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Boston Latin Academy Certamen Forum 2013 Novice Division Round 1
Boston Latin Academy Certamen Forum 2013 Novice Division Round 1 1. What mythical group lost its only mortal member when Perseus cut off the hissing head of Medusa? THE GORGONS B1 & B2: For 5 points each, name the two immortal gorgons. STHENO AND EURYALE 2. Differentiate in meaning between DUM and TUM DUM = WHILE, UNTIL; TUM = THEN B1: Differentiate in meaning between MURUS and DURUS MURUS = WALL, BANK, DEFENSE, PROTECTION; DURUS = HARD, HARSH B2: Differentiate in meaning between DISCO AND DOCEO DISCO = I LEARN, DOCEO = I TEACH 3. Who, at age 30, was elected to the office of tribune of the Plebs in 133 BC? TIBERIUS GRACCHUS B1: Who was Tiberius’ mother who called him and his brother “her jewels”? CORNELIA B2: What was the praenomen of his brother? GAIUS 4. Identify the use of the ablative in the following sentence: Puer animal telo pugnat. ABLATIVE OF MEANS B1: ….. Puer Athenis cum sua matre habitat. ABLATIVE ACCOMPANIMENT B2: ……Puer animal magna cum audacia pugnat. ABLATIVE OF MANNER [SCORE CHECK] 5. What creature, which had terrorized the city of Thebes, has the head of a woman, the wings of an eagle, and the body of a lion? SPHINX B1: What hero defeated a sphinx by answering her riddle? OEDIPUS B2: Whom did Oedipus marry when he become king of Thebes JOCASTA (PROMPT on “HIS MOTHER/THE QUEEN”) 6. Translate the following sentence into English: Puella duos canes in via vidit THE GIRL SAW (HAS SEEN) TWO DOGS IN THE ROAD B1: ….. Alius canis in viam currebat. ANOTHER DOG WAS RUNNING (RAN) INTO THE ROAD B2: …. -
MYTHOLOGY MAY 2018 Detail of Copy After Arpino's Perseus and Andromeda
HOMESCHOOL THIRD THURSDAYS MYTHOLOGY MAY 2018 Detail of Copy after Arpino's Perseus and Andromeda Workshop of Giuseppe Cesari (Italian), 1602-03. Oil on canvas. Bequest of John Ringling, 1936. Creature Creation Today, we challenge you to create your own mythological creature out of Crayola’s Model Magic! Open your packet of Model Magic and begin creating. If you need inspiration, take a look at the back of this sheet. MYTHOLOGICAL Try to incorporate basic features of animals – eyes, mouths, legs, etc.- while also combining part of CREATURES different creatures. Some works of art that we are featuring for Once you’ve finished sculpting, today’s Homeschool Third Thursday include come up with a unique name for creatures like the sea monster. Many of these your creature. Does your creature mythological creatures consist of various human have any special powers or and animal parts combined into a single creature- abilities? for example, a centaur has the body of a horse and the torso of a man. Other times the creatures come entirely from the imagination, like the sea monster shown above. Some of these creatures also have supernatural powers, some good and some evil. Mythological Creatures: Continued Greco-Roman mythology features many types of mythological creatures. Here are some ideas to get your project started! Sphinxes are wise, riddle- loving creatures with bodies of lions and heads of women. Greek hero Perseus rides a flying horse named Pegasus. Sphinx Centaurs are Greco- Pegasus Roman mythological creatures with torsos of men and legs of horses. Satyrs are creatures with the torsos of men and the legs of goats. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Le Studio Hammer, Laboratoire De L'horreur Moderne
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 12 | 2016 Mapping gender. Old images ; new figures Conference Report: Le studio Hammer, laboratoire de l’horreur moderne Paris, (France), June 12-14, 2016 Conference organized by Mélanie Boissonneau, Gilles Menegaldo and Anne-Marie Paquet-Deyris David Roche Electronic version URL: http://journals.openedition.org/miranda/8195 DOI: 10.4000/miranda.8195 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference David Roche, “Conference Report: Le studio Hammer, laboratoire de l’horreur moderne ”, Miranda [Online], 12 | 2016, Online since 29 February 2016, connection on 16 February 2021. URL: http:// journals.openedition.org/miranda/8195 ; DOI: https://doi.org/10.4000/miranda.8195 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Conference Report: Le studio Hammer, laboratoire de l’horreur moderne 1 Conference Report: Le studio Hammer, laboratoire de l’horreur moderne Paris, (France), June 12-14, 2016 Conference organized by Mélanie Boissonneau, Gilles Menegaldo and Anne-Marie Paquet-Deyris David Roche 1 This exciting conference1 was the first entirely devoted to the British exploitation film studio in France. Though the studio had existed since the mid-1940s (after a few productions in the mid-1930s), it gained notoriety in the mid-1950s with a series of readaptations of classic -
