DOCSLIB.ORG

Bechtle, the Adultery-Tales in the Ninth Book of Apuleius

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bechtle, the Adultery-Tales in the Ninth Book of Apuleius Bechtle, The Adultery-Tales in the Ninth Book of Apuleius' 'Metamorphoses'.pdf! Bohm, The Isis Episode in Apuleius.pdf! Bradley, Contending with Conversion- Reflections on the Reformation of Lucius the !Ass.pdf! Bradley, Fictive Families- Family and Household in the "Metamorphoses" of !Apuleius.pdf! Bradley, Law, Magic, and Culture in the "Apologia" of Apuleius.pdf! Brotherton, The Introduction of Characters by Name in the Metamorphoses of !Apuleius.pdf! DeFlippo, Curiositas and the Platonism of Apuleius' Golden Ass.pdf! Dietrich, The Golden Art of Apuleius.pdf! Dowden, Apuleius and the Art of Narration.pdf! Dowden, Eleven Notes on the Text of Apuleius' Metamorphoses.pdf! Edwards, The Proem to Apuleius' 'Metamorphoses'.pdf! Edwards, The Tale of Cupid and Psyche.pdf! Ferguson, Apuleius.pdf! Finkelpearl, Psyche, Aeneas, and an Ass, Apuleius Metamorphoses 6.10 - !6.21.pdf! Finkelpearl, The Judgment of Lucius- Apuleius, "Metamorphoses" 10.29-34.pdf! Fragoulidis, Charite Dulcissima'- A Note on the Nameless Charite at Apuleius' !Metamorphoses 7.12 (163.10).pdf! Frangoulidis, "Scaena Feralium Nuptiarum-" Wedding Imagery in Apuleius' Tale of !Charite (Met. 8.1-14).pdf! Frangoulidis, Cui Videbor Veri Similia Dicere Proferens Vera?- Aristomenes and the !Witches in Apuleius' Tale of Aristomenes.pdf! Frangoulidis, Epic Inversion in Apuleius' Tale of Tlepolemus/Haemus.pdf! Frangoulidis, Self-Imitation in Apuleius' Tales of Tlepolemus/Haemus and Thrasyleon.pdf! Harrison, A Note on Apuleius, Metamorphoses 4.31.pdf! Harrison, From Epic to Novel- Apuleius' Metamorphoses and Vergil's Aeneid.pdf! Harrison, The Speaking Book - The Prologue to Apuleius' Metamorphoses.pdf! Harrison, Three Notes on Apuleius.pdf! Heller, Apuleius, Platonic Dualism, and Eleven.pdf! Hunink, Apuleius, Pudentilla, and Christianity.pdf! Jones, Apuleius' "Metamorphoses" and Lollianus' "Phoinikika".pdf! Kenaan, Delusion and Dream in Apuleius' Metamorphoses.pdf! Keulen, Comic Invention and Superstitious Frenzy in Apuleius' Metamorphoses- The !Figure of Socrates as an Icon of Satirical Self-Exposure.pdf! Keulen, Significant Names in Apuleius- A 'Good Contriver' and His Rival in the Cheese !Trade ("Met." 1, 5) (Apuleiana Groningana X).pdf! Laird, Person, "Persona" and Representation in Apuleius's Metamorphoses.pdf! Lateiner, Humiliation and Immobility in Apuleius' "Metamorphoses".pdf! Lateiner, Marriage and the Return of Spouses in Apuleius' "Metamorphoses".pdf! Leinweber, Witchcraft and Lamiae in "The Golden Ass".pdf! Lytle, Apuleius’ Metamorphoses and the Spurcum Additamentum (10.21).pdf! Macey, "Fowle Idolatree" and Fair- Apuleius and the Idol of Isis Church.pdf! MacKay, The Sin of the Golden Ass.pdf! Marshall, Apuleius Apologia 20.pdf! Martos, Notes on the "Metamorphoses" of Apuleius .pdf! Martos, Three Critical Notes on the Metamorphoses of Apuleius.pdf! Mason, Physiognomy in Apuleius Metamorphoses 2. 2.pdf! Mason, The Distinction of Lucius in Apuleius' "Metamorphoses".pdf! McCreight, Apuleius, Lector Sallustii- Lexicographical, Textual and Intertextual !Observations on Sallust and Apuleius- Sallust, "Historiae" Frr. 3.102-103 and 4.62 Mauren-Brecher = 4.14-15 and Uncertain # 28 McGushin; Apuleius "Apology" 12.1; !26.1.pdf! Michalopoulos, Lucius' Suicide Attempts in Apuleius' "Metamorphoses".pdf! Millar, The World of The Golden Ass.pdf! Mortley, Apuleius and Platonic Theology.pdf! Murgatroyd, Love Poetry and Apuleius' "Cupid and Psyche".pdf! Murgatroyd, The Ending of Apuleius' "Metamorphoses".pdf! Nethercut, Apuleius' Literary