Drawn Thread Work
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Winter Mitten Making
1 Winter Mitten Making By: Kielyn & Dave Marrone Version 2.0, October 2015 http://lureofthenorth.com 2 Note 1- This booklet is part of a series of DIY booklets published by Lure of the North. For all other publications in this series, please see our website at lureofthenorth.com. Published instructional booklets can be found under "Info Hub" in the main navigation menu. Note 2 – Lure Mitten Making Kits: These instructions are intended to be accompanied by our Mitten Making Kit, which is available through the “Store” section of our website at: http://lureofthenorth.com/shop. Of course, you can also gather all materials yourself and simply use these instructions as a guide, modifying to suit your requirements. Note 3 - Distribution: Feel free to distribute these instructions to anyone you please, with the requirement that this package be distributed in its entirety with no modifications whatsoever. These instructions are also not to be used for any commercial purpose. Thank you! Note 4 – Feedback and Further Help: Feedback is welcomed to improve clarity in future editions. For even more assistance you might consider taking a mitten making workshop with us. These workshops are run throughout Ontario, and include hands-on instructions and all materials. Go to lureofthenorth.com/calendar for an up to date schedule. Our Philosophy: This booklet describes our understanding of a traditional craft – these skills and this knowledge has traditionally been handed down from person to person and now we are attempting to do the same. We are happy to have the opportunity to share this knowledge with you, however, if you use these instructions and find them helpful, please give credit where it is due. -
Assure Quality Management Certification Services
Assure Quality Management Certification Services Accredited by JAS-ANZ for QMS & SDI for assessment Name of VTP/Testing Centre: Date of Examination: Candidate Name/ID: Father’s Name: Module Code: GAR 501 Sector: Garments Max. Marks:50 Time:60 Minutes Note: Attempt all questions. All questions carry equal marks. 1 . Cotton thread is suitable for hand embroidery. a) True b) False 2. silk thread is used for (a) stitching carpet (c) doing embroidery work (b) edging the blanket (d) none of the above 3. ––––––––––––– is most commonly used for tracing embroidery design. a) chalk c) pen b) Yellow carbon d) none of the above. 4. Which of the following clothe is best for cross stitching ? a) Jute (c) A&B both b) Net (d) Poplin 5. Among the followings which one stitch is used for filling the design ? b) Satin c)cross stich b)Lazy-Daizy d) chain stich 6 The other name of hem stitch is a) Back stitch c) Beading b) Stem stitch d) Turpai stitch 7. - - - - -- - stitch looks like the sign of multiplication. a) Feather of a bird c) Cross Stich b) back stich d) Run stitch 8. __---------------are used in embroidery work . a) Making design by cutting cloth c)thread work b) mirrors work d) All of the above 9. The characteristic feature of a chain stitch and a lazy-daizy stitch is (a) Chain stitch runs continuously like a chain but lazy-daizy runs in a discrete manner. (b)Chain stitch runs in a discrete manner but lazy-daizy runs continuously. (c) Chain and lazy-daizy both run continuously like a chain. -
Stitches and Seam Techniques
Stitches and Seam Techniques Seen on Dark Age / Medieval Garments in Various Museum Collections The following notes have been gathered while attempting to learn stitches and construction techniques in use during the Dark Ages / Medieval period. The following is in no way a complete report, but only an indication of some techniques observed on extant Dark Ages / Medieval garments. Hopefully, others who are researching “actual” garments of the period in question will also report on their findings, so that comparisons can be made and a better total understanding achieved. Jennifer Baker –New Varangian Guard – Hodegon Branch – 2009 Contents VIKING AND SAXON STITCHES 1. RUNNING STITCH 2. OVERSEWING 3. HERRINGBONE 4. BLANKET STITCH SEAMS 1. SEAMS 2. BUTTED SEAMS 3. STAND-UP SEAM 4. SEAMS SPREAD OPEN AFTER JOIN IS MADE 5. “LAPPED” FELL SEAM 6. FELL SEAM WORKED ON WRONG SIDE OF GARMENT FINISHES ON RAW EDGES OF SEAMS SEWING ON TABLET WOVEN BRAID HEMS OTHER STITCHES FOUND IN ARCHEOLOGICAL FINDS REFERENCES 1 Stitches and Seam Techniques VIKING AND SAXON STITCHES There are only four basic stitches to master: 1. RUNNING STITCH , 2. OVERSEWING, ALSO KNOWN AS OVERCAST STITCH OR WHIP STITCH 3. HERRINGBONE , ALSO KNOWN AS CATCH STITCH 4. AND BLANKET STITCH. ALSO KNOWN AS BUTTONHOLE STITCH Running stitch is probably the easiest to start with followed by oversewing. With these two stitches you can make clothing. The other two are for decorative edging. These directions are for a right handed person, if you are left handed remember to reverse all directions. 