DOCSLIB.ORG

Heritage-Based Design

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

HERITAGE, HERITAGE, HISTORY AND DESIGN BETWEEN EAST AND WEST | | WEST AND EAST DESIGN BETWEEN AND HISTORY HERITAGE, HISTORY AND DESIGN A CLOSE-UP ON KYOTO’S URBAN FABRIC | Marie-Thérèse van Thoor & Sara Stroux Stroux Thoor & Sara van | Marie-Thérèse FABRIC URBAN ON KYOTO’S A CLOSE-UP BETWEEN EAST AND A Close-Up on Kyoto’s Urban Fabric [eds] WEST Marie-Thérèse van Thoor & Sara Stroux [eds] Heritage, History and Design Between East and West This publication was made possible thanks to the financial support of the KYOTO Design Lab, Kyoto Institute of Technology. ISBN 978-94-6366-028-0 © 2018 TU Delft No part of these pages, either text or image, may be used for any purpose other than research, academic or non-commercial use. The publisher has done its utmost to trace those who hold the rights to the displayed materials. Heritage, History and Design Between East and West A Close-Up on Kyoto’s Urban Fabric Marie-Thérèse van Thoor & Sara Stroux [eds] Preservation and Adaptive Reuse as a Common Challenge Exchange between Delft University of Technology and Kyoto Institute of Technology Preservation and Adaptive Reuse as a Common Challenge Exchange between Delft University of Technology and Kyoto Institute of Technology This book comprises a collection of essays on traditional machiya This book was conceived as a record of the outcomes of in Kyoto from various viewpoints and at different scales, including exchanges between students and scholars of architectural the urban fabric, the construction, the layout of the space plan, history, preservation and adaptive reuse at Delft University of and building materials and details. By discussing the topic Technology (TU Delft) and Kyoto Institute of Technology (KIT). further from the various perspectives of the Dutch and Japanese The exchange started when Kazuto Kasahara from KIT joined scholars, we aim not only to cultivate a better understanding TU Delft’s RMIT (which later became the Heritage & Architecture of machiya, but also to clarify the difference between the section) as a visiting scholar from 2010 to 2011, and conducted Netherlands and Japan in terms of ideas and approaches to surveys and research on preservation and adaptive reuse of preservation and regeneration of historical buildings. historical buildings. Since then, both universities have been engaged in ongoing research and educational exchanges Concepts and approaches with respect to traditional through KIT’s invitations to scholars from TU Delft. In February architecture differ greatly between the Netherlands and Japan. 2012, KIT hosted the international symposium The Present The differences lie not only in the construction methods, and Future of Preservation of Modern Architecture and invited respectively brick and timber construction, but also in the ways Marie-Thérèse van Thoor and Hielkje Zijlstra to lecture. On of living, as well as miscellaneous systems and regulations the occasion of other symposia on preservation and adaptive regarding architectural materials. Efforts to clarify such reuse of historical buildings, Wessel de Jonge (November differences will promote a better understanding of each other’s 2016) and Paul Meurs (February 2018) were invited to speak. culture, history and context, as well as comparative studies In March 2015, Paul Meurs and Hielkje Zijlstra visited Japan to and a re-evaluation of ideas and approaches to preservation, investigate possibilities for further collaboration in research regeneration and adaptive reuse of historical buildings in and education within the KYOTO Design Lab, an institution both countries. launched by KIT and dedicated to practice-based research and innovation in, amongst others, the field of urban revitalization and architectural design. As a first joint project, KIT and TU Delft organized the design project Heritage & Machiya, involving a group of ten students from each university, from November 2015 to February 2016. Sara Stroux and Alexander de Ridder from the Netherlands and Kazuto Kasahara and Kazue Akamatsu from Japan participated in the project as instructors. The students’ works were exhibited at TU Delft in November 2016. Five TU Delft scholars spent a month in Kyoto conducting research into machiya: Hielkje Zijlstra (Nov.-Dec. 2015), Lidwine Spoormans (Jan.-Feb. 2016), Carola Hein (July-Aug. 2016), Marie-Thérèse van Thoor (Feb.