Spring Program Sep–Nov 20

Total Page:16

File Type:pdf, Size:1020Kb

Spring Program Sep–Nov 20 SPRING PROGRAM SEP– NOV 2017 GALLERY OCTOBER 16 A Social Drawing Afternoon 12 Be Your Self Redux 19 Reception: The Musical Australian Dance Theatre Bethany Simons & Critical Stages 22 Closes: 2 Brothers: 22 Arts of the Underground WERRIMULL Vision from the Bush 21 Sydney Comedy Festival Showcase Brian Harris and Eddy Harris OCTOBER Sydney Comedy Festival 20 Reception: The Musical Bethany Simons & Critical Stages 26 Opens: Collector father; Artist son 5 Galactic Fantastic and Beautiful Bling 23 The Song Keepers OUYEN Mildura Arts Centre Collection School Holiday Program Melbourne International Film Festival 21 Reception: The Musical 29 Closes: Kylie on Stage 20 Twilight 23 The Butterfly Tree Bethany Simons & Critical Stages Arts Centre Melbourne Melbourne International Film Festival MILDURA 21 Gallery Guided Tour 29 Closes: 30 years of music: a collection 28 The Popular Mechanicals 27 100% Kylie Private Collection 21 A Social Drawing Afternoon State Theatre Company South Australia 2017 Greatest Hits Tour NOVEMBER NOVEMBER OCTOBER 28 The Parting Glass 9 Opens: Art Directions 2017 Damien Leith Art Educators 17 Twilight 7 Heroes and Villains Victorian Opera NOVEMBER 9 Opens: Special Forever: 18 Gallery Guided Tour voices of the children 9 Hansel and Gretel 3 Todd McKenney Sings Peter Allen Rosemary Zalec and 18 A Social Drawing Afternoon Victorian Opera The Piano Sessions Sunraysia Primary Schools 20th Anniversary Tour THEATRE 12 Lanza Sings Again WORKSHOPS AND EVENTS Promac Productions 22 Glenn Starr – Hit Parade SEPTEMBER SEPTEMBER 15 Play Along With Sam 1 Doug Parkinson Honours Joe Cocker Mallee Family Care 2 Pastel Workshop Glenda Parker Ben Maiorana Entertainment 16 Watercolour Workshop Graeme Drendel 9 Elvis – One Night in Vegas Ben Maiorana Entertainment 16 Gallery Guided Tour Cover image: Kylie on Stage. Courtesy of Arts Centre Melbourne. 1 SPRING GALLERY Mildura Arts Centre presents a Drawn from Kylie’s spectacular stage wardrobe held at touring exhibition by Arts Centre Arts Centre Melbourne’s Performing Arts Collection the Melbourne exhibition features costumes from tours dating back to 1989 as well as more recent tours such as Kylie Aphrodite KYLIE ON STAGE Les Folies in 2011. Featured designers within the EXHIBITION: world-first exhibition include Dolce and Gabbana, John Galliano, Julien Macdonald, Karl Lagerfeld and Jean Until Sunday 29 October Paul Gaultier as well as local designers including Peter Morrissey and Mark Burnett. Kylie on Stage is a major exhibition celebrating magical moments from Kylie on Stage also features a selection of designs, Kylie Minogue’s highly successful working drawings, photographs and footage that explore concert tours. the creative process behind each costume and provide rare glimpses into the world backstage. “Touring and live performance has been such a big part of my life and my development as an artist, so I’m thrilled that Arts Centre Melbourne are staging this free national exhibition” Kylie Minogue. Images: Left: Costume designed by Jean Paul Gaultier, KylieX2008 tour, 2008. Gift of Kylie Minogue, 2015. Arts Centre Melbourne, Performing Arts Collection. Top left: Kylie Minogue, KylieX2008 tour, 2008. Photograph by William Baker. Reproduced courtesy of Darenote Ltd. Bottom left: Kylie Minogue, Kylie Showgirl: The Greatest Hits tour, 2005. Photograph by Ken McKay. Reproduced courtesy of Darenote Ltd. Left: Costume designed by John Galliano, Kylie Showgirl: The Greatest Hits tour, 2005. Gift of Kylie Minogue, 2006. Arts Centre Melbourne, Performing Arts Collection. Kylie on Stage is a touring exhibition proudly presented by Arts Centre Melbourne and supported by Creative Victoria. 