Dr.Babasahebambedkar Technological University, Lonere, Raigad
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Struktur Kurikulum (Curriculum Structure) 2018-2023
STRUKTUR KURIKULUM (CURRICULUM STRUCTURE) 2018-2023 DEPARTEMEN ARSITEKTUR (DEPARTMENT OF ARCHITECTURE) , FADP - ITS PROGRAM STUDI SARJANA (UNDERGRADUATE PROGRAM) SMT SKS ETIKA DAN PRAKTEK VIII TUGAS AKHIR 8 BERARSITEKTUR 2 10 144 Final Project Ethics and the Practice of Architecture DA184801 DA184802 ARSITEKTUR PERANCANGAN ASAS PERANCANGAN PROPOSAL TUGAS VII MK. PILIHAN III 3 KONTEMPORER 3 ARSITEKTUR 5 6 ARSITEKTUR 5 2 AKHIR 4 TECHNOPRENEUR 2 20 134 Elective III Contemporary Architecture Architectural Design 5 Architectural Design Principles 5 Final Project Proposal Technopreneurship DA184704 DA184701 DA184702 DA184703 UG184915 PERANCANGAN PERANCANGAN ASAS PERANCANGAN WAWASAN DAN VI BERKELANJUTAN 3 MK. PILIHAN II 3 SEJARAH ARSITEKTUR 3 ARSITEKTUR 4 6 ARSITEKTUR 4 2 MK. PENGAYAAN 3 APLIKASI TEKNOLOGI 3 20 114 Sustainable Design Elective II History of Architecture Architectural Design 4 Architectural Design Principles 4 Enrichment Course Concept of Technology DA184604* DA184603 DA184601 DA184602 UG184916 ARSITEKTUR PERANCANGAN ASAS PERANCANGAN ARSITEKTUR V MK. PILIHAN I 3 NUSANTARA 3 ARSITEKTUR 3 6 ARSITEKTUR 3 2 EKSPERIMENTAL 3 EKOLOGI ARSITEKTUR 3 20 94 Elective I Nusantara Architecture Architectural Design 3 Architectural Design Principles 3 Experimental Architecture Architectural Ecology DA184505 DA184501 DA184502 DA184503 DA184504 DASAR PERANCANGAN PERANCANGAN ASAS PERANCANGAN ARSITEKTUR IV KOTA 2 TEORI ARSITEKTUR 3 ARSITEKTUR 2 6 ARSITEKTUR 2 2 LANSEKAP 3 UTILITAS BANGUNAN 3 19 74 Introduction to Urban Design Architectural Theory -
APPROVED BUDGET PER LINE ITEM PROCUREMENT of LIBRARY BOOKS for ENGINEERING and ARCHITECTURE COURSES Item Qty
APPROVED BUDGET PER LINE ITEM PROCUREMENT OF LIBRARY BOOKS FOR ENGINEERING AND ARCHITECTURE COURSES Item Qty. Unit Item Description Cover Paper Quality Approved No. Bound (Bookpaper or Budget (Hard or Newsprint) (in peso/Php) Soft) 1 5 pcs Construction Quantity Surveying - A Practical Guide for The Soft Bookpaper 30,475.00 Contractor's QS Author: Towey Copyright 2012 2 5 pcs Hydrology and Water Resources Engineering Hard Bookpaper 20,475.00 Author: Shagufta Copyright 2013 3 4 pcs The Behavior &Design of Steel Structures to EC3 Soft Bookpaper 30,600.00 4th Edition Author: Trahair Copyright 2008 4 14 pcs NUMERICAL METHODS FOR ENGINEERS Soft Bookpaper 27,930.00 2nd Edition Author: Griffiths D.V. Copyright 2011 5 3 pcs PRINCIPLES OF PAVEMENT ENGINEERING Soft Bookpaper 17,085.00 Author: Thom N. Copyright 2010 CONSTRUCTION PROJECT MANAGEMENT: AN INTEGRATED Soft Bookpaper 19,975.00 6 5 pcs APPROACH 2nd Edition Author: Fewings P. Copyright 2012 7 5 pcs PRINCIPLES OF FOUNDATION ENGINEERING Soft Bookpaper 20,975.00 6th Edition Author: Das B.M. Copyright 2007 8 4 pcs BRIDGE ENGINEERING: DESIGN, REHABILITATION, AND Hard Bookpaper 32,780.00 MAINTENANCE OF MODERN HIGHWAY BRIDGES Author: Tonias D.E. Copyright 2007 9 4 pcs CPM IN CONSTRUCTION MANAGEMENT Hard Bookpaper 28,780.00 6th Edition Author: O’Brien J.J. Copyright 2006 10 4 pcs MODERN CONSTRUCTION MANAGEMENT Soft Bookpaper 11,980.00 6th Edition Author: Harris F. Copyright 2013 11 5 pcs Construction Planning, Equipment, and Methods Soft Bookpaper 9,690.00 Author: Peurifoy Copyright 2011 12 4 pcs -
Beyond the Exit