-Mar. 2017), and Barbara Lubelli (July-Aug. 2017). Most of the contributions in this book present the outcomes of these study trips. Thus, TU Delft and KIT have been cultivating research and educational exchanges especially in the field of preservation and adaptive reuse of historical buildings, which are the challenges of the immediate future in the Netherlands and in Japan. The exchanges between both universities will hopefully contribute to finding solutions. Yoshiro Ono Professor and Vice President, Kyoto Institute of Technology / CEO, KYOTO Design Lab Contents Contents Debates on History and Heritage between East and West 9 Sara Stroux & Marie-Thérèse van Thoor Machi 13 Neighbourhood and Small Town—The Foundation for Urban Transformation in Japan Carola Hein Kyoto’s Landscape 29 A close look at the Meirin District Marie-Thérèse van Thoor Machiya Today 45 Concepts and Methods of Renovation Design Kazuto Kasahara Clay-Based Building Materials in Traditional Kyomachiya 55 Barbara Lubelli Culture is in the Details 67 Hielkje Zijlstra Adapting Traditional Machiya to a Contemporary Lifestyle 83 Lidwine Spoormans Re-Programming a Machiya 101 Student Projects as Test Ground References 107 Colophon 113 7 Heritage, History and Design Between East and West – A Close-Up on Kyoto’s Urban Fabric Debates on History and Heritage between East and West Sara Stroux & Marie-Thérèse van Thoor 8 Debates on History and Heritage between East and West Debates on History and Heritage between East and West Sara Stroux & Marie-Thérèse van Thoor The collaboration between KIT and TU Delft started out with renovating traditional machiya is steadily declining. Today, the central theme of machiya, a traditional type of wooden while a lot of new buildings imitate certain features of machiya townhouse, known in Kyoto as kyomachiya. Rather than architecture – mainly the design of the street facade and Kyoto’s pre-eminent monuments like shrines, temples or one the building volume – they employ fundamentally different of the 17 world heritage sites, the vernacular architecture construction methods and materials. In recent years traditional of the kyomachia seemed to be the ideal study subject, machiya have been renovated, extended or transformed for addressing conservation issues and the need for adaptation other functions, such as popular hotels (B&Bs) and restaurants. to both contemporary demands and new uses. With over Unfortunately, a lot of machiya are simply demolished and 40,000 machiya still in existence, this building type is very replaced by modern buildings. characteristic of the cultural landscape of Kyoto. Machiya, built on narrow parcels and recognizable by their closed street In the following chapters, researchers from KIT and TU Delft facades (omoté), originally combined a residential function with present the findings and outcomes of their research, conducted a commercial one. for the most part during their field trips to Japan. Depending on their individual scholarly background and research focus, the However, traditional machiya are increasingly disappearing from authors studied various topics related to machiya architecture the Kyoto streetscape. Complicated ownership and inheritance and the challenge of preserving this specific Japanese heritage structures prevent young people from buying or inheriting for future generations: from the urban organization of machi, traditional machiya. The fact that machiya do not provide any concepts and methods of conservation theory and practice, and parking space and do not satisfy contemporary Japanese living design approaches to adaptation and reuse of machiya, to the standards, are just two of the reasons why wealthier people significance of craftsmanship and detailing and the question prefer to live in new apartment buildings. Occasionally they of which essential features of machiya architecture can (and own a machiya as a second house. But a lot of machiya are still should) be preserved. A selection of design proposals by inhabited by older people, who have great difficulty maintaining students of KIT and TU Delft complement Lidwine Spoormans these wooden structures with earth walls and floors. What study of design strategies for adaptive reuse. is more, the number of craftsmen capable of restoring and 9 Heritage, History and Design Between East and West – A Close-Up on Kyoto’s Urban Fabric Most of the results are based on close reading, site visits and interviews with craftsmen, architects, academics and other heritage professionals conducted during short visits to Japan. Aware that all observations made here are influenced by either an Eastern or a Western background, and given the limited research time and lack of English literature on the topic, this publication does not claim to be exhaustive. It aims—like the entire exchange programme between KIT and TU Delft— to stimulate the debate on history and built heritage between East and West. 10 Debates on History and Heritage between East and West 11 Heritage, History and Design Between East and West – A Close-Up on Kyoto’s Urban Fabric # Machi Neighbourhood and Small Town—The Foundation for Urban Transformation in Japan Carola Hein 12 Machi Machi
Recommended publications
  • The Garden Path

