illness 73 9 How to Explain Death to a Child 82 10 Making the Funeral Arrangements 90 11 After the Funeral Is Ove 98 12 Preparing for Your Own Death 105 13 Questions and Answers about Death— 112 Can a Christian Commit Suicide? 112 What Happens to People between Death and the Resurrection? 113 Will We Know Each Other in Heaven? 114 Is Dying Painful? 115 What Happens to Babies after Death? 116 What Is Heaven Like? 117 Preface How to live! How to die! We all need to know how to do that. -
I Thought It Was Funny
II thoughtthought itit waswas funnyfunny selected humour from 3 decades of free flight Tony Burton editor Gil Parcell illustrator free flight the fun collection Here is a collection of much of the funny stuff that has been in free flight over the years – the earliest entry was from 1976 – but the material has been organized by author or theme. Enjoy. The book reads better if it is printed double sided rather than viewed a page at a time on your monitor because many facing pages are layed out to be seen together. Clubs, print out a copy or two for your clubhouse. We have been privileged over many years to have had Gil Parcell among our throng. He was a professional illustrator and cartoonist beginning back in the 60s, and the day he took up gliding as a pas- time was start of a long happy association with editors in Canada and the USA, and his work has filtered into gliding publications around the world. His style is distinctive; what isn’t Gil’s is by Mike Morgulis (for the Bald Eagle stories), and a few one-offs. ❦ Spring Fever Oh, what a glorious day! to be tending my garden this May little bird’s harmonizing, bumblebees bumble-izing, for what could a mere mortal pray? A sudden gust … What’s this … a thermal? What am I doing in this stinking weed patch when I could be soaring? Jack Olson Desiderata 4 Anon. Zen pilots and tribal elders 5 Casey at the Nats 6 All the bells and whistles 7 Reach for the sky 9 the “Bald Eagle” The Bald Eagle meets the Falcon 12 A visit with Mike and Cheryl 14 No particular place to go 15 } Workshop glossary 16 anon. -
Chiang-Mai-Uncovered.Pdf
Also by Derek Workman Inland Trips from the Costa Blanca Series COSTA BLANCA SOUTH AND MURCIA COSTA BLANCA NORTH CHIANG MAI VALENCIA NORTH VALENCIA SOUTH CASTELLON SMALL HOTELS AND INNS OF EASTERN SPAIN Morocco HIGH, RIDE AND HANDSOME A WHIRLWIND AROUND MOROCCO uncovered A DIFERENT LIFE REASONABLE PLANS CHIANG MAI UNCOVERED BETTER LATE THAN NEVER Recipe Books DINARI DELICIOUS KASBAH KITCHEN Eye On Photo Book Series EYE ON MOROCCO derek workman EYE ON VALENCIA EYE ON CHIANG MAI Written, photographed and designed by Derek Workman. No part of this book may be used, copied or distributed in any form whatsoever without the written permission of the author. Copyright © 2020 Derek Workman Cont A Work ents In Getting around Chiang Mai Page I have two modes of transport in Chiang Progress 6 Mai; a good pair of shoes and a bike Chiang Mai’s Stinky Market From well before dawn until late at night Page The stories in this book are a selection from the first five issues ofChiang 10 Muang Mai market buzzes, with a brief Mai uncovered, the result of many walks and cycle rides around this respite during the heat of the afternoon intriguing small city, and within a fifty kilometer radius of my home Wat Mae Kaet Noi near Chiang Mai Gate. Page The garden where retribution is more 16 than devine Within these pages you will find the unusual and unexpected, places A Passion For Everything that rarely get written about in guide books, and you will most likely find yourself one of the few foreign faces there – if there are any faces Page A museum of such joyous idiosyncrasy 20 that it makes most other museums seem there at all. -
Do Creation and Flood Myths Found World Wide Have a Common Origin?
