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April May June
May 2005 vol 40, No.5 April 30 Sat Songs and Letters of the Spanish Civil War, co-sponsored with and at the Peoples’ Voice Cafe May 1 Sun Sea Music Concert: Dan Milner, Bob Conroy & Norm Pederson + NY Packet; 3pm South St.Melville Gallery 4WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 9 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Sat Chantey Sing at Seamen’s Church Institute, 8pm 15 Sun Sacred Harp Singing at St. Bart’s, Manhattan; 2:30 pm 19 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church, Bronx 20 Fri Bill Staines, 8pm at Advent Church ☺ 21 Sat For The Love of Pete; at Community Church 22 Sun Gospel & Sacred Harp Sing, 3pm: location TBA 22 Sun Balkan Singing Workshop w/ Erica Weiss in Manhattan 22 Sun Sunnyside Song Circle in Queens; 2-6pm 27-30 Spring Folk Music Weekend --see flyer in centerfold June 1WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 2 Thur Newsletter Mailing; at Club office, 450 7th Ave, #972, 7 pm 7 Tue Sea Music Concert: Mick Moloney + NY Packet; 6pm South Street Seaport Melville Gallery 11 Sat Chantey Sing at Seamen’s Church Institute, 8pm 13 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Tue Sea Music Concert: The NexTradition + NY Packet; 6pm 16 Thur: Sara Grey & Kieron Means; location to be announced 19 Sun Sacred Harp Singing at St. -
Music for the People: the Folk Music Revival
MUSIC FOR THE PEOPLE: THE FOLK MUSIC REVIVAL AND AMERICAN IDENTITY, 1930-1970 By Rachel Clare Donaldson Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in History May, 2011 Nashville, Tennessee Approved Professor Gary Gerstle Professor Sarah Igo Professor David Carlton Professor Larry Isaac Professor Ronald D. Cohen Copyright© 2011 by Rachel Clare Donaldson All Rights Reserved For Mary, Laura, Gertrude, Elizabeth And Domenica ACKNOWLEDGEMENTS I would not have been able to complete this dissertation had not been for the support of many people. Historians David Carlton, Thomas Schwartz, William Caferro, and Yoshikuni Igarashi have helped me to grow academically since my first year of graduate school. From the beginning of my research through the final edits, Katherine Crawford and Sarah Igo have provided constant intellectual and professional support. Gary Gerstle has guided every stage of this project; the time and effort he devoted to reading and editing numerous drafts and his encouragement has made the project what it is today. Through his work and friendship, Ronald Cohen has been an inspiration. The intellectual and emotional help that he provided over dinners, phone calls, and email exchanges have been invaluable. I greatly appreciate Larry Isaac and Holly McCammon for their help with the sociological work in this project. I also thank Jane Anderson, Brenda Hummel, and Heidi Welch for all their help and patience over the years. I thank the staffs at the Smithsonian Center for Folklife and Cultural Heritage, the Kentucky Library and Museum, the Archives at the University of Indiana, and the American Folklife Center at the Library of Congress (particularly Todd Harvey) for their research assistance. -
To Elektra EKL-264 Mono / EKS-7264 Stereo "The BLUES Project"
DAVE RAY: Dave "Snaker" Ray, whose ambition is to be a doctor, started playing guitar while a sophomore in high school. He origin ally began with blues (Leadbelly) to keep his fingers nimble fo r what he thought would be a classical-flamenco guitarist career. "After an adagio by Sor and a hacked-up Farruca, I began playing Led better's stuff exclusively, " Dave reports. He began playing the 12-string guitar when a senior in high school, and lists as early influences, Elvis' Sun label recordings, Bo Diddley, Muddy Waters, early Chicago, and, of course, Leadbelly. " I sing the blues because it's a medium not as demanding as literatu re or serious music, and free enough to permit a total statement of personality