    The Garden Path

    Photo: David M. Cobb THE GARDEN PATH MARCH 2016 • VOLUME 15 • NUMBER 3 WELCOME BACK MEMBERS SOME TIPS FOR VISITING: On March 1, just as Portland is turning to the soft breezes and opening v Construction will continue outside the Garden gates buds of spring, the Portland Japanese Garden will welcome visitors to until Spring 2017 return to our five familiar landscapes. From new leaf growth on our v The shuttle from our parking lot to the Admission Gate will Japanese maples, to pink petals appearing on our 75-year-old weeping be available Friday, Saturday, and Sundays only cherry tree, Members will have plenty of springtime sights to enjoy. v Consider taking public transportation; much of the lower Gardeners have spent the last six months getting the Garden into parking lot is being used for construction staging peak condition, and plants are well-rested and healthy—rejuvenated v Trimet Bus-Line 63 runs every hour, Monday through Friday for spring. Inside the Garden and out, this year promises to be one of v The Garden will switch to summer hours on March 13 beauty, culture, and growth. A JOURNEY FAMILIAR AND NEW Mr. Neil was born and raised on the western slope of the Rocky Members walking up the hillside path will notice a new set of stairs with Mountains in Colorado. The fantastic array of wind-swept trees in the an altered entrance into the Garden. The stair landing allows visitors landscape instilled in him a deep fascination with their beauty and the best view to observe ongoing construction, especially the progress the resilient nature of plants.
  • Western Literature in Japanese Film (1910-1938) Alex Pinar

    Western Literature in Japanese Film (1910-1938) Alex Pinar

    ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials dʼinvestigació i docència en els termes establerts a lʼart. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix lʼautorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No sʼautoritza la seva reproducció o altres formes dʼexplotació efectuades amb finalitats de lucre ni la seva comunicació pública des dʼun lloc aliè al servei TDX. Tampoc sʼautoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. 32 del Texto Refundido de la Ley de Propiedad Intelectual (RDL 1/1996). Para otros usos se requiere la autorización previa y expresa de la persona autora. En cualquier caso, en la utilización de sus contenidos se deberá indicar de forma clara el nombre y apellidos de la persona autora y el título de la tesis doctoral.
  • The Sexual Life of Japan : Being an Exhaustive Study of the Nightless City Or the "History of the Yoshiwara Yūkwaku"

    The Sexual Life of Japan : Being an Exhaustive Study of the Nightless City Or the "History of the Yoshiwara Yūkwaku"

    Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924012541797 Cornell University Library HQ 247.T6D27 1905 *erng an exhau The sexual life of Japan 3 1924 012 541 797 THE SEXUAL LIFE OF JAPAN THE SEXUAL LIFE OF JAPAN BEING AN EXHAUSTIVE STUDY OF THE NIGHTLESS CITY 1^ ^ m Or the "HISTORY of THE YOSHIWARA YUKWAKU " By J, E. DE BECKER "virtuous men hiive siitd, both in poetry and ulasslo works, that houses of debauch, for women of pleasure and for atreet- walkers, are the worm- eaten spots of cities and towns. But these are necessary evils, and If they be forcibly abolished, men of un- righteous principles will become like ravelled thread." 73rd section of the " Legacy of Ityasu," (the first 'I'okugawa ShOgun) DSitl) Niimrraiia SUuatratiuna Privately Printed . Contents PAGE History of the Yosliiwara Yukwaku 1 Nilion-dzutsumi ( 7%e Dyke of Japan) 15 Mi-kaeri Yanagi [Oazing back WUlow-tree) 16 Yosliiwara Jiuja ( Yoahiwara Shrine) 17 The "Aisome-zakura " {Chen-y-tree of First Meeting) 18 The " Koma-tsunagi-matsu " {Colt tethering Pine-tree) 18 The " Ryojin no Ido " {Traveller's Well) 18 Governmeut Edict-board and Regulations at the Omen (Great Gate) . 18 The Present Omon 19 »Of the Reasons why going to the Yosliiwara was called " Oho ve Yukn " ". 21 Classes of Brothels 21 Hikite-jaya (" Introducing Tea-houses"') 28 The Ju-hachi-ken-jaya (^Eighteen Tea-houses) 41 The " Amigasa-jaya
  • Improving Design Using Autonomous Spatial and Structural Generators

    Improving Design Using Autonomous Spatial and Structural Generators

    Improving Design using Autonomous Spatial and Structural Generators Herm Hofmeyer, Harry Rutten, Henk Fijneman Structural Design Group, Department of Architecture, Building, and Planning, Technische Universiteit Eindhoven, The Netherlands http://w3.bwk.tue.nl Abstract. During a building design process, a structural designer transforms a spatial design into a structural design and this structural system can be improved by optimisation methods or expert views of other structural designers. The im- proved structural system allows the architect a new spatial design, which can be transformed or altered again by the architect. This design cycle can be repeated several times and is defi ned as interaction of spatial and structural design. Case studies are used to demonstrate that this interaction occurs in practice and is needed to improve building quality. This paper presents a program with more or less autonomous spatial and structural generators. Each generator will facilitate one direction in the interaction process. Then using both consecutively leads to a design method that provides interaction between spatial and structural design. For the spatial generator, named “room positioning with structural constraints” a space allocation technique is used including constraints that handle structural boundary conditions. A zone generator based on pattern recognition and shape grammars handle the structural design. A Prolog-2 program was developed to demonstrate the application of the two proposed generators. “Zone generation” is performed per building storey and thus represents a horizontal two-dimensional procedure. Similarly “room positioning with structural constraints” is a planar vertical operation. In future these procedures can be made three-dimensional. Keywords. Spatial design, structural design, interaction, case study, data model.
  • The Lesson of the Japanese House

    The Lesson of the Japanese House

    Structural Studies, Repairs and Maintenance of Heritage Architecture XV 275 LEARNING FROM THE PAST: THE LESSON OF THE JAPANESE HOUSE EMILIA GARDA, MARIKA MANGOSIO & LUIGI PASTORE Politecnico di Torino, Italy ABSTRACT Thanks to the great spiritual value linked to it, the Japanese house is one of the oldest and most fascinating architectural constructs of the eastern world. The religion and the environment of this region have had a central role in the evolution of the domestic spaces and in the choice of materials used. The eastern architects have kept some canons of construction that modern designers still use. These models have been source of inspiration of the greatest minds of the architectural landscape of the 20th century. The following analysis tries to understand how such cultural bases have defined construction choices, carefully describing all the spaces that characterize the domestic environment. The Japanese culture concerning daily life at home is very different from ours in the west; there is a different collocation of the spiritual value assigned to some rooms in the hierarchy of project prioritization: within the eastern mindset one should guarantee the harmony of spaces that are able to satisfy the spiritual needs of everyone that lives in that house. The Japanese house is a new world: every space is evolving thanks to its versatility. Lights and shadows coexist as they mingle with nature, another factor in understanding the ideology of Japanese architects. In the following research, besides a detailed description of the central elements, incorporates where necessary a comparison with the western world of thought. All the influences will be analysed, with a particular view to the architectural features that have influenced the Modern Movement.
  • The Study of Spatial Safety and Social Psychological Health Features Of

