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The National Bibliographic Knowledgebase Syndeo Regional Metadata Services
Track 3 – Library Services G. Connecting Regions with Global Impact The National Bibliographic Knowledgebase Syndeo Regional Metadata Services Neil Grindley, Head of Resource Discovery, Jisc Axel Kaschte, Product Strategy Director, OCLC The National Bibliographic Knowledgebase NEIL GRINDLEY, HEAD OF RESOURCE DISCOVERY, JISC Does 4 things… Providing and developing a Supporting the provision and Our network of national and Our R&D work, paid for entirely network infrastructure and management of digitalcontent regional teams provide local by our major funders, identifies related services that meet the for UK education and research engagement, advice and emerging technologies and needs of the UK research and support to help you get the develops them around your education communities most out of our service offer particular needs Jisc Bibliographic Data Services Acquisition Discovery Delivery Collection Management Select Check Manage Specific Unknown Select Link to Document Interlibrary Management Title Collection Book Availability Metadata Title Title Best Copy Best Copy Delivery Loan of Stock Usage Benchmarking Bibliographic Management Jisc Zetoc Jisc Reading Collections Circulation Copac Historical Lists KB+ Archives Hub Data JUSP Jisc Texts Services E-books Pilot SUNCAT CORE Copac CCM Tools NBK NBK NBK NBK Advice, guidance, technical support, quality assessment and new service development https://www.jisc.ac.uk/rd/projects/transforming-library-support-services Current Jisc Investments https://www.jisc.ac.uk/rd/projects/national-bibliographic-knowledgebase -
Facebook: Facebook.Com/Serenbooks Twitter: @Serenbooks
C o Distribution Wales Distribution & representation v e r england, scotland, ireland, europe Welsh books Council i m Central books ltd, 99 Wallis road uned 16, stad Glanyrafon, llanbadarn, a g e : london, e9 5ln aberystwyth sY23 3aQ s t i l phone 0845 458 9911 Fax 0845 458 9912 phone 01970 624455 Fax 01970 625506 l f r [email protected] [email protected] o m sales and Marketing Manager: tom Ferris T h representation e [email protected] G inpress ltd o s p Churchill house, 12 Mosley street, e l o newcastle upon tyne, ne1 1De north aMeriCa Distribution & f U s www.inpressbooks.co.uk representation d i r . phone 0191 230 8104 independent publishers Group D a Managing Director: rachael ogden 814 north Franklin street v e [email protected] Chicago il60610 M c K sales and Marketing : James hogg phone (312) 337 0747 Fax (312) 337 5985 e a [email protected] [email protected] n seren, 57 nolton street, bridgend, CF31 3ae 01656 663018 [email protected] www.serenbooks.com Facebook: facebook.com/serenbooks twitter: @serenbooks publisher: Mick Felton sales and Marketing: simon hicks Marketing: Victoria humphreys Fiction editor: penny thomas poetry editor: amy Wack poetry Wales: robin Grossmann, rebecca parfitt Directors: Cary archard (Founder and patron), John barnie, Duncan Campbell, robert edge, richard houdmont (Chair), patrick McGuinness, linda osborn (secretary), sioned puw rowlands, Christopher Ward no. 2262728. Vat no. Gb484323148. seren is the imprint of poetry Wales press ltd, which works with the financial assistance of the Welsh books Council www.serenbooks.com Preface 3 2011 was an exciting year in which we celebrated our 30th birthday and threw a street Cynan Jones Bird, Blood, Snow 4 party outside the seren offices on the sunniest october saturday since records began. -
Annual Report 60 for 2012-13