2 Stitches and Seam Techniques RUNNING STITCH A running stitch is done through one or more layers of fabric (but normally two or more), with the needle going down and up, down and up, in an essentially straight line. -
'Sublime Stitches' Aida Page 5 Patterns 62
'Sublime Stitches' Aida Page 5 Patterns 62- 74 Full Design Area: 16.07 x 29.57 inches worked on 14 count AIDA 225 x 414 stitches Material: Minimum size - 26 x 40 inches to allow for embroidery frame and mounting Suggested fabric: Zweigart 14 count Aida, white, antique white or cream The sample was worked on Zweigart 14 count Aida, white Over dyed or space dyed fabrics may detract from the design - select carefully! There are 12 pages of patterns. One page will be placed in 'Freebies' in Blackwork Journey every month. Each pattern or group of patterns have their: Individual numbers, Technique, Threads and beads used, Chart, Picture and Method. Each month join a printout of the chart to the one before. The final chart will consist of 12 pages arranged in the order as shown above. Please follow the main chart carefully to place and work the different patterns. The embroidery may differ slightly. Where patterns overlap between the pages do not start the pattern. The part patterns are there to help in the placing of the design. As additional pages are added the part patterns will be complete. Do not add beads to the design until all 12 pages have been worked. The sample was worked in DMC and Anchor floss in four shades including DMC 310 as the base colour. Cross stitch is worked in TWO strands over two threads, back stitch is worked in ONE strand over two threads. Threads used: DMC 310 Black, three skeins Anchor 1206 variegated, or DMC 815 Garnet, three skeins DMC 415 Pearl grey, one skein DMC 414 Steel grey, one skein Metallic threads used: Rainbow Gallery Petite Treasure Braid PB01, one card or DMC Lights Effects E3852 Dark Gold, one skein DMC Lights Effects E317 DMC 996 electric blue is used on the chart to show ONE strand of 415 and ONE strand 414 together to make two strands for pulled thread work stitches. -
The Dictionary of Needlework
LIBRARY ^tsSSACHt; ^^ -^^ • J895 I ItVc^Cy*cy i/&(://^ n^ / L^^ Digitized by the Internet Archive in 2010 with funding from Boston Library Consortium IVIember Libraries http://www.archive.org/details/dictionaryofneed02caul THE DICTIONARY OF NEEDLEWORK. APPLIQUE UPON LINEN CLOTH APPLIQUE. DEDICATED TO H.R.H. PRINCESS LOUISE, MARCHIONESS OF LORNE. THE Dic;tioi];?^y of I^eedle!ho^^, ENOYCLOPiEDIA OE ARTISTIC, PLAIN, AND EANCY NEEDLEWORK, DEALING FULLY "WITH THE DETAILS OF ALL THE STITCHES EMPLOYED, THE METHOD OF "WORKING, THE MATERIALS USED, THE MEANING OF TECHNICAL TERMS, AND, "WHERE NECESSARY. TRACING THE ORIGIN AND HISTORY OF THE VARIOUS "WORKS DESCRIBED. ILLUSTRATED WITH UPWARDS OF 1200 WOOD ENG-RAYINGS, AND COLOURED PLATES. PLAIN SE"WING, TEXTILES, DRESSMAKING, APPLIANCES, AND TERMS, By S. E. a. CAULEEILD, Author of "Skic iVtjrs»i(7 at Home," "Desmond," "Avencle," and Papers on Needlework in "The Queen," "Girl's Own Paper "Cassell's Domestic Dictionary," iDc. CHURCH EMBROIDERY, LACE, AND ORNAMENTAL NEEDLEWORK, By blanche C. SAWARD, Author of "'•Church Festiva^l Decorations," and Papers on Fancy and Art Work in ''The Bazaar," "Artistic Aimcsements," "Girl's Own Paper," ii:c. Division II.— Cre to Emb. SECOND EDITION. LONDON: A. W. COWAN, 30 AND 31, NEW BRIDGE STREET, LUDGATE CIRCUS. 'A \^'0^ ^' ... ,^\ STRAND LONDON : PRINTED BY A. BRADLEY, 170, ^./^- c^9V^ A^A^'f THE DICTIONARY OF NEEDLEWORK. 97 Knots for the centre of flowers, as tliey add to their and taste of that period. The great merit of the work beauty. When the centre of a flower is as large as that and the reason of its revival lies in the capability it has of seen in a sunflower, either work the whole with French expressing the thought of the worker, and its power of Knots, or lay down a piece of velvet of the right shade and breaking through the trammels of that mechanical copy- work sparingly over it French Knots or lines of Crewel ing and counting which lowers most embroidery to mere Stitch. -