    The Study of Spatial Safety and Social Psychological Health Features Of

    International Journal of Environmental Research and Public Health Article The Study of Spatial Safety and Social Psychological Health Features of Deaf Children and Children with an Intellectual Disability in the Public School Environment Based on the Visual Access and Exposure (VAE) Model Ning Ma 1, Sa Ma 2, Shuangjin Li 3, Shuang Ma 4,*, Xinzhi Pan 5 and Guohui Sun 6,* 1 College of Art and Design, Beijing University of Technology, Beijing 100124, China; [email protected] 2 Shenzhen Key Laboratory of Spatial Information Smart Sensing and Services, School of Architecture and Urban Planning, Research Institute for Smart Cities, Shenzhen University, Shenzhen 518060, China; [email protected] 3 Graduate School for International Development and Cooperation, Hiroshima University, Higashi Hiroshima 739-8529, Japan; [email protected] 4 Research Center for Advanced Science and Technology, The University of Tokyo, Tokyo 153-8904, Japan 5 Laguardalow Architect, New York, NY 10041, USA; [email protected] 6 Beijing Key Laboratory of Environment and Viral Oncology, Faculty of Environment and Life, College of Life Science and Chemistry, Beijing University of Technology, Beijing 100124, China * Correspondence: [email protected] (S.M.); [email protected] (G.S.); Tel.: +81-80-5919-9031 (S.M.); +86-10-6739-6139 (G.S.) Citation: Ma, N.; Ma, S.; Li, S.; Ma, S.; Pan, X.; Sun, G. The Study of Spatial Abstract: Nowadays, there is increasing attention towards the safety and feelings of children in Safety and Social Psychological urban or architectural space. In this study, the authors suggest a new approach based on the Visual Health Features of Deaf Children and Access and Exposure (VAE) Model to evaluate the spatial safety and social psychological health Children with an Intellectual features of deaf children and children with an intellectual disability in the public school environment.
  • Shigisan Engi Shigisan Engi Overview

    Shigisan Engi Shigisan Engi Overview

    Shigisan engi Shigisan engi Overview I. The Shigisan engi or Legends of the Temple on Mount Shigi consists of three handscrolls. Scroll 1 is commonly called “The Flying Granary,” Scroll 2 “The Exorcism of the Engi Emperor,” and Scroll 3 “The Story of the Nun.” These scrolls are a pictorial presentation of three legends handed down among the common people. These legends appear under the title “Shinano no kuni no hijiri no koto” (The Sage of Shinano Province) in both the Uji sh¯ui monogatari (Tales from Uji) and the Umezawa version of the Kohon setsuwash¯u (Collection of Ancient Legends). Since these two versions of the legends are quite similar, one is assumed to be based on the other. The Kohon setsuwash¯u ver- sion is written largely in kana, the phonetic script, with few Chinese characters and is very close to the text of the Shigisan engi handscrolls. Thus, it seems likely that there is a deep connection between the Shigisan engi and the Kohon setsuwash¯u; one was probably the basis for the other. “The Flying Granary,” Scroll 1 of the Shigisan engi, lacks the textual portion, which has probably been lost. As that suggests, the Shigisan engi have not come down to us in their original form. The Shigisan Ch¯ogosonshiji Temple owns the Shigisan engi, and the lid of the box in which the scrolls were stored lists two other documents, the Taishigun no maki (Army of Prince Sh¯otoku-taishi) and notes to that scroll, in addition to the titles of the three scrolls.
  • Japonisme in Britain - a Source of Inspiration: J

