“AUDIO SECTOR REPORT “Good Times
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The Music Industry and the Fleecing of Consumer Culture
The Music Industry: Demarcating Rhyme from Reason and the Fleecing of Consumer Culture I. Introduction The recording industry has a long history rooted deep in technological achievement and social undercurrents. In place to support such an infrastructure, is a lengthy list of technological advancements, political connections, lobbying efforts, marketing campaigns, and lawsuits. Ever since the early 20th century, record labels have embarked on a perpetual campaign to strengthen their control over recording artists and those technologies and distribution channels that fuel the success of such artists. As evident through the current draconian recording contracts currently foisted on artists, this campaign has often resulted in success. However, the rise of MTV, peer-to-peer file sharing networks, and even radio itself also proves that the labels have suffered numerous defeats. Unfortunately, most music listeners in the world have remained oblivious to the business practices employed by the recording industry. As long as the appearance of artistic freedom exists, as reinforced through the media, most consumers have typically been content to let sleeping dogs lie. Such a relaxed viewpoint, however, has resulted in numerous policies that have boosted industry profits at the expense of consumer dollars. Only when blatant coercion has occurred, as evidenced through the payola scandals of the 1950s, does the general public react in opposition to such practices. Ironically though, such outbursts of conscience have only served to drive payola practices further underground—hidden behind co-operative advertising agreements and outside promotion consultants. The advent of the Internet in the last decade, however, has thrown the dynamics of the recording industry into a state of disarray. -
Universal Music Group and Tencent Music Entertainment Group Enter Into Strategic Agreement Significantly Expanding Chinese Music Market
UNIVERSAL MUSIC GROUP AND TENCENT MUSIC ENTERTAINMENT GROUP ENTER INTO STRATEGIC AGREEMENT SIGNIFICANTLY EXPANDING CHINESE MUSIC MARKET – Provides Vast Multi-Platform Distribution and Marketing Opportunities Across China – Companies to Develop Abbey Road Studios China to Create World-Class Recording Studio and Accelerate Development of Local Talent SHENZHEN and SANTA MONICA, MAY 16, 2017 – Universal Music Group (UMG), the world leader in music-based entertainment, and Tencent Music Entertainment Group (TME), a leading digital music distribution platform in China, today announced the signing of a landmark licensing agreement that will significantly expand the Chinese music market. Under the terms of the multi-year agreement, TME will distribute music from UMG’s roster of record labels and global recording stars on its streaming platforms QQ Music, KuGou and Kuwo. TME will also be UMG’s master distribution and licensing partner to exclusively sub-license UMG’s content to third- party music service providers in China. Both parties will work together to find new ways to develop artists, to innovate business models and to reinforce a robust copyright protection environment. In addition, TME will support UMG artists to promote their music, leveraging Tencent online properties and other media channels. In China, TME is one of the largest music platforms, providing over 17 million songs to 600 million monthly active users. TME is a strong advocate of authorized music and has earned industry recognition for driving growth in the digital music industry, with more than 15 million paying subscribers. UMG represents one of the most comprehensive catalogues of recordings and songs across every music genre. -
14Th Annual ACM Honors Celebrates Industry & Studio Recording Winners from 55Th & 56Th ACM Awards
