DOCSLIB.ORG

Curriculum Vitae Lenore Herb B.1947

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Curriculum Vitae Lenore Herb B.1947 Curriculum Vitae Lenore Herb b.1947 1966 - 1969 blew ointment press collective - collating and distribution Participant in Sound Gallery and Trips Festival FloatingFree School (started by Peter Hlookoff) Knowplace Free School (started by Warren and Ellen Tallman) 1976 Art and Set Design for “Snakes” by Anne Hungerford first play at the Firehall Arts Theatre 1976 - 1979 Theatre manager for Pacific Cinematheque Pacifique 1978 - 1979 camera operator for Royal Commission into Uranium Mining 1979 - 1983 Community Producer for Metro Media Videography list for Music, Performance Art, Writing in Our Time Poetry Festival see page 2/3 PUSH ART COLLECTIVE cofounder w Lincoln Clarks, Miriam Hyde, Jim Cummings, Bill Sherk, Janice Toulous Bad Night at the PUSH - videography 1980 Exhibition - Moon over Miami - PUSH ART Gallery Co-rep for V.C.T.A. CRTC intervention vs Rogers acquisition Premier Cable requesting community access stations. Metro Media Executive Director 1981 Hat Creek Coal Project - videography Hardcore 81: Blackflag/DOA Si Monki - producer - performance art - videography 1981 Exhibition - Winters Tale: The public execution of an Iranian Princess. Commodore Ballroom Nowhere to Play LP Executive Producer/ Prometheus Unbound - Art Performance - Video Co-founder Democratization of the Arts, Unit 306 Society with Scott Watson,Todd Davis Exhibition 48184 Video Art show cable 4: producer: various works Curator, Metro Media, Performances by: Rachael Rosenthal and Company; Allistair Mclean; Bern Porter Producer, William Burroughs and John Giorno @ Italian Cultural Centre/videography of same 1982 Sonic Horses (bill bissett, Dermot Foley, Lenore Herb) Performance/Audio Producer/ Black Flag Documentary w/Dan Graham Hoboken NJ The Dan Graham Request Tape - compilation Host San Francisco Video Festival in Vancouver/ Legion Benefit for Metro Media: Scissors/Insex/ Los Popularos Allan Ginsburg @ Kits High School/ Henry Rollins Interview York Theatre/ Producer, Found Under Carnal Knowledge: Valentine’s Day Robert Creely @ Kits High European Holographic Research New Years Eve with Death Sentence and DOA 1983 - 85 Cineworks Board of Directors (one year) plus office and volunteer co-ordinator Cineworks: director "Sisyphus" - work in progress 1984 Exhibition: Vision/Ear Video to accompany bill bissett one man show at Vancouver Art Gallery 1985 Stan Brackage - 4 hr. workshop documentary ---------------------------------Crossing the line from Producer to Participant------------------------------- 1983 - 1989 Toxics Coalition, BC Campaign "Ride Against Pesticides" - videography Political Documentaries/Environmental Campaigning Cache Creek Coalition to stop the Ashcroft Hazardous Waste Incinerator - videography 1988 Exhibition: LOGOS / CONTROL 2nd Artropolis Vancouver Murray Bookchin interview Recycling Advocacy begins in Lower Mainland including Founder, Citizen’s Action Network Editor and coordinator broadsheet: Garbage - War on the Future Waste Management Director SPEC 1990 - 1994 SPEC(Society Promoting Environmental Conservation) yearly elected President Campaign organizer against the downtown Vancouver Refuse Derived Fuel Plant in Strathcona Co Author “Wake Up and Smell the Garbage” pamphlet translated into Chinese Campaign organizer against UBC Hazardous Waste Incinertor and the import of hazardous waste to the UBC area. Campaign organizer to promote provincial Hazardous Waste Reduction Plans Documentation for Public Meetings on Environmental Issues - Merritt, Aldergrove, Chilliwack Citizens representative to GVRD Recycling Advisory Committee appointed by Van City Council Elected to Board of Directors, Recycling Council