Stories and Essays on Persephone and Medusa Isabelle George Rosett Scripps College
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2017 Voices of Ancient Women: Stories and Essays on Persephone and Medusa Isabelle George Rosett Scripps College Recommended Citation Rosett, Isabelle George, "Voices of Ancient Women: Stories and Essays on Persephone and Medusa" (2017). Scripps Senior Theses. 1008. http://scholarship.claremont.edu/scripps_theses/1008 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. VOICES OF ANCIENT WOMEN: STORIES AND ESSAYS ON PERSEPHONE AND MEDUSA by ISABELLE GEORGE ROSETT SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR NOVY PROFESSOR BERENFELD APRIL 21, 2017 1 2 Dedicated: To Max, Leo, and Eli, for teaching me about surviving the things that scare me and changing the things that I can’t survive. To three generations of Heuston women and my honorary sisters Krissy and Madly, for teaching me about the ways I can be strong, for valuing me exactly as I am, and for the endless excellent desserts. To my mother, for absolutely everything (but especially for fielding literally dozens of phone calls as I struggled through this thesis). To Sam, for being the voice of reason that I happily ignore, for showing up with Gatorade the day after New Year’s shenanigans, and for the tax breaks. To my father (in spite of how utterly terrible he is at carrying on a phone conversation), for the hikes and the ski days, for quoting Yeats and Blake at the dinner table, and for telling me that every single essay I’ve ever asked him to edit “looks good” even when it was a blatant lie. -
New Books October 2019 Profiles Twenty-Five Monsters From
New Books October 2019 Profiles twenty-five monsters from Collects the stories on a number of mythology, folklore, and literature, teenagers who want to move from Central from Medusa the gorgon and America to the United States. Polyphemus the cyclops to Dracula, Frankenstein's monster, and the headless horseman of Sleepy Hollow chronicles . the rollbacks to African A humorous look at how famous American participation in the vote people got caught, including Joan of since the 2013 Supreme Court decision Arc, Blackbeard, Al Capone, and that eviscerated the Voting Rights Act more! . Outlaw, assassin, art thief, of 1965. Known as the Shelby ruling, and spy, these fourteen this decision effectively allowed troublemakers and crooks--including districts with a demonstrated history Blackbeard the pirate, Typhoid Mary, of racial discrimination to change and gangster Al Capone--have given voting requirements without approval the good guys a run for their money throughout the ages. from the Department of Justice. Some were crooked, some were deadly, and some were merely out of line--but they all got Caught! as detailed in this . study of crime, culture, and forensic science. Profiles nine individuals who came to Over 100 sweet and savory recipes America as undocumented children that introduces children to baking. and now as young adults, reflect on what being an America means, and the struggles they've endured to survive a harsh environment that is significantly better than the one they left. Tells the story of the 1929 Women's A true account of the attack and Air Derby, the first official all-female sinking of the passenger ship SS 'City air race in the U.S. -
Greek Mythology