August 27, 2021 The MusicRow Weekly Friday, August 27, 2021 14th Annual ACM Honors Celebrates SIGN UP HERE (FREE!) Industry & Studio Recording Winners From 55th & 56th ACM Awards If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES 14th Annual ACM Honors Beloved TV Journalist And Producer Lisa Lee Dies At 52 “The Storyteller“ Tom T. Hall Passes Luke Combs accepts the Gene Weed Milestone Award while Ashley McBryde Rock And Country Titan Don looks on. Photo: Getty Images / Courtesy of the Academy of Country Music Everly Passes Kelly Rich To Exit Amazon The Academy of Country Music presented the 14th Annual ACM Honors, Music recognizing the special award honorees, and Industry and Studio Recording Award winners from the 55th and 56th Academy of Country SMACKSongs Promotes Music Awards. Four The event featured a star-studded lineup of live performances and award presentations celebrating Special Awards recipients Joe Galante and Kacey Musgraves Announces Rascal Flatts (ACM Cliffie Stone Icon Award), Lady A and Ross Fourth Studio Album Copperman (ACM Gary Haber Lifting Lives Award), Luke Combs and Michael Strickland (ACM Gene Weed Milestone Award), Dan + Shay Reservoir Inks Deal With (ACM Jim Reeves International Award), RAC Clark (ACM Mae Boren Alabama Axton Service Award), Toby Keith (ACM Merle Haggard Spirit Award), Loretta Lynn, Gretchen Peters and Curly Putman (ACM Poet’s Award) Old Dominion, Lady A and Ken Burns’ Country Music (ACM Tex Ritter Film Award). Announce New Albums Also honored were winners of the 55th ACM Industry Awards, 55th & 56th Alex Kline Signs With Dann ACM Studio Recording Awards, along with 55th and 56th ACM Songwriter Huff, Sheltered Music of the Year winner, Hillary Lindsey. -
Adam Newport-Berra Director of Photography
ADAM NEWPORT-BERRA DIRECTOR OF PHOTOGRAPHY FILM THE BEAR Director: Chris Storer Production Company: FX Productions THE LAST BLACK MAN IN SAN FRANCISCO Director: Joe Talbot Production Company: A24 Official Selection, Sundance Film Festival (2019) Official Selection, London Film Festival (2019) EUPHORIA (Episodes 7 & 8) Director: Sam Levinson Production Company: HBO & A24 BARRY Director: Vikram Gandhi Production Company: Black Bear Pictures & Netflix Originals Official Selection, Toronto International Film Festival (2016) BURN COUNTRY Director: Ian Olds Production Company: Ace Productions & Ovion Pictures Winner, Best Actor, Tribeca Film Festival (2016) CREATIVE CONTROL Director: Benjamin Dickinson Production Company: Ghost Robot Winner, Special Jury Award for Visual Excellence, SXSW Film Festival (2015) ALL THE WILDERNESS Director: Michael Johnson Production Company: Super Crispy Entertainment Official Selection, SXSW Film Festival (2014) LUX ARTISTS | 1 FIRST WINTER Director: Benjamin Dickinson Production Company: Ghost Robot Official Selection, Tribeca Film Festival (2012) DIRECTOR/COMMERCIAL DAVE FREE pglang DANIEL KAUFMANN Adidas FRANCOIS ROUESSELET Audi Superbowl CHRIS SARGENT Guinness NICK WOYTUK Adidas SUPERMARCHE Vogue Original Shorts MICHAEL JOHNSON Champs x Adidas, Patron, Adidas Originals BENJAMIN DICKINSON Derek Lam MARIELLE HELLER Nike HOFFMAN METOYER Bank of America CHIOKE NASSOR Kate Spade ANDREW WONDER Chevrolet (Winner, Bronze Lion, Cannes Lions 2017) STEVEN BRAHMS H&M, Hermès DANIEL GARCIA Nike BARRY JENKINS Bloomingdales -
Directory of Music Publishers
Directory of Music Publishers Music-makersThe tap major into this and directory indie publishers to connect in thiswith MC indie directory labels, marketingpromote, exploit & promo and experts collect andpayments indie publicists. for their writers’ Plus loads music. of contact informationAll info tois aidupdated you in for promoting 2020 with your info music supplied career, by theDIY listees. style: T-shirt Please and respect CD development, those who do blog not sitesaccept and unsolicited social media material. tools. R3 RING CIRCUS MUSIC 818-922-0807 Los Angeles DEEP WELL RECORDS 2209 Grantland Ave Email: [email protected] 6100 Wilshire Blvd., Ste. 1600 1750 Vine St. Nashville, TN 37204 Web: bigdealmusicgroup.com Los Angeles, CA 90048 Los Angeles, CA 90028 Email: [email protected] How to Submit: no unsolicited material 323-969-0988 Email: [email protected] Web: 3ringcircusmusic.net Email: [email protected] Web: deepwellrecords.com Contact: Darrell Franklin, General Manager BIG FISH MUSIC (BMI) CALIFORNIA SUN MUSIC (ASCAP) Nashville DEFEND MUSIC, INC. ABET MUSIC 12720 Burbank Blvd., Unit 124 29 Music Sq. E. 1667 N Main Street 411 E. Huntington Dr., Ste. 107 Valley Village, CA 91607-1421 Nashville, TN 37203 Los Angeles, CA 90012 Arcadia, CA 91006 818-508-9777 615-329-3999 323-305-7315 626-303-4114 Email: [email protected] Email: [email protected] Email: [email protected] Email: [email protected] Web: facebook.com/bigfishmusicbuilding Web: defendmusic.com Web: abetmusic.com Contact: Chuck -