Art- Resonance and Depth in the !"Metamorphoses".pdf! Newbold, Nonverbal Communication in the "Satyricon" and in Apuleius' !"Metamorphoses".pdf! Norwood, The Magic Pilgrimage of Apuleius.pdf! Paardt, The Unmasked 'I'- Apuleius "Met." XI 27.pdf! Panayotakis, Vision and Light in Apuleius' Tale of Psyche and Her Mysterious !Husband.pdf! Papaioannou, Charite's Rape, Psyche on the Rock and the Parallel Function of !Marriage in Apuleius' "Metamorphoses".pdf! Peden, The Statues in Apuleius "Metamorphoses" 2.4.pdf! Perry, An Interpretation of Apuleius' Metamorphoses.pdf! Perry, On Apuleius' Metamorphoses i. 14-17.pdf! Perry, On Apuleius' Metamorphoses II, 31-III, 20.pdf! Repath, The Naming of Thrasyllus in Apuleius' Metamorphoses.pdf! Rives, The Priesthood of Apuleius.pdf! Robertson, The Manuscripts of the Metamorphoses of Apvleivs. II.pdf! Sandy, Foreshadowing and Suspense in Apuleius' "Metamorphoses".pdf! Sandy, Serviles Voluptates in Apuleius' Metamorphoses.pdf! Schlam, Platonica in the Metamorphoses of Apuleius.pdf! Schlam, The Curiosity of the Golden Ass.pdf! Shumate, The Augustinian Pursuit of False Values as a Conversion Motif in Apuleius' !"Metamorphoses".pdf! Slater, Passion and Petrifaction- The Gaze in Apuleius.pdf! Smith, The Narrative Voice in Apuleius' Metamorphoses.pdf! Starnes, Shakespeare and Apuleius.pdf! Stephenson, The Comedy of Evil in Apuleius.pdf! Summers, A Note on the Date of the Golden Ass.pdf! Summers, Apuleius' Juridicus.pdf! Summers, Roman Justice and Apuleius' Metamorphose.pdf! Svendsen, Apuleius' The Golden Ass- The Demands on the Reader.pdf! Tatum, Apuleius and Metamorphosis.pdf! Tatum, The Tales in Apuleius' Metamorphoses.pdf! Winter, The Publication of Apuleius' Apology.pdf! Wright, "No Art at All" A Note on the Proemium of Apuleius' Metamorphoses .pdf!.
Load more

Recommended publications
  • Petronius' Satyricon Teacher's Manual
    Petronius' Satyricon Mosaic from House with Workshops, Pompeii Selections from Cena Trimalchionis Teacher's Manual Ashley Newman Table of Contents I. Introduction and teaching suggestions……………………...………………….pg 3 II. Lesson plans and handouts……………………………….....……………pgs 4 - 12 III. Large versions of text for overhead………………………………..……..pgs 13-19 IV. English translation…………….…………………………….……………pgs 20-23 V. Multiple choice quiz and key..…………………………………………. pgs 24 -25 VI. Vocabulary Quiz………..…………………………………………………….pg 26 VII. Translation Quest and key..………………………………………………pgs 27-28 VIII. Test and key………………………………………………………………pgs 29-35 IX. Bibliography………………………………………………………………….pg 36 2 Introduction and teaching suggestions The purpose of this teaching project is to guide Latin III students through Petronius' Satyricon with ease. By Latin III, the students should be reading unaltered texts in Latin. It is important that the students read texts written by Romans, instead of teachers. Students can learn information about culture and language from reading the words of the Romans. This project is designed to help young students navigate their way through an authentic text. This unit has been designed to take about 12 days. The lesson plans are laid out for group work. This Petronius project lends itself to be incorporated into a larger Roman author unit. I incorporate Petronius as one of the six Romans authors whom I expose my students during a semester. This unit could be longer. Students could translate and discuss only one page a day with daily review of the previous page. Using the suggested extension activities would also extend the unit. It is important to read and discuss the introduction with the students in order to familiarize them with the time period, author, and genre of the Satyricon.
