Investor Relations

Total Page:16

File Type:pdf, Size:1020Kb

Investor Relations Investor Relations Nov 2016 Disclaimer This presentation was made as the dates shown and reflected management views as of these dates. All financial information regarding CJ E&M’s business results and forward looking statements and beliefs about future events are subject to known risks and uncertainties that may cause actual results to differ from those stated or implied. The financial information in this document are consolidated earnings results based on K-IFRS. This document is provided for the convenience of investors only, before our external audit on financial results of our headquarter is completed. These statements involve risks and uncertainties, and actual results may differ. This document contains “forward-looking statements” - that is, statements related to future, not past, events. In this context, “forward-looking statements” often address our expected future business and financial performance. CJ E&M is under no obligation or responsibility to update the information provided in the presentation in correspondence to their respective dates. CONTENTS 1. Company Overview 2. Mid-Long Term Strategy 3. 3Q16 Earnings Review 4. Financial Summary 5. Appendix Company Overview WHO WE ARE Founded in 2011 with O Media holdings* (5 companies merged) No.1 MPP in Korea 16 TV ch, M/S 27% CJ Media, OnMedia*, CJ Internet*, CJ Entertainment, Mnet Media* Business divisions : Media, Pictures, Music, and Musical No.1 Film in Korea M/S 23% (2015) Media: No.1 MPP in paying TV, operating 16 TV channels No.1 Mobile game in KR Pictures: No.1 Film producer & distributor in domestic market M/S 34% (2015) Games: No.1 mobile game developer, spun-off in 2014 Media Conglomerate Leading Creator Leading media company building digital & global expertise 4 COMPANY OVERVIEW Sales-mix (2015) Snapshot (as of end Nov 2016) Outstanding Shares 38,732,089 shrs 14.8% Market Cap. 2,692 mn USD Media 17.7% Pictures Shareholders' Equity 1,644 mn USD 67.5% Music, Musical P/B 1.64 x Foreign Investment Limit 49.0 % *KRW/USD = 1,000 Shareholders’ stake Price information (‘000 KRW) 120 CJ (001040.KS) 100 18.2% Jay Hyun, Lee & affiliates 80 0.4% 39.4% Foreign Investor 60 16.2% Domestic Institution 40 Treasury stocks 20 3.5% 22.3% Others 0 01.'15 04.'15 07.'15 10.'15 01.'16 04.'16 07.'16 10.'16 5 SALES-MIX (2015) Media Pictures 26.8% TV Ad. 25.0% Theatre MSO subscription 51.4% Ancillary 61.4% Others 13.7% 21.8% Others Music . Musical Netmarble Games 7.7% 16.2% Mobile(Domestic) Music 18.0% Mobile(Overseas) Muscial 65.9% Others 92.3% 6 BUSINESS MODEL by Divisions Media Pictures Media Revenue Box Office Revenue TV Advertising Subscription Fee Others Movie Theater Distributor 50% 50% Advertiser MSO Distribution Fee 5% - Export CJ E&M - Contents Sale Cost Recoupment 16 TV channels (Production, Marketing) Main Investor - Digital Ads (3 Premium, 13 Basic) ) (PIP, MCN) Production Investors 40% 60% Production Purchase Drama, Comedy Contents Aggregation 7 BUSINESS MODEL by Divisions Music Musical Music Revenue Musical Revenue Discontinued Music Investment Production Licensing Artist Distribution Concert Mgmt (B2B/B2C) B2B B2C Re-Licensing LP Copyright (60%) Platform (40%) Performance rights IP development Production Distribution Mnet $ 35% 9% Artist Composer $ 6% 10% Users … 8 Mid-Long Term Strategy 9 NEW BIZ MODEL for Digital Strategies Platform Content Partner Business Model Ad. Existing Model TV RMC Advertiser MSO Subscription VOD Ready Made Content + MIM Ad. RMC PIP Mobile Advertiser New UCC ECC Portal Model Online MCN Aggregation Archiving OTT … Mobile TV(total video) Content Revenue Sharing Business Feature Current Partners Potential Partners . Content Curation . MIM (mobile instant messenger) . Mobile/online media rep. PIP . Portals NAVER Daum . Focus on Traffic increase Kakao TV Gom TV tvcast tvpot . Global OTT (over the top) (Platform In Platform) . pre-roll Ad . Individuals and Experts created contents (UCC & ECC) MCN . Eco-system for Creators . Increase Partnership with Global OTT YouTube Daily Motion Youku Tudou iQIYI Yahoo! QQ (Multi-Channel Network) Platforms 10 Digital Business ‘2-Way Strategy’ in Digital and Global PIP (platform in platform) PIP traffic over 30x quarterly PIP enhanced contents consuming <TV ratings share > <PIP traffic share> 40X (%) NAVER tvcast Daum tvpot Kakao TV Gom TV 30X 38 “Extend platforms and boost up traffic” Top 5 20X 10 9 MCN (multi channel network) 7 10X 7 Creator: 900 teams Others 29 “Expand digital creators and channels” 1Q15 2Q15 3Q15 4Q15 1Q16 2Q16 3Q16 Source: CJ E&M, Portal site ‘A’ Source: Nielsen, CJ E&M Digital Business In-house OTT Outer Platforms NAVER Daum Kakao TV Youku V-QQ tvcast tvpot “In-house OTT platform, tving” + “Diversify ads revenue streams” - Enhance the