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31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
$39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation. -
CARPET CLEANING SPECIAL K N O W ? Throughout History, I Dogs Have Been the on OU> 211 Most Obvious Agents in 5 MILES SO
remain young and beautiful only by bathing in and in the story of Lauren Elder’s grueling 36-hour or S a t u r d a y drinking the blood of young innocent girls — includ deal following the crash of a light aiplane that killed ing her daughter’s. 12:30 a.m. on WQAD. her two companions. The two-hour drama is based "Tarzan’s New Adventure” —- Bruce Bennett and "Sweet, Sweet Rachel” — An ESP expert is pit on the book by Lauren Elder and Shirley Ula Holt star in the 1936 release. 1 p.m. on WMT. ted against an unseen presence that is trying to drive Streshinsky. 8 p.m. on NBC. "Harlow” — The sultry screen star of the 1930s is a beautiful woman crazy. The 1971 TV movie stars "Walk, Don’t Run” — A young woman (Saman the subject of the 1965 film biography with- Carroll Alex Dreier, Stefanie Powers, Pat Hingle and Steve tha Eggar) unwittingly agrees to share her apart Baker, Peter Lawford, Red Buttons, Michael Con Ihnat. 12:30 a.m. on KCRG. ment with a businessman (Cary Grant) and an athe- nors and Raf Vallone 1 p.m. on WOC lete (Jim Hutton) during the Tokyo Olympics (1966). "The Left-Handed Gun” — Paul Newman, Lita 11 p.m. on WMT Milan and Hurd Hatfield are the stars of the 1958 S u n d a y western detailing Billy the Kid’s career 1 p.m. on "The Flying Deuces” — Stan Laurel and Oliver KWWL. Hardy join the Foreign Legion so Ollie can forget an T u e s d a y "The Swimmer” — John Cheever’s story about unhappy romance (1939). -
Campus Events. This Calendar Column Is Open for Notices of Events on All BCFT Campuses
Link Classifieds call 432-8974 Campus Events. This Calendar column is open for notices of events on all BCFT campuses. Submi ssions can t>e faxed to 431-7619. sent For Sale Opportunities by campus mail or dropped off at The Link office in the SA Campus Centre (dowthne corridor between the video arcade ThirstQuenchiog Cardy Game and the computer store) 4 rules send $5. & SASE to International Development Wednesday, Mareh 5 • examine prominent values Thursday, March 20 1150c Forge Wk. Van. V6H3P9 Education Program in Indonesia which direct the resolution of Volunteers 21-25 yis Job Search Strategies with issues such as accessibility, qual• Toastmasters. Public speaking Services for 5 months starting October '97 Counselling Services. 12:00 - ity, academic freedom, shared club. 7:00am. SA Boardroom, SA Fund raising required. l;30pm.SWl -1125. For more info governance and accountability; Campus Centre. PERSONAL INCOME TAX Deadline for appUcations call 434-3304. • explore the ethical dilemmas Campus Centre Building, March 21 '97 and conflicting values by exam• Deadline for Advertisements for Bumaby Campus For infotmaticHi and application Campus Christian Club. ining case studies involving The Link. 4:30pm. Room 232, SA Mon. & Wed. in March contact Canada World Youth 11:30am. SWI - 2005. For more Canadian post-secondary educa• Campus Cenhe (behind the video 11 - 2:30 arcade). In Vancouver phone 732-5113 or info 451-4568. tion institutions. No Appointment Necessary 1-800-889-6069 11:30am - 2:15pm. Rix Club. To L. D. Sawatzlsy 985-3842 BCIT Investment Qub. 11:30 in register call Karen at 432-8927. -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
National Endowment for the Arts Annual Report 1982