and. self, " Dave states. "I play blues because 1 feel it's important to me to express myself and because I feel it's a significant form of music which hasn't had enough dispersement. As far as white men playing blues, that's all who do play blues. the new Negroes are too busy (doing other things). " Discography: Blues, Rags and Hollers (Elektra EKL 240). Dave Ray may soon be heard, with John Koerner and Tony Glover, on Elektra EKL 267. ERIC VON SCHMIDT: E ric w rites: "B orn 1931; began singing in 1948; first influences were Leadbelly, Josh White and Jelly Roll Morton — then Library of Congress material and field recordings. Worked as magazine illustrator, then painter until 1952... two years in the army, and then to Florida, where I worked as a frame-maker and built a 27-foot ketch which was almost called the 'John Hurt'. -
Still on the Road Session Pages: 1961
STILL ON THE ROAD 1961 FEBRUARY OR MARCH East Orange, New Jersey The Home of Bob and Sid Gleason, “The East Orange Tape” MAY 6 Branford, Connecticut Montewese Hotel, Indian Neck Folk Festival Minneapolis, Minnesota Unidentified coffeehouse, “Minnesota Party Tape 1961” JULY 29 New York City, New York Riverside Church, Hootenanny Special SEPTEMBER 6 New York City, New York Gaslight Café, “The First Gaslight Tape” Late New York City, New York Gerde's Folk City 30 New York City, New York Columbia Recording Studios, Carolyn Hester studio session OCTOBER 29 New York City, New York WNYC Radio Studio Late New York City, New York Folklore Center NOVEMBER 4 New York City, New York Carnegie Chapter Hall 20, 22 New York City, New York Studio A, Columbia Recordings, Bob Dylan recording sessions Late New York City, New York Unidentified Location, Interview conducted by Billy James 23 New York City, New York The Home Of Eve and Mac McKenzie DECEMBER 4 New York City, New York The Home Of Eve and Mac McKenzie 22 Minneapolis, Minnesota The Home Of Bonnie Beecher, Minnesota Hotel Tape Bob Dylan sessions 1961 20 The Home of Bob and Sid Gleason East Orange, New Jersey February or March 1961 1. San Francisco Bay Blues (Jesse Fuller) 2. Jesus Met The Woman At The Well (trad.) 3. Gypsy Davey (trad., arr Woody Guthrie) 4. Pastures Of Plenty (Woody Guthrie) 5. Trail Of The Buffalo (trad., arr Woody Guthrie) 6. Jesse James (trad.) 7. Car, Car (Woody Guthrie) 8. Southern Cannonball (R. Hall/Jimmie Rodgers) 9. Bring Me Back, My Blue-Eyed Boy (trad.) 10. -
Pete Seeger: a Singer of Folk Songs
LINGUACULTURE 2, 2020 PETE SEEGER: A SINGER OF FOLK SONGS DAVID LIVINGSTONE Palacký University Abstract Pete Seeger would have turned one hundred and one on May 3 of this year. To commemorate these ten decades plus one year, I would like to look at eleven of the most remarkable aspects of Pete Seeger’s life, work and legacy. This paper will examine the cultural impact and oral tradition of the music, songs and books of Pete Seeger. This legendary folk musician's career spanned eight decades and touched on many of the key historical developments of the day. He is responsible for some of the iconic songs which have not only helped define American culture, but even beyond. Seeger was also a pioneer in a number of fields, using his music to propagate political convictions, ecological themes, civil rights, world music, education, etc. The folk singer also had his finger on the pulse of a number of developments in American history and culture. He was friends with a number of prominent musicians and artists and influenced an entire range of younger musicians and activists. Keywords: Pete Seeger; Folk music; American history; Social activism; Civil Rights movement Family Pete Seeger’ family was a powerhouse of talent, musically and beyond. Charles Seeger (1886-1979), his father, was a renowned musicologist who held a number of prominent university positions. His political convictions, obviously on the left, were also instrumental in forming his son’s ideological worldview. His mother Constance de Clyver (1886-1975) was also a musician although not as accomplished by far as his stepmother Ruth Seeger (1901-1953) (mother to Mike and Peggy). -