content library - Diversify ads products and clients - Partner with global OTT players - Increase the traffic for the digital contents - Adapt to changing media marketplace - Expand further into other OTT platforms 11 Digital Business Timeline Ready to Digital Shift, Expanding Platform Partner Speed Up Growth as Global MCP Become a Global MCP(Master Contents Provider) based on growth in Asian markets. Expand to MIM, OTT Platform Strengthen Digital Media Biz. Competitive edge with Contents Create Basis for global expansion Digital Content market to grow eco-system and distribution power tv Pot for Creator Groups Broaden rapidly with media, movies, spectrum to OTT Platforms in music, and animation contents; Provide Content to Naver & Daum Europe, China, etc. as well as increase in Online and mobile service of Expansion through strategic collaboration and co- RMC(ready made contents) of partnership with leading MCN production with creator and drama, entertainment, music, players celebrity groups lifestyle, etc. Built Media Player Vingo To expand platforms with portal, Full HD and Dolby 5.1. MIM, SNS, etc. Ad Compatible with Mobile, PC, TV, etc. C Opened Digital Studio Increase PIP Serviced Platforms Digital Exclusive Studio for creator Compelling original TV & digital groups of individuals, experts, Expand Digital channels and PIP contents DB CPs, etc. Production facility service with our own CMS solution drama, comedy, and reality shows. optimized for creating and curation. Various mix of DOCs contents for online, mobile, To bolster digital ad. Revenue growth through service Built Own Solution(CMS) and social media Key Growth Driver, Digital Ads expansion linked with our own Digitizing, Archiving of contents. ad server Revenue DB Library of video contents based Linear TV + Digital Ads on user feed and traffic analysis Expansion of media mix Enhance the Content Library Expand Creator Group Partnership with global OTT players Adapt to changing media Acquired Mezzo Media Extend specialties in various YouTube MCN Partnership marketplace Korea’s Major Digital Media Rep. contents including music, Optimized tool for digital marketing Continue expanding official beauty, game, lifestyle, etc. on online, mobile, and social channels of media, music, etc. Korea’s largest content production media Competitiveness through increase partnership in subscribers and traffic 2012 2013 2014 2015 2016E 2017E 2018E 12 Global Strategy for 2016 2 things to focus : Co-production, Extension of platforms Export Enhance production skills for global contents • Studio Dragon → Story-line, Casting, R&D, Filming Local Distribution Local Contents ON AIR Co-production of global contents Broadcasting Network Media • Co-work with global networks and productions Co - production Distributor Pictures 91% ontents C <Huace Media> <Endemol Shine Group> <True Visions> <Major Cineplex> <Warner Bros.> OTT Studio Dragon CN UK/NL TH TH US Music Focus on Asian movie markets • Vietnam <The Housemaid>, Thailand <Suddenly Twenty> Musical 7 global movies to be released in 2016 “Asia No. 1 Studio” Rebranding and extending channel coverages in Asia • Rebranding of ‘tvN Asia’ • New launch of ‘tvN Movie’ Digital Ads “High-end (PIP, MCN) Contents, Extend digital business to the global market Grow our business” “Digital Ads + • Planning global launch of ‘tving’ Platforms Global business” • New digital business in Japan with ‘Mnet smart’ Digital Global • Global OTT business thru local partnerships 2015 2016 13 Strategy for 2017 and mid-term Extending business & Elevating content quality Business Model Content Expand Extend Digital BM local content (Digital ads, Platform) (Co-production, OSMT) Expand OTT platform Co-produce dramas overseas • Widen OTT and music platform • Co-produce with Huace Media (‘17) Strengthen Value up • Launch “tving” globally by region (4Q16~1Q17) traditional BM Studio production • Co-produce w/ Warner Bros.’ Drama Fever (‘17) • Spin-off digital music (Mnet) & strengthen service (TV ads, Channel, Distribution) (Planning, Production, Distribution) • Expand co-production in Thailand and Vietnam Extend digital ad BM Co-produce films overseas Studio Dragon • Expand digital ad products (Drama production) • Produce localized <Veteran> in China (‘17) • Increase synergies with linear TV ads (Media • Increase line-ups in Vietnam, Thailand, & mix, Footage) Indonesia (‘17) • Enhance media sales aiming at ad efficiency • Enter new markets such as Turkey (‘18) True CJ Creations Bolster tvN Asia expansion (Thailand JV, Media) Focus on digital original content • Increase channels and coverage in Asia • Increase content for digital platform (’17) • Focus on viewership increase w/ contents quality • Enhance profitability of digital products across • Extend overseas ad business by region media, film, and music