Nat]onal Endowment for the Arts National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1982. Respectfully, F. S. M. Hodsoll Chairman The President The White House Washington, D.C. March 1983 Contents Chairman’s Statement 3 The Agency and Its Functions 6 The National Council on the Arts 7 Programs 8 Dance 10 Design Arts 30 Expansion Arts 46 Folk Arts 70 Inter-Arts 82 International 96 Literature 98 Media Arts: Film/Radio/Television 114 Museum 132 Music 160 Opera-Musical Theater 200 Theater 210 Visual Arts 230 Policy, Planning and Research 252 Challenge Grants 254 Endowment Fellows 259 Research 261 Special Constituencies 262 Office for Partnership 264 Artists in Education 266 State Programs 272 Financial Summary 277 History of Authorizations and Appropriations 278 The descriptions of the 5,090 grants listed in this matching grants, advocacy, and information. In 1982 Annual Report represent a rich variety of terms of public funding, we are complemented at artistic creativity taking place throughout the the state and local levels by state and local arts country. These grants testify to the central impor agencies. tance of the arts in American life and to the TheEndowment’s1982budgetwas$143million. fundamental fact that the arts ate alive and, in State appropriations from 50 states and six special many cases, flourishing, jurisdictions aggregated $120 million--an 8.9 per The diversity of artistic activity in America is cent gain over state appropriations for FY 81. -
2011 Annual Report
Annual Report - 2011 7601 Martin Grove Road VAUGHAN, Ontario L4L 9E4 www.ontariosoccer.net Introduction While 2011 was indeed a time of transition and renewal, the Association also Moving forward, it is very important that Alex Chiet can count on the continued Message from the President accomplished a great deal. Specifically, we introduced, under Alex Chiet, the support and input of every OSA District and Club around this critical program in beginning of our phased-in approach to LTPD. This may be the most important the years to come. step our game—and our Association—has taken on in more than a generation. 2011 was a year of significant “transition and In 2011 we launched our “Respect in Soccer” initiative. While our execution was In 2012 we will continue to build on some of the strategic initiatives we undertook renewal”. While we still have a lot of work to do flawed in terms of how the program was implemented and communicated to our throughout 2011 including: to get where we need to go, I am proud to be membership, that does not diminish the absolute value and importance of this part of an Association that continues to work effort. We have renewed our relationship with Respect in Sport Inc., in order to • Continuing to increase grassroots participation together and make positive change towards the rebuild and continue to execute a stronger program in 2012 and beyond. It is a • Sustaining Club, District, League and Provincial excellence betterment of Soccer in this Province. This would necessary step and timely response that will make our game better—and safer— • Further defining a clear philosophy, with achievable and realistic pathways for not have been possible without the strong for all our, players, coaches, referees and parents. -
.. ,___...M Asthaaeoreboardsays
H 1 w: [I ‘ ..- for”? ..c... ...,.T..v..:-‘mmm_.: ». _ '_ "“j U: ......“in“. “my; ,. I ...aorv. .- .. 7 - Asthaaeoreboardsays.theWolfpackwasieadlng10-13withailttle fourth and goal at the State two. The handoff wentto Tiger tailback line. Moments Inter. Mike Mel (airborne in the picnire to the far rightl over three minutes to play in the fourth quarter. Clemson had the bal. Tracy Perry and the State defense stopped him just short of the goal plckedoffaClemsonpeestoiockltup. (SteflphotobyStevsWIsonl State shackles Tigers 16—13in DeathValley‘ by Bryan Slack south it couldn't give up 20 points to LeGrande intercepted a third-down ensuing kickoff and Ricky Ehteridge when quarterback Scott Smith lobbed be held no longer. the Tigers or the State offense would pass ,and State took over on Clemson's fell on it for the Wolfpack. a perfect pass into the far right corner An 11-play. 67-yard drive.