    [Show full text]
  • Apuleius's Story of Cupid and Psyche and the Roman Law of Marriage" Transactions of the American Philological Association (1974-), Vol
    Georgetown University Institutional Repository http://www.library.georgetown.edu/digitalgeorgetown The author made this article openly available online. Please tell us how this access affects you. Your story matters. OSGOOD, J. "Nuptiae Iure Civili Congruae: Apuleius's Story of Cupid and Psyche and the Roman Law of Marriage" Transactions of the American Philological Association (1974-), Vol. 136, No. 2 (Autumn, 2006), pp. 415-441 Collection Permanent Link: http://hdl.handle.net/10822/555440 © 2006 The John Hopkins University Press This material is made available online with the permission of the author, and in accordance with publisher policies. No further reproduction or distribution of this copy is permitted by electronic transmission or any other means. Transactionsof the American Philological Association 136 (2006) 415-441 Nuptiae lure Civili Congruae: Apuleius'sStory of Cupid and Psyche and the Roman Lawof Marriage JOSIAH OSGOOD GeorgetownUniversity SUMMARY: Socialhistorians, despite showing greatinterest in Apuleius'sMeta- morphoses,have tended to ignorethe novel'sembedded tale of Cupidand Psycheon the groundsthat it is purelyimaginary. This paperdemonstrates that Apuleiusin fact refersthroughout his story to realRoman practices, especially legal practices-most conspicuousare the frequentreferences to the Romanlaw of marriage.A carefulexamination of severalpassages thus shows how knowl- edge of Romanlaw, it turns out, enhancesthe reader'spleasure in Apuleius's story.The paperconcludes by exploringthe connectionsbetween Apuleius's fairytaleand the accountof his own marriageto AemiliaPudentilla in his ear- lier work,the Apologia.Apuleius seems to be recalling,playfully, his own earlier legal success.At the same time, both works suggestthat legal problemsarose in Romanfamilies not becauseof the actions of any officialenforcers, but rather appealto the law by particularfamily members.
    [Show full text]
  • Syllabus Update
    UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS SYLLABUS UPDATE PRE-U LATIN SYLLABUS 9788 Changes to prescribed texts Please note that this syllabus, for examination in 2014, has been amended. Page 12 Appendix 1: Prescribed Texts and Theme Texts for Paper 1 – Verse Literature Prescribed texts Virgil, Aeneid 4. 1–521 (Candidates should be familiar with the rest of the book in translation) Recommended edition: MacLennan, K. (ed.) 2007 Virgil Aeneid 4, Bristol or Catullus 11, 16, 33, 63, 64, 70, 85, 93, 94, 116 Recommended edition: Quinn, K. (ed.) 1998 Catullus: the Poems, Bristol Theme texts Theme, Virgil Aeneid 4. 1–521: Men and Women Ovid Amores 1.1, 2, 4, 5, 6, 9, 10, 11, 12, 13, 14 Ovid Heroides 1, 7, 10 Propertius 1 or Theme, Catullus 11, 16, 33, 63, 64, 70, 85, 93, 94, 116: Violence Virgil, Aeneid 10 Lucan, Bellum Civile 1 Juvenal, Satire 6 Page 13 Appendix 2: Prescribed Texts for Paper 2 – Prose Literature Tacitus Annals XV, sections 38-74 (sequitur clades ... inter homines desierit) Recommended edition: Miller, N. P. (ed.) 1998 Tacitus Annals XV, Bristol Candidates should also read the following in translation: Annals XIV sections 1–22 and 47–65; Annals XV sections 32–37. or Petronius, Satyricon, 26-64 (venerat iam ... nunc hilaria) Recommended edition: Smith, M. 1975 Petronius: Cena Trimalchionis, Oxford Pages 14–16 Appendix 3: Suggested Bibliography General reference Boardman, J., Griffin, J., and Murray, O. (eds) 2001 The Oxford History of the Classical World, Oxford Clausen, W. and Kennet, A. (eds) 1985 The Cambridge History of Classical Literature vol.