of B.C. Elected to Management Committee, B.C. Environmental Network Public Environmental Advocate/ Media spokesperson on waste reduction up to 1994 1995 - Homesteading, Kubota (machine) operator 2001 Photographic work - “Community Dancers” 2001 Began development for "Bovary's Children: The Unwanted Part 1" (work in progress) 2004 Curator "The Writing Is On The Wall" - a show of bill bissett concrete poetry for K.S. of Writing Director/producer/editor "th wizard uv time" an experimental film of bill bissett paintings/reading 2005 Exhibition -Visible Verse 2005 @Pacific Cinematheque Pacifique - "th wizard uv time 2006 Exhibition - Spiritual Film Festival, Goa, India - "th wizard uv time" Exhibition - Reel Women International Film Festival 2006 - "th wizard uv time" Exhibition - 2006 Phoenix Film Festival - "th wizard uv time" 2006 Exhibition - “PETITION” at the Helen Pitt Gallery June 20 - 24 Performance - "Invocation of the Serpent" June 19 Exhibition - Il Festival Internacional de VideoPoesia 2006 Video Bardo - "th wizard uv time" Music Videography ‘78 - Active Dog, Subhumans at the Windmill ‘79 - Bludgeon Pigs, Haters ‘79 - .08 Randy Pandora and Catheriine McTavish ‘79 - AKA , Human Remains ‘79 - Subhumans in Edmontion Rock against Racisim ‘79 - K-TELS + Dead Kennedys @ VECC ‘79 - KTels @Windmill ‘79 - Female Hands '79 - Tunnel Canary, .08, AKA, Henry Kaiser, Si MOnki ‘79 - WW III BrainEaters studio '79 - Pointed Sticks '79 - Private School '79 - Rock Against Prisons#2 - AKA, Tunnel Canary, Rabid '79 - Rock Against Prisons #1 - Zellots, Private School, Modernettes '79 - Rock Against Prisons #3 - Rabid, Devices, Braineaters, Subhumans '79 - nterview with The Police circa ‘79 '79 - Vacant Lot - DOA with Chuck Biscuits Female hands '79 - aug 18 Helens Pitt Si Monk8i, AKA(with Alex Varty) '79 - Pointed Sticks - interview by Dimwit 10 min '80 - Tin Twist, Payolas, yng Canadians '80/81(?) Pink Section @Odd Fellows ‘80 - AKA Pneumatic Window ‘80 - Band called E, .08 ‘80 - Canaduh Day - Subhumans, Budgeon Pigs, Rabid, No Exit '80 - DOA, UJ3RK5, Subhumans @arcadian hall june 1, ‘80 - Modernettes ‘80 - Modernettes @ Smilin Buddha '80 - UJ3RK5 @ Arcadian June 1 '81 - SUBHUMANS - DEAD KENNEDYS @Ed Sullivan Show '81 - Hardcore ‘81 Wanker, 7 seconds, Bludgeon Pigs '81 - Haters Dec 19 -81 '81 - Los Popularos April ‘81 - MODERNETTES @Legion on Commercial ‘81 - Negavision ‘82 - No Album Party - Scissors Payolas, Modernettes Rock Against Racisim - Modernettes '83 - Sept ‘83 - Subhumans Si monki @Soft Rock Si Monki, .08 Subhumans Live at the Buddha Subhumans 60 min Tin Twist, Young Canadians, Black Flag @ New York Theatre UJ3RK5 60 min Young Canadians, Subhumans '85 - DOA New years with Death Sentence Other work Virgin #1, #2, #3 Subhumans Grey Madder Pillars of Prometheus Logos/Control Dance of the Gina Show High Monkey Noon Vampire Totems Placentia Bay Direct Action / Peace Walk Michael Chechik's BBQ Zippy Sings Soft Latin Whales Escape Dan Graham Request Tape The Right to Write Wrong The Office Brockton Point Helen's Pitt At Home West Coast Gardening The Rabbit Test Winters Tale: The Public Execution of an Iranian Princess Bad Nite at the Push Gore Manor Moon over Miami Poetry Tapes bill bissett Victor Coleman Steve McCaffery Bp Nichol Brian Fawcett George Bowering Robert Creely Diane di Prima Margaret Atwood Allen Ginsberg Margaret Laurence Frank Davey Robert Duncan Edward Dorn DG Jones Lawrence Ferlinghetti Joanne Kyger Marian Engel Daphne Marlatt Lionel Kearns Gary Snyder Robert Kroetsch Michael McClure Eli Mandel Bobbie Louise Hawkins Ann Waldman John Giorno Prose William Burroughs Recent Films “the wizard uv time” 2004 .
Load more

Recommended publications
  • Razorcake Issue #09
    PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask.