Fall Weekend, November 1-3 Danny Kalb: Friday, Sept. 20
Folk Music Society of New York, Inc. September 2013 vol 48, No. 8 September Mondays (except 9/2): Irish Traditional Music Session; Landmark 4 Wed Folk Open Sing, 7pm in Brooklyn 9 Mon FMSNY Board of Directors Meeting, 7:30pm; see p. 5 15 Sun Shanty Sing, 2-5pm on Staten Island 20 Fri Legends: Danny Kalb; at St. John's Church, Manhattan 22 Sun Singing Party in Sheepshead Bay, Bklyn; 1-6 pm 27-28 Park Slope Bluegrass & Old Time Jamboree, Brooklyn 29 Sun Medieval Festival-booth, Fort Tryon Park, Manhattan October Mondays: Irish Traditional Music Session at the Landmark, 8pm 1 Tue Old-Time Music Jam, 7:30-9:30pm in Brooklyn 1 Tue Newsletter Mailing, 7pm in Jackson Heights (Queens) 2 Wed Folk Open Sing, 7pm in Brooklyn 11 Fri Legends: Archie Fisher; at John St. Church, John St. 12 Sat Bernice Silver Centennial Concert at Peoples' Voice Cafe 14 Mon FMSNY Board of Directors Meeting, 8pm; see p. 5 15 Tue Old-Time Music Jam, 7:30-9:30pm in Brooklyn 18 Fri Martyn Wyndham-Read; Upper West Side location 20 Sun Shanty Sing on Staten Island, 2-5 pm 25 Fri Ice Cream Social; 220 E. 23rd St., 7th floor 29 Tue Old-Time Music Jam, 7:30-9:30pm in Brooklyn Details on pages 2-3 Danny Kalb: Friday, Sept. 20 8pm; St.John's Church, Christopher St Fall Weekend, November 1-3 reserve now -- see pages 5-7 Table of Contents Events at a Glance .................. 1 Calendar Listings ..................10 Society Events Details ...........2-3 Calendar Location Info ...........12 Topical Listing of Society Events 4 Repeating Events ...................14 Fall Weekend info & registration 5-7 Folk Music Society Info ..........21 Weekend Scholarship Info ........ -
Spring Weekend, May 24-27 See Pages 5-6 Table of Contents Events at a Glance
**Updated version as of 5/13/13 -- see also calendar listings on p. 8** Folk Music Society of New York, Inc. May 2013 vol 48, No. 5 May Mondays: Irish Traditional Music Session at the Landmark, 8pm 1 Wed Folk Open Sing, 7pm in Brooklyn 5 Sun Community Sing and Maritime Showcase, 3-5pm, 11 Sat Big Road in Chelsea, 7pm in Manhattan 13 Mon FMSNY Board of Directors Meeting, 7:15pm; see p. 5 14 Tue Old-Time Instrumental Jam, 7:30-9:30pm in Brooklyn 19 Sun Shanty Sing on Staten Island, 2-5 pm 22 Wed Danny Spooner House Concert in Forest Hills, Queens 24-27 Spring Folk Music Weekend, at Hudson Valley Resort Register NOW! -- see flier on pages 5-6. 28 Tue Old-Time Instrumental Jam, 7:30-9:30pm in Brooklyn 29 Wed Newsletter Mailing, 7pm in Jackson Heights (Queens) 30 Thur Songs of the Sea, 7-9pm , Jalopy (Brooklyn) June Mondays: Irish Traditional Music Session at the Landmark, 8pm 5 Wed Folk Open Sing, 7pm in Brooklyn 10 Mon FMSNY Board of Directors Meeting, 7:15pm; see p. 5 11 Tue Old-Time Instrumental Jam, 7:30-9:30pm in Brooklyn 16 Sun Shanty Sing, 2-5pm on Staten Island 18 Tue Danny Spooner, 6pm at John Street Church 21 Fri Make Music NY; Central Park, 4-6pm 25 Tue Old-Time Instrumental Jam, 7:30-9:30pm in Brooklyn Details on pages 2-3 Spring Weekend, May 24-27 see pages 5-6 Table of Contents Events at a Glance .................. 1 Calendar Location Info .......... -
Date Artist App Notes Updated 2017/05/20 1960/05/20 Jackie