2 3 SPRING GALLERY 30 YEARS OF MUSIC: BADGER BATES: 2 BROTHERS: A COLLECTION PAAKA AND RINTU VISION FROM THE BUSH Private Collection Mildura Arts Centre Collection Brian Harris and Eddy Harris and collection of the artist EXHIBITION: EXHIBITION OPENING: Until Sunday 29 October EXHIBITION OPENING: 6pm, Thursday 31 August 6pm, Thursday 31 August Step into the world of a devoted music EXHIBITION: fan and explore a glittering collection of EXHIBITION: Thursday 31 August – all things Kylie. Exclusive to Mildura Arts Thursday 31 August – Sunday 22 October Centre, this exhibition brings together Sunday 10 December original performance photographs, Two brothers’ exploration of their family concert memorabilia, and limited View the collection works created by artist and and the cultural tradition of creating art. edition vinyl records, cassettes and CDs. culture consultant Badger Bates, renowned Passionate about teaching and learning, they Image: PWL Mushroom, Shocked (remix), Kylie for various public art commissions including hope to inspire young Indigenous people to featuring DNA. Cassette single, 1991. Image Memories, 2016 at the Mildura Riverfront. learn the traditions and build bridges with supplied. non-Indigenous persons through art. Image: Nhatji Yarilana (detail), 1997. William Brian ‘Badger’ Bates. Mildura Arts Centre Collection. Image: Ghost Lizard, 2017. Brian Harris, acrylic on bark. Right image: Camp Fire Gathering, 2015. Eddy Harris, acrylic on canvas. 4 5 Image: Sir Thomas Gainsborough, Cottage with Peasants, c.1770s. Black chalk Image: Group work, 2017. and stump on paper. Kylie Banyard. Oil and acrylic JR Bow Memorial on canvas. Collection, Mildura Arts Centre 1975. COLLECTOR FATHER; Victoria’s post-WWI economic and social ART DIRECTIONS 2017 Many of us have a story or two about our art prosperity. Art Educators teachers or arts education. They inspired us ARTIST SON to see the world from new perspectives, they Mildura Arts Centre Collection This exhibition includes significant European EXHIBITION OPENING: challenged us to consider what we see and how we feel, they nurtured a skill or passion deep EXHIBITION: works by Gainsborough and Dürer, selected 6pm, Thursday 9 November from the JR Bow Memorial Collection, and within us. Thursday 26 October 2017 – modernist artworks by Australian sculptor, EXHIBITION: Sunday 28 January 2018 painter and printmaker Ian Bow (1914–1989). Maybe we take that for granted or maybe they Thursday 9 November – will always hold a special place in our hearts. JR Bow, an engineer who worked alongside Collector father; Artist son is complemented by Sunday 3 December Through this exhibition we celebrate the practice the notable Australian architect Harold a new Mildura Arts Centre publication which of arts educators in the region from primary, Desbrowe Annear, was a strong advocate provides a researched biography of the late secondary and tertiary institutions. for the arts and their capacity to advance Ian Bow. 6 7 SPRING GALLERY SPRING WORKSHOPS AND EVENTS SPECIAL FOREVER: Coordinated by local teacher Rosemarie Zalec, PROFESSIONAL DEVELOPMENT Accomplished South-Australian based artist, VOICES OF THE CHILDREN Special Forever: voices of the children is an and President of Pastel Artists of South environmental awareness and writing project. FOR ARTISTS Australia, Glenda Parker, will lead an art Presented by Rosemarie Zalec Students from local schools are invited to write workshop focusing on still life, utilising pastel and Sunraysia Primary Schools as the art medium for this professional and produce works of art about where they live, PASTEL WORKSHOP EXHIBITION OPENING: the local environment, local, national or development workshop for artists. global issues. WITH GLENDA PARKER 6pm, Thursday 9 November Ages 16+ Photo: Special Forever: voices of the children, 2016 exhibition. 