New Jersey Road Trips Beyond the Exit ROUTE 80 Mountain Magic NJ TURNPIKE Bridge to Bridge ROUTE 78 Farm to City ROUTE 42 Wine Trail GARDEN STATE PARKWAY Down the Shore BY THE ROUTE: Six major road ROUTE 40 Southern trips across the River to state where you Shore can stop along the way and experience New Jersey’s best! Due to COVID19, some attractions may be following adjusted hours and attendance guidelines. Please contact attraction for updated policies and procedures. NJ TURNPIKE – Bridge to Bridge 1 PALISADES 8 GROUNDS 9 SIX FLAGS CLIFFS FOR SCULPTURE GREAT ADVENTURE 5 6 1 2 4 3 2 7 10 ADVENTURE NYC SKYLINE PRINCETON AQUARIUM 7 8 9 3 LIBERTY STATE 6 MEADOWLANDS 11 BATTLESHIP PARK/STATUE SPORTS COMPLEX NEW JERSEY 10 OF LIBERTY 11 4 LIBERTY 5 AMERICAN SCIENCE CENTER DREAM 1 PALISADES CLIFFS - The Palisades are among the most dramatic 7 PRINCETON - Princeton is a town in New Jersey, known for the Ivy geologic features in the vicinity of New York City, forming a canyon of the League Princeton University. The campus includes the Collegiate Hudson north of the George Washington Bridge, as well as providing a University Chapel and the broad collection of the Princeton University vista of the Manhattan skyline. They sit in the Newark Basin, a rift basin Art Museum. Other notable sites of the town are the Morven Museum located mostly in New Jersey. & Garden, an 18th-century mansion with period furnishings; Princeton Battlefield State Park, a Revolutionary War site; and the colonial Clarke NYC SKYLINE – Hudson County, NJ offers restaurants and hotels along 2 House Museum which exhibits historic weapons the Hudson River where visitors can view the iconic NYC Skyline – from rooftop dining to walk/ biking promenades. -
Robert Venturi & Denise Scott Brown. Architecture As Signs and Systems
Architecture as Signs and Systems For a Mannerist TIme Robert Venturi & Denise Scott Brown THE BELKNAP PRESS OF HARVARD UNIVERSITY PRESS· CAMBRIDGE, MASSACHUSETTS· LONDON, ENGLAND· 2004 Art & Arch e'J' ,) re Library RV: Washington u:'li \/(H'si ty Campus Box 1·,):51 One Brookin18 Dr. st. Lg\li,s, !.:0 &:n:W-4S99 DSB: RV, DSB: Copyright e 2004 by Robert Venturi and Denise Scott Brown All rights reserved Printed in Italy Book Design by Peter Holm, Sterling Hill Productions Library of Congress Cataloging-in-Publication Data Venturi, Robert. Architecture as and systems: for a mannerist time I Robert Venturi and Denise Scott Brown. p. em. - (The William E. Massey, Sr. lectures in the history of American civilization) Includes bibliographical references and index. ISBN 0-674-01571-1 (alk. paper) 1. Symbolism in architecture. 2. Communication in architectural design. I. Scott Brown, Denise, 1931- II. Title. ill. Series. NA2500.V45 2004 nO'.I-dc22 200404{)313 ttext," for show his l them in lied "that le most of 'espitemy to be an me of our 19 studies, mth these Architecture as Sign rather than Space ecause if I New Mannerism rather than Old Expressionism 1geswon't ROBERT VENTURI ,the com :tronger ::ople who . work and lity to the _~.'n.•. ~~~,'~'"'.".'."_~ ____'_''''"'«'''.'''''',_",_.""",~",-,-" ".,-=--_""~ __ , ..... """'_.~~"',.._'''''_..._,,__ *' ...,',.,..,..... __ ,u~.,_~ ... mghai, China. 2003 -4 -and for Shanghai, the mul A New Mannerism, for Architecture as Sign . today, and tomorrow! This of LED media, juxtaposing nbolic, and graphic images at So here is complexity and contradiction as mannerism, or mannerism as ing. -
A READING of INTERPRETATIVE MODELS of MINIMALISM in ARCHITECTURE Vladimir STEVANOVIC*