    [Show full text]
  • False Forms and Wicked Women: Apuleius' Isis Book and Ovid's Iphis
    FALSE FORMS AND WICKED WOMEN: APULEIUS’ ISIS BOOK AND OVID’S IPHIS STORY Sarah H. Eisenlohr A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Classics in the College of Arts and Sciences. Chapel Hill 2019 Approved by: James Rives Sharon James Emily Baragwanath ©2019 Sarah H. Eisenlohr ALL RIGHTS RESERVED ii ABSTRACT Sarah H. Eisenlohr: False forms and wicked women: Apuleius’ Isis book and Ovid’s Iphis story (Under the direction of James Rives) In this thesis, I take a new approach to the study of Isis in Apuleius’ Golden Ass by comparing the novel to the story of Iphis written by Ovid in the Metamorphoses. I begin by reviewing the history of Isiac worship in the Roman world and previous research on Isis’ role in Apuleius. I then move on to a detailed study of literary allusions between the Golden Ass and Ovid’s Iphis story. From there, I explore the literary evidence concerning Isiac ethics and use my findings to analyze further the two texts at hand. I argue that both Apuleius and Ovid use Isis to mitigate the effects of dishonorable conduct in their narratives, especially that of a sexual nature. In each story, Isis ensures that her followers avoid behavior that disrupts communal and familial life, ultimately reinforcing traditional morality and social norms. iii TABLE OF CONTENTS INTRODUCTION………………………………………………………………………………...1 ISIS IN THE ROMAN WORLD………………………………………………………………….3 PLATONISM IN THE GOLDEN ASS……………………………………………………………5 ALLUSIONS TO THE METAMORPHOSES AND IPHIS IN THE GOLDEN ASS……………..8 SEXUALITY AND ISIAC ETHICS…………………………………………………………….22 CONCLUSION…………………………………………………………………………………..31 BIBLIOGRAPHY………………………………………………………………………………..33 iv INTRODUCTION This thesis aims to add a new dimension to the collective understanding of Isis’ role in Apuleius’ Golden Ass, as Lucius’ savior and as his patroness after his acceptance into her cult.
    [Show full text]
  • Petronius the Satyricon Who Was Petronius?
    Petronius The Satyricon Who was Petronius? • Hedonist • Pro-consul and consul and member of the Nero’s court • Judge of Elegance • Sarical death • Denounced Nero Who was Petronius? • Manuscripts simply refer to the author of the Satyricon as ‘Petronius Arbiter’ • We do not know if they are the same person. The Satyricon – an incomplete novel • Only survives in fragmentary form. The beginning and end are lost. • Many parts omiJed, probably because of its sexually explicit nature. • The Satyricon mainly survives preserved in certain sec?ons. The dinner of Trimalchio is the most complete sec?on. An Overview of the Satyricon • Encolpius ‘The hero of the Satyricon is Encolpius’ penis’ – Amy Richlin. • Giton • Ascyltos • Quar?lla, Pannychis • Trimalchio • Eumolpus An Overview of the Satyricon (con-nued) • Lichas and Tryphaena • Circe in Croton Sources for the Satyricon • A unique literary work. However certain features of the Satyricon can be found – Poe?c sare was common, involving personal observaons and anecdotes about society. Horace’s Dinner of Nasidienus (Serm. 2.8) – exo?c foods squid, fish, crane, provoking fear and crying and laughter. – Mime – Prosimetrum. Menippean sare. Seneca’s Apocolocyntosis – Later novel in the second century Apuleius’ Metamorphoses – Homer, Vergil and Lucan are also influences. Slaves, Freedmen, and Ingenui in the Imperial Period • Ingenuus • Libertus – Augustalis Slaves in the Satyricon • ‘Anyone who leaves this house will receive one hundred lashes’ • ‘Slaves are humans and drink the same milk’ Gaius Pompeius Trimalchio Maecenaanus • Inherited his fortune from his master. • Became an Augustalis, and shows off his fasces and axes • He is painted on the walls accompanied by gods.
