A New Focus for Theatre Departments

Total Page:16

File Type:pdf, Size:1020Kb

A New Focus for Theatre Departments PROJECTION DESIGN A NEW FOCUS FOR THEATRE DEPARTMENTS by Lisa Gibbs, Ed.D Photos courtesy Theatre Avenue A live theatre performance is the culmination of actors rehearsing lines and spacing, costume designers dressing them for the part, scenic designers drafting and building sets and backdrops, lighting designers creating the visual mood, properties designers providing the smaller items handled by the actors, and sound designers adding aural nuances to the action, all under the guidance of a director. Projection Design continued Digital Tech Enhances and moving images that assist in telling the story. can take live action visual effects to another Live Performances Some projectors are made with lasers, which level. Projections increasingly are becoming part In the past 20 years, advances in digital technol- allows for intricate and complex designs. of plays, musicals, ballets, operas, and music ogies have affected all areas of live performance, concerts and the demand for people with specific including dance, drama, and music, perhaps most Flexibility in Creating Visual Effects training in projection design has increased. dramatically in the realm of visual effects. Specific computer programs allow designers flexi- Performing arts companies and venues include In the not too distant past, visual effects were bility as they create visual effects. Images can be specific skills and education in job descriptions created with stationary lights and colored gels, projected onto something as simple as a sheet or related to projection design. Proficiency in plastic sheets that slid into a frame placed in front a cyclorama, or as specific as a projector screen projection, video, and editing technology must of a lamp, typically housed in a Fresnel lantern. or LED wall. With the use of projectors, special be combined with the ability to create original art. Manipulating the intensity and placement of the screens and specific software, a live action play or An understanding of the stage action, whether it lights was organized to match the feelings and musical can look almost like a movie. be dance, drama, or music provides context for actions taking place on the stage. Stagehands In 2007, the United Scenic Artist’s Union the holistic nature of producing a live stage show. could change the gels in the sidelights, usually Local 829 added Projection Design to its Therefore, the ability to collaborate with the during a pause or intermission in order to change membership category. According to the USA team of designers, directors, and technicians is the mood to match the action on stage. 829, projection design is “the use of image as also important. The projection designer must In the more recent past, moving lights, also a means of enlightening or complimenting the know how to use specialized software tools such called intelligent lighting, have mostly replaced text of a production.” The Projection Designer as QLab, Final Cut, Avid, ProTools, Vectorworks, static lights hanging from overhead or placed on is “responsible for overseeing the design of the and the myriad of Adobe products available today. poles for side lighting. Moving lights are program- system, specifying equipment, sequencing the The designer must also know the functions, mable and speedily change color without physical material in co-ordination with the other design specifications, rigging, cabling and set up of manipulation, as was the case with gel lighting. departments and the production at large, and projectors, screens, and computer networks. In the even more recent past, the use of supervising the production of original content.” Often, the projection designer is also responsible projectors has nearly replaced the painted Recent Broadway hits such as Frozen and for the maintenance, repair, replacement, and backdrop. Projectors can be used to display still Anastasia are examples of how projection design upgrading of equipment over time. 46 PRIVATE UNIVERSITY PRODUCTS AND NEWS pupnmag.com Projection Design continued Project Design in and implement their designs by collaborating and it emphasizes that in telling the human story Technical Theatre Curricula with directors, dramaturgists, technicians, other for theatre, all elements of design are an integral designers, and professional production staff.” part of the whole and cannot be conceived Private colleges and universities are including From the first year studying principles of design independently.” Students use specialized projection design in their technical theatre and history of dramatic literature to the fourth year software, such as Adobe and Vectorworks, along curricula. Samford University in Birmingham, putting together a portfolio and interning at The with specialized hardware such as pen or graphics Alabama, offers a Bachelor of Arts in Production Theatre School, projection design majors learn to tablets and digital cameras to increase their digital Design and Technology. At Samford, students use technology to enhance the action on stage. The skills and execute a projection design. learn “the skills necessary to design lights and department provides software and hardware to Digital technology is transforming the way projections” and “gain the communication skills bring the designs to the stage with projectors, video audiences experience a live performance, whether necessary to engage with directors and other walls, LED walls, and other new technologies. in a small black box theatre, a