“ the end have to perform a near miracle in order 27. State had possession on the .Tigs' 20. of the end zone from the five. which of the third quarter made the ball game CLEMSON. S.C.—lf ever there was to better. that against a Clemson Five plays later the Pack was stalled Quick caught in stride while looking brand new with just a quarter to go. a master plan. this was it. And it was defense that had averaged giving up Ritter’a first on the 10 and in cam’e Ritter to make it over his shoulder. Tiger tailback Chuck Mcswain rolled carried out to perfection. just seven points per‘game before the 6—0 with a 26-yard field goal. -
Oprah Winfrey Network July 2013 Highlights
OWN: OPRAH WINFREY NETWORK JULY 2013 HIGHLIGHTS Visit www.press.discovery.com/us/own for select episodic photography and screeners NEW SERIES & SEASONS (P) Denotes: Premieres WELCOME TO SWEETIE PIE’S (60 Minutes) Season premiere Saturday, July 27 (10 p.m. - 11 p.m. ET/PT) When Robbie Montgomery, a 1960s backup singer and former Ikette, suffered a collapsed lung and had to stop singing, she decided to pour her talents into another creative venture: a soul food restaurant called Sweetie Pie’s. At her family-centered eateries, which include Sweetie Pie’s at the Mangrove, Sweetie Pie’s Upper Crust and the original Sweetie Pie’s established in 1996, which Miss Robbie runs with her son, Tim, both hilarity and drama are offered in equal measure. This docu-series follows the loud, loving and often singing Montgomery family as they work to expand their empire, one soulful dish at a time. #SweetiePies (P) Saturday, July 27 (10 p.m. - 11 p.m. ET/PT) Episode: End of an Era As Miss Robbie wrestles with the decision to close down her very first restaurant, Tim and Jenae struggle with their emotions around their separation. Meanwhile, Charles continues his shenanigans causing Tim to regret letting him move in. CONTINUING SERIES (New Episodes) (P) Denotes: Premieres OPRAH’S LIFECLASS (60 Minutes) Sundays (9 p.m. - 10 p.m. ET/PT) The award-winning series "Oprah's Lifeclass" is a richly interactive experience where millions of students from countries around the world participate in inspiring conversations with Oprah on-air, online and via social media. -
5 Expos Lesclat Dels Classics L
L’esclat dels clàssics Còmics i tebeos (1900-1950) DIPUTACIÓ DE VALÈNCIA EXPOSICIONS/EXPOSICIONES Textos Vicent Sanchis, Enric Melego, Valeria Suárez President de la Diputació de València/Presidente de la “L’esclat dels clàssics: Contrastos entre els grans mestres de Diputació de València la historieta nord-americana (1900-1945)” Traducció a l’anglés dels textos/Traducción al inglés de los Antoni Francesc Gaspar Ramos textos Comissari/Comisario Begoña García Soler Diputat de l’Àrea de Cultura/Diputado del Área de Cultura Enric Melego i Trilles Xavier Rius i Torres Coordinació tècnica/Coordinación técnica Muntatge/Montaje María José Navarro Josearte SL MUSEU VALENCIÀ DE LA IL·LUSTRACIÓ I DE LA Disseny expositiu/Diseño expositivo Pintura MODERNITAT (MUVIM) Alejandro Muñoz Ariño Teodosio Caballero Rodas Enmarcat/Enmarcado Director Disseny gràfic/Diseño gráfico Pilar Torrijos Rafael Company i Mateo Valeria Suárez Conde Transport/Transporte Subdirectora Textos Art i clar Carmen Ninet Vicent Sanchis, Enric Melego, Alejandro Muñoz, Valeria Suárez Il·luminació/Iluminación Cap d’exposicions/Jefe de exposiciones Grupo Luz Amador Griñó Traducció a l’anglés dels textos/Traducción al inglés de los textos Assegurances/Seguros Cap d’Investigació i Gestió Cultural/Jefe de investigación Begoña García Soler Generalli y gestión cultural Marc Borràs i Barberà Correcció de textos/Corrección de textos Fons procedents de col·leccions privades Unitat de Normalització Lingüística de la Diputació de Fondos procedentes de colecciones privadas Cap de protocol i -