Stitch Setting Chart
STITCH SETTING CHART STITCH SETTING CHART The following chart shows information for each utility stitch concerning applications, stitch lengths, stitch widths, and whether or not the twin needle mode can be used. Stitch width Stitch length Presser foot [mm (inch.)] [mm (inch.)] Twin Stitch Stitch name Applications needle Auto. Manual Auto. Manual Straight stitch General sewing, gather, pintuck, (Left) etc. Reverse stitch is sewn while 0.0 0.0 - 7.0 2.5 0.2 - 5.0 OK pressing “Reverse/ (0) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Straight stitch General sewing, gather, pintuck, (Left) etc. Reinforcement stitch is sewn 0.0 0.0 - 7.0 2.5 0.2 - 5.0 OK while pressing “Reverse/ (0) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Straight stitch General sewing, gather, pintuck, (Middle) etc. Reverse stitch is sewn while 3.5 0.0 - 7.0 2.5 0.2 - 5.0 OK pressing “Reverse/ (1/8) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Straight stitch General sewing, gather, pintuck, (Middle) etc. Reinforcement stitch is sewn 3.5 0.0 - 7.0 2.5 0.2 - 5.0 OK while pressing “Reverse/ (1/8) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Triple stretch General sewing for 0.0 0.0 - 7.0 2.5 1.5 - 4.0 OK stitch reinforcement and decorative (0) (0 - 1/4) (3/32) (1/16 - 3/16) ( J ) topstitching Stem stitch Reinforced stitching, sewing and 1.0 1.0 - 3.0 2.5 1.0 - 4.0 OK decorative applications (1/16) (1/16 - 1/8) (3/32) (1/16 - 3/16) ( J ) Decorative Decorative stitching, top 0.0 0.0 - 7.0 2.5 1.0 - 4.0 OK stitch stitching (0) (0 - 1/4) (3/32) (1/16 - 3/16) ( J ) Basting stitch Basting 0.0 0.0 - 7.0 20.0 5.0 - 30.0 NO (0) (0 - 1/4) (3/4) (3/16 - 1-3/16) Zigzag stitch For overcasting, mending. -
Project Gutenberg's Beeton's Book of Needlework, by Isabella Beeton
Project Gutenberg's Beeton's Book of Needlework, by Isabella Beeton This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Beeton's Book of Needlework Author: Isabella Beeton Release Date: February 22, 2005 [EBook #15147] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK BEETON'S BOOK OF NEEDLEWORK *** Produced by Julie Barkley and the PG Online Distributed Proofreading Team. BEETON'S BOOK OF NEEDLEWORK. CONSISTING OF DESCRIPTIONS AND INSTRUCTIONS, ILLUSTRATED BY SIX HUNDRED ENGRAVINGS, OF TATTING PATTERNS. CROCHET PATTERNS. KNITTING PATTERNS. NETTING PATTERNS. EMBROIDERY PATTERNS. POINT LACE PATTERNS. GUIPURE D'ART. BERLIN WORK. MONOGRAMS. INITIALS AND NAMES. PILLOW LACE, AND LACE STITCHES. Every Pattern and Stitch Described and Engraved with the utmost Accuracy and the Exact Quantity of Material requisite for each Pattern stated. CHANCELLOR PRESS Beeton's Book of Needlework was originally published in Great Britain in 1870 by Ward, Lock and Tyler. This facsimile edition published in Great Britain in 1986 by Chancellor Press 59 Grosvenor Street London W 1 Printed in Czechoslovakia 50617 SAMUEL BUTLER'S PREFACE The Art of Needlework dates from the earliest record of the world's history, and has, also, from time immemorial been the support, comfort, or employment of women of every rank and age. Day by day, it increases its votaries, who enlarge and develop its various branches, so that any addition and assistance in teaching or learning Needlework will be welcomed by the Daughters of England, "wise of heart," who work diligently with their hands. -
A Hole New Story Jumper & Socks Edition