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • She-Condom Makes Its Debut at U. Center, Page 1 0
    College of William & Mary Law School William & Mary Law School Scholarship Repository Student Newspaper (Amicus, Advocate...) Archives and Law School History 1994 Amicus Curiae (Vol. 4, Issue 9) Repository Citation "Amicus Curiae (Vol. 4, Issue 9)" (1994). Student Newspaper (Amicus, Advocate...). 409. https://scholarship.law.wm.edu/newspapers/409 Copyright c 1994 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/newspapers She-Condom makes its debut at U. Center, page 1 0 MARSHALL-WYTHE SCHOOL OF LAW America s First Law School VOLUME IV, ISSUE NINE MONDAY, FEBRUARY 21, 1994 TWENTY PAGES Short reinstated; will graduate In• summer By LEEANNE MORRIS report that he will reenroll at M­ Acting Dean Paul Marcus has Wand fmish his final nine credits decided to allow former SBA this summer in Texas. The President Kyle Short to readmit credits will be transferred and to Marshall-Wythe at the end of applied to his degree. this semester. "Hopefully I'll be able to find Marcus prevented Short frop1 the classes I need this summer. I enrolling this semester as hope to be finished and graduated punishment for an Honor Code by Aug. 8," Short said. violation last fall. In doing so, Marcus was unavailable for Marcus overturned the sanction comment on the matter. His recommended by the Judicial opinion issued last semester said Council that Short be publicly that he would grant Short's reprimanded. petition if he was convinced that ''I'm thrilled to be Short acknowledged, "privately readmitted," Short said.
    [Show full text]
  • America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
    our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry).
    [Show full text]
  • Admin Heads Hit Split Roles
    University will accept more park input By GEOF WHEELWRIGHT just attend another public meeting tal disregard of public opinion. be willing to attend further public interference from any govern­ Thursday's open forum on the is not enough said the chairman of The committee today will discuss discussions of the project. "I'd ment. future of an industrial research the student representative as­ gathering a petition calling for say we'd be very happy to come "Discovery Park Foundation is park at UBC is over, but both sembly's research park commit­ public hearings and guarantees of out and lay everything out on the structured to be completely auton­ UBC students and administration tee. "1 thought we got a snow job. public representation on the park table," he said. omous from the government. We They (public meetings) are quite management committee, he said. didn't want a change in personal­ admit the issue is far from solved. "We haven't etched things in meaningless unless Kenny's will­ But Kenny said if there was suf­ ities to change the route we have Students at the forum said they stone yet, we are open to public ing to have a moratorium," Marty ficient public outcry against the in mind." were unhappy with answers given input." by UBC administration president Lund said. park proposal he would have to But students at the forum said Doug Kenny and Don Larsen, Lund said unless there is a mor­ consider holding public meetings. Despite his alleged openness to they felt it was unlikely they were spokesman for the B.C.
    [Show full text]
  • (1981-2009) by Eerie Von Ebook
    Misery Obscura: The Photography of Eerie Von (1981-2009) by Eerie Von ebook Ebook Misery Obscura: The Photography of Eerie Von (1981-2009) currently available for review only, if you need complete ebook Misery Obscura: The Photography of Eerie Von (1981-2009) please fill out registration form to access in our databases Download here >> Hardcover:::: 160 pages+++Publisher:::: Bazillion Points; Reanimat-edition edition (November 29, 2016)+++Language:::: English+++ISBN-10:::: 1935950193+++ISBN-13:::: 978-1935950196+++Product Dimensions::::8.8 x 0.8 x 11.1 inches++++++ ISBN10 1935950193 ISBN13 978-1935950 Download here >> Description: From the deepest depths of punk rocks primordial wastelands...through the stygian goth swamps of the 1980s, and on into the bloodstained arenas of 1990s heavy metal, Eerie Von witnessed it all. Beginning as the unofficial photographer for punk legends the Misfits and later taking charge of the bass guitar as a founding member of underground pioneers Samhain and metal gods Danzig, the evil eye of Eerie Von s camera captured the dark heart of rock s most vital bleeding edge during a time when rock and roll was not only dangerous, but downright menacing. Hundreds of fly-on-the-wall photos from the best seats in the house document everything from the Misfits humble beginnings in Lodi, New Jersey, to the heights of Danzig s stadium-rock glory. Adding to this essential visual document of music history, Eerie s road stories of triumph and damnation bring to life an era which will never be seen again. Animated by Eerie s enduring insight into how the Misfits, Samhain, and Danzig pulled off the impossible, his first volume includes never-before seen photos of Doyle Wolfgang von Frankenstein, Jerry Only, Misfits drummer Googy, Glenn Danzig, Rosemary s Babies, Samhain, Chuck Biscuits, John Christ, Rick Rubin, Metallica, White Zombie, Soundgarden, Tony Iommi, HR Giger, Marilyn Manson, Tom Araya, and many others.
