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Ilana Sascha Goldman 2802 Coldstream Dr, Tallahassee, FL 32312 [email protected] 510-366-5638

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Ilana Sascha Goldman 2802 Coldstream Dr, Tallahassee, FL 32312 Ilanagoldman99@Gmail.Com 510-366-5638 Ilana Sascha Goldman 2802 Coldstream Dr, Tallahassee, FL 32312 [email protected] 510-366-5638 www.ilanagoldman.org Professional Preparation 2013 MFA, University of Washington. Major: Dance 1999 BFA, The Juilliard School. Major: Dance Professional Experience 2013–present Assistant Professor, Dance, Florida State University 2011–2013 Dancer, Chamber Dance Company Founded in 1990, this Seattle-based company comprised of MFA candidates at the University of Washington is renowned for presenting and archiving important works from the modern dance canon. 2011–2013 Graduate Teaching Assistant, Dance Program, University of Washington Instructor of Record for 14 courses and TA for 2. 2009–2011 Dancer, Trey McIntyre Project Founded in 2005, Trey McIntyre Project is a highly acclaimed national and international touring contemporary ballet company. 2005–2009 Principal Dancer, Sacramento Ballet Founded in 1954, Sacramento Ballet has gained a reputation for its productions of full- length classics, Balanchine ballets, and world premieres by significant contemporary choreographers. The company performs locally in California, as well as internationally. 2005 Guest Artist, Alonzo King LINES Ballet Founded in 1982, LINES Ballet tours nationally and internationally and is lauded as one of the finest contemporary ballet companies in the world. 2001–2003, 2005 Principal Dancer, Oakland Ballet Founded in 1965, Oakland Ballet has gained recognition for its revivals of ballets by Ballets Russes choreographers and the iconic works of Eugene Loring, Agnes de Mille, Kurt Jooss, and Antony Tudor. 2004 Dancer, Cedar Lake Contemporary Ballet Founded in 2003, Cedar Lake is known for its exceptional dancers and commissioning world-class choreographers. 1999 Dancer, Mia Michaels R.A.W. R.A.W. was Mia Michaels' New York-based concert dance company. Emmy award winner Mia Michaels is known for her work on So You Think You Can Dance as a judge and choreographer, and has choreographed for Madonna, Celine Dion, Ricky Martin, Gloria Estefan, and Prince, in addition to the Radio City Music Hall Rockettes, Broadway's Finding Neverland, and numerous televisions engagements. Honors, Awards, and Prizes University Undergraduate Teaching Award Nominee, Florida State University (2018) Ineligible for the award because nomination came within five years of previous teaching award University Undergraduate Teaching Award Nominee, Florida State University (2017) Ineligible for the award because nomination came within five years of previous teaching award University Undergraduate Teaching Award, Florida State University (2016) Recognized for excellence in teaching University Transformation Through Teaching Award, Florida State University (2016) One of 14 professors, university-wide, recognized for a transformative influence in the life of a student in and out of the classroom. Nominated by a graduate student. University Excellence in Teaching Award Nominee, Florida State University (2015) Ineligible because I had been at FSU fewer than two full years Full Scholarship/Tuition Waiver, University of Washington (2011) The award was applied to my MFA degree John Erskine Prize for Artistic and Academic Excellence, The Juilliard School (1999) Given to one member of Juilliard's graduating class Current Membership in Professional Organizations Dance Films Association National Dance Education Organization World Dance Alliance Teaching Florida State University Ballet I (DAA3208) Ballet II (DAA3209) Ballet III (DAA4210) Graduate Ballet (DAA5218) Pointe Technique and Variations (DAA3224) Graduate Pointe (DAA5228) Methods and Materials in Dance Education (DAE3384) Introduction to the Dance Profession (DAN4935) Honors Study in Dance (DAN4900) Intermediate Ballet-Nonmajors (DAA2203) DIS: Community Engagement (DAN5905) MA Capstone Project (DAN5905) DIS: Ballet Studies (DAN5905) University of Washington Beginning Ballet (DAN103A) Intermediate Ballet (DAN204A) Advanced Ballet (DAN402B) Beginning Modern Dance (106B) Intermediate Modern Dance (DAN204A) Introduction to Dance (DAN101B) Dance and Community (DAN490C) Understanding Dance – Online Course – Teaching Assistant (DAN100) New Course Development Dance and Community, University of Washington (2013) Curriculum Development BFA/MA Combined Degree Program, developed as part of the Curriculum Committee (2015) Doctoral Committee Member Duncan, R. (2014) Maurice Béjart's Third Space: Revision of Gender Through Dance. Master's Committee Chair Opiel, J. (in process) Reconnecting a Ballerina to her Body. Boni, H. (2017) Extensions of Us. Krumel, R. (2016) Beauty Unveiled. Range, V. (2015) The Way We're Made: Restoration