Date Artist App Notes updated 2017/05/20 1960/05/20 Jackie Washington 1 Maxine Abel 1 1960/05/27-29 Weekend Folk Song Jamboree w Tom Paley and Sylvia Marrs 1960/06/03-05 Jackie Gibson 1 Schenectady balladeer Peter Stanfield and Dave Levy 1 NYC Country Music Men 1960/06/10, 11 Annie Bird 1 1960/06/17, 18 Jack Ballard 1 1960/06/24, 25 1960/07/01, 02 1960/07/08, 09 1960/07/15, 16 1960/07/22, 23 1960/07/29, 30 Hedy West 1 1960/08/05, 06 Logan English 1 1960/08/12, 13 Dave Van Ronk, Sylvia Marrs 1960/08/19, 20 Ian Buchanon ballads and blues 1960/08/26, 27 Jackie Washington 2 1960/09/02-10 closed for vacation 1960/09/15-17 (H-S) Tom Paxton 1 1960/09/23, 24 Dick Weissman, Hedy West 1960/09/30-08/01 Dick Rosmini guitar, banjo 1960/10/07, 08 1960/10/14, 15 (FS) George “Smoke” Dawson and Rob Hunter 1960/10/21, 22 1960/10/28, 29 1960/11/04, 05 Dave Van Ronk 3 1960/11/11, 12 Tom Paxton 2 1960/11/13 (U) Charlie Fair Trio 1 jazz 1960/11/18, 19 Rev. Gary Davis 2 1960/11/25, 26 Hedy West 1960/11/27 (U) Charlie Fair Trio jazz 1960/11/29 (T) Film Series starts, T & W, showings at 6:30 and 9:15 1960/12/02, 03 Hedy West 1960/12/09, 10 1960/12/16, 17 Luke Faust and Ellen Adler 1960/12/23, 24 Dave Van Ronk 4 1960/12/30, 31 Hedy West 4 1960/01/06, 07 1961/01/12 (H) SPAKAR Auto Sports Club of Saratoga first meeting 1961/01/13, 14 Barry Kornfeld 1 protege of Gary Davis 1961/01/20, 21 Happy Traum 1961/01/26 (W) Charles Bell poet at Yaddo 1961/01/27, 28 Hedy West 5 1961/02/03, 04 The Modern Folk Three John Phillips, Phil McKenzie (The Journeymen) joined by Dick -
"Superb Guitarist and Singer...Every Song's a Gem. " – MD Spenser, Blues Matters Magazine
"Superb guitarist and singer...every song’s a gem. " – M.D. Spenser, Blues Matters Magazine " "A true triple threat. A Songwriter, Vocalist and Slide Guitar Player! Yikes! – Margie & Art Corey/BMI" "Sh*t man, she can play." – John Burdick, HV1 Inducted into the NY Blues Hall of Fame in 2014, Elly Wininger's third album "Little Red Wagon" was #8 on the Folk Music DJ Chart for January 2018 and in the top 100 for that year. Her upcoming album, “The Blues Never End” including the award-winning song “Right Kind of Trouble” will be released in September 2021 by Earwig Music. Having played historic NYC venues such as Kenny’s Castaways, Dr. Generosity’s, Folk City and the Bitter End, Elly now tours and performs nationally and is an annual feature at the Woodstock Invitational Luthier's Showcase. Elly's musical talents, however, don't end there. As producer of a series of music documentaries for Public Radio, "Rockin' the Boat," which chronicles the power of music in movements for social and political change around the world, won several awards, including one from the United Nations. As a composer, Elly's guitar, vocal work and original songs, have been featured in theater productions, video games, and on the Clio award-winning public service campaign against drunk driving called "Friends." Elly also produces albums for other artists and hosts the live/podcast variety show: "Catskill Cabaradio." In addition to giving workshops and clinics, Elly has created a program called "Our Song" which has been used by many organizations including the ARC, to assist people of all ages and abilities in writing their own songs. -
4070 Songs, 11.1 Days, 21.47 GB
Page 1 of 117 iPod 4070 songs, 11.1 days, 21.47 GB Name Time Album Artist 1 Converted 6:16 Exile on Coldharbour Lane A3 2 Speed of the Sound of Loneliness 5:57 Exile on Coldharbour Lane A3 3 Woke Up This Morning 5:17 Exile on Coldharbour Lane A3 4 U Don't Dans 2 Tekno Anymore 3:38 Exile on Coldharbour Lane A3 5 Bourgeoisie Blues 4:47 Exile on Coldharbour Lane A3 6 Ain't Goin' to Goa 3:56 Exile on Coldharbour Lane A3 7 Mao Tse Tung Said 3:24 Exile on Coldharbour Lane A3 8 Hypo Full of Love (The 12-Step Pl… 6:25 Exile on Coldharbour Lane A3 9 Old Purple Tin (9% Pure Heaven) 4:05 Exile on Coldharbour Lane A3 10 The Night We Nearly Got Busted 4:38 Exile on Coldharbour Lane A3 11 Sister Rosetta 6:44 Exile on Coldharbour Lane A3 12 Peace In the Valley 5:47 Exile on Coldharbour Lane A3 13 Singha 6:19 Alliance Afrissippi 14 Guelel Kumba 3:47 Alliance Afrissippi 15 Leeliyo Leele 5:39 Alliance Afrissippi 16 Maasina Tooro 7:09 Alliance Afrissippi 17 Debbo Ndoogu 6:32 Alliance Afrissippi 18 Sonna 4:49 Alliance Afrissippi 19 Raas 6:55 Alliance Afrissippi 20 Ngoppe Kam 6:48 Alliance Afrissippi 21 Gede Nooro 2:45 Alliance Afrissippi 22 T-Bone Shuffle 4:50 Showdown Albert Collins, Robert Cray & Joh… 23 Mirage 2:56 Deep At Night Alex De Grassi 24 Deep At Night 5:11 Deep At Night Alex De Grassi 25 Charlotte 3:58 Deep At Night Alex De Grassi 26 Short Order 1:59 Deep At Night Alex De Grassi 27 Indian Summer 4:34 Deep At Night Alex De Grassi 28 Blue Trout 4:14 Deep At Night Alex De Grassi 29 Waltz #4 4:40 Deep At Night Alex De Grassi 30 Arcos 4:03 Deep At -