medium sized designers in the collaborative process.” At the Yale School of Drama in New Haven, proscenium stage, or at a large outdoor concert. Hamilton College in Clinton, New York, Connecticut, a student can attain a Master of Broadway productions in recent years have introduces theatre majors to “the fundamentals Fine Arts in Design with a focus on projection included projection technology, and United of stage design, projection design/technologies, design. The department takes a holistic approach Scenic Artist’s Union Local 829 added projection set construction, scenic painting and stage and to design, requiring classes in costume, lighting, design as a membership category. Private college production management” in order to learn the set, and projection design in the first year, with and university theatre departments are offering tools and techniques needed to “create the visual lighting and projection designers also studying their students the tools and experiences needed world of performance.” sound design. In the second and third year, to be part of this new field of design. Belmont University in Nashville, Tennessee, students focus on their primary interest. offers practical experience in the design areas For projection designers, this includes ABOUT THE AUTHOR: PUPN staff writer Lisa of lighting, set, costume, sound, and projection animation, film production, advanced problems Gibbs earned her Ed.D. in Higher Education within their Bachelor of Fine Arts with an in projection and scene design, and a thesis project Administration in 2018. She is an advocate for arts, emphasis in production design. in which projection content is integrated into the DePaul University in Chicago, Illinois, offers a performance as an essential part of telling the particularly dance, in education, and for increasing Bachelor of Fine Arts in projection design. Their story. Yale’s approach “provides students with the the financial well-being of artists through financial program encourages students “to visualize, create, common ground of core knowledge of the field; education. 48 PRIVATE UNIVERSITY PRODUCTS AND NEWS pupnmag.com .
Recommended publications
  • Productionproduction ////// B.F.A.B.F.A
    ProductionProduction ////// B.F.A.B.F.A. Animal Farm. Photo/Pin Lim We train for the profession with the profession. Houston has a large arts community that gives our students access to internships, observerships and overhire possibilities with such organizations as the Houston Grand Opera, Houston Ballet, Alley Theatre, Stages Repertory Theatre and IATSE PRODUCTION Local 51. Students graduate from the Production Program with the skills, confidence and experience necessary to launch a technical career or pursue an advanced degree in production or design. PROGRAM FEATURES PROGRAM OVERVIEW Our students learn in intimate, collaborative ensemble- Students spend their first two years learning and honing foundational based classes skills in technical production, stage management, design, graphic communication, play reading and analysis, and architectural and costume One-on-one mentoring and career consultations from history. Their training includes both classroom work and hands-on faculty and professional artists experience on at least one show per semester. Professional artists and guests allow our students to As upperclassmen, students are introduced to costume, lighting and network and gain practical experience scenic design. They can either continue to broaden their training in Extensive cross-collaboration with the Stage various areas or specialize in advanced training in scenery, costuming, Management Program lighting or sound. As they continue to develop their practical skills, students have the opportunity to take on technical leadership
    [Show full text]
  • Event Sound & Light Hire Price List
    tel: 01245 863 863 email: [email protected] web: www.eventsoundandlight.com Hire prices 2018 sound : lighting : staging : video : effects : power hire : sales : install : events : service Event Sound & Light Ltd Unit 2, The Warren Estate, Lordship Road, Writtle, Chelmsford, Essex. CM1 3WT Event Sound & Light Ltd. Index Page 2 - Company information Page 16 - Architectural lighting Lighting control Page 3 - Amplifiers Mixing desks Page 17 - DJ/club lighting Special effects equipment Page 4 - Speakers Pyrotechnics Page 5 - Speaker rigging Page 18 - Smoke, Haze, Snow machines Tourguide systems Stands & Chairs Playback Page 19 - Truss Page 6 - Processing Motors & Rigging Noise monitoring Page 20 - Rigging continued Page 7 - Microphones Page 21 - Staging Page 8 - Radio microphones & IEM Systems Drapes & Tab Track Page 9 - Radio Microphones – CatchBox Page 22 - Pit Barrier Mic accessories Safety equipment Consumables Page 10 - Public address Portable sound Page 23 - Staff Induction loop systems Comms Page 24 - Audio cables Page 11 - DJ sound equipment Page 25 - Audio cables (cont …) Karaoke equipment Lighting cables AV cables Page 12 - PA packages Page 26 - Mains distribution Page 13 - AV equipment Page 27 - Mains distribution (cont …) Page 14 - AV equipment continued Socapex cabling Cable accessories Page 15 - Lighting equipment Theatrical lighting Page 28 - Terms & Conditions of Hire Intelligent lighting Page 29 - Contact details Hire Price List 2018 (V42) Page 1 of 29 T: 01245 863 863 email: [email protected] All prices shown are exclusive of VAT - E & O E Event Sound & Light Ltd. The Company: Event Sound & Light Ltd was formed in July 2003 following the merger of two established companies bringing together over 25 years of experience.