    [Show full text]
  • Sticky Impulse Archive Night in the LOBBY
    Sticky Impulse Archive Night All video runs concurrently IN THE LOBBY Archival Exhibit Posters, zines, ephemera collected by Lenore Herb aka Doreen Grey. Sony wall-mounted 42” HD monitor with audio ❏ Tunnel Canary (Aleh aka Nathan Holiday, Ebra Ziron, David Sheftel) with Randy Pandora and Michael Wonderful (Generators); Henry Kaiser, Si Monki (Dermot Foley), AKA (Dennis Mills, Warren Hunter, Warren Ash, Alex Varty). 18 August 1979, Helen Pitt Gallery. ❏ Jim Cummins exhibit, performances by DOA and I, Braineater (aka Braineaters. Gore Manor.Date Unknown. Sony Trinitron CRT 20” monitor c.1980s with headphones ❏ Jim Cummins, visual art exhibition, Helen Pitt Gallery. Date Unknown. ❏ Ralph Records Compilation. 1980-198. ​ Why is there a compilation of Ralph Records music videos in Lenore Herb’s collection, we may never know. Ralph Records, founded 1972, was the original label of The Residents. Videos: Tuxedomoon, Jinx, 1981. ​ ​ MX-80, Why Are We Here? ​ The Residents One Minute Movies; Moisture, Act of Being Polite, ​ Perfect Love, The Simple Song, 1980. ​ The Residents, Hello Skinny, 1980. ​ ​ The Residents, The Residents ​ Snakefinger, The Man In the Dark Sedan, 1980. ​ ​ ❏ Post-show interview by Dimwit Montgomery with Private School (Dave Gregg, Ron Nelson, Walter Makaroff, Tony Faulk, Maddy Schenkel). Rock Against ​ Prisons, The Ukranian Hall, 1979. ​ ❏ Difference of Opinion Pre-event preparation & punk performance at Metro Media. Date unknown. Sticky Impulse Archive Night IN THE MICROCINEMA Sony 4K SXRD Video Projector ❏ DOA. Rock Against Prisons, The Ukranian Hall, 1979. ​ ​ Joe Keithley, David Gregg, Randy Rampage, Chuck Biscuits. ❏ Bovary’s Children. Artist: Lenore Herb. ​ The artist reflects on punk and her relation to it.
    [Show full text]
  • November 1996
    "Hey, man, did you hear that Lars' second bass drum got ripped off on the way to the studio, so he just decided to bag the whole blazin' thing?" "Yeah, and the new album, Load, is like this massive groove thing!" "Awesome! But what's up with the hair?" by Matt Peiken 38 Tribal Tech was already the hottest con- Amazingly,Rage Against The Machine's long-await- temporary fusion band on the scene, but a ed second album, Evil Empire, is even heavier than new jamming-based aesthetic is taking the band's self-titled barnstormer. Despite the heavy- these sonic explorers into even farther ness, though, Brad Wilk says he's managed to infuse galaxies. And you thought Kirk Covington more delicacy into the thunder. was throwing some stuff at you before! by Ken Micallef by Bill Milkowski 76 58 photo by Jay Blakesberg Volume 2O, Number 11 Cover photo by Mark Leialoha / Terri Berg Photographic education equipment 88 IN THE STUDIO 24 NEW AND NOTABLE The Reinvention Of Neil Peart by William F. Miller 28 PRODUCT CLOSE-UP Bison Snare Drum 100 HEAD TALK by Rick Mattingly Head Games: A "Good Time" Had By All 29 Vic Firth Accessories by Luther Rix by Rick Mattingly 112 ROCK 'N' JAZZ CLINIC 33 Engineered Percussion A New Look At An Old Idea Axis X Bass Drum And Hi-Hat Pedals by David Garibaldi by Chap Ostrander 114 ROCK PERSPECTIVES Stewart Copeland: news Style & Analysis, Part 1 12 UPDATE by John Xepoleas Jason Cooper of the Cure, Goldfinger's Darrin Pfeiffer, Bernie Dresel 116 STRICTLY TECHNIQUE of the Brian Setzer Orchestra, and Al Webster, plus News Groupings,