Plowshares Coffee House
PLOWSHARES COFFEE HOUSE: PEOPLE, MUSIC AND COMMUNITY A University Thesis Presented to the Faculty of California State University, East Bay In Partial Fulfillment of the Requirements for the Degree Master of Arts in Interdisciplinary Studies By Susan Burnice Fuller Wageman March 2017 Copyright © 2017 by Susan Burnice Fuller Wageman ii ABSTRACT The Plowshares Coffee House Concert series ran for twenty years—presenting 686 concerts and dances between 1977 and 1998. Many of the performers, audience members, volunteers and other supporters of this effort continue to be involved with music and with each other—effectively forming complex interwoven networks of people and communities that connect Plowshares with other music communities in the past and the present. This thesis focuses, in particular, on Plowshares as a place of music making that built and nurtured community and contributes to an expanding literature about places of music making that build community and function as community centers. Ideally, this research will provide a foundation for deeper investigation of music communities in the future. Approaching the research from the perspectives of music, history, and anthropology (folkloristics and ethnography), the data collection and analysis employed an emic, or insider, perspective. Informal ethnographic interviews, oral history interviews, and an online survey provided first-hand information on how different people experienced Plowshares. Ongoing participation in contemporary music communities helped reveal additional information and insights about Plowshares, its operation, and its influences. The San Francisco Folk Music Club's newsletter, the folknik, provided information on the concert schedules, vision, development, and challenges of Plowshares. The San Francisco Folk Music Center's organizational papers—particularly the meeting minutes—provided detail on how the organization operated. -
Originalcamp Hurley Guestbook Archive 2001-09
Guestbook 5 First Name : Claudia Last Name : Weiss Greve E mail address : [email protected] date : Feb 22, 2009 Whats on your mind? : Ill be visiting Woodstock area this spring. Anyone know if you can visit camp? I have old photos and the best memories of Hurley but would love to walk around the flagpole and down to the waterfront again. continued : The images and feelings are with me, the names are getting lost. I remember the Finks and Lisa Youkeles, and a girl in my bunk who called herself Smokey. I remember shouting our Anyone in Rookery? as we walked by, knowing that the Counselors in there were conclusion : Is there a reunion planned for anytime in 2009? First Name : Andy Last Name : Snyder E mail address : [email protected] date : 2/11/09 Whats on your mind? : Jenni Fast asked, so I must respond. The singing group Matzoh and His Balls was comprised of Jeff Trencher (left continued : We sang Alleyoop, Im Going to Ride the Chariot in the Morning Lord and There is a Balm in Gilead (taught to us by Ted from conclusion : waterfront fame. I spoke with Paul and his wife Sandy (Kirschner) tonight. Hurley will always be in our hearts! First Name : Nina Last Name : Sterne Cantor E mail address : [email protected] date : Around 1964-1966 Whats on your mind? : Hey anyone remember me? I remember how life was just wonderful,friends, singing, trips...a part of life and spirit put in that never forgotten memory box... First Name : Ellen Last Name : Lowik E mail address : [email protected] date : 26-januari 2009 Whats on your mind? : I was in Camp Hurley as a cabinleader in 1988.