UNIVERSITY OF LONDON SCHOOL OF ADVANCED STUDY INSTITUTE OF CLASSICAL STUDIES Annual Report 60 1 August 2012 – 31 July 2013 SENATE HOUSE MALET STREET LONDON WC1E 7HU STAFF DIRECTOR and EDITOR OF PUBLICATIONS: Professor John North, BA, DPhil DEPUTY DIRECTOR: Olga Krzyszkowska, BA, MA, PhD, FSA DIRECTOR OF PUBLICATIONS: Richard Simpson, MA, Dip.Arch, FSA PUBLICATIONS AND EVENTS ASSISTANT: Sarah Mayhew, BA, MA ADVISORY COUNCIL 2012-13 Chairman: Emeritus Professor J.K. Davies, MA, DPhil, FBA, FSA Ex officio Members: The Dean of the School of Advanced Study (Professor Roger Kain, FBA) The Director (Professor John North, MA, DPhil) Two persons on the nomination of the Society for the Promotion of Hellenic Studies Professor C. Carey, MA, PhD Dr D. Thomas (Hellenic Society Treasurer) Two persons on the nomination of the Roman Society Professor D. Rathbone, MA, PhD Dr P. Kay (Roman Society Treasurer) Fifteen Teachers of Classics or of cognate subjects in the University of London Professor G. D’Alessio, Dott.Lett, Dipl.c.o. (KCL) Dr C. Constantakopoulou BA, MA, Dphil (Birkbeck) Professor C. Edwards, MA, PhD (Birkbeck) Professor W. Fitzgerald, BA, PhD (KCL) Dr D. Gwynn, PhD (RHUL) Professor E. Hall, MA, DPhil (KCL) Professor J. Herrin, MA, PhD, (KCL) Dr N. Lowe, MA, PhD (RHUL) Professor D. Ricks, MA, PhD (KCL) Dr J. Tanner, MA, PhD (UCL) Professor H. van Wees, DrLitt (UCL) Professor M. Wyke, MA, PhD (UCL) Three vacancies Four persons holding appointments in other Universities or Learned Institutions J.L. Fitton, BA, FSA, Keeper of Greek and Roman Antiquities, The British Museum Professor B. -
Spring 2011 Catalogue:1 21/10/10 12:09 Page 1
Spring 11 Cat. Cover final_1 21/10/2010 11:26 Page 1 YALE yale spring & summer 2011 spring & summer 2011 London WC1B 3DP • Yale University Press 47 Bedford Square www.yalebooks.co.uk Bolton - McQueen page:1 17/11/10 15:46 Page 1 A stunning overview of the career of designer Alexander McQueen, whose iconic and intricate fashions challenged the conventional parameters of clothing From left to right: ‘Sarabande’, Spring/Summer 2007, ‘It’s Only a Game’, Spring/Summer 2005, ‘The Overlook’, Autumn/Winter 1999. Alexander McQueen JUST ANNOUNCED Savage Beauty Andrew Bolton and Harold Koda With contributions by Tim Blanks and Susannah Frankel Alexander McQueen (1969–2010) was one of the most influential, imaginative and inspirational designers at the turn of the millennium. His fashions both challenged and expanded the conventional parameters of clothing beyond utility to a compelling expression of culture, politics and identity. Focusing on the most iconic and acclaimed designs of his prolific career, this stunning book examines McQueen’s inimitable technical virtuosity and its subversion of traditional tailoring and dressmaking practices. MuseumThe of Art Metropolitan York • New The book also focuses on the highly sophisticated narrative structures found in McQueen’s collections and in his astonishing and extravagant runway presentations, which suggested the most avant-garde installation and performance art. Intended as an assessment of Alexander McQueen’s entire career, the book includes in-depth studies Exhibition of six collections that illustrate and encapsulate thematic chapters as The Metropolitan Museum of Art, well as an interview with Sarah Burton, the new creative director of 04/05/11–31/07/11 Alexander McQueen who had been the designer’s right-hand design aide since 1996. -
Full Press Release
Press Contacts Patrick Milliman 212.590.0310, [email protected] Sandra Ho 212.590.0311, [email protected] THE MORGAN LIBRARY & MUSEUM TO EXHIBIT NEWLY ACQUIRED PRAYER BOOK MADE FOR QUEEN CLAUDE DE FRANCE TINY BOOK—JUST 2 ¾ BY 2 INCHES—IS AN EXTREMELY RARE MASTERWORK OF RENAISSANCE ILLUMINATION Manuscript to Go on View May 20 New York, NY, May 9, 2008—The Morgan Library & Museum will put on special exhibition beginning May 20 an extremely rare Renaissance illuminated manuscript, the Prayer Book of Queen Claude de France (1499–1524), created around the time of her coronation in 1517. It is the most important single illuminated manuscript acquired by the Morgan in the last twenty-five years and will go on view in the East Room of the historic McKim building. The tiny, jewel-like book, measuring just 2 ¾ by 2 inches, is richly illustrated with 132 scenes from the lives of Christ, the Virgin Mary, the apostles, and numerous saints. The work was created by an artist known as the Master of Claude de France and can be characterized as the pinnacle of delicacy in Renaissance illumination. The artist, named after this prayer book and a companion manuscript, was active in Tours during the first quarter of the sixteenth century. Barely a dozen of his works survive. The prayer book was given to the Morgan by Mrs. Alexandre P. Rosenberg, a long time generous supporter of the Museum. The gift is in memory of her husband Alexandre Paul Rosenberg, who died in Virgin and Child with St. John the Baptist, with the coat of arms of Queen Claude de France in the lower border, illuminated 1987. -