    Japonisme in Britain - a Source of Inspiration: J

    Japonisme in Britain - A Source of Inspiration: J. McN. Whistler, Mortimer Menpes, George Henry, E.A. Hornel and nineteenth century Japan. Thesis Submitted for the Degree of Doctor of Philosophy in the Department of History of Art, University of Glasgow. By Ayako Ono vol. 1. © Ayako Ono 2001 ProQuest Number: 13818783 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818783 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 GLASGOW UNIVERSITY LIBRARY 122%'Cop7 I Abstract Japan held a profound fascination for Western artists in the latter half of the nineteenth century. The influence of Japanese art is a phenomenon that is now called Japonisme , and it spread widely throughout Western art. It is quite hard to make a clear definition of Japonisme because of the breadth of the phenomenon, but it could be generally agreed that it is an attempt to understand and adapt the essential qualities of Japanese art. This thesis explores Japanese influences on British Art and will focus on four artists working in Britain: the American James McNeill Whistler (1834-1903), the Australian Mortimer Menpes (1855-1938), and two artists from the group known as the Glasgow Boys, George Henry (1858-1934) and Edward Atkinson Hornel (1864-1933).
  • Making Shoji Free

    Making Shoji Free

    FREE MAKING SHOJI PDF Toshio Odate,Laure Olender | 128 pages | 01 Jul 2000 | Linden Publishing Co Inc | 9780941936477 | English | Fresno, CA, United States Recommended books：Making Shoji – 翠紅舎 The shoji screens are part of a project that my friend Yann of Mokuchi Woodworking has taken on. There are 20 screens that need to be made in total, and I just finished making 8 of them. The proportions and style were based on the Making Shoji screens. The wood for the shojis is Alaskan yellow cedar, which is beautiful material to work Making Shoji. And after making a lot of chips and noise I ended up with a nice clean stack of milled parts for the rails and stiles. Making Shoji next step was to lay out all of the mortises. There are three mortises per stile, two for the top and bottom rails and one for the rail that separates the kumiko grid from the panel. After laying out all the mortise I then marked and cut the tenons. Below are the tenons nearly complete. The haunched tenons Making Shoji for the top and bottom rails and the straight tenons are Making Shoji the middle rails. My first step was to cut the shoulders for all the tenons using the table saw, then I angled the blade and cut the angle for the haunches. After that I used Making Shoji shop-made tenoning jig to cut the cheeks. For the cheek cuts I oversized the cut so that the tenons would be extra thick, then I used a horizontal router multi-router to do the final cleanup bringing the tenons to the right thickness.
  • Japanese Spatial Culture, Nature and Architecture

    Japanese Spatial Culture, Nature and Architecture

    PATTERNS and LAYERING Japanese Spatial Culture, Nature and Architecture Foreword by Kengo KUMA Edited by Salvator-John A. LIOTTA and Matteo BELFIORE PATTERNS and LAYERING Japanese Spatial Culture, Nature and Architecture Foreword: Kengo KUMA Editors: Salvator-John A. LIOTTA Matteo BELFIORE Graphic edition by: Ilze PakloNE Rafael A. Balboa Foreword 4 Kengo Kuma Background 6 Salvator-John A. Liotta and Matteo Belfiore Patterns, Japanese Spatial Culture, Nature, and Generative Design 8 Salvator-John A. Liotta Spatial Layering in Japan 52 Matteo Belfiore Thinking Japanese Pattern Eccentricities 98 Rafael Balboa and Ilze Paklone Evolution of Geometrical Pattern 106 Ling Zhang Development of Japanese Traditional Pattern Under the Influence of Chinese Culture 112 Yao Chen Patterns in Japanese Vernacular Architecture: Envelope Layers and Ecosystem Integration 118 Catarina Vitorino Distant Distances 126 Bojan Milan Končarević European and Japanese Space: A Different Perception Through Artists’ Eyes 134 Federico Scaroni Pervious and Phenomenal Opacity: Boundary Techniques and Intermediating Patterns as Design Strategies 140 Robert Baum Integrated Interspaces: An Urban Interpretation of the Concept of Oku 146 Cristiano Lippa Craft Mediated Designs: Explorations in Modernity and Bamboo 152 Kaon Ko Doing Patterns as Initiators of Design, Layering as Codifier of Space 160 Ko Nakamura and Mikako Koike On Pattern and Digital Fabrication 168 Yusuke Obuchi Foreword Kengo Kuma When I learned that Salvator-John A. Liotta and Matteo Belfiore in my laboratory had launched a study on patterns and layering, I had a premonition of something new and unseen in preexisting research on Japan. Conventional research on Japan has been initiated out of deep affection for Japanese architecture and thus prone to wetness and sentimentality, distanced from the universal and lacking in potential breadth of architectural theories.
  • Splendors of Japan with Hiroshima