    [Show full text]
  • D:\Teora\Radu\R\Pdf\Ghid Pop Rock\Prefata.Vp
    DedicaÆie: Lui Vlad Månescu PREFAæÅ Lucrarea de faÆå cuprinde câteva sute de biografii çi discografii ale unor artiçti çi trupe care au abordat diverse stiluri çi genuri muzicale, ca pop, rock, blues, soul, jaz çi altele. Cartea este dedicatå celor care doresc så-çi facå o idee despre muzica çi activitatea celor mai cunoscuÆi artiçti, mai noi çi mai vechi, de la începutul secolului çi pânå în zilele noastre. Totodatå am inclus çi un capitol de termeni muzicali la care cititorul poate apela pentru a înÆelege anumite cuvinte sau expresii care nu îi sunt familiare. Fårå a se dori o lucrare foarte complexå, aceastå micå enciclopedie oferå date esenÆiale din biografia celor mai cunoscuÆi artiçti çi trupe, låsând loc lucrårilor specializate pe un anumit gen sau stil muzical så dezvolte çi så aprofundeze ceea ce am încercat så conturez în câteva rânduri. Discografia fiecårui artist sau trupå cuprinde albumele apårute de la începutul activitåÆii çi pânå în prezent, sau, de la caz la caz, pânå la data desfiinÆårii trupei sau abandonårii carierei. Am numit disc de platinå sau aur acele albume care s-au vândut într-un anumit numår de exemplare (diferit de la Æarå la Æarå, vezi capitolul TERMENI MUZICALI) care le-au adus acest statut. Totodatå, am inclus çi o serie de LP-uri BEST OF sau GREATEST HITS apårute la casele de discuri din întreaga lume. De aceea veÆi observa cå discografia unui artist sau a unei trupe cuprinde mai multe albume decât au apårut în timpul vieÆii sau activitåÆii acestora (vezi Jimi Hendrix, de exemplu) çi asta pentru cå industria muzicalå çi magnaÆii acesteia çi-au protejat contractele çi investiÆiile iniÆiale cât mai mult posibil, profitând la maximum de numele artiçtilor çi trupelor lor.
    [Show full text]
  • This Is Always a Hard Thing to Start, Writing a Eulogy About a Fallen Comrade Who Has Now Left This World, but It’S My Duty and Honour to Tell You About Randy Rampage
    This is always a hard thing to start, writing a eulogy about a fallen comrade who has now left this world, but it’s my duty and honour to tell you about Randy Rampage. We set out to conquer the world together, we didn’t quite do it, but at times we thought we came close. Randy was unique, like a super nova, burning red hot. This is what I remember about my friend. I had just come back from Toronto in February of ’78, my first punk rock band The Skulls had moved to Toronto in the hopes of being successful, it never happened and we broke up. So when I got back home in Vancouver I wanted to start a new band, so I put an ad in the Georgia Straight weekly, “Looking for a drummer and a bassist for punk rock band. Wimps should not apply.” Soon I started getting a few phone calls about the band. One of the first calls was from a guy named Randy Archibald, he said he was a drummer in a band called Looney Tunes (taken from the Alice Cooper song I suppose). He came over to audition and he wasn’t bad, one thing, he was a lefty, so he could play the hi-hats open handed or cross handed. Growing up as a drummer myself I thought that was cool, Randy also sensed how to play it cool while trying out, not bad for a 17 year old. Not long after that, I got word that Chuck Montgomery, who was the little brother of Dimwit (drummer of The Skulls) wanted to try out.