Global Music Report 2018 ANNUAL STATE of the INDUSTRY
Global Music Report 2018 ANNUAL STATE OF THE INDUSTRY Global top 10 recording artists of 2017 Untitled-3 1 3/4/18 3:58 PM GLOBAL MUSIC REPORT 2018: STATE OF THE INDUSTRY Welcome · 3 Welcome As an artist, I am privileged to perform One of the crucial roles for record com- before audiences around the world and panies is to support and invest in artists see first-hand how essential music is for and to help them develop for their greatest people from every walk of life. creative and commercial success, so that But even as music’s essence is endur- their music can be enjoyed by fans around ing, much about music is changing. the world. The IFPI Global Music Report tells the It is therefore essential that all music cre- PLÁCIDO DOMINGO story of recorded music’s ongoing journey. ators are fairly compensated for their work. I CHAIRMAN, IFPI Today, artists are reaching music fans in have met with policymakers in Europe and ways I never could have imagined when I elsewhere to call on them to back legislation began my own career. Music is global and that would support this by addressing the increasingly digital. This transformation value gap, thereby ensuring a fair and bal- has been fundamental and rapid and offers anced digital marketplace for all. great opportunities. We are living in an incredibly exciting But we can never forget that music time for recorded music. We must persevere does not just happen. It requires the hard with our efforts to ensure its journey benefits work, commitment, investment and artist- the music creators and fans of today, and ry of so many people. -
February 12, 2019: SXSW Announces Additional Keynotes and Featured
SOUTH BY SOUTHWEST ANNOUNCES ADDITIONAL KEYNOTES AND FEATURED SPEAKERS FOR 2019 CONFERENCE Adam Horovitz and Michael Diamond of Beastie Boys, John Boehner, Kara Swisher, Roger McNamee, and T Bone Burnett Added to the Keynote Lineup Stacey Abrams, David Byrne, Elizabeth Banks, Aidy Bryant, Brandi Carlile, Ethan Hawke, Padma Lakshmi, Kevin Reilly, Nile Rodgers, Cameron and Tyler Winklevoss, and More Added as Featured Speakers Austin, Texas — February 12, 2019 — South by Southwest® (SXSW®) Conference and Festivals (March 8–17, 2019) has announced further additions to their Keynote and Featured Speaker lineup for the 2019 event. Keynotes announced today include former Speaker of the U.S. House of Representatives John Boehner with Acreage Holdings Chairman and CEO Kevin Murphy; a Keynote Conversation with Adam Horovitz and Michael Diamond of Beastie Boys with Amazon Music’s Nathan Brackett; award-winning producer, musician and songwriter T Bone Burnett; investor and author Roger McNamee with WIRED Editor in Chief Nicholas Thompson; and Recode co-founder and editor-at-large Kara Swisher with a special guest. Among the Featured Speakers revealed today are national political trailblazer Stacey Abrams, multi-faceted artist David Byrne; actress, producer and director Elizabeth Banks; actress, writer and producer Aidy Bryant; Grammy Award-winning musician Brandi Carlile joining a conversation with award-winning actress Elisabeth Moss; professional wrestler Charlotte Flair; -
[TME] - Tencent Music Entertainment Group Second Quarter 2019 Financial Results Conference Call Monday, August 12, 2019, 8:00 PM ET