HISTORIC LIBRARIES FORUM BULLETIN NO. 27 February 2014
HISTORIC LIBRARIES FORUM BULLETIN NO. 27 February 2014 November’s annual conference on guarding against the dispersal of collections was a great success, with very positive feedback from attendees. You will find a detailed write-up of it in this Bulletin. The committee has begun the process of deciding on a conference theme for this year, which will be based on feedback we have received, so if you weren’t at the conference and there is a particular workshop or conference topic you are interested in, please do let us know. We have a busy year coming up. A workshop on conservation (specifically, improving communication between conservators and librarians) organised jointly with ARLIS and ICON was held in January, with a write up to follow in the next Bulletin. Several workshops are in the planning process at the moment, including rare books cataloguing, identifying prints and conservation. Keep an eye out for emails from the HLF to find out when booking opens as our workshops tend to be fully booked very quickly. As ever, libraries in danger have been in the news recently. We had a letter published in the Church Times and wrote to the Bible Society to protest about the proposed sale of the Codex Zacynthius, a 6th or 7th century Bible manuscript. Cambridge University Library needs to raise the £1.1 million necessary to purchase it by the end of February 2014, otherwise there is a very real risk that it could leave the country and/or end up in private ownership. Further details of the campaign are available on their website: http://www.cam.ac.uk/research/news/cambridge-university-library-bids-to-purchase-early- gospel-manuscript Earlier in January we were very concerned to learn of the proposed closure of the British Library Preservation Advice Centre (BLPAC), which I’m sure many HLF members have found an invaluable source of help and advice. -
1 the Public Life of a Twentieth Century Princess Princess Mary Princess Royal and Countess of Harewood Wendy Marion Tebble
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SAS-SPACE 1 The Public Life of a Twentieth Century Princess Princess Mary Princess Royal and Countess of Harewood Wendy Marion Tebble, Institute of Historical Research Thesis submitted for Degree of Master of Philosophy, 2018 2 Table of Contents Abstract 3 Acknowledgements 5 Abbreviations 7 Acronyms 8 Chapters 9 Conclusion 136 Bibliography 155 3 Abstract The histiography on Princess Mary is conspicuous by its absence. No official account of her long public life, from 1914 to 1965, has been written and published since 1922, when the princess was aged twenty-five, and about to be married. The only daughter of King George V, she was one of the chief protagonists in his plans to include his children in his efforts to engage the monarchy, and the royal family, more deeply and closely with the people of the United Kingdom. This was a time when women were striving to enter public life more fully, a role hitherto denied to them. The king’s decision was largely prompted by the sacrifices of so many during the First World War; the fall of Czar Nicholas of Russia; the growth of socialism; and the dangers these events may present to the longevity of the monarchy in a disaffected kingdom. Princess Mary’s public life helps to answer the question of what role royal women, then and in the future, are able to play in support of the monarchy. It was a time when for the most part careers of any kind were not open to women, royal or otherwise, and the majority had yet to gain the right to vote. -
Medieval and Renaissance Manuscripts