    [Show full text]
  • Komplette Ausgabe Als
    HOSPIT A L Í PATIENTS OF...-LP • apggr . • “,:'.ÿ’^Sç?J ((ÍÅ D M (Deutschland) - ' jifeV»îf.Sr2P - Y. 5 US - DOLLARS 1jKÍ$Ef (foreign countries) •› ^ / ;* ^ f r— !PLUS PORTO/POSTAGE ! NASTY FACTS NUMMER 3 PORTO BRD Europe Overseas «SU« (DM) (US-$) (US-$) 168 SEITEN - ÜBER IOO FOTOS i LP 3 2 4 | | 3 DM Deutschland) Ralf Wintermeyer ^ MAG 1 0,50 1,50 |l,SOUS-DOLLARS | (foreign countries )| Wasserstr. 176 LP& , 4630 Bochum 1 i 3 2 4 »PLUS PORTO/POSTAGE! , West Germany i MAG f l I 1 I J J I sasquatsch mailorder E1SENACHERSTR.73 1000 BERLIN 62 WESTERN GERMa NY 030.782.Ì49.^5. í? *U Liste anfordern r\ r Hl FULKS I TiilS IS SHIT YCKJ KUALLY NEEP-OKDLH TCUAY: iSYCHCLHOSUhACK FKûtf HEU- U;...2h .9ü LûXY STYLE: 1WÛ (fch/wN jNEW) LP... 2*.. 90 KIA;AFTER THE FACT LP ...... 2L.9Û 7 StUXUS: PhAlb’E LP (NEW!)... 2L.9Ü SU 1 CI DAL TEN'DENCIKS; NEW LP... 2A.9Q SNFUUF YOU SWËAK LP ........24.90 Ca»J CKEECL1VE IN büBTON 10"..19.90 STATE 0? CONFUSION LP ...... 24.90 &1UNS ûr BnANDUEW 7" WAXSNDRE ALBUí’ìS SPECIAL KSV YOhr'. TKASH DLFAK7›53'íT BkANDNEW UST IS OUT UOtUAAMMM! I! WHAT'S WRONG TO BE YOUNG? Alles redet von Toleranz und Werte TRUST-Redaktion I So! Aha, mal wieder wer neues, Offenheit, aber wenn es dann Also nun muß ich euch mal meine .... Doch erst mal der Haupt- grund: "CONFLICT" tja es schreibt also jetzt der mal ernst wird dann redet m»n Kritik zu TRUST 4 reindrUcken.
    [Show full text]
  • Danzig Danzig 4 Mp3, Flac, Wma
    Danzig Danzig 4 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Danzig 4 Country: Japan Released: 1994 Style: Blues Rock, Heavy Metal MP3 version RAR size: 1376 mb FLAC version RAR size: 1854 mb WMA version RAR size: 1888 mb Rating: 4.3 Votes: 509 Other Formats: AAC APE AHX FLAC MP3 MP4 WAV Tracklist 1 Brand New God 4:32 2 Little Whip 5:12 3 Cantspeak 4:08 4 Going Down To Die 5:02 5 Until You Call On The Dark 4:27 6 Dominion 4:15 7 Bringer Of Death 4:42 8 Sadistikal 5:09 9 Son Of The Morning Star 5:06 10 I Don't Mind The Pain 4:48 11 Stalker Song 5:51 12 Let It Be Captured 5:17 13-65 (no audio) 66 Invocation 2:59 Credits Artwork [Back Cover] – Michael W. Kaluta* Artwork [Front Cover] – Glenn Danzig Bass – Eerie Von Drums – Chuck Biscuits Engineer – Jim Scott Engineer [Additional] – Ken Lomas Guitar – John Christ Management – BFD Entertainment, Inc* Mastered By – Stephen Marcussen Photography By – Dirk Walter Producer – Glenn Danzig, Rick Rubin Vocals, Guitar, Piano – Glenn Danzig Written-By – Glenn Danzig Barcode and Other Identifiers Barcode: 4 988017 052044 Mastering SID Code: IFPI L233 Mould SID Code: IFPI 4011 Matrix / Runout: BVCP-776-1M V Other versions Category Artist Title (Format) Label Category Country Year Danzig 4P (CD, American 9 45647-2 Danzig 9 45647-2 US 1994 Album, Car) Recordings Danzig 4P (CD, American 50-51011-7378-2-4 Danzig 50-51011-7378-2-4 Europe 2006 Album, RE) Recordings Danzig 4P (CD, American W2 45647 Danzig W2 45647 Canada 1994 Album, Club) Recordings Danzig 4P (Cass, none Danzig Moon Records none Ukraine 1994 Album, Unofficial) Danzig 4P (Cass, Not On Label none Danzig none Bulgaria 1994 Album, Unofficial) (Danzig) Related Music albums to Danzig 4 by Danzig Danzig - A Taste Of Danzig III - How The Gods Kill Danzig - Thrall - Demonsweatlive Danzig - Danzig III: How The Gods Kill Danzig - Not Of This World Danzig - Danzig 4P Danzig - Danzig 5: Blackacidevil Danzig - Sacrifice Danzig - Thrall-Demonsweatlive Danzig - Danzig Danzig - Danzig II - Lucifuge.
    [Show full text]