INTERPRETATIVEMETU JFA 2013/2 MODELS OF MINIMALISM IN ARCHITECTURE DOI:METU 10.4305/METU.JFA.2013.2.10 JFA 2013/2 181 (30:2) 181-194 A READING OF INTERPRETATIVE MODELS OF MINIMALISM IN ARCHITECTURE Vladimir STEVANOVIC* Received: 10.09.2012; Final Text: 10.12.2013 INTRODUCTION Keywords: minimalism in architecture; contemplation; consumerism; modernism; In architectural discourse, outside of the context of Frankfurt existential postmodernism; minimal art. minimum,(1) the term minimalism appears in the second half of the 70s. 1. The term existential minimum (egzistenz Articles of professional journals and chapters of editions used the term minimum) refers to the minimum of living to describe morphological aspects of the works of individual or more space in social housing in the context of rehabilitation and reconstruction in Germany architects. Being a minimalist, in common sense supposed architecture of after World War I. This is of concern to the primary and simple - minimal geometric forms. Formal orientation of then architectural model of Neue Sachlichkeit, which was supposed to symbolize a spirit of current Legorreta, Kahn and Ando, was determined as minimalism (Smith, cost-efficiency, functionality and rationality 1976; Bonnefoi, 1979; Taki, 1984). Leading historians, during the 80s, also of the modern age (Frampton, 1992, 130-141). sporadically use the term in monographic reviews of modern architecture. Jencks (1982; 1987) does it when he speaks of reviving of purism in the works of the New York Five and ascetic style of fundamental Platonic forms of neorationalist Rossi and Ungers. In a similar way, Curtis (1982) comments on the cold abstraction and strict minimalist tendencies in Scandinavian architecture. -
Venturi and Scott Brown As Functionalists: Venustas and the Decorated Shed
Venturi and Scott Brown DENISE R. COSTANZO as Functionalists: Venustas and the Decorated Shed »Bob and I are dour functionalists. We see the Modern Movement’s belief 1 Scott Brown 2004: 142 in functionalism as one of its glories. While Postmodern and Neomodern architects have departed from early Modern doctrines on function, we have remained functionalists for both moral and aesthetic reasons.«1 This statement may be surprising, because its author, Denise Scott Brown, and her partner Robert Venturi are better known as critics of architectural functionalism than adherents. Among their most memorable critiques is a pair of equations in Venturi, Scott Brown and Steven Izenour’s 1972 book Lear- ning From Las Vegas (F1). One presents the Vitruvian triad as a sum: Firmness + Commodity + Delight, which, according to the accompanying text, equal ›architecture‹. This formula is contrasted with another attributed to Walter Gropius: Firmness + Commodity = Delight, their summary of the functionalist position.2 Together, these equations present functionalism as a departure from the discipline’s most venerable theoretical foundation. The authors further de- F1 Vitruvius and Gropius scribe the functionalist position as a belief »that structure plus program rather simply result in form; that beauty is 2 Or, using Venturi’s twentieth- a by-product; and that – to tamper with the equation another way – the century paraphrase of Wotton, process of making architecture becomes the image of architecture. It re- »Structure + Program = Expression« (Venturi 1984 [1978]: 64) lies upon a faith that process and image are never contradictory and that Delight is a result of the clarity and harmony of these simple relationships, untinged, of course, by the beauty of symbolism and ornament or by the 3 Venturi / Scott Brown / Izenour associations of preconceived form.«3 1977: 134. -
Designing the Airstream: the Cultural History of Compact Space, Ca. 1920 to the 1960S” a Thesis Submitted to the Kent St