10am – 4pm, EXHIBITION: ENTRY FREE Saturday 2 September Bookings essential, limited spaces. Thursday 9 November – Sunday 3 December Image: Bright Flowers, 2017. Glenda Parker. Pastels. 8 9 GALLERY GUIDED TOUR Discover more about current exhibitions on a guided tour. 1.30pm, Saturday 16 September, DURATION 30 minutes 21 October and 18 November. ENTRY FREE Image: Gallery Guided Tour. Photo by Robert Klarich. WATERCOLOUR WORKSHOP Paper supplied. Participants are asked to WITH GRAEME DRENDEL bring along their own watercolours, brushes, rags and photographic reference material. The Roxy, Ouyen 10am – 3pm, Ages 16+ Saturday 16 September ENTRY FREE Bookings essential, limited spaces. Acclaimed artist Graeme Drendel will lead a watercolour workshop focusing on urban Image: Graeme Drendel, 2017. Photo by Robert Klarich. landscape. 10 11 A SOCIAL DRAWING Looking for ways to be creative and connect ARTS OF THE UNDERGROUND Collide on a Friday night and enjoy trivia, AFTERNOON with others? A Social Drawing Afternoon is Where Creativity, Culture live music, art and good food. a must for people who love to draw. and People Collide 2pm, Saturday 16 September, Check the website for more details. DURATION 120 minutes 7pm, Friday 22 September Images: Arts of the Underground. Photos by Robert Klarich. 21 October and 18 November. ENTRY FREE DURATION 180 minutes Arts of the Underground is supported by the Victorian Image: Sketch of the hand of a statue taken from ENTRY FREE The Victorian Sketch Book. Artist and date unknown. Government through Creative Victoria. Mildura Arts Centre Collection. Ages 18+ Tag #AOTU 12 13 SPRING WORKSHOPS AND EVENTS GALACTIC FANTASTIC Children will experiment with feathers, AND BEAUTIFUL BLING bling and space-age body adornment in this fun workshop to create their own unique SCHOOL HOLIDAY PROGRAM Kylie on Stage inspired fascinators, helmets 10.30am, Thursday 5 October and neckpieces. Ages 5–12. Bring an Adult. DURATION 90 minutes ENTRY FREE Bookings essential, limited spaces. 5pm, Friday
Recommended publications
  • First Time's the Charm
    Summer Booo oks Preview First Time’s the Charm EW GATHERED THIS SUMMER’S HOTTEST DEBUT AUTHORS FOR A BRAINY, DISHY, VIBRANT CONVERSATION ON ALL THINGS LITERARY. MEET THE FUTURE OF BOOKS. Written by David Canfield @davidcanfield97 Photographs by Elisabeth Caren @ecarenphoto On a sunny May afternoon, EW’s Los Ange- les offices are catching literary fever. Five buzzy debut authors—Taffy Brodesser- Akner, 43; Sarah M. Broom, 39; Linda Holmes, 48; Lisa Taddeo, 39; and De’Shawn Charles Winslow, 39—have arrived, con- verging for their first major round of press. The mood is excited, anxious, slightly overwhelming. The publishing world has changed hugely over the past decade, pro- nounced to be near-extinct more than a few times, only to find a post-Kindle (and Instagram-worthy) renaissance. And here are the people behind the stories affirming just how alive books remain, whether they’re hitting the heart of our cultural moment, vitally reframing histories, or unfurling the kind of sparkling romance perfect for a lazy summer day. Taking their seats on a cozy sectional, the Taffy Brodesser-Akner, writers discuss the cultural power of books, De’Shawn Charles Winslow, Sarah M. Broom, Linda the struggle of becoming an author today, Holmes, and Lisa Taddeo photographed exclusively and how exactly to define a “beach read.” for EW on May 13, 2019, in Los Angeles SUMMER TVMONTH PREVIEW XX, 20192019 EW.COM 75 Tell us a little bit about your books. Sarah, in telling your family’s story, do you forget very often right now is that this has LINDA HOLMES Evvie Drake Starts Over is a fear how they’ll react? always happened.