Greek Mythology The Creation Myth “First Chaos came into being, next wide bosomed Gaea(Earth), Tartarus and Eros (Love). From Chaos came forth Erebus and black Night. Of Night were born Aether and Day (whom she brought forth after intercourse with Erebus), and Doom, Fate, Death, sleep, Dreams; also, though she lay with none, the Hesperides and Blame and Woe and the Fates, and Nemesis to afflict mortal men, and Deceit, Friendship, Age and Strife, which also had gloomy offspring.”[11] “And Earth first bore starry Heaven (Uranus), equal to herself to cover her on every side and to be an ever-sure abiding place for the blessed gods. And earth brought forth, without intercourse of love, the Hills, haunts of the Nymphs and the fruitless sea with his raging swell.”[11] Heaven “gazing down fondly at her (Earth) from the mountains he showered fertile rain upon her secret clefts, and she bore grass flowers, and trees, with the beasts and birds proper to each. This same rain made the rivers flow and filled the hollow places with the water, so that lakes and seas came into being.”[12] The Titans and the Giants “Her (Earth) first children (with heaven) of Semi-human form were the hundred-handed giants Briareus, Gyges, and Cottus. Next appeared the three wild, one-eyed Cyclopes, builders of gigantic walls and master-smiths…..Their names were Brontes, Steropes, and Arges.”[12] Next came the “Titans: Oceanus, Hypenon, Iapetus, Themis, Memory (Mnemosyne), Phoebe also Tethys, and Cronus the wily—youngest and most terrible of her children.”[11] “Cronus hated his lusty sire Heaven (Uranus). -
Iconography of the Gorgons on Temple Decoration in Sicily and Western Greece
ICONOGRAPHY OF THE GORGONS ON TEMPLE DECORATION IN SICILY AND WESTERN GREECE By Katrina Marie Heller Submitted to the Faculty of The Archaeological Studies Program Department of Sociology and Archaeology In partial fulfillment of the requirements for the degree of Bachelor of Science University of Wisconsin-La Crosse 2010 Copyright 2010 by Katrina Marie Heller All Rights Reserved ii ICONOGRAPHY OF THE GORGONS ON TEMPLE DECORATION IN SICILY AND WESTERN GREECE Katrina Marie Heller, B.S. University of Wisconsin - La Crosse, 2010 This paper provides a concise analysis of the Gorgon image as it has been featured on temples throughout the Greek world. The Gorgons, also known as Medusa and her two sisters, were common decorative motifs on temples beginning in the eighth century B.C. and reaching their peak of popularity in the sixth century B.C. Their image has been found to decorate various parts of the temple across Sicily, Southern Italy, Crete, and the Greek mainland. By analyzing the city in which the image was found, where on the temple the Gorgon was depicted, as well as stylistic variations, significant differences in these images were identified. While many of the Gorgon icons were used simply as decoration, others, such as those used as antefixes or in pediments may have been utilized as apotropaic devices to ward off evil. iii Acknowledgements I would first like to thank my family and friends for all of their encouragement throughout this project. A special thanks to my parents, Kathy and Gary Heller, who constantly support me in all I do. I need to thank Dr Jim Theler and Dr Christine Hippert for all of the assistance they have provided over the past year, not only for this project but also for their help and interest in my academic future. -
Master in Advanced English Studies: Languages and Cultures in Contact
MASTER IN ADVANCED ENGLISH STUDIES: LANGUAGES AND CULTURES IN CONTACT Departamento de Filología Inglesa 2018-2019 Final Master Thesis “Monstrous and Atrocious: Defiance and Resistance in the Female Protagonists of Machado de Assis’s Dom Casmurro and Sheridan Le Fanu’s Carmilla” Edymara da Silva Carvalho Valladolid, curso 2018-2019 The work presented in this MA thesis is, to the best of my knowledge and belief, original and my own work, except as acknowledged in the text. The work in this thesis has not been submitted, either in whole or in part, for a degree at this or any other university. This thesis is submitted in partial fulfillment of the requirements for the degree of Master in Advanced English Studies: Languages and Cultures in Contact to Universidad de Valladolid by Edymara da Silva Carvalho July 2019 Student’s signature__________________________________________ Firmado digitalmente por HERRERO QUIROS CARLOS - DNI 09271727J HERRERO Nombre de reconocimiento