    Splendors of Japan with Hiroshima

    Splendors of Japan with Hiroshima Your itinerary Start Location Visited Location Plane End Location Cruise Train Over night Ferry Day 1 Emperor Akihito's uncle. We'll enjoy a 'Be My Guest' lunch and learn about local Konnichiwa Tokyo Japanese customs as our hosts welcome us into their beautiful home. After lunch, we visit the UNESCO-listed Kinkakuji Temple with its famous Kinkaku (Golden Your in-depth exploration of Japan begins in Tokyo. On arrival at Narita or Haneda Pavilion), the proud symbol of Kyoto and a Zen temple, which has its origins as a Airport, take a shuttle bus transfer to your centrally located hotel, where you'll 14th century villa. join your Travel Director and fellow guests for a Welcome Reception drink and local appetisers. Hotel - Nikko Princess Kyoto Hotel - New Otani Garden Tower Included Meals - Breakfast, Be My Guest Day 8 Included Meals - Welcome Reception Discover Enchanting Kyoto Day 2 Explore Vibrant Tokyo The blazing orange torii gates of Fushimi Inari Shrine guide our path through the forest, up into the mountains and to a sacred site that has heard prayers for We launch our City Tour in the old-time entertainment centre of Asakusa, where prosperity and happiness since the 8th century. We continue to Sanjusangen-do we'll encounter the Sensoji Buddhist Temple. One of Tokyo's most colourful and Hall and admire the minute detail of each of its 1,001 "thousand-handed" popular temples, Sensoji has been rebuilt countless times since it was founded in goddesses of mercy statues, then enjoy a walking tour of the Gion area.
  • Condé Nast Traveller UK, Japan

    Condé Nast Traveller UK, Japan

    WHERE TO STAY INSIDER REPORTS ON THE BEST PLACES TO BED DOWN. EDITED BY ISSY VON SIMSON THE ROUND-UP: JAPAN SMART SAMURAI MANSIONS AND ZEN TEAHOUSES RECONFIGURE THE CLASSIC RYOKAN EXPERIENCE HOTEL LOG IN ONOMICHI December 2020 Condé Nast Traveller 43 12-20WTSMain-ReviewJapan-round-up_3504188.indd 43 09/10/2020 20:34 HOTEL LOG, ONOMICHI The outside of this place, whose name is an acronym for Lantern Onomichi Garden, may not grab anyone’s attention. Set in the Shinmichi complex, built in 1963 on the slopes of Mount Senkoji overlooking the Seto Sea, the white-and-peach apartment building looks unremarkable. But inside it has been transformed into an arty six-room hotel via the wild but disciplined design of architect Bijoy Jain from Studio Mumbai. For his first project outside India, Jain covered every inch of the bedroom walls, floors and ceilings with gleaming-white washi paper; the cocoon effect is deepened by a scarcity of furnishings. Staying in one of these large spartan spaces is rather like sleeping in an art installation. But comfort is key: futons are incredibly soft, and bath tubs can be found in the larger rooms. There is a feeling of being gently swaddled in a delicate paper lantern, but open a window and golden light pours in: the structure is high up, overlooking the pines, palms and roofs of this free-spirited temple town often called Japan’s Portland. Head to the lacquered bar for a glass of local Chardonnay or a cocktail while Eighties pop plays on the turntable. The restaurant is heavy on vegetables, so menus tilt towards salads with greens and micro- herbs, and ceramic bowls are filled withmikan and hassaku citrus fruits that are anything but ordinary.