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Ballet Association Presents the Reservations Appreciated: NE 8-4552 the St

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Ballet Association Presents the Reservations Appreciated: NE 8-4552 the St baug BAm 07`Lc, ea/twat ffi OPERA HOUSE The Brooklyn Academy of Music - 30 Lafayette Avenue, Brooklyn, N.Y. 11217 (212)6364100 Harvey Lichtenstein .............. Executive Director David Midland Director of Operations i Sharon Rupert ...................... Director of Finance Van Dyke Director of Development 346 FLATBUSH AVENUE, BROOKLYN, N.Y. Leon .................. Charles Ziff ......._ ................. Director of Promotion and Michel's a offers total evening package of our usual Audience Development dinner fare before theatre, and an after theatre special menu Jane Ward Production Manager in our Cabaret which features the most chic, Bob Lussier Theatre Managerox most sophisticated late nite entertainment in Brooklyn. Daniel J. Sullivan .................. Box Office Treasurer Betty Rosendorn .. ............. .. Children's Program Administrator Pre -theatre dinners and After theatre special menu Sarah Walder .... Group Sales Representative Attire: Vogue to Simplicity William Mintzer .................... Lighting Consultant to BAM No Cover No Minimum The Pennsylvania Ballet Association presents the Reservations appreciated: NE 8-4552 The St. Felix Street Corporation, a non -profit organization operating the Brooklyn Academy of Music. Abraham Beame, Honorary Chairman, Paul Lepercq, Chairman /Donald M. Blinken, President /Richard C. Sachs, Treasurer /Harvey Lichtenstein, Secretaryand ExecutiveDirector /Martin P.Carter /Barbaralee Diamonstein/ Donald Elliott /Mrs. Henry Epstein /Seth S. Faison /Richard M. Hexter/ Pennsylvania William Josephson /I. Stanley Kriegel /Samuel Lindenbaum/W. Barnabas The McHenry /Donald Moore/Mrs. Evelyn Ortner, ex -officio /Alan Patricof/ Kenneth Patton /David Picker /William Tobey /Edward L. Weisl, Jr., veryfpnous restaurant Administrator P.R.C.A.and Sebastian Leone, Brooklyn Borough President, w ' members ex- officio. Ballet :1 1.1;1; I. And The Very Famous Brooklyn Academy Of Music An inspiring combination. Great theatre and great dining. Alba Calzada Michelle Lucci May the Academy During April and Brooklyn presents the Joanne Danto Keith Martin exciting Jamaica Dance, the fabulous Pennsylvania Ballet NEXT AT BAM... Fiona Fuerstner Lawrence Rhodes and the world- renowned Michael Redgrave and the Royal Shakespeare Company. David Kloss Barbara Sandonato Marcia Darhower Laurence Matthews Before curtain, enjoy the art of American cooking as we have Paul Sanasardo Dance Company practiced it in nearly acentury of coddling the palates of New Yorkers. Dane LaFontsee Gretchen Warren May 18, 19, 23, 24 What a famous idea! and Brooklyn's Landmark Seafood and Steak House (Est. 1879) Sandra Applebaum,Dana Arey,Christina Bernal ,Enid Britten ,Karen Brown, E11 Kimberly Dye,David Jordan ,Barry Leon, Remus Marcu,Barbarajean Martin, GAGE& i VLW\ Anya Patton,Reva Pincusoff, Richard Rein, Ramon Rivera, Constance Ross, 372 Fulton Street (Btwn. Boro Hall & the Brooklyn Academy) Janek Schergen, Missy Yancey, Linda Zettle For reservations, 875 -5181 ( Lunch& Dinner except Sunday) Amex & Diners. The Brooklyn Academy of Music gratefully acknowledges the support of the National Endowment for the Arts, the New York Council Barbara Weisberger State Artistic Director on the Arts, and the Parks, Recreation and Cultural Affairs Adminis- tration of the City of New York. The Brooklyn Academy building is BROOKLYN'S MOST FABULOUS owned by the City of New York and funds for its maintenance are ad- Benjamin Harkarvy Robert Rodham ministered by the Parks, Recreation and Cultural Affairs Administration, Associate Artistic Driectors RESTAURANT Abraham Beame, Mayor, Edward L. Weisl, Jr., Administrator, Open Daily Maurice Kaplow & Sun. for Directory of Facilities and Services Music Director BREAKFAST Box Office Hours: Tuesday through Sunday, Noon - 9:00pm Monday Noon - 6:00pm Fiona Fuerstner Nicholas Cernovitch LUNCH jutiI.@'tíJ Ballet Mistress Lighting Designer Lost and Found: Telephone 636 -4100 DINNER Lounges and Restrooms: Opera House with AFTER -THEATRE SNACKS Ladies: Orchestra and Balcony Levels Men: Mezzanine and Balcony Levels The Pennsylvania Orchestra Music Hall CATERING Ladies: Orchestra Level FOR All OCCASIONS Men: Balcony Level to Homes and Offices Public Telephones: Main,Lobby, Ashland Place Entrance Complete Banquet Facilities May.2, 3, 4, 5, 1974 FLATBUSH AVE. EXT at De Kalb Ave. BROOKLYN ACADEMY OF MUSIC 2 Blocks from BAM Phone: 852 -5257 Program May 2 Black Angel Richard E. Le Blond, Jr. President and General Manager Choreography by John Butler Timothy Duncan Set and Costume Design by Reuben Ter -Arutunian Associate General Manager 1 Lighting by Nicholas Cernovitch The Four Temperaments Music by George