Recommended publications
  • Cj Enm(035760
    August 9, 2018 Result Comment CJ ENM (035760 KS) Decent performance 2Q consolidated operating profit in line at W79.2bn BUY (re-initiate) 3Q consolidated operating profit estimated at W86bn; earnings to stay solid Price (Aug. 8) W236,200 Target Price W270,000 Re-initiate coverage on CJ ENM with a BUY rating and a target price of % variance 14.3% W270,000 HeeJin Park ☎ (82-2) 3772-1562 2Q consolidated operating profit in line at W79.2bn [email protected] CJ ENM posted its first results after the merger on July 1. Consolidated operating profit came in at W79.2bn in 2Q, meeting our forecast of W79.3bn. SeJong Hong ☎ (82-2) 3772-1584 The E&M division delivered solid earnings with sales up 9.2% YoY and operating [email protected] profit up 25% YoY. Broadcasting exceeded expectations with operating profit increasing 22% YoY to W29.2bn. Ad sales growth of 10.2 YoY also turned out better than expected. Music and cinema showed mixed results. The music division KOSPI 2,301.45p posted sales of W66.5bn (+41.1% YoY) and operating profit of W4.2bn (+114% KOSDAQ 783.81p YoY) on strengthening IP (intellectual property) business. By contrast, the Market Cap. W5,179.0bn/ US4,543.0mn cinema/performance division remained in the red with an operating loss of Par Value W5,000 W3.9bn due to stagnant growth of moviegoers and weak line-up. The commerce division (CJ O shopping) registered standalone operating profit of W40.3bn and Outstanding Shares 21.9mn consolidated W33.9bn.
    [Show full text]
  • To Higher Heights
    Experience Korea Experience Courtesy of CJ ENM ⓒ To Higher Heights K-drama’s Global Boom Falling For Hallyu Whether by choice or quarantine due to The dramas “Autumn in My Heart” (2000) and COVID-19, homebodies worldwide are discovering “Winter Sonata” (2003) were the initial triggers of gems of Korean dramas, especially on Netflix. From Hallyu, or the Korean Wave. The success formula for “Crash Landing on You” to the “Reply” series, works K-dramas at the time was simply romance; doctors feature themes of warm romance to preternatural fell in love in a medical drama while lawyers did fantasy and gripping crime thrillers, and are apparently in a legal drama. Bae Yong-joon, the lead actor in good enough to make international viewers overlook “Winter Sonata,” grew so popular in East Asia that the nuisance of subtitles. Many K-dramas have also he became the first Korean celebrity to be featured inspired remakes around the world, signaling even in the textbooks of Taiwan and Japan. His nickname grander prospects for the industry. “Yonsama” earned from his Japanese fans cemented his overwhelming popularity. A decade after “Autumn” 30 Experience Korea Experience was broadcast in Korea, the Chinese remake “Fall in Love (一不小心 上你)” came out in 2011. Another K-drama,爱 “I’m Sorry, I Love You” (2004), spurred a Chinese remake as a film and a Japanese one as a series. “Temptation to Go Home (回 家的誘惑),” the 2011 Chinese remake of the 2008 K-drama “Temptation of Wife” (2008), starred Korean actress Choo Ja-hyun as the lead in her China debut.
    [Show full text]
  • Birth and Evolution of Korean Reality Show Formats
    Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the
    [Show full text]
  • Studio Dragon(253450.KQ)
    Studio Dragon (253450.KQ) Growing into global titan Company Comment │Apr 29, 2019 Despite the absence of new tent-pole dramas in 1Q19, an improvement in the overall quality of Studio Dragon’s drama productions translated into strong overseas sales and higher ad rates for its captive channels. While the launch of multi-season dramas is to create a short-term cost burden, the move should Buy (maintain) benefit the firm over the mid/long term, backed by the expansion of the global OTT market. Given these positives, we continue to offer the play as TP W135,000 (maintain) our top pick for the content sector. CP (19/04/26) W89,900 Sector Entertainment Kospi/Kosdaq 2,179.31 / 741.00 Market cap (common) US$2,175.84mn Outstanding shares (common) 28.1mn Production capacity strengthening 52W high (’18/07/12) W119,800 The broadcasting of low-cost but high-margin productions (eg, romance dramas) low (’18/05/08) W79,600 usually concentrates in 1Q, as the quarter is a low season for TV ads. But, Average trading value (60D) US$12.42mn Dividend yield (2019E) 0.00% despite the absence new tent-pole dramas in 1Q19 (a factor that dampened the Foreign ownership 3.5% firm’s share price), we note that ad rates for Studio Dragon’s captive channels (such as tvN) increased, which implies that the company’s improved production Major Shareholders CJ ENM & 3 others 74.4% capacity has bolstered the competitiveness of its captive channels. Share perf 3M 6M 12M The firm’s improved production capacity is also translating into higher sales.