Workshop no.1 A hole new story jumper & socks edition Don’t let your textiles go to waste workshop series Contents 1. Who are we? 3 2. Mending, a story of tradition and care 7 3. Fabrics 101 11 4. Material kit explained 16 5. Visible mending techniques 18 6. Basic sewing skills 23 7. Step-by-step mending techniques 25 2 1. Who are we? 3 TextileLab Amsterdam TextileLab Amsterdam is a group of people that researches, questions and Pictured above (from left to right): speculates how we can help transition the textile and clothing industry towards a more sustainable and value driven approach. From a holistic Cecilia Raspanti approach we look at materials, tools/instruments, processes, culture and Co-founder TextileLab Amsterdam, systems and how these are related. Co-founder Fabricademy: textile academy The research always has a collaborative and value driven nature, where Ista Boszhard findings are shared in a fully open source fashion to create knowledge Co-founder TextileLab Amsterdam, exchange and foster collaboration with a range of diverse stakeholders. Lecturer Amfi Circular economy, sustainable value flows and networks, as well as material Margherita Soldati research and innovation are at the core of the TextileLab operations, going Concept and design TextileLab Amsterdam, hand in hand with exploring informal hands-on alternatives for design, Independent Designer fabrication and production. This wide range of operations and outcomes all feed into education innovation, supporting the change of this field starting Beatriz Sandini from existing educational structures. Concept and design TextileLab Amsterdam, Independent Designer 4 REFLOW Textiles have been a critical and polluting industry since the Industrial Revolution – each year, 14,000 tons of textiles are thrown away in Amsterdam only. -
Basic Blackwork Class – HL Anja Snihová Camarni
Basic Blackwork Class – HL Anja Snihová Camarni I’m including in this handout a couple of different ways of explaining “how-to” in blackwork, because not every explanation works for every person. Also, please excuse the crass commercial plugs. I didn’t have time to completely re-write, so pretend that this somebody else’s. Which it is! Anja and MaryAnne are not the same person. <grin> MaryAnne Bartlett is a 21st century woman, making a living by writing and researching, designing and selling blackwork designs and products. Anja Snihova’ was born in the late 14th century and due to the potions that her alchemist husband makes, survived into the early 17th century! Beginning Blackwork Blackwork is a counted thread technique made popular in England in the 1500's by Catharine of Aragon, the Spanish first wife of King Henry VIII of England. It was immortalized in the incredibly detailed portraits done by the court painter, Hans Holbein, whose name is give to the stitch used, which is just a running stitch that doubles back on itself at the other end of its "journey". Blackwork can be anything from a simple line drawing to the complex pattern of #10 below, and on to designs so complex no one seems to know how to do them! It was usually done with silk thread on a white even-weave linen, and despite the name of the technique, was done in every colour of the rainbow, although black was the most popular colour, followed by red and blue. The most peculiar thing about this technique is that, done properly, the design repeats on both the right and wrong sides of the fabric, making it perfect for collars, cuffs, veils and ribbons where both sides need to look nice! Blackwork Embroidery Instructions 1. -
Sewing Machine Maquina De Coser
SEWING MACHINE Owner's Manual MAQUINA DE COSER Manual de Instrucciones MACHINE ,ik COUDRE Manuel d'instructions Model, Modelo, Modele 385.19606 Sears, Roebuck and Co., Hoffman Estates, IL 60179 U.S.A. www.sears.oom 848-800-000 Sears Canada inc., Toronto, Ont., M5B 2B8 CANADA www.sears.ca SECTION I. NAMES OF PARTS Cabinets and Sewing Machine Tote Bag (RSOS #97611) (U.S.A. Only) Sewing machine cabinets and tote bag are available through the RSOS (Retail Special Oder System) catalog at your nearest Sears store. Names of Parts Extension table (Accessory box) (_ Needle plate @ (_ Needle threader @ Thread cutter (_) Face cover plate " @@ @ Thread take-up lever (_ Pressure adjusting dial @ (_ Upper thread guide (_ Thread tension dial @ Spool pin @ Large spool holder @ Flip top stitch chart © @ Hole for additional spool pin @ Screen sharpness adjusting dial @ Liquid crystal display @ Function touchpad @ @ Electronic speed control slide @ Up/Down needle position button @ Auto-lock button @®@@ @ Reverse stitch button @ Starttstop button @ Feed balancing dial @ Hook cover plate release button @ Hook cover plate @ Foot holder Presser foot @\ @ Needle @ Needle clamp screw @ Thumb screw @ Machine sockets @ Power switch Handwheel Bobbin winder stopper @ Bobbin winder spindle Carrying handle Presser foot lifter @ Buttonhole lever Free arm Drop feed dog lever Nomenclature plate © _) Power supply cord @ Foot control SECCION I. NOMBRE DE LAS PARTES PARTIE I. IDENTIFICATION DES PII_CES Gabinete y bolsa de mano DE LA MACHINE (RSOS #97611) (Los E.E.U.U. solamente) Moubles et sac de transport Usted encontrar& una linea completa de gabinetes y bolsas de (RSOS #97611) (Les Etats-Unis seulement) Vous trouverez dans les magasins Sears, ainsi que dans notre mano para su maquina de coser en el catalogo RSOS que esta a catalogue une gamme complete de moubles et de sac de al venta en las tiendas Sears. -
Medieval Clothing and Textiles
Medieval Clothing & Textiles 2 Robin Netherton Gale R. Owen-Crocker Medieval Clothing and Textiles Volume 2 Medieval Clothing and Textiles ISSN 1744–5787 General Editors Robin Netherton St. Louis, Missouri, USA Gale R. Owen-Crocker University of Manchester, England Editorial Board Miranda Howard Haddock Western Michigan University, USA John Hines Cardiff University, Wales Kay Lacey Swindon, England John H. Munro University of Toronto, Ontario, Canada M. A. Nordtorp-Madson University of St. Thomas, Minnesota, USA Frances Pritchard Whitworth Art Gallery, Manchester, England Monica L. Wright Middle Tennessee State University, USA Medieval Clothing and Textiles Volume 2 edited by ROBIN NETHERTON GALE R. OWEN-CROCKER THE BOYDELL PRESS © Contributors 2006 All Rights Reserved. Except as permitted under current legislation no part of this work may be photocopied, stored in a retrieval system, published, performed in public, adapted, broadcast, transmitted, recorded or reproduced in any form or by any means, without the prior permission of the copyright owner First published 2006 The Boydell Press, Woodbridge ISBN 1 84383 203 8 The Boydell Press is an imprint of Boydell & Brewer Ltd PO Box 9, Woodbridge, Suffolk IP12 3DF, UK and of Boydell & Brewer Inc. 668 Mt Hope Avenue, Rochester, NY 14620, USA website: www.boydellandbrewer.com A CIP catalogue record for this book is available from the British Library This publication is printed on acid-free paper Typeset by Frances Hackeson Freelance Publishing Services, Brinscall, Lancs Printed in Great Britain by Cromwell Press, Trowbridge, Wiltshire Contents Illustrations page vii Tables ix Contributors xi Preface xiii 1 Dress and Accessories in the Early Irish Tale “The Wooing Of 1 Becfhola” Niamh Whitfield 2 The Embroidered Word: Text in the Bayeux Tapestry 35 Gale R. -
Janome 3160QDC Manual
INSTRUCTION BOOK IMPORTANT SAFETY INSTRUCTIONS This appliance is not intended for use by persons (including children) with reduced physical, sensory or mental capabilities, or lack of experience and knowledge, unless they have been given supervision or instruction concerning use of the appliance by a person responsible for their safety. Children should be supervised to ensure that they do not play with the appliance. When using an electrical appliance, basic safety precautions should always be followed, including the following: This sewing machine is designed and manufactured for household use only. Read all instructions before using this sewing machine. DANGER— To reduce the risk of electric shock: An appliance should never be left unattended when plugged in. Always unplug this sewing machine from the electric outlet immediately after using and before cleaning. WARNING— To reduce the risk of burns, fire, electric shock, or injury to persons: 1. Do not allow to be used as a toy. Close attention is necessary when this sewing machine is used by or near children. 2. Use this appliance only for its intended use as described in this owner’s manual. Use only attachments recommended by the manufacturer as contained in this owner’s manual. 3. Never operate this sewing machine if it has a damaged cord or plug, if it is not working properly, if it has been dropped or damaged, or dropped into water. Return this sewing machine to the nearest authorized dealer or service center for examination, repair, electrical or mechanical adjustment. 4. Never operate the appliance with any air opening blocked. Keep ventilation openings of this sewing machine and foot controller free from accumulation of lint, dust and loose cloth.