THE MORGAN LIBRARY & MUSEUM MASTERWORKS FROM THE MORGAN: MEDIEVAL AND RENAISSANCE MANUSCRIPTS Although Pierpont Morgan acquired medieval and Renaissance manuscripts only during the last dozen years of his life, his collection of some six hundred manuscripts was world renowned. His son, J. P. Morgan, Jr., added two hundred more that matched those of his father in terms of quality and importance. The collection currently numbers nearly fourteen hundred books and leaves. Written by hand and often sumptuously painted or illuminated with gold leaf, these manuscripts reflect the religious, intellectual, and artistic life of their time. Often commissioned by leaders of church and state, they were frequently made of rare and precious materials, requiring the combined skills of parchment makers, scribes, editors, illuminators, and binders. Protected by their bindings, the vivid colors of their miniatures have changed little, making them the best preserved of all medieval and Renaissance paintings. The icons of illumination shown here were selected because each, in some way, is the best of its kind and part of the core of masterworks upon which the Morgan’s international reputation is based. Nativity, in an initial P, leaf from a Gradual (I), in Latin. Italy, Florence, 1392–99, illuminated at Santa Maria degli Angeli by Don Silvestro dei Gherarducci for Paolo Venier, abbot of San Michele à Murano. This large historiated initial and four others in the Morgan come from the same two-volume Gradual, a choir book containing the sung portions of the Mass. The initial P begins the Introit for the Christmas Mass, taken from Isaiah (9:6): Puer natus est nobis (A child is born to us). -
The Arts Council of Great Britain
A-YUAAt J`2 101" The Arts Council Twenty-ninth of Great Britain annual report and accounts year ended 31 March 1974 ARTS COUNCIL OF GREAT BR(fAMm REFERENCE ONLY DO NOT REAAOVE I j,FROM THE LIBRARY ISBN 0 7287 0036 0 Published by the Arts Council of Great Britai n 105 Piccadilly, London wIV oAu Designed and printed at Shenval Press, Englan d Text set in `Monotype' Times New Roman 327 and 334 Membership of the Council , Committees and Panels Council Committees of the Art Pane l Patrick Gibson (Chairman ) Exhibitions Sub-Committee Sir John Witt (Vice-Chairman ) Photography Committee The Marchioness of Anglesey Serpentine Gallery Committee Professor Harold C . Baldry Performance Art Committee The Lord Balfour of Burleigh Alan Bowness The following co-opted members serve on the Lady Casson Photography Committee : Colonel Sir William Crawshay, DSO, TD Michael Elliott Bill Gaskins The Viscount Esher, CBE Ron McCormic k The Lord Feather, CBE Professor Aaron Scharf Sir William Glock, CBE Pete Turner Stuart Hampshire Jeremy Hutchinson, Q c and the Performance Art Committee : J. W. Lambert, CBE, DsC Dr A. H. Marshall, CB E Gavin Henderso n James Morris Adrian Henri Neil Paterson Ted Littl e Professor Roy Shaw Roland Miller Peter Williams, OBE Drama Panel Art Panel J. W. Lambert, CBE, DsC (Chairman) The Viscount Esher, CBE (Chairman) Dr A. H. Marshall, CBE (Deputy Chairman) Alan Bowness (Deputy Chairman ) Ian B. Albery Miss Nancy Balfour, OBE Alfred Bradley Victor Burgi n Miss Susanna Capo n Michael Compton Peter Cheeseman Theo Crosby Professor Philip Collins Hubert Dalwood Miss Jane Edgeworth, MBE The Marquess of Dufferin and Av a Richard Findlater Dennis Farr Ian Giles William Feaver Bernard Gos s Patrick George Len Graham David Hockney G. -
First, Unique and Unrepeatable Editions Limited to 987 Copies
First, unique and unrepeatable editions limited to 987 copies numbered and certifi ed by notary public LIVRE DE CHASSE Binding of the Livre de Chasse, by GASTON PHOEBUS by Gaston Phoebus Bibliothèque nationale de France • Paris First, unique and unrepeatable edition limited to 987 copies numbered and certifi ed by notary public The Livre de Chasse (Book of the Hunt) was written by Gaston Phoebus, count of Foix and expert huntsman. For many years this treatise was famous for both the quality of its hunting lessons and its extraordinary illuminations: a masterpiece of early-fi fteenth- century manuscript production in Paris, and one of the very few educational books to be illustrated as lavishly as a Bible. Besides the lessons it contains, this treatise also presents hunting as a redeeming