    [Show full text]
  • A Sheffield Hallam University Thesis
    How do I look? Viewing, embodiment, performance, showgirls, and art practice. CARR, Alison J. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/19426/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/19426/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. How Do I Look? Viewing, Embodiment, Performance, Showgirls, & Art Practice Alison Jane Carr A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy ProQuest Number: 10694307 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10694307 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Declaration I, Alison J Carr, declare that the enclosed submission for the degree of Doctor of Philosophy, and consisting of a written thesis and a DVD booklet, meets the regulations stated in the handbook for the mode of submission selected and approved by the Research Degrees Sub-Committee of Sheffield Hallam University.
    [Show full text]
  • Exploring Lesbian and Gay Musical Preferences and 'LGB Music' in Flanders
    Observatorio (OBS*) Journal, vol.9 - nº2 (2015), 207-223 1646-5954/ERC123483/2015 207 Into the Groove - Exploring lesbian and gay musical preferences and 'LGB music' in Flanders Alexander Dhoest*, Robbe Herreman**, Marion Wasserbauer*** * PhD, Associate professor, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) ** PhD student, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) *** PhD student, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) Abstract The importance of music and music tastes in lesbian and gay cultures is widely documented, but empirical research on individual lesbian and gay musical preferences is rare and even fully absent in Flanders (Belgium). To explore this field, we used an online quantitative survey (N= 761) followed up by 60 in-depth interviews, asking questions about musical preferences. Both the survey and the interviews disclose strongly gender-specific patterns of musical preference, the women preferring rock and alternative genres while the men tend to prefer pop and more commercial genres. While the sexual orientation of the musician is not very relevant to most participants, they do identify certain kinds of music that are strongly associated with lesbian and/or gay culture, often based on the play with codes of masculinity and femininity. Our findings confirm the popularity of certain types of music among Flemish lesbians and gay men, for whom it constitutes a shared source of identification, as it does across many Western countries. The qualitative data, in particular, allow us to better understand how such music plays a role in constituting and supporting lesbian and gay cultures and communities.
    [Show full text]
  • Objection To, Or Fault Found with Applicant’S Services Marketed Under
    Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA728619 Filing date: 02/22/2016 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name KDB Pty Ltd. Granted to Date 02/21/2016 of previous ex- tension Address 108-110 Church Street Hawthorn VIC, 3122 AUSTRALIA Attorney informa- Rebeccah Gan tion WENDEROTH LLP 1030 15th Street, NW, Suite 400 East Washington, DC 20005 UNITED STATES [email protected], [email protected] Phone:202-721-8227 Applicant Information Application No 86584742 Publication date 08/25/2015 Opposition Filing 02/22/2016 Opposition Peri- 02/21/2016 Date od Ends Applicant Kylie Jenner, Inc. c/o Boulevard Management, Inc. Woodland Hills, CA 91364 UNITED STATES Goods/Services Affected by Opposition Class 035. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: Advertising services, namely, promotingthe brands, goods and services of others; endorsement services, namely, promoting the goods and ser- vices of others Grounds for Opposition Priority and likelihood of confusion Trademark Act section 2(d) Dilution by blurring Trademark Act section 43(c) Dilution by tarnishment Trademark Act section 43(c) Marks Cited by Opposer as Basis for Opposition U.S. Application 86683460 Application Date 07/06/2015 No. Registration Date NONE Foreign Priority NONE Date Word Mark KYLIE MINOGUE DARLING Design Mark Description of NONE Mark Goods/Services Class 003.