of the Whole Self in a Compartmentalized Culture. Escher, L. (2014) Itinerant Italians: Making New Homes for Ballet in France and Russia. Master's Committee Member Li, Y. (in process) Choreographing Performer-Audience Relationships Through The Study Of Behavior And Attention. Booker, J. (2018) OWN: Investigating The Mere Ownership Effect in Object-Based Attachment and Detachment. Rivas, S. (2018) Creating a Targeted Conditioning Program to Manage the Demands of a Choreographic Work. Barcelona, A. (2016) Ballet: Classical, Neoclassical, Contemporary & Beyond Delineating the Path of Ballet Choreography from its Romantic, Ethereal Beginnings to the Contemporary, Abstract Realism of Today. Garcia, I. (2016) Embodying the Psychic and the Soul: A Journey of Exploration Through Darkness and Liberation. Caruso, N. (2014) The 610 Stompers of New Orleans: Mustachioed Men Making a Difference Through Dance. Stokes, C. (2017) Bridging the Gap: An Examination of my Dance Histories and Experiences in Bedford-Stuyvesant. Bachelor's Committee Chair Ewing, A. K. (2016) Ballet After School: Designing a Curriculum for an After-School Ballet Program in Public Schools. [Honors in the Major] Monahan, S. (2015) American Standards in Ballet Education. [Honors in the Major] Bachelor's Committee Member Velazquez, A. (2017) Transferring Improved Pelvic Alignment Into Ballet Technique Class. Master's Comprehensive Exam Committee Booker, J. (2018) MFA Boni, H. (2017) MFA. Chair Lee, A. (2017) MFA Ross, D. (2017) MFA Stokes, C. (2017) MFA Barcelona, A. (2016) MFA Hand, E. (2016) MFA Krumel, R. (2016) MFA. Chair Range, V. (2015) MFA. Chair Ahn, J.E. (2014) MFA Supervision of Student Research Not Related to Thesis or Dissertation Ayo, A. & Fernandez, J. (Florida State University, 2018, BFA) Choreographic mentor for “Open Boundaries” for Days of Dance Concert. Opiel, J. (Florida State University, 2018, MFA) th Choreographic mentor for “4 Girl on the Left” for Days of Dance Concert. Helman, M. (Florida State University, 2016, MA) Choreographic mentor for Days of Dance Concert. Parker, S. (Florida State University, 2016, BFA) Choreographic mentor for "Ladies Day" for Days of Dance Concert. Love, K. (Florida State University, 2015, BFA) Choreographic mentor for "To Stand Out" for Days of Dance Concert. Patsfall, A. (Florida State University, 2015, MFA) Choreographic mentor for "Bound" for Days of Dance Concert. Goos, A., (Florida State University, 2014, MFA) Choreographic mentor for Days of Dance Concert. Erickson, M., (U. of Washington, 2013, BA) Choreographic mentor for Dance Major's Concert - University of Washington. Additional Teaching not in Higher Education (2014, 2016, 2017) Ballet Technique Classes. Perry-Mansfield Performing Arts School and Camp (summers only) (2015) Ballet Technique Classes. Regional Dance America, National Choreographers Intensive (2009–2011) Company Classes. Trey McIntyre Project I taught ballet technique classes for the company's dancers. (2006–2009) Contemporary Ballet and Modern Technique Classes. School of the Sacramento Ballet (2004) Ballet, Pointe, and Variations Classes. Berkeley City Ballet (2001–2005) Company Classes. Oakland Ballet I taught ballet technique classes for the company's dancers. (2000) Ballet Technique Classes and Rehearsal Director for Juilliard students Appalachian Arts Festival I was appointed by Juilliard Director of Dance, Benjamin Harkarvy, to serve in this position for a three week residency of choreographer Adam Hougland, composer Justine Chen, and Juilliard students at this festival in Boone, NC. Research and Original Creative Work Publications Refereed Journal Articles Goldman, I. (2013). Performance Matters in Community Dance. Journal of Emerging Dance Scholarship, 1, 1–27. Retrieved from http://www.jedsonline.net/wp- content/uploads/2013/07/PERFORMANCE-MATTERS-IN-COMMUNITY- DANCE.pdf In this paper, I argued that despite the fact that most of the literature on community dance emphasizes the process over the product, the cumulative performance (the product) is an important component in building community and empowering participants in many community dance works. Presentations Invited Papers at Symposia (Presented 2012) "Performance Matters in Community Dance." In Graduate Research Symposium. Symposium conducted at University of Washington. (National) Refereed Papers at Conferences (Presented 2017, November) Community Arts Initiative: A Model for Community Engagement Within Dance Education. Paper presented at Annual Conference, National Dance Education Organization, San Antonio, TX. (National) This paper presentation explored FSU School of Dance's student organization, the Community Arts Initiative, as a model for community engagement in educational settings. I illustrated how the organization’s community-based projects empower students and impart to them creative life lessons that translate to the current
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