Crumb Carolyn Raffa "Black Angels" Director of Development Black Angel Lawrence Rhodes Craig Palmer Jane Clegg Choreography by George Balanchine Public Relations Director Production Stage Manager Lighting by Nicholas Cernovitch A Man Dane La Fontsee Music by Paul Hindemith A Woman Reva Pincusoff "Theme with Four Variations for Administrative Staff Enid Britten String Orchestra and Piano" Christina Bernal Barbaraiean.Martin Constance Ross Missy Yancey Controller Piano Soloist Karl Fogmeg John Duggan David Jordan Barry Leon Remus Marcu Richard Rein Ramon Rivera Stella Nalbandian Administrative Assistant to the General Managers Karen Ward Administrative Assistant to the Artistic Staff Alexandra Sokoloff Public Relations Assistant and Group Sales Manager Electric String Quartet Ross Bellingham Public Relations Assistant Theme I Alexinia Seldon Development Secretary Mary Cellucci Assistant to the Controller Marcia Darhower Ramon Rivera Laura Pease, Violin Marian Head, Violin Elizabeth Clure Secretary to the Artistic Staff Julie Di Gaetani, Viola Theme I I Peter Wiley, Cello Production Staff Karen Brown Barry Leon K.H. Elliott Assistant Stage Manager A satanic mass - a religion without belief - possession by the ritual David E.Huntington Parker Costume Supervisor Theme I l l itself. Lillian Avery Wardrobe Mistress Mary Cray Wardrobe Assistant Alba Calzada Dane La Fontsee INTERMISSION Frank Quinlan Master Carpenter George W. Parker Master Electrician Melancholic J.J. McIntyre Assistant Electrician Time Passed Summer John C. Lyster Master of Properties David Kloss Peter Dudley Production Assistant Angela Schmidt Constance Ross Sandra Applebaum Kimberly Dye Anya Patton Linda Zettle Choreography by Benjamin Harkarvy Music Staff Costume Design Neil Bierbower Sanguinic Lighting Design by Nicholas Cernovitch Daniel Forlano Assistant Conductor & Orchestra Librarian Music by Peter I. Tchaikovsky Marian Head Orchestra Personnel Manager Barbara Sandonato Keith Martin Sound Design by Charles Cohen Karl Fogmeg Solo Pianist Christina Bernal Netta Blitman Enid Britten Missy Yancey Helen Kwalwasser Concert Mistress Phlegmatic Alba Calzada Joanne Danto Michelle Lucci Barbara Sandonato Gretchen Warren School of the Pennsylvania Ballet Janek Schergen David Kloss Keith Martin Lawrence Rhodes Barbara Weisberger, Chairman of the Faculty Dana Arey Barbarajean Martin Reva Pincusoff Linda Zettle Karen Brown Constance Ross Dane La Fontsee Dana Arey Anya Patton Angela Schmidt Linda Zettle Jose Aberastain Margarita DeSaa Choleric Sandra Applebaum Christina Bernal Kimberly Dye Missy Yancey Grace Haught David Jordan Remus Marcu Richard Rein Ramon Rivera Gretchen Warren Susan Hess Members of the Faculty Yvonne Patterson To Forget So Soon Alexei Yudenich John White Why - Op. 6 No. 5 May Blitman, School Administrator As explained in Mr. Balanchine's text, "Great Ballets," this work Mid the Din of the Ball - Op. 38 No. 3 is "an expression in dance and music of the ancient notion that Through the Window - Op. 60 No. 10 Howard Friedman, D.O. James E. Nixon, M.D. Company Physicians the human organism is made up of four different humors, or tem- Cradle Song - Op. 16 No. 1 peraments. Each one of us possesses these four humors, but in dif- Twas April - Op. 38 No. 2 The Pennsylvania Ballet tours exclusively under Tornay Management, Ltd., ferent degrees, and it is from the dominance of one of them that Remorse - Op. 57 No. 2 New York. The studios of the Pennsylvania Ballet are located at the four physical and psychological types - melancholic, sanguinic, Do Not Ask - Op. 57 No. 3 2333 Fairmount Avenue, Philadelphia, Pennsylvania 19130. phlegmatic, and choleric - were derived. Greek medicine associated Now the Lights Have Gone Out - Op. 65 No. 5 Telephone (2151 232 -1500. 1- the humors four and temperaments with the four elements - earth, Night - Op. 73 No. 2 water, fire and air - which to them composed the human body as None But the Lonely Heart - Op. 6 No. 6 The Pennsylvania Ballet is supported by the Pennsylvania Ballet Association well as the world." However, this notion is not treated literally in and major grants from the National Endowment for the Arts, the Pennsylvania the ballet - more as a point of departure. Premiered in 1946 by Carole Walters, Mezzo Soprano Council on the Arts, the Ford Foundation, the A.W. Mellon Educational Ballet Society (predecessor of the New York City Ballet), The Four William Metcalf, Baritone and Charitable Trust, and the Haas Community Funds. Temperaments represents another area 1 of the Balanchine spectrum. Karl Fogmeg, Piano Along with Concerto Barocco and Symphony in C in the Penn- Costumes for Time Passed Summer executed in the Pennsylvania Ballet sylvania repertoire, The Four Temperaments is another essay in Costume Shop under the supervision of Michael L. Seiser and E. Oliver Olsen; wigs by Dayvid Warda; jewelry by L.
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