"Designing the Airstream: The Cultural History of Compact Space, ca. 1920 to the 1960s” A thesis submitted to the Kent State University Honors College in partial fulfillment of the requirements for General Honors by Ronald Balas Aug. 6, 2014 Table of Contents Introduction 1 Background 4 Airstream Design and Development 17 Data Visualization 25 Conclusion 34 List of Figures (if any) List of Illustrations (if any) List of Tables (if any) Preface, including acknowledgements, or acknowledgements alone if there is no preface List of Illustrations Model T with tent 10 Covered Wagon (vardos) 17 Diagram of Airstream 23 Diagram of music 25 Levittown 28 Airstream roundup 28 Airstream diagram 29 Girls on train 30 Airstream blueprint 30 Color diagram 31 Floor plan diagram 32 Base camp diagram with photos 33 I would like to thank Dr. Diane Scillia for all of her patience, guidance, and understanding during my commitment to this thesis. I would not have been able to complete this without her and her knowledge. I would also like to thank my wife, Katherine, and my kids for putting up with this ‘folly of going back to school at my age...’ "DESIGNING THE AIRSTREAM: THE CULTURAL HISTORY OF COMPACT SPACE, CA. 1920 TO THE 1960S" INTRO Since 1931, with more than 80 years of war, social, and political changes, there is an industry that began with less than 50 manufacturers, swelled within seven years to more than 400, only to have one company from that time period remain: the Airstream1. To make this even more astounding: the original design never changed. -
The Literary Landscape of Murakami Haruki
Akins, Midori Tanaka (2012) Time and space reconsidered: the literary landscape of Murakami Haruki. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/15631 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Time and Space Reconsidered: The Literary Landscape of Murakami Haruki Midori Tanaka Atkins Thesis submitted for the degree of PhD in Japanese Literature 2012 Department of Languages & Cultures School of Oriental and African Studies University of London Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
Super Natural Hybrid Strategies for Urban Flood Protection in Coney Island NY
SUPER NATURAL hybrid strategies for urban flood protection in Coney Island NY GEORGES FISCHER MLA Candidate 2017 Rhode Island School of Design A thesis submitted in partial fulfillment of the requirements for the Master of Landscape Architecture Degree in the Department of Landscape Architecture of the Rhode Island School of Design, Providence, Rhode Island. By Georges Fischer May 30, 2017 Approved by Masters Examination Committee: Scheri Fultineer, Department Head, Landscape Architecture Suzanne Mathew, Primary Thesis Advisor Theodore Hoerr, Secondary Thesis Advisor Contents 6 INTRODUCTION PHASE 1 11 introduction 12 wave diagrams 14 land-sea breezes 17 wave form experiments 20 history and site sections 22 findings and conclusions PHASE 2 26 introduction 28 - 46 case studies 48 kit of parts 50 emotional aspects of sand loss 52 existing site sand retention 54 visualizing volumes of sand 58 findings and conclusions PHASE 3 62 introduction 64 dystopian scenario in twenty years 66 initial concepts 68 site rezoning strategy 70 study model 72 schematic plan 74 alternative scenario in twenty years 76 findings and conclusions CONCLUSIONS 80 final conclusions + bibliography Overview Site How will inundation change the design of city coastlines? This thesis is an In Phase 3, this range of analyses are synthesized to form new hybridized Coney Island has been selected because the highest points are barely 10 feet At that time, Coney Island was a resort for the everyday person. While elites investigation into strategies to mitigate urban flooding from storm surge in coastal edges. This method has yielded new insights into coastal urban above the high tide line. -
Aims and Characteristics