exercise enabling hunters to go straight to Heaven by endowing them with an upright body and mind. The composition itself of this deeply pondered book links the hunter to the spiritual world. The different artists who worked on this manuscript – skilful mas- ters of medieval canons of illustration such as line dynamics, repeated fi gures, effects of colours, etc – placed their art at the service of Gaston Phoebus’s desire to teach, thereby setting out not merely a lesson of hunting but a lesson of life. Shelf mark: Français 616 Date: early 15th c. Size: 380 x 280 mm 436 pages, 87 illuminations Morocco-bound New! Full-colour commentary volume moleiro.com — f. 57v — 57v — f. — f. 94r — THE HOURS OF HENRY VIII The Morgan Library & Museum • New York First, unique and unrepeatable edition limited to 987 copies numbered and certifi ed by notary public The Hours of Henry VIII, Jean Poyer’s masterpiece, receives its name from King Henry VIII of England, second monarch of the House of Tudor. -
Annual Report 2013 Adroddiad Blynyddol 2013
ANNUAL REPORT 2013 ADRODDIAD BLYNYDDOL 2013 CONTEMPORARY ART SOCIETY FOR WALES CYMDEITHAS CELFYDDYD GYFOES CYMRU T H E A L B A N Y G A L L E R Y Dominic Hills Caroline Bailey - Llandudno from the pier 28 x 28ins mixed media SUMMER EXHIBITION 2011 1st July – 3rd September An exhibition of work by more than 70 artists David Porteous-Butler - Boats at West Mersea 40 x 60cms Oil SUMMER EXHIBITION 27th June - 6th September 2014 A changing exhibition of work by more than 50 artists 12th September - 4thCERI October: AUCKLAND Mike Jones, DAVIES John Lines, Aled Pritchard Jones 10th9 thOctober September - 1st November: – 1st October David Grosvenor 7th November - 31st December: Christmas Exhibition For images and74b details Albany ofRoad, future Cardiff, exhibitions, CF24 3RS view our website T: 029 2048 7158 E: [email protected] www.albanygallery.comW:www.albanygallery.com Gallery open: Monday – Saturday 10am – 5pm, Sundays and Bank Holidays 11am – 4pm 74b Albany Road, Cardiff CF24 3RS T:029 2048 7158 E:[email protected] Gallery open: Monday - Saturday 10am - 5pm, Sunday and Bank Holidays 11am - 4pm contemporary art society for wales cymdeithas celfyddyd gyfoes cymru Charity No: 247947 OFFICERS OF THE SOCIETY AT 31st DECEMBER 2013 Patron The Right Honourable The Earl of Snowdon President Professor Bryan Hibbard Past President Mrs Betty Evans Vice Presidents Mr Bernard H Rees Mr Peter Clee Dr Tudor Jones Chairperson Dr Chris Evans Vice Chairperson Dr Sandra Harding 1 Treasurer Mr Gwyn Stone Events Secretary Mrs Sian Williams Membership -
Spotlight on Tours
Spotlight on Tours Medieval Books of Hours from Tours at Dr. Jörn Günther Rare Books Basel – Stalden, Switzerland Spotlight on Tours Whereas Paris has so long been France’s ‘capital of the arts’ – around 1500 it had to share this title with Tours on the Loire, favoured by royalty and their entourage. Many of them were avid patrons of the arts and books. Since the second half of the 15th century to the early 16th century, the city of Tours was a renowned centre of manuscript illumination. Four French kings – Louis XI, Charles VIII, Louis XII and Francis I – were served here by the best illuminators. Jean Bourdichon (c. 1457-1521) had been the pupil of Jean Fouquet (c. 1420-1481) in Tours, where both men painted several masterpieces. They inspired the Master of Petrarch’s Triumphs (c. 1490-1510), Jean Poyer (c. 1465–1503), the Master of Claude de France (1498-c.1520) and their circles. But it began even earlier…. THE ‘DE NULLY DE GROSSEVRE’ HOURS ILLUMINATED IN THE CIRCLE OF THE JOUVENEL MASTER AND THE MASTER OF BOETHIUS FRANÇAIS 809. France, Tours (?), c. 1450-1460. Manuscript on vellum, 213 x 148 mm, 183 leaves with 17 large miniatures with full borders, three-sided vine- leaf borders on each page. The provenance is uncertain but some saints (Gatian, Lidorius) in the Litany point to Tours as city of origin. The fine Annunciation is attributed to the Boethius Master. He was also influenced by Jean Fouquet. The ‘De Nully de Grossevre’ Hours illuminated in the circle of the Jouvenel Master and the Master of Boethius Français 809.