    [Show full text]
  • Barbizon Distributes 16 X 9 Inc
    Systems Integration ▾ Sales ▾ Technical Services Barbizon Distributes 16 X 9 Inc. Crown Lightline Electronics Rosco Labs 3M Da-Lite Lightolier Controls Rosebrand AAdynTech Dazian Lightronics Rotolight ABC Products Dedotec Lightware Cases Sachtler AC Lighting DeSisti Lighting LiteGear Schneider Optics AC Power Distribution, Inc. Digital Sputnik Litepanels, Inc. Sculptural Arts Coatings Advanced Devices Doug Fleenor Design Littlite Sekonic Meters Advantage Gripwear Doughty Engineering Look Solutions Sennheiser Airstar Dove Systems Lou Marks Setwear Alan Gordon Enterprises, Inc. Draper, Inc. Lowel Light SGM - US Alkalite DSC Labs Lowepro Cases Show Solutions Allied Electronics DTS Lighting LTM SixEye Altman Stage Lighting Duracell Lumenpulse SKB Cases Amco Engineering Eagle Electric Lumen Radio Sound Associates American DJ Elation Lighting Luminex Span Set American Grip Inc. elektraLite Lumos Special FX Lighting American Harlequin Electronics Diversified Lutron Electronics SOG Amprobe Instrument Electronic Theatre Controls Luxtrol Spectra Meters Anchor Audio Enttec Luxam Speedotron Antari Eveready Battery Lycian Spider Support Systems Anton Bauer Falcon Safety Lyntec Spyderco Knives Anvil Cases Fehr Brothers Magic Gadgets SSRC Apollo Design Technology Field Template Maglite Staging Concepts Applied Electronics Fiilex Lighting Manfrotto Stage Decoration & Supplies Aquarii Flexfill Marinco Stagejunk Arri Focal Press Martin Professional Stagemaker Artistic License Formatt Filters Matthews Studio Equipment Stage Right Aspen Electronics Frezzi
    [Show full text]
  • Theater Arts
    Program Overivew Program: Theatre Arts Does this program have a Yes CTE component? Academic Year: 2020/2021 Review Period: 6 Year A. Description and Goals 1. Describe the program and/or service area under review and how the program supports the mission of Santa Monica College. The Theatre Arts Department offers courses in Instructional as well as Career Education (CE) categories. We offer the following Degrees and Certificates: • AA Theatre • AA-T Theatre Arts • AS- Technical Theatre • Certificate of Achievement- Technical Theatre • Department Certificate: Scenic Design and Construction • Department Certificate: Stage Lighting, Sound and Projection Our Instructional areas include courses in Acting Techniques- Theory and Practice, Theatre Production, Introduction to Theatre and Theatre History. They lead to the completion of an Associate of Arts degree and also prepare students for transfer to four-year institutions. We have created a transfer degree (AA-T Theatre Arts) for students planning to transfer into CSUs. We have a CE Program in Technical Theatre. Areas of study include Stagecraft, Stage Lighting, Stage Costuming, Stage Sound, Stage Make-Up, Projection and Advanced Lighting, Stage Management, Scenic Design, Scenic Painting Techniques and Technical Theatre Production. The CE program offers a 19-unit Certificate of Achievement, leads to an Associate of Science degree, transfer to four-year institutions and/or employment in various areas in Technical Theatre. Our Acting courses consist of scene study in Modern Realism and Historical Styles ranging from Greek to Post-Modern. We also offer multiple levels of courses in Voice Development for the Stage, Stage Movement, Musical Theatre and an Advanced Audition Workshop.