UNIT 2: Postmodern architecture evolved from the modernist movement, yet contradicts many of the modernist ideas. Combining new ideas with traditional forms, postmodernist buildings may startle, surprise, and even amuse. Familiar shapes and details are used in unexpected ways. Buildings may incorporate symbols to make a statement or simply to delight the viewer. The key ideas of Postmodernism are set forth in two important books by Robert Venturi:Complexity and Contradiction in Architecture and Learning from Las Vegas. Postmodern architecture began as an international style the first examples of which are generally cited as being from the 1950s, but did not become a movement until the late 1970s[1] and continues to influence present- day architecture. Postmodernity in architecture is said to be heralded by the return of "wit, ornament and reference" to architecture in response to the formalism of the International Style of modernism. As with many cultural movements, some of Postmodernism's most pronounced and visible ideas can be seen in architecture. The functional and formalized shapes and spaces of themodernist style are replaced by diverse aesthetics: styles collide, form is adopted for its own sake, and new ways of viewing familiar styles and space abound. Perhaps most obviously, architects rediscovered the expressive and symbolic value of architectural elements and forms that had evolved through centuries of building which had been abandoned by the modern style. Influential early large-scale examples of postmodern architecture are Michael Graves' Portland Building in Portland, Oregon and Philip Johnson's Sony Building (originally AT&T Building) in New York City, which borrows elements and references from the past and reintroduces color and symbolism to architecture. -
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Promise of a New Golden Age − Architecture Newly Modern Architecture in Hungary
PP Periodica Polytechnica Promise of a New Golden Age − Architecture Newly Modern Architecture in Hungary 46(1), pp. 17-28, 2015 DOI: 10.3311/PPar.8246 Creative Commons Attribution b Mariann Simon1*, Dániel Laczó2** research article Received 07 May 2014 Abstract Absolute spirit, the third home of European moderns, is sen- Reinvention and reinterpretation of the Modern Movement sually dense; moreover, sensual density is one of its greatest emerged in the middle of the 1990s. It was represented in attractions. Our remembrance of an encounter with this world buildings recalling the classical details of modernism and was always contains a grain of nostalgia. We desire to return. Mod- distributed in the architectural media as well as by theoretical ern nostalgia proper is, however, unlike the desire to return to forums. The newly modern trend returned to pre-war modern the mother’s womb; it wills to experience the same as different. architecture, which promised a new golden age of modernism The exact repetition of what one desires does not satisfy. Every by rejecting the compromised modernism of the socialist repetition is to be unrepeatable. This is not simply a quest for period, as a media tempestas. The newly modern managed to novelty, but a quest for novelty within the familiar. This desire solve the identity crisis of modernism: the local tradition of is one of the motivations that pushed moderns, in their quest for Buda eventually legitimated modernist architecture throughout novelty, increasing into the past. (Heller, 2011:p.211) Hungary. However, among the restrictions on historical and stylistic issues, technology and modernization could not make The Hungarian architectural profession – mostly beyond the way for a progressive architecture.