Approved (DN): c=ES, o=UNIVERSIDAD QUIROS DE VALLADOLID, ou=CERTIFICADO Dr. Carlos Herrero Quirós ELECTRONICO DE CARLOS - EMPLEADO PUBLICO, serialNumber=IDCES-092717 27J, sn=HERRERO QUIROS, DNI givenName=CARLOS, cn=HERRERO QUIROS CARLOS - DNI 09271727J 09271727J Fecha: 2019.06.27 19:03:20 +02'00' Supervisor’s signature______________________________________ ABSTRACT The female monster/atrocious belle stereotype in literature is a figure that crosses social boundaries and embodies the mystery and the threat of a concealed identity. The present master’s thesis intends to probe into the monstrous feminine image in two novels from similar periods, yet clearly disparate literary traditions and languages: Machado de Assis’ Dom Casmurro and Sheridan Le Fanu’s Carmilla. -
Ritual Surprise and Terror in Ancient Greek Possession-Dromena
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 2 | 1989 Varia Ritual Surprise and Terror in Ancient Greek Possession-Dromena Ioannis Loucas Electronic version URL: http://journals.openedition.org/kernos/242 DOI: 10.4000/kernos.242 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 1989 Number of pages: 97-104 ISSN: 0776-3824 Electronic reference Ioannis Loucas, « Ritual Surprise and Terror in Ancient Greek Possession-Dromena », Kernos [Online], 2 | 1989, Online since 02 March 2011, connection on 21 April 2019. URL : http:// journals.openedition.org/kernos/242 ; DOI : 10.4000/kernos.242 Kernos Kernos, 2 (1989), p. 97-104. RITUAL SURPRISE AND TERROR INANCIENT GREEK POSSESSION·DROMENA The daduch of the Eleusinian mysteries Themistokles, descendant of the great Athenian citizen of the 5th century RC'!, is honoured by a decree of 20/19 RC.2 for «he not only exhibits a manner of life worthy of the greatest honour but by the superiority of his service as daduch increases the solemnity and dignity of the cult; thereby the magnificence of the Mysteries is considered by all men to be ofmuch greater excitement (ekplexis) and to have its proper adornment»3. P. Roussel4, followed by K. Clinton5, points out the importance of excitement or surprise (in Greek : ekplexis) in the Mysteries quoting analogous passages from the Eleusinian Oration of Aristides6 and the Platonic Theology ofProclus7, both writers of the Roman times. ln Greek literature one of the earlier cases of terror connected to any cult is that of the terror-stricken priestess ofApollo coming out from the shrine of Delphes in the tragedy Eumenides8 by Aeschylus of Eleusis : Ah ! Horrors, horrors, dire to speak or see, From Loxias' chamber drive me reeling back. -
Apotropaism and Liminality
Gorgo: Apotropaism and Liminality An SS/HACU Division III by Alyssa Hagen Robert Meagher, chair Spring 2007 Table of Contents List of Figures................................................................................................................ 1 Introduction.................................................................................................................... 3 Chapter 1: Gorgon and Gorgoneion.............................................................................. 5 Chapter 2: Gorgo as a Fertility Goddess....................................................................... 15 Chapter 3: Gorgo as the Guardian of Hades................................................................. 29 Chapter 4: Gorgo in Ecstatic Ritual............................................................................... 41 Chapter 5: Gorgo in the Sphere of Men......................................................................... 51 Bibliography................................................................................................................... 64 Alyssa Hagen 1 List of Figures 1.1 Attic black figure neck amphora. (J. Paul Getty Museum, Malibu 86 AE77. Image 7 from [http://www.theoi.com/Gallery/P23.12.html].) 1.2 Mistress of Animals amulet from Ulu Burun shipwreck. (Bochum, Deutsches 9 Bergbau-Museums 104. Image from [http://minervamagazine.com/issue1704/ news.html].) 1.3 Egyptian amulet of Pataikos. (Image from Virtual Egyptian Museum 10 [http://www.virtual-egyptian-museum.org].) 1.4 Etruscan roof antefix with -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.