[TME] - Tencent Music Entertainment Group Second Quarter 2019 Financial Results Conference Call Monday, August 12, 2019, 8:00 PM ET Officers Millicent Tu, VGM, IR Cussion Pang, CEO Tony Yip, CSO Shirley Hu, CFO Analysts John Egbert, Stifel, Nicolaus Alex Yao, JPMorgan Chase Eddie Leung, Bank of America Merrill Lynch Piyush Mubayi, Goldman Sachs Group Thomas Chong, Jefferies Hans Chung, KeyBanc Capital Markets Gary Yu, Morgan Stanley Presentation [Technical Difficulty] Operator: Ladies and gentlemen, good evening and good morning, and thank you for standing by. Welcome to the Tencent Music Entertainment Group's Second Quarter 2019 Earnings Conference Call. At this time, all participants are in listen-only mode. (Operator Instructions). Today you will hear discussions from the management team of Tencent Music Entertainment Group, followed by a question-and-answer session. (Operator Instructions). Please be advised that this conference is being recorded today. If you have any objections, you may disconnect at this time. Now, I will turn the conference over to your speaker host today, Ms. Millicent Tu. Please go ahead. Millicent Tu: Thank you, operator. Hello, everyone, and thank you all for joining us on today's call. Tencent Music Entertainment Group announced its financial results for the second quarter of 2019 today after the market close. An earnings release is now available on our IR website at ir.tencentmusic.com, as well as via newswire services. Today you will hear from Mr. Cussion Pang, our CEO, who will start off the call with an overview of our recent achievements and growth strategy. He will be followed by Mr. -
Record of the Week
ISSUE 754 / 16 NOVEMBER 2017 TOP 5 MUST-READ ARTICLES record of the week } CISAC reports global Sober Mary J Blige. Produced royalty collections for by Maths Time Joy, the songwriters, music Mahalia track has received some composers and Asylum/Atlantic Records serious love online from publishers grew by Sober: out now / Album: Spring 2018 The Fader, Dummy and 6.8% to €8bn in 2016. Complex, including a recent (RotD) Sober from 19-year-old session video for the Berlin- singer-songwriter Mahalia is based Colors studio that has } Steve Stoute launches an exquisite R&B gem that clocked up over 1.9 million in three months last night (15 Mixmag, her music is quickly UnitedMasters, with showcases why she is a views on YouTube. Her music November) at the Hoxton becoming synonymous with backing from Alphabet. rising star and one to watch has so far amassed over eight Square Bar and Kitchen, the trials of everyday life for (Medium) for in 2018. With its chilled million combined streams Mahalia will be supporting today’s youth. And if, like boom-bap beat offering and garnered support from Jorja Smith on her UK tour us, you adore clever and } Viagogo and Stubhub a gorgeous soundbed for 1Xtra, Radio 1, The Guardian, in February next year before expressive songwriting with have their offices Mahalia’s smooth vocals, the NME and a position within headlining Omeara in London a luscious vibe and sublime raided. (Guardian) track effortlessly glides along i-D’s prestigious Class of on 14 March. Recently hailed vocals, then Mahalia is one in a hazy vibe reminiscent 2018 list. -
And Blockchains in the Music Industry
WATERMARKING TECHNOLOGY and Blockchains in the Music Industry BY BILL ROSENBLATT BLOCKCHAIN TECHNOLOGY IS BEING PROPOSED AS A TOOL FOR SOLVING MUSIC INDUSTRY PROBLEMS RELATED TO LICENSING AND ROYALTY TRACKING. IN THIS WHITE PAPER, WE DISCUSS HOW AUDIO WATERMARKING HELPS THESE BLOCKCHAIN-BASED SOLUTIONS REACH THEIR FULL POTENTIAL BY MAKING THEM MORE SECURE, ACCURATE AND RELIABLE. OPEN DIGIMARC SCAN IMAGE DISCOVER® (digimarc.com/app) WATERMARKING TECHNOLOGY AND BLOCKCHAINS IN THE MUSIC INDUSTRY Table of Contents Introduction and Executive Summary .......................................................3 Music Copyrights and Identifiers ................................................................4 Background on Music Rights and Royalties .....................................4 Music Identifiers .......................................................................................8 Binding Identifiers to Digital Music .............................................................11 Blockchains and Music ...................................................................................15 Watermarking and Blockchains ...................................................................17 Conclusion .........................................................................................................21 About Digimarc .........................................................................................22 About the Author ......................................................................................22 About GiantSteps Media Technology -