    [Show full text]
  • Theatre (THEA)
    Kent State University Catalog 2021-2022 1 THEA 11724 FUNDAMENTALS OF PRODUCTION LABORATORY II: THEATRE (THEA) PROPS AND SCENIC ART 1 Credit Hour Practice in theatre production techniques in the area of properties and THEA 11000 THE ART OF THE THEATRE (DIVG) (KFA) 3 Credit Hours scenic art. Using the life-centered nature of theatre as a medium of analysis, this Prerequisite: Special approval. course is designed to develop critically engaged audience members Corequisite: THEA 11722. who are aware of the impact, significance and historical relevance of the Schedule Type: Laboratory interconnection between culture and theatre performance. Contact Hours: 2 lab Prerequisite: None. Grade Mode: Standard Letter Schedule Type: Lecture Attributes: CTAG Performing Arts, TAG Arts and Humanities Contact Hours: 3 lecture THEA 11732 FUNDAMENTALS OF PRODUCTION II: COSTUMES, Grade Mode: Standard Letter LIGHTING AND PROJECTIONS 2 Credit Hours Attributes: Diversity Global, Kent Core Fine Arts, Transfer Module Fine An introduction to professional theatre production principles and Arts practices in the areas of costumes, lighting and projections. THEA 11100 MAKING THEATRE: CULTURE AND PRACTICE 2 Credit Prerequisite: Special approval. Hours Schedule Type: Lecture Overview of theatre practices through creative experiential learning. The Contact Hours: 2 lecture focus and course content combines practical and cultural experiences Grade Mode: Standard Letter and culminates with a performance event that provides a solid foundation Attributes: CTAG Performing Arts in the artistic process and an identity for the first-year theatre student. THEA 11733 FUNDAMENTALS OF PRODUCTION LABORATORY III: Prerequisite: Special approval. COSTUMES 1 Credit Hour Schedule Type: Lecture Practice in theatre production techniques in the area of costumes.
    [Show full text]
  • DAVID FITCH SERVICES Ltd
    DAVID FITCH SERVICES ltd UNITS 5 & 5A NORTHEND TRADING ESTATE, TELEPHONE 01322 350 351 NORTHEND ROAD, FAX 01322 350 354 ERITH, email [email protected] KENT. DA8 3PP web site www.davidfitchservices.com The following guide is reproduced by kind permission of strand lighting ltd WHY NOT HIRE …. ILLUMINATED MUSIC STANDS, IT’S MUCH BETTER THAN THIS! notes ALL I SAID WAS “ IT WILL LOOK ALRIGHT WHEN IT’S LIT “ …AND FRANK SENT THIS… DAVID FITCH SERVICES ltd UNITS 5 & 5A NORTHEND TRADING ESTATE, TELEPHONE 01322 350 351 NORTHEND ROAD, FAX 01322 350 354 ERITH, email [email protected] KENT. DA8 3PP web site www.davidfitchservices.com These notes are just a brief guide to stage lighting and there are many books on the subject, some of which are listed at the end as suggested further reading. 1 MECHANICS - Some definitions 1.1 Profile Spot This lantern has a parabolic reflector and a plano convex lens and is capable of providing a shaped, sharply focused beam. Some, such as the Source four junior zoom 250/500 have two lenses to give a variable spread. Profile spots are used normally for front-of-house positions or on stage where precision positioning or gobos are required. The beam is inverted and reversed (upside down and back to front). you may have other lanterns such as prelude 16/30 , minuette 17/35 or the good old patt 23. Fresnel The Fresnel lantern is so called because it uses a Fresnel lens. This is a stepped prismatic lens designed by the 19th century French physicist Augustine Fresnel.