    [Show full text]
  • Equestrians and Social Status in Petronius' Satyricon
    Equestrians and Social Status in Petronius’ Satyricon Petronius’ Satyricon has garnered much attention due to its unique portrayal of lower class people in the Roman world. The character who has undoubtedly received the most attention, Trimalchio, is a fantastic representation of a freedman with newfound riches. While much attention has been given to the depictions of Trimalchio and the numerous lowbrow characters throughout the story, less attention has been paid to members of the upper classes. Admittedly, characters of this sort are for the most part absent from a story focused on the poor and/or uncultured. However, references to characters of higher social standing occur throughout the novel. These references range from reports of off scene events, such as an equestrian’s advances toward the naked Ascyltos (92.9-10), to personal opinions of characters, such as Hermeros’ insecure rant about his status (57-58) or Circe’s maid’s haughty declaration that she prefers men of higher status (126.10). Men of high status never actually appear center stage but instead remain in the background while characters like Trimalchio attempt to fill their place. Viewing the upper class from the perspectives of the novel’s predominantly uncultured and lower class characters enables us to see how Petronius envisions the relationship between rich and poor, cultured and uncultured. I argue that appearances of and references to higher status individuals in the Satyricon reveal how the lower class characters viewed both their own status and the status of those of higher social standing. The references to upper class individuals are overwhelmingly negative.
    [Show full text]
  • Flaubert, Apuleius and Ovid: the Genesis of a Recurring Theme
    STEPHEN GODDARD Flaubert, Apuleius and Ovid: The Genesis of a Recurring Theme Abstract: This essay examines the way in which Flaubert uses classi- cal intertexts in his works, and, in particular, how the rewriting often gives rise to a burlesque version of the original. It focuses on the tale of Acteon, as recounted by Ovid in Metamorphoses and alluded to by Apuleius in The Golden Ass, and demonstrates how these classical stories are activated in Flaubert’s work. By means of an examination of often striking textual similarities between Flaubert’s work and that of Ovid and Apuleius, this piece shows how a clear pattern of intertex- tual reference emerges in Flaubert’s work, ranging from early “straight” borrowings from the classical texts to later burlesques of certain of their aspects. Numerous commentators have noted the importance of the fairy tale as a point of reference in Flaubert’s work.1 Equally as obsessive, and, of course, also related to a particular fairy tale – that of La Belle et la Bête – is the appearance of the Cupid/Eros and Psyche myth as a point of reference for much of Flaubert’s symbolism.2 So well-known is the latter intertext that the myth emerges in the most unlikely circum- stances: for example, in Gemma Bovery, Posy Simmonds’s cartoon re- 1 See, for example, Anne Green, ‘Flaubert and the Sleeping Beauty: An Obsessive Image’, in New Approaches in Flaubert studies, ed. by Tony Williams and Mary Orr (Lampeter: Edwin Mellen Press, 1999), pp. 65-80. 2 The most obvious example is Margaret Lowe’s study, Towards the Real Flaubert: A Study of ‘Madame Bovary’ (Oxford: Oxford University Press, 1984).