A Detailed Look at the State of the Entertainment Industry
2019 EDITION A detailed look at the state of the entertainment industry. April 2019 Michael Masnick, Leigh Beadon Published April, 2019 by the Copia Institute and CCIA. Dedicated to the public domain. 2019 EDITION A detailed look at the state of the entertainment industry. 1. Overview ........................ 2 2. Music ............................ 5 3. Video............................ 13 4. Books ........................... 25 5. Video Games .................... 32 6. Conclusion...................... 41 Sources.......................... 43 The Copia Institute // The Sky is Rising 2019 1 1. Overview In January of 2012, we released the very firstSky is Rising report, highlighting how — despite numerous doom and gloom stories about the impact of the internet on the creative communities — nearly all of the actual data showed tremendous, and often unprecedented, growth in both earnings and creative output. It was true that within those industries, there was a re-alignment, and some companies and some creators found it more difficult to meet those challenges, which often resulted in the stories suggesting an industry-wide impact. However, stepping back and looking at the data, frequently from the industry itself, showed that the sky wasn’t falling because of the internet — it was rising. While the original report looked at the global entertainment market, with specific explorations of music, books, videos and video games, in 2013 we did a followup exploring specific European markets more directly, and in 2014, the U.S. market alone. It has been over seven years since that first report, and plenty has changed, so it felt like time to revisit the original questions explored in that original report: how is the global market for entertainment faring — and is the sky now rising or falling? Has the internet decimated entertainment, or enabled a golden era? The data in this report show that, once again, the sky is rising. -
SD City College Music Advisory Board AMENDED September 2020 Format: This Meeting Was Conducted As a Survey on Survey Monkey
SD City College Music Advisory Board AMENDED September 2020 Format: This meeting was conducted as a survey on Survey Monkey. Responses were collected during the month of September 2020. I have provided a screenshot of the survey summary and a sample response from one of the members as proof of authenticity. Additional proof of meeting results can be made available upon request. Members: 1. Trevor Henthorn - Ableton Live Liaison and UCSD Staff [email protected] 2. Rick Wilkinson - Austin Ribbon Microphones [email protected] 3. Jeff Cotta - Tenth Avenue Arts Center, Owner [email protected] 4. George Sanger - Video Game Music & Audio Producer [email protected] 5. John Von Passenheim - Music & Entertainment Lawyer and SDCC Adjunct Professor [email protected] 6. Jun Fujimoto - Yamaha Institutional Solutions Representative [email protected] 7. Ben Sabey - Composer and SFSU Associate Professor [email protected] 8. Chris Warren - Composer, Music Hardware Developer, and SDSU Assistant Professor [email protected] 9. Joe Kucera - Former Head of Audio Engineering Society San Diego Chapter, Adjunct Professor at SDCC and SDSU [email protected] 10. Mike Espar - Film Composer and Assistant Professor at SDCC [email protected] 11. Bob Kostlan - Composer and Associate Professor at SDCC [email protected] 12. Brandon Carroll - Pro Sound Effect, Licensing + Business Development [email protected] Agenda: This meeting is to assess current and projected future trends in the music industry in order to keep the San Diego City College program’s curriculum, equipment, instructor training, and facilities up-to-date. Discussion Topics & Responses: 1. Please share three important trends in Music Recording & Production the program should be sure to address.