The Proceedings of the International Conference on Creationism Volume 5 Print Reference: Pages 517-528 Article 47 2003 Do Creation and Flood Myths Found World Wide Have a Common Origin? Jerry Bergman Northwest State College Follow this and additional works at: https://digitalcommons.cedarville.edu/icc_proceedings DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to [email protected]. Browse the contents of this volume of The Proceedings of the International Conference on Creationism. Recommended Citation Bergman, Jerry (2003) "Do Creation and Flood Myths Found World Wide Have a Common Origin?," The Proceedings of the International Conference on Creationism: Vol. 5 , Article 47. Available at: https://digitalcommons.cedarville.edu/icc_proceedings/vol5/iss1/47 DO CREATION AND FLOOD MYTHS FOUND WORLD WIDE HAVE A COMMON ORIGIN? Jerry Bergman, Ph.D. Northwest State College Archbold, OH 43543 KEYWORDS: Creation myths, the Genesis account of creation, Noah’s flood ABSTRACT An extensive review of both creation and flood myths reveals that there is a basic core of themes in all of the extant creation and flood myths. This fact gives strong evidence of a common origin of the myths based on actual historical events. -
Myth Made Fact Lesson 7: Perseus with Dr
Myth Made Fact Lesson 7: Perseus with Dr. Louis Markos Outline: The four greatest heroes of Greek mythology: Perseus Jason Theseus Hercules Setting Hesiod was a contemporary of Homer, late 8th century. Hesiod lived in Greece as a farmer. The four ages of man: o Golden Age: Live close to nature, close to the gods, and close to ourselves, a world before greed, before man cut open the earth for rare metals to kill each other o Silver Age: long youth that was happy, but they became violent and foolish and they were hidden under the earth o Bronze Age: men were warlike and fierce o Iron Age: this is the current age, far away from the Golden Age, we’ve lost a sense of shame and piety, we’ve lost our center and our balance o This concept is ubiquitous, that we are falling away. Hesiod adds a fifth age between the Bronze and Iron, and he calls it the age of heroes. There is almost a rebirth of the Golden Age with soldiers who fight for honor. This is when basically all of Greek mythology takes place (1500 BC – 1150 BC). o The Trojan War is the end of the Golden Age. o Every Greek tragedy takes place during that Golden Age, except a play about the Persian War, which is written as though the Persian war is taken place in a mythic Golden Age. Perseus Perseus is the son of Zeus. Acrisios heard a prophecy that Danae will give birth to a child who will kill him, so he locks Danae in a tower. -
How the World Was Made a Cheyenne Creation Myth
How the World Was Made A Cheyenne Creation Myth At the beginning of time, there was nothing but darkness. Maheo the All Spirit lived alone in this darkness. He was tired of the dark—there was nothing to see and nothing to hear. Maheo was very powerful and he decided to use his power to create the world. Maheo created water in the form of a great salty lake and decided that all life would come from this water. At first, he made animals that swim in the water like fish. Next, Maheo created the sand at the bottom of the giant salty lake. Then he created bottom-feeding creatures like snails, lobsters, and mussels to live on that sand. 1 © 2018 Reading Is Fundamental • Content and art created by Simone Ribke How the World Was Made Next, Maheo made animals that live on the water. These included many types of birds such as geese, terns, loons, and ducks. Maheo delighted to hear their wings flapping and their feet splashing on the water. But Maheo could only hear them, he could not see them. “I would like to see the things I created,” Maheo said to himself. So Maheo created light and delighted in seeing all the fish swimming in the water and all the birds swimming on the water. “How beautiful,” Maheo said to himself, for he was truly amazed by his creations. Soon, a goose called out to Maheo: “Great Maheo, thank you for making this wonderful world. We are so happy, but the birds are not fish. -
Every Creation Story
Every Creation Story Creation from chaos Chaos (cosmogony) Enûma Eliš (Babylonian creation myth) Genesis creation myth (Judaism, Christianity and Islam) Greek cosmogonical myth Jamshid Korean creation narratives Kumulipo Leviathan (Book of Job 38–41 creation myth) Mandé creation myth Pangu Raven in Creation Serer creation myth Sumerian creation myth Tungusic creation myth Unkulunkulu Väinämöinen Viracocha Earth diver Earth-diver Ainu creation myth Cherokee creation myth Iroquois creation myth Väinämöinen Yoruba creation myth Ob-Ugric creation myth Emergence Emergence Hopi creation myth Maya creation of the world myth Diné Bahaneʼ (Navajo) Zuni creation myth ( creation of self ) Ex nihilo Debate between sheep and grain Barton cylinder Ancient Egyptian creation myths Kabezya-Mpungu Māori myths Mbombo Ngai Popol Vuh World parent World parent Coatlicue Enûma Eliš Greek cosmogonical myth Greek cosmogonical myth Heliopolis creation myth Hiranyagarbha creation myth Kumulipo Rangi and Papa Völuspá Divine twins Divine twins Proto-Indo-European creation myths Regional Africa Ancient Egyptian creation myths Fon creation myth Kaang creation story (Bushmen) Kintu myth (Bugandan) Mandé creation myth Mbombo (Kuba, Bakuba or Bushongo/Boshongo) Ngai (Kamba, Kikuyu and Maasai ) Serer creation myth (cosmogony of the Serer people of Senegal, the Gambia and Mauritania) Unkulunkulu (Zulu) Yoruba creation Americas Mesoamerica Coatlicue (Aztec) Maya creation of the world myth Popol Vuh (Quiché Mayan) Mid North America Anishinaabeg creation stories Cherokee creation