American Soccer Shapes South African Game
U.S. CUP LEFT: ACE NTSOELENGOE BARTLETT (LEFT WITH MINNESOTA RETURNS TEAMMATE GEOFF BARNETT) TRIED TO MLS alumnus RETURN TO THE NASL Shaun Bartlett will ONE WINTER ONLY TO FIND captain South Africa at OUT THAT HIS NEW the Nike U.S. Cup. The PASSPORT WASN'T New England RECOGNIZED ABROAD. Revolution's Ivan McKinley is one of TOP RIGHT: THE SOUTH nine other foreign- AFRICAN MIGRATION TO based players called THE UNITED STATES BEGAN up by Coach Trott WITH KAIZER MOTAUNG, Moloto, who is using ONE OF THE PIONEERS OF the trip to prepare his THE NASL AND NOW team for the final OWNER OF THE MOST round of World Cup POPULAR TEAM IN SOUTH qualifying in Africa. AFRICA. The Bafana Bafana, whose roster is de- pleted by injuries and MIDDLE RIGHT: JOMO conflicts with the Bob SONO USED THE MONEY Save Super Bowl cup HE MADE PLAYING WITH final, opens up against THE NEW YORK COSMOS, Zimbabwe in July. COLORADO CARIBOUS Goalkeepers — AND TORONTO BUZZARD Andre Arendse (Ox¬ TO BUY THE BIGGEST CLUB ford United, England), IN JOHANNESBURG. Simon Gopane (Jomo Cosmos). Defenders BOTTOM RIGHT: FOR ROY — Pierre Issa WEGERLE (RIGHT IN (Marseille, France), ACTION AGAINST ENGLAND David Kannemeyer AT U.S. CUP '93), THE (Ajax Cape Town), UNITED STATES OFFERED A Jacob Lekgetho FAST TRACK TO THE (Moroka Swallows), WORLD CUP. Fabian McCarthy KEITH RANDOLPH (Bloemfontein Celtic), Aaron Mokoena (Ajax, Netherlands), Cyril Nzama (Umtata Bush Bucks), Andrew Rabutla (Jomo Cos¬ American soccer shapes mos), Andile Sixaba (Ajax Cape Town). Midfielders — Quinton Fortune (Manchester Utd., En¬ gland), Ivan McKinley South African game (New England Revolt tion, USA), Helman Mkhalele zard, came back to South Africa with his tling between the United States and South Africa, (Ankaragucu, Turkey), BY MARK GLEESON American earnings and bought the fran¬ playing for Chiefs in the early stages of the do¬ Thabo Mngomeni (Or¬ in Johannesburg chise of Highlands Park, the biggest mestic season, going off to the NASL, and then lando Pirates), Dumisa club in Johannesburg. -
2015 Media Guide
2015 MEDIA GUIDE Updated Through: March 27, 2015 League Information Website: www.NASL.com Phone: (646) 832-3565 Fax: (646) 832-3581 Facebook: /NASLFanPage Twitter: @NASLOfficial, @LaCanchaNASL Mailing Address: North American Soccer League 112 West 34th Street – Suite 2110 New York, NY 10120 Media Contacts: Neal Malone Director of Public Relations Contact: (708) 712-5709 [email protected] Steven Torres Manager of Public Relations & International/Hispanic Media Contact: (646) 785-1155 [email protected] Jack Bell Senior Media Specialist Contact: (201) 881-6800 [email protected] Matthew Levine Digital Content Manager Contact: (516) 972-1267 [email protected] The 2015 North American Soccer League Media Guide was published by the North American Soccer League, LLC. Edited & Written by: Steven Torres, Matthew Levine Layout & Design: Michael Maselli Front Cover: A celebration of 2014 season champions from Minnesota United FC (Spring) San Antonio Scorpions (Fall) and The Championship Final Table of Contents About the NASL �������������������������������������������������������������������������������������������������������������������� 2-3 The Commissioner / Board Of Governors ���������������������������������������������������������������������������� 4-5 Directors & Staff �����������������������������������������������������������������������������������������������������������������������6 COMPETITION FORMAT ���������������������������������������������������������������������������������������������������������7 Rules & Regulations �����������������������������������������������������������������������������������������������������������