    [Show full text]
  • Annual Town Report to Sandy Kady
    Annual Report Of the Town of Brookfield, Massachusetts 2017 BROOKFIELD COMMON NATIONAL HISTORIC DISTRICT A WALKING GUIDE A Guide to the Architectural Highlights of the District Early English travelers between Massachusetts Bay and the Connecticut River Valley noted the fine agricultural Indian lands of the Quaboag Valley. A group of business minded colonists, predominantly from Ipswich, obtained a grant for a plantation in 1660, known as Quaboag, and began to settle five years later. The settlement was spread across what is known today as Foster Hill and down the eastern slope along Devil’s Elbow Road and past Hovey Brook. In 1673 the plantation was incorporated as the town of Brookfield. The isolated town grew until 1675, when it was attacked and burned in the “Seige of Brookfield” during the King Philip’s War. The town lay almost abandoned until a resettlement grew cautiously in the 1680s. In 1701 Brookfield was expanded to an eight-mile square entity, and in 1718 became self-governing. There is much to be told of the early history and the many personages who lived here, made their mark and moved on. As a member of the “Quaboag Towns” we look at the large landscape that was once Brookfield and the many divisions that came about from the original eight square miles. With well over 350 years of history and hundreds of archived pages, we hope you will enjoy the walking guide through highlights of the district as you learn of our truly fascinating past. Brookfield Historical Commission, 2017 BROOKFIELD TOWN HALL, 6 CENTRAL STREET This Neo-Classical structure was designed by Worcester architect George H.
    [Show full text]
  • Michael Collins and the Anglo-Irish War: Britain's Counterinsurgency
    Michael collins and the anglo-IrIsh War Related Potomac titles Flawed Patriot: The Rise and Fall of CIA Legend Bill Harvey by Bayard Stockton Ireland’s Most Wanted™: The Top 10 Book of Celtic Pride, Fantastic Folklore, and Oddities of the Emerald Isle by Brian M. Thomsen BRitain’s counteRinsuRgency FailuRe Michael collins and the anglo-IrIsh War J. B. e. Hittle Potomac Books Washington, D.C. Copyright © 2011 by Potomac Books, Inc. Published in the United States by Potomac Books, Inc. All rights reserved. No part of this book may be reproduced in any manner whatsoever without written permission from the publisher, except in the case of brief quotations embodied in critical articles and reviews. Library of Congress Cataloging-in-Publication Data Hittle, J. B. E. Michael Collins and the Anglo-Irish War : Britain’s counterinsurgency failure / J.B.E. Hittle. — 1st ed. p. cm. Includes bibliographical references and index. ISBN 978-1-59797-535-3 (hardcover) ISBN 978-1-61234-128-6 (electronic edition) 1. Collins, Michael, 1890–1922—Military leadership. 2. Revolutionaries—Ire- land—Biography. 3. Ireland—History—War of Independence, 1919–1921. 4. Irish Republican Army—History. 5. Insurgency—Ireland—History—20th century. 6. Great Britain. Army—History—20th century. 7. Counterinsurgency—Ireland— History—20th century. I. Title. DA965.C6H58 2011 941.5082’1—dc23 2011019988 Printed in the United States of America on acid-free paper that meets the American National Standards Institute Z39-48 Standard. Potomac Books 22841 Quicksilver Drive Dulles, Virginia 20166 First Edition 10 9 8 7 6 5 4 3 2 1 To my parents This page intentionally left blank contents Foreword by Michelle Van Cleave ix Preface xiii Acknowledgments xxi Introduction xxiii 1 England’s Troubled Colony 1 2 Colonial Security Policy 10 3 The Irish Nationalist 33 4 The Phoenix 47 5 Revolution in Earnest 60 6 In the Shadow of Gunmen 72 7 Spies at the Window 91 8 Unification by Force 113 9 Within the Gates 141 10 Endgame 185 11 Conclusion 216 Appendix A.
    [Show full text]
  • Songliste Koreanisch (Juli 2018) Sortiert Nach Interpreten
    Songliste Koreanisch (Juli 2018) Sortiert nach Interpreten SONGCODETITEL Interpret 534916 그저 널 바라본것 뿐 1730 534541 널 바라본것 뿐 1730 533552 MY WAY - 533564 기도 - 534823 사과배 따는 처녀 - 533613 사랑 - 533630 안녕 - 533554 애모 - 533928 그의 비밀 015B 534619 수필과 자동차