    [Show full text]
  • 2015 Signature
    STUDENT TECHNOLOGY GRANT PROPOSAL # 2.0 S.Q\l 2014- 2015 TRACY BROWN : ACCEPTED _______ COMMENTS: NIPc SIGNATURE: ~~-- HEATH FITIS: ACCEPTED------- OPPOSED:----------- COMMENTS: DATE: _________________ SIGNATURE:------------ SHAWN PARR: ACCEPTED _______ OPPOSED: ----------- COMMENTS: DATE: _________________________ SIGNATURE:------------ CHRIS PARISH : ACCEPTED _______ OPPOSED:----------- COMMENTS: SIGNATURE:------------ DATE:------------- BRANDON CRAIG : ACCEPTED ______ OPPOSED:----------- COMMENTS: DATE: ________________________ SIGNATURE:------------ RON WRIGHT: ACCEPTED ______ OPPOSED: _ _____:::::..__ ______ COMMENTS: SIGNATURE: ----:f-'J..,._.~bc.-·........._J ....c.~,.................-=----- DATE: __!<-= ?:.......;_. ~. /--L.L.t_.,7,_1_- _______ / 0 ao\~.ot\ Student Technology Fee r~~ ~Lr Grant Proposal Request Form Fiscal Year 2014-15 Northwestern State University of Louisiana ALL BLANKS MUST BE FILLED COMPLETELY Prepared by: __Paul Pharris______ _ For:_Dept. Of Theatre and Dane Department!U nit: Theatre/Capa College: _ALGS__ _ Campus:Natchitoches Which NSTEP Goals/Objectives does this project meet?_1 ,2,3,6,8 ___________ Requested equipment will be located/installed/housed? Building __25 --- Room 100-1 Does the department requesting funding receive lab fees? (circle one) YES/ NO Are department property policies and procedures in place for requested equipment?__ Y es--- Which individual will be responsible for property control of the requested equipment? Paul Pharris Date: ---11/30114-------- Proposal Requested Amount:$_~-'"/3,"~-._c-_o_o_____
    [Show full text]
  • Intelligent Lighting Design Spot
    INTELLIGENT LIGHTING www.ElationLighting.com INTELLIGENT LIGHTING DESIGN SPOT 250 CONTROL FEATURES RDMX - Remote DMX Addressing USITT DMX-512 (16-bit resoultion) 16 DMX Channels 4 Digit L.E.D. Display On board menu settings 3-pin XLR serial input/output Sound active mode OPTICAL SYSTEM High output luminous-parabolic dichroic refl ector Beam Angle 17° Replacable Beam 14°, 20° angles (included) All lenses are anti-refl ection coated COLORS 8 Dichroic fi lters, 7 color, UV + White Continuous, variable speed, color scrolling in both directions (rainbow effect) More color combinations possible by overlaying the multi- color dichroic gobo and the colors on the color wheel GOBOS 2 gobo wheels, 14 total gobos, 11 metal, 3 glass 7 interchangeable, indexable, rotating gobos plus open 7 interchangeable, static gobos plus open 26.9mm outside diameter, 23mm image diameter Gobo Overlay (Gobo Morphing) SHUTTER/DIMMER Variable speed strobe effect (1-13) Flashes per second Pre-set variable/random strobe and dimming pulse effect Dual Flag mechanical dimming system MOUNTING BRACKETS Each Design Spot 250 comes IRIS with 2 mounting brackets Beam narrow to wide (5% - 100%) Variable speed iris macros Small to large and large to small FROST 3 FACET PRISM FROST Variable Frost Control Hard edge to soft edge PRISM Hard Edge Soft Edge (Wash Effect) 3-facet rotating/Indexing Prism (Spot Effect) Both directions at variable speeds Macro-function for rotating gobos/rotating prisim 14° Beam Angle 17° Beam Angle GOBO WHEEL 1 687 198 75 482 172 54 7402 2132 810 5190 1858 586
    [Show full text]
  • Bulletin 0002-2018 Division 11 00 00 Theater Lighting, Sound and A/V Equipment April 2018
    FACILITIES SERVICES 1631 LAFRANCE STREET ATLANTA, GEORGIA 30307 JERE J. SMITH III, AIA DIRECTOR OF CAPITAL IMPROVEMENTS (404) 802-3736 FAX (404) 802-3897 [email protected] BULLETIN TO DESIGN AND CONSTRUCTION PROFESSIONALS Date: April 2, 2018 Bulletin: 0002 – 2018 Division: 11 00 00 – Theater Lighting, Sound and A/V Equipment Re: APS Design Guidelines and Standard Specifications Update Item 1: This is a clarification, change or addition to the existing Atlanta Public Schools (APS) Design Guidelines and Standard Specifications dated December 1, 2010 and any previous Bulletins. Item 2: This set of requirements and specifications should be implemented IMMEDIATELY on all projects that are in the “Construction Document” phase of the project delivery process. On projects where the “Construction” has begun, these requirements and specifications should be implemented IMMEDIATELY, WHERE PRACTICAL as to not adversely impact the schedule, budget or overall delivery of the project. Item 3: The existing APS Design Guidelines, Division 11 00 00, Theatrical and Stage Equipment should be amended and supplemented by the attached Standards for Theater Lighting, Sound and A/V Equipment (dated April 2, 2018). ___________________________ Jere J. Smith III, AIA Director of Capital Improvements For school system directory information, dial 404-802-3500. The Atlanta Public School System does not discriminate on the basis of race, color, religion, sex, age, national origin, disability, veteran status, marital status, or sexual orientation in any of its employment practices, educational programs, services or activities. For additional information about nondiscrimination provisions, please contact the Office of Internal Resolution, 130 Trinty Avenue, S.W., Atlanta, Georgia, 404-802-2362.