    [Show full text]
  • The Showgirl Goes On
    Star_Jan02_p1-20_Layout 1 1/2/2013 3:31 PM Page 1 ONLINE GET SELECT CONTENT ON THE GO, WWW.MONTROSE-STAR.COM IS MOBILE ENABLED! The WWW.MONTROSE-STAR.COM YOUR GUIDE TO GLBT ENTERTAINMENT, RECREATION & CULTURE IN CENTRAL AND COASTAL TEXAS WEDNESDAY, JANUARY 2, 2013 H VOL. III, ISSUE 20 FEATURE n19 One Good Love CALENDAR n6 Next2Weeks! DINING GUIDE n14 Roots Juice Drink Your Veggies! COMMUNITY n6 HAPPY NEW YEAR! The Showgirl INDEX Editorial........................4 Non-Profits Calendar .....16 Goes On Cartoons ....................33 Crossword ..................33 p10 Lifestyles ....................31 Star_Jan02_p1-20_Layout 1 1/2/2013 2:58 PM Page 2 Page 2 Montrose Star H Wednesday, January 2, 2013 www.Montrose-Star.com H also find us onn F Facebook.com/Star.Montrose Star_Jan02_p1-20_Layout 1 1/2/2013 2:58 PM Page 3 Montrose Star H Wednesday, January 2, 2013 Page 3 www.Montrose-Star.com H also find us onn F Facebook.com/Star.Montrose Star_Jan02_p1-20_Layout 1 1/2/2013 2:58 PM Page 4 Page 4 Montrose Star H Wednesday, January 2, 2013 Op-ED CONTACT US: 713-942-0084 EMAIL: [email protected] publisher Executive Editor Health & Fitness Music Laura M. Villagrán Kenton Alan DJ Chris Allen Sales Director Davey Wavey DJ JD Arnold Angela K. Snell Dr. Randy Mitchmore DJ Mark DeLange Creep of the Week: production News & Features DJ Wild & DJ Jeff Rafael Espinosa Johnny Trlica Scene Writers Circulation & Distribution Jim Ayers Arts Reviews Miriam Orihuela Pope Benedic XVI Daddy Bob Bill O’Rourke & Loyal K Elizabeth Membrillo Stephen Hill Lifestyles Rey Lopez Gayl Newton By d’anne WitkoWski lent to a suicide bomber.
    [Show full text]
  • Art. Music. Games. Life. 16 09
    ART. MUSIC. GAMES. LIFE. 16 09 03 Editor’s Letter 27 04 Disposed Media Gaming 06 Wishlist 07 BigLime 08 Freeware 09 Sonic Retrospective 10 Alexander Brandon 12 Deus Ex: Invisible War 20 14 Game Reviews Music 16 Kylie Showgirl Tour 18 Kylie Retrospective 20 Varsity Drag 22 Good/Bad: Radio 1 23 Doormat 25 Music Reviews Film & TV 32 27 Dexter 29 Film Reviews Comics 31 Death Of Captain Marvel 32 Blankets 34 Comic Reviews Gallery 36 Andrew Campbell 37 Matthew Plater 38 Laura Copeland 39 Next Issue… Publisher/Production Editor Tim Cheesman Editor Dan Thornton Deputy Editor Ian Moreno-Melgar Art Editor Andrew Campbell Sub Editor/Designer Rachel Wild Contributors Keith Andrew/Dan Gassis/Adam Parker/James Hamilton/Paul Blakeley/Andrew Revell Illustrators James Downing/Laura Copeland Cover Art Matthew Plater [© Disposable Media 2007. // All images and characters are retained by original company holding.] dm6/editor’s letter as some bloke once mumbled. “The times, they are You may have spotted a new name at the bottom of this a-changing” column, as I’ve stepped into the hefty shoes and legacy of former Editor Andrew Revell. But luckily, fans of ‘Rev’ will be happy to know he’s still contributing his prosaic genius, and now he actually gets time to sleep in between issues. If my undeserved promotion wasn’t enough, we’re also happy to announce a new bi-monthly schedule for DM. Natural disasters and Acts of God not withstanding. And if that isn’t enough to rock you to the very foundations of your soul, we’re also putting the finishing touches to a newDisposable Media website.