    [Show full text]
  • The Golden Ass CLASSICS UNABRIDGED Apuleius Read by David Timson
    COMPLETE The Golden Ass CLASSICS UNABRIDGED Apuleius Read by David Timson ‘In this hapless state I looked myself over and saw that I was now no bird, but an ass…’ In this ancient picaresque adventure, Lucius, an insatiably curious young man, finds himself transformed into a donkey after his fascination with black magic and witchcraft goes awry. While trapped in his new body, he becomes the property of thieves, farmers, cooks, soldiers and priests, and observes the hypocrisy and ineptitude of Imperial Roman society. The Golden Ass is considered the only novel to survive the Roman period, and the earliest novel to survive complete in the Western literary tradition. It is brimming with slapstick humour and sexual escapades, and foreshadows later works by Boccaccio, Rabelais, Cervantes and Chaucer, upon whom it was a direct influence. David Timson has made over 1,000 broadcasts for BBC Radio Drama. For Naxos AudioBooks he has written The History of Theatre, an award-winning production read by Derek Jacobi, and directed four Shakespeare plays including King Richard Total running time: 9:06:08 • 8 CDs III (with Kenneth Branagh). He has also read the entire Sherlock Holmes canon and Gibbon’s Decline and Fall of the Roman Empire. View our catalogue online at n-ab.com/cat = Downloads (M4B chapters or MP3 files) = CDs (disc–track) 1 1-1 The Golden Ass 15:04 27 4-7 Without a moment’s hesitation the robbers... 7:54 2 1-2 ‘My dear Socrates,’ I said, ‘what you tell me...’ 10:15 28 5-1 Delighted with our vengeance..
    [Show full text]
  • The World of the Golden
    THE WORLD OF THE GOLDEN ASS * By FERGUS MILLAR Those who study and teach the history of the Ancient World suffer from a great disadvantage, which we find difficult to admit even to ourselves: in a perfectly literal sense we do not know what we are talking about. Of course we can dispose of a vast range of accumulated knowledge about what we are talking about. We can compile lists of office- holders in the Roman Empire, without our evidence revealing how government worked or even whether it made any impact at all on the ordinary person; we can discuss the statuses of cities and look at the archaeological remains of some of them (or rather some parts of some of them) without having any notion of their social and economic functions, or of whether it made any real difference whether an inhabitant of the Roman provinces lived in a small city or a large village. We can study the remains of temples, the iconography of gods and goddesses, the nature of myth, ritual and sacrifice; but how and in what way did all this provide an important or intelligible context for a peasant in the fields ? In the case of religion in particular our attention turns persistently to the exceptional rather than the ordinary, to those aspects which were novel, imported, mystical or the subject of philo- sophical speculation. Let me take a precise example from the Metamorphoses or Golden Ass, Apuleius' brilliant novel of the second century A.D. The exotic aspects of ancient religion which the novel reveals have always attracted attention; the hero's vision of Isis, and his conversion to the worship of Isis and Osiris; 1 the band of Syrian priests making their fraudulent way through the Greek countryside; 2 the wicked baker's wife who has aban- doned the gods and worships what she says is a single god-in other words, is a Christian.3 But if we really want to understand how the divine order related to ordinary life in antiquity we should start from an incident a few chapters later (Ix, 33-4).
    [Show full text]
  • Seneca's Apocolocyntosis and Petronius' Satyricon
    Seneca’s Apocolocyntosis and Petronius’ Satyricon MICHAEL PASCHALIS University of Crete Introduction In chapter 5 of Seneca’s Apocolocyntosis it is announced to Jupiter that a weird character has arrived in heaven, who is shaking his head all the time and dragging his right leg and when asked about his nationality, replies in a confused, unintelligible language that is neither Greek nor Latin, nor of any known race. Jupiter orders Hercules, who was widely traveled and was thus expected to know all nations of the world, to go and find out who this cha- racter is. Hercules is shocked at the shape of this unusual fellow, his limping gait and his hoarse, inarticulate voice, reminiscent of a sea animal.1 He be- gins to think that his thirteenth labor has arrived when on closer inspection he realizes that the beast may be some kind of human being. Being a ‘Greekling’ (Graeculus), Hercules addresses him with a Homer- ic verse: ‘Who are you and from where? What are your city and parents?’ In Odyssey 1,170 this line2 is addressed by Telemachus to a female goddess (Athene) disguised as a male (Mentes); here it is appropriately adapted to render the ambiguity of race and species surrounding this character. Her- cules’ question provokes the following reaction from the newly arrived, who is none other than the deceased emperor Claudius: ‘Claudius rejoiced that there were philologi up there; he began to hope that there would be some place for his historical works’ (Eden’s translation). So he, too, used a verse of Homer (Odyssey 9,39) to indicate that he was a Caesar and said: ‘The wind, bearing me from Ilion, brought me to the Cicones’.