    [Show full text]
  • Controller User Manual
    Intelligent Lighting Systems Multifunction Digital RGBW LED controller Comprehensive User Manual Table of Contents Table Rev 2/4/2018 2 Table of Contents Table of Contents ...............................................................................................................................................3 1.0 – Specifications ........................................................................................................................................6 Controller (General): ................................................................................................................................................... 6 1.1 - DRL Specifications .......................................................................................................................................8 Yamaha: ....................................................................................................................................................................... 8 2.0 - Introduction ..............................................................................................................................................10 2.1 - The Controller: ..........................................................................................................................................14 3.0 - Modes ......................................................................................................................................................16 3.1 – Modes: Road ............................................................................................................................................19
    [Show full text]
  • Lights and Lasers May Be Used As a Visual Effect
    PURPOSE 1 Stage lighting has multiple functions, including: • Selective visibility: The ability to see what is occurring on stage. Any lighting design will be ineffective if the viewers cannot see the characters, unless this is the explicit intent. • Revelation of form: Altering the perception of shapes onstage, particularly three- dimensional stage elements. • Focus: Directing the audience's attention to an area of the stage or distracting them from another. • Mood: Setting the tone of a scene. Harsh red light has a different effect than soft lavender light. • Location and time of day: Establishing or altering position in time and space. Blues can suggest night time while orange and red can suggest a sunrise or sunset. Use of mechanical filters ("gobos") to project sky scenes, the Moon, etc. • Projection/stage elements: Lighting may be used to project scenery or to act as scenery onstage. • Plot (script): A lighting event may trigger or advance the action onstage and off. • Composition: Lighting may be used to show only the areas of the stage which the designer wants the audience to see, and to "paint a picture".[4][5] • Effect: In pop and rock concerts or DJ shows or raves, colored lights and lasers may be used as a visual effect. Lighting design is an art form, and thus no one way is the "correct" way. There is a modern movement that states that the lighting design helps to create the environment in which the action takes place while supporting the style of the piece. "Mood" is arguable while the environment is essential. 1) Selective visiblity: The #1 function of light is to see, to illuminate, to make visible to the nake human eye.
    [Show full text]
  • Lighting for Live Streams
    WHITE PAPER LIGHTING FOR LIVE STREAMS Good Lighting Makes Better Video...Better Video Connects the Viewer by Jeff Ravitz, Mike Baldassari, & Greg Scott Published: August 2020 CONTENTS INTRODUCTION ……………………………………………………………………………………………………………………………3 UNDERSTANDING THE CHALLENGES …………………………………………………………………………………………3 BASIC PRINCIPLES OF LIGHTING FOR THE CAMERA ……………………………………………………………………4 Intensity and Balance ……………………………………………………………………………………………………………4 Color and Color Temperature ………………………………………………………………………………………………5 Aesthetics ……………………………………………………………………………………………………………………………7 EQUIPMENT CHOICES …………………………………………………………………………………………………………………8 Demystifying Hard Edge vs Soft Light ……………………………………………………………………………………8 LED Technology ……………………………………………………………………………………………………………………8 Fixtures ………………………………………………………………………………………………………………………………9 Types ………………………………………………………………………………………………………………………………9 Features …………………………………………………………………………………………………………………………9 Control …………………………………………………………………………………………………………………………………10 THE APPROACH TO MAKING IT WORK …………………………………………………………………………………………10 Evaluation Checklist ……………………………………………………………………………………………………………10 LAST THOUGHTS …………………………………………………………………………………………………………………………12 ABOUT THE AUTHORS …………………………………………………………………………………………………………………13 ABOUT MARTIN BY HARMAN ………………………………………………………………………………………………………14 MARTIN BY HARMAN LIGHTING FOR LIVE STREAMS | WHITE PAPER | © 2020 HARMAN | v.08.2020 Page 2 of 14 INTRODUCTION Video cameras are everywhere, including in our pockets. Due to the vast expansion of television as a communication tool from
    [Show full text]