    [Show full text]
  • **V************************************ Reproductions Supplied by Edits Are the Best That Can Be Made Froa Tae Original Document
    D0006661 RESUME ED 166 926 CS 205 566 AUTdOR Spann, Sylvia, El.; Culp, Mary Beth, Ed. TITLE Thematic Units in leaching English and the dumanities. Second Supplement. INsTirurION National Couacil of Teachers of English, Urbana, PUB DATE 30 NOTE 159p. AVAILABLE FRO3 Sational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 53755, $6.50-member, $7.00 non-member). EDRS PRICE SF01/PCO7 Plus Postage. DESCRIPTORS Advertising; Communication Skills; Curriculum Development; *English Instruction; Futures (of Society); History; *Humanities: Justice: Listening Sicills; Logic; Politics; Popular Culture: Resource Units; Schools; Secondary Education; *Teaching Guides; *Thematic Approach; *Units of Study; Writing Instruction; Writing Skills ABSTRACT Tae seven units in this second supplement to "Thematic Units" focus oa communication skills, offering English teachers conteaporary plans for teaching writing, listening, persuasion, and'reasoning. The units were selected for their humanistic approaches to student language learning, combining English instruction with,topics in the humanities. Each unit contains comments from the teacher who developed the unit, an overview of the unit, general obfectives, evaluation methods, daily lesson plans and activities, study guides, resource materials, and other appropriate suggestions and at:dchments. The topics of the units are the school system, logic, nostaigia (studying the popular culture ofa past decade), futurism as a framework for composition instruction, advertising, politics, and law and justice. (RL) ********************************v************************************ Reproductions supplied by EDitS are the best that can be made froa tae original document. *********************************************************************** U S DEPARTMENT OF nEALTN. EDUCATION A TVILITAIIE NTMNAL INSTITUTE OF EDUCATION TmpSDOC UMENT HAS BEEN REPRO. nur.t.,E.A Fl V AS RECEIVED FROM 111 -Admai-i-ka *HI Pf RsON OR ORCAN QAT tON OSI 'GIN- I.
    [Show full text]
  • Vol.5 Issue 4
    A JOURNAL OF MULTIDISCIPLINARY SCHOLARSHIP A JOURNAL OF MULTIDISCIPLINARY Nebula VOL.5 ISSUE 4 IN THIS ISSUE : Migration, Sexuality & Muslim Identity 01. by Momin Rahman The Seven Ages of Kylie Minogue 35. by Lee Baron Swoosh Time: Nike's Art of Speed . Advertising 49 by Anna Notaro ISSN-1449 7751 Nebula 5.4, December 2008 The Nebula Editorial Board Dr. Samar Habib: Editor in Chief (Australia) Dr. Joseph Benjamin Afful, University of Cape Coast (Ghana) Dr. Senayon S. Alaoluw,University of the Witwatersrand (South Africa) Dr. Samirah Alkasim, independent scholar (Egypt) Dr. Rebecca Beirne, The University of Newcastle (Australia) Dr. Nejmeh Khalil-Habib, The University of Sydney (Australia) Dr. Isaac Kamola, Dartmouth College (U.S.A) Garnet Kindervater, The University of Minnesota (U.S.A) Dr. Olukoya Ogen, Obafemi Awolowo University (Nigeria) Dr. Paul Ayodele Osifodunrin, University of Lagos (Nigeria) Dr. Babak Rahimi, University of California (San Diego, U.S.A) Dr. Michael Angelo Tata, City University of New York (U.S.A) The Nebula Advisory Board Dr. Serena Anderlini-D’Onofrio, The University of Puerto Rico Dr. Paul Allatson, The University of Technology, Sydney (Australia) Dr. Benjamin Carson, Bridgewater State College (U.S.A) Dr. Murat Cemrek, Selcuk University (Turkey) Dr. Melissa Hardie, The University of Sydney (Australia) Dr. Samvel Jeshmaridian, The City University of New York (U.S.A) Dr. Christopher Kelen, The University of Macao (China) Dr. Kate Lilley, The University of Sydney (Australia) Dr. Karmen MacKendrick, Le Moyne College of New York (U.S.A) Dr. Tracy Biga MacLean, Academic Director, Claremont Colleges (U.S.A) Dr.
