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Il Soggiorno Di Gherardo Starnina in Spagna

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Il Soggiorno Di Gherardo Starnina in Spagna Il soggiorno di Gherardo Starnina in Spagna Maria Palumbo ADVERTIMENT . La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX ( www.tdx.cat ) i a través del Dipòsit Digital de la UB ( diposit.ub.edu ) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. N o s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX ni al Dipòsit Digital de la UB . No s’autoritza la presentació del seu contingut en una finestra o marc aliè a TDX o al Dipòs it Digital de la UB (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA . La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR ( www.tdx.cat ) y a través del Repositorio Digital de la UB ( diposit.ub.edu ) ha sido autorizada por los titulares de los derec hos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR o al Reposi torio Digital de la UB . No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR o al Repositorio Digital de la UB (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. En la utilización o cita de partes de la tesis es obligado indicar el nombre de la persona autora. WARNING . On having consulted this thesis you’re accepting the following use conditions: Spreading this thesis by the TDX ( www.tdx.cat ) service and by the UB Digital Repository ( diposit.ub.edu ) has been authorized by the titular of the intellectual property rights only for private uses placed in investigation and teaching activities. Reproduction with lucrati ve aims is not authorized n or its spre ading and availability from a site foreign to the TDX service or to the UB Digital Repository . Introducing its content in a window or frame foreign to the TDX service or to the UB Digital Repository is not authorized (framing). Tho s e rights affect to the p resentation summary of the thesis as well as to its contents. In the using or citation of parts of the thesis it’s obliged to indicate the name of the author. Il soggiorno di Gherardo Starnina in Spagna Tesis de doctorado de Maria Palumbo Directora de la Tesis y Tutora: Prof.a Rosa Alcoy Universidad de Barcelona, Facultad de Geografía e Historia Departamento de Historia del Arte Doctorado en: “Historia y teoría de las artes” Barcelona, 2015 Indice generale 1 Introduzione..........................................................................................................5 2 Stato della questione sulla vicenda di Starnina......................................................7 2.1 Premessa.......................................................................................................7 2.2 Apporti critici su Starnina e il Maestro del Bambino Vispo.................................7 3 Starnina e i mercanti..........................................................................................112 3.1 La testimonianza di Vasari...........................................................................113 3.2 La presenza italiana e fiorentina nella Corona d'Aragona................................115 3.3 Il caso Datini e la compagnia di Catalogna....................................................121 3.4 Datini e il commercio di opere d'arte...........................................................127 3.5 Datini e il suo mecenatismo.........................................................................133 3.6 I mercanti amici di Starnina a Valenza..........................................................147 3.6.1 Goro di Stagio Dati.........................................................................147 3.6.2 Simone di Stagio Dati......................................................................153 3.6.3 Giovanni di Stefano del Migliore......................................................159 4 Starnina e gli artisti fiorentini del Trecento......................................................168 4.1 Taddeo Gaddi...........................................................................................168 4.2 Maso di Banco...........................................................................................172 4.3 Andrea di Cione detto l'Orcagna.................................................................177 4.4 Giotto di maestro Stefano o Giottino...........................................................184 4.5 Antonio Veneziano ...................................................................................189 4.6 Agnolo Gaddi............................................................................................200 4.6.1 La fase giovanile..............................................................................201 4.6.2 La cappella Castellani.......................................................................203 4.6.3 Il polittico della cappella dei Nobili...................................................204 4.6.4 Possibile collaborazione con Spinello................................................205 4.6.5 Le storie della Vera Croce a Santa Croce...........................................207 4.6.6 Gli affreschi di Prato........................................................................211 4.6.7 Le opere tarde................................................................................213 5 Starnina nelle fonti.............................................................................................214 5.1 I Commentari di Ghiberti...........................................................................214 5.2 Libro di Antonio Billi.................................................................................217 5.3 L'Anonimo Magliabechiano.........................................................................219 5.4 Le Vite di Vasari........................................................................................222 5.5 Il Riposo di Borghini.................................................................................229 5.6 Filippo Baldinucci......................................................................................230 5.7 Luigi Lanzi................................................................................................232 5.8 Conclusioni..............................................................................................233 6 La cappella Castellani e un possibile intervento di Starnina...............................234 6.1 Il problema dell'attribuzione a Starnina.........................................................243 7 Starnina in Spagna: Toledo................................................................................250 7.1 Gli studi su Starnina a Toledo......................................................................250 7.2 I documenti su Starnina a Toledo.................................................................262 7.3 L'antico polittico dell'altare maggiore della cattedrale di Toledo......................273 7.4 Gli altri dipinti italianizzanti presenti nella cattedrale di Toledo.......................279 7.4.1 Le tavolette della cappella del Battesimo............................................279 7.4.2 I tre Santi di Toledo........................................................................281 7.4.3 La cappella di San Blas nel chiostro della cattedrale.............................284 8 Gherardo Starnina a Valenza.............................................................................300 8.1 I documenti sul soggiorno valenzano di Starnina...........................................300 8.2 Il presunto polittico di San Michele a Portacoeli............................................317 8.3 Il Giudizio Finale di Starnina, ora a Monaco.................................................326 8.3.1 La cornice della tavola.....................................................................335 8.3.2 La provenienza e i personaggi rappresentati........................................338 8.3.3 Analisi stilistica del Giudizio di Maiorca............................................349 8.4 Il polittico di Bonifacio Ferrer del Museo di Valenza.....................................355 8.4.1 La vita del donatore e la datazione del polittico..................................359 8.4.2 La cappella della Santa Croce e l'iconografia del dipinto.......................362 8.4.3 Interpretazione teologica del polittico legata alla Grazia sacramentale....364 8.4.4 Analisi iconografica..........................................................................366 8.4.5 Analisi stilistica del polittico..............................................................372 8.5 La predella di Collado: un'attribuzione molto dubbia.....................................381 8.6 Una possibile opera valenzana: la Madonna di Cleveland...............................384 9 Il ritorno di Starnina a Firenze...........................................................................391 9.1 Alcune opere di Starnina con influssi valenzani.............................................403 9.1.1 La
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