    [Show full text]
  • The Satyricon Petronius
    THE SATYRICON PETRONIUS THE SATYRICON Table of Contents THE SATYRICON.............................................................................................................................................1 i THE SATYRICON PETRONIUS Translated and Introduced by ALFRED R. ALLINSON INTRODUCTION • INTRODUCTION • CHAPTER I • CHAPTER II • CHAPTER III • CHAPTER IV • CHAPTER V • CHAPTER VI • CHAPTER VII • CHAPTER VIII • CHAPTER IX • CHAPTER X • CHAPTER XI • CHAPTER XII • CHAPTER XIII • CHAPTER XIV • CHAPTER XV • CHAPTER XVI • CHAPTER XVII • CHAPTER XVIII • CHAPTER XIX • CHAPTER XX • CHAPTER XXI • CHAPTER XXII • CHAPTER XXIII • CHAPTER XXIV • CHAPTER XXV • CHAPTER XXVI • CHAPTER XXVII • CHAPTER XXVIII • CHAPTER XXIX • CHAPTER XXX This page copyright © 1999 Blackmask Online. Tacitus writes (Annals, XVI. Chapters 17 and 18−20, A.D. 66): "Within a few days, indeed, there perished in one and the same batch, Annaeus Mela, Cerialis Anicius, Rufius Crispinus and Petronius. With regard to THE SATYRICON 1 THE SATYRICON Caius Petronius, his character and life merit a somewhat more particular attention. He passed his days in sleep, and his nights in business, or in joy and revelry. Indolence was at once his passion and his road to fame. What others did by vigor and industry, he accomplished by his love of pleasure and luxurious ease. Unlike the men who profess to understand social enjoyment, and ruin their fortunes, he led a life of expense, without profusion; an epicure, yet not a prodigal; addicted to his appetites, but with taste and judgment; a refined and elegant voluptuary. Gay and airy in his conversation, he charmed by a certain graceful negligence, the more engaging as it flowed from the natural frankness of his disposition. With all this delicacy and careless ease, he showed, when he was Governor of Bithynia, and afterwards in the year of his Consulship, that vigor of mind and softness of manners may well unite in the same person.
    [Show full text]
  • FABULATOR LATINUS Apuleius' Best Known Work, the Golden Ass, Raises
    CHAPTER SIX FABULATOR LATINUS Apuleius' best known work, the Golden Ass, raises a number of issues addressed in previous chapters: Greek sources, translation, adaptation and patchwork compilation. It is also the most thoroughly studied work in the Apuleian corpus. Accordingly, this chapter will be restricted to the issues just enumerated with one addition: the relationship of this Latin novel to the ancient Greek novel. 1 Greek Sources An important source of information for delineating the Greek origins of Apuleius' Latin adaptation are the various subscriptions contained in the manuscript known as F (Codex Laurentianus 68, 2). It served as the basis of all the extant manuscripts of the Golden Ass and during the period 395-7 was read and edited (legi et emendavi) by Sallustius both in Rome and in Constantinople. Whenever Sallustius refers to the novel by title he invariably cites it by the Greek title, the Metamorphoses, e.g.: "The end of Book 10 of the Metamorphoses. I, Sallustius, read and edited it profitably in Rome. The beginning of Book 11. "2 Thus the earliest known reference to the novel by title lends support to the likelihood of its Greek derivation. 3 As will be explained below, the Milesian affiliation that Apuleius assigns to the novel also implies Greek origins for the Latin adaptation. 1 Sandy 1994. Bowie and Harrison 1993 provide an up-to-date survey and bibliographical guide to the ancient novel. 2 Methamorfoseon Libri X. Excipio. Ego Sallustius legi et emendavi Romae felix. lncipio Libri XI, p. 266, ed. R. Helm (Leipzig: Teubner, 3rd ed., 1931 ); the dates and locations of Sallustius' editorial work derive from his subscrition at the end of Book 9, p.
    [Show full text]