    [Show full text]
  • My Mother the Showgirl Hilltop Remodel Sparks Opposition a Jazzy New Pad in the Sky C
    NEIGHBORHOOD NEWS HOME & GARDEN BOOKS Hilltop remodel A jazzy new My mother sparks opposition pad in the sky the showgirl PAGE 3 PAGE 13 PAGE 15 New FILLMORE SAN FRANCISCO ■ AUGUST 2007 ALONE TOGETHER C B M C-D B, 57, a minister, takes the bus from his home Din the Castro to , e Grove on Fillmore every Friday. He says his concentration mysteriously improves when he leaves his offi ce. “I have no idea why it works,” Brown says. “But whatever distractions there are here — the people, the noise — they don’t need my attention. I can enjoy the commotion and then get back to work.” ■ Up and down Fillmore Street, coff ee shops are doubling as offi ces for people looking for both the alone time they need to work productively and the camaraderie of being with other Photographs by MINA PAHLEVAN / 12studios.com Photographs by MINA PAHLEVAN people. A corner offi ce with beverages at Royal Ground, above. Top: Alone, yet not alone, at The Grove. TO PAGE 8 A POET’S RETORT Irregular Heartbeats Can Be Treated Over 3 million Americans suffer from heart arrhythmia, decreasing their quality of life with a lack of energy and shortness of breath. FRANCES TAUBER The Electrophysiology Program at California Pacific Poets reading at Minnie’s Can-Do Club on Fillmore, circa 1972. Medical Center helps detect and treat the problem, using such methods as: ■ Cardiac Resynchronization Therapy, which e Can-Do Lives On synchronizes and restores the heart’s mechanical sequence, helping the heart to work more efficiently Our July feature on a beloved Fillmore joint ■ Catheter Ablation, which removes the abnormal circuits or tissues that start and maintain abnormal, stirred memories — including a poet’s who was there fast heart rhythms ■ Cardiac Defibrillator Implantation, which monitors B P H gifted and the unknown.
    [Show full text]
  • Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle
    Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle by Konstantinos Chatzipapatheodoridis A dissertation submitted to the Department of American Literature and Culture, School of English in fulfillment of the requirement for the degree of Doctor of Philosophy Faculty of Philosophy Aristotle University of Thessaloniki Konstantinos Chatzipapatheodoridis Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle Supervising Committee Zoe Detsi, supervisor _____________ Christina Dokou, co-adviser _____________ Konstantinos Blatanis, co-adviser _____________ This doctoral dissertation has been conducted on a SSF (IKY) scholarship via the “Postgraduate Studies Funding Program” Act which draws from the EP “Human Resources Development, Education and Lifelong Learning” 2014-2020, co-financed by European Social Fund (ESF) and the Greek State. Aristotle University of Thessaloniki I dress to kill, but tastefully. —Freddie Mercury Table of Contents Acknowledgements...................................................................................i Introduction..............................................................................................1 The Camp of Diva: Theory and Praxis.............................................6 Queer Audiences: Global Gay Culture, the Arena Tour Spectacle, and Fandom....................................................................................24 Methodology and Chapters............................................................38 Chapter 1 Times
    [Show full text]
  • Mediated Music Makers. Constructing Author Images in Popular Music
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew.
    [Show full text]
  • In the Transition from Stage to Arena, Live Music Is Remade
    Intimate live girls Halligan, B Title Intimate live girls Authors Halligan, B Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/33518/ Published Date 2015 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Intimate Live Girls Benjamin Halligan Keywords: aura, intimacy, kissing, authenticity, liveness, social media, spectacle, Miley Cyrus, Katy Perry, Terry Richardson, Peter Gabriel Abstract: The arena concert requires a particular type of liveness of performance in order to transcend impersonal mass entertainment. Liveness here looks to authenticity and happenstance, privileges personal communications and seeks to live in the moment, and in this way the live performance then meets and matches or even surpasses the virtual life of the artist or group. The concert must be both mass spectacle and an individual and singular experience for those witnessing and participating in it. Without these latter essential attributes, which can be read as the auratic and authentic replacing the virtual, the arena concert falls short of ontological expectations of live music. In recent years the mise-en-scène of the arena concert has become calibrated to female artists with, seemingly, a concomitant feminisation of the event. In this, the space is often given over to intimacy, empathy, and presented as an insight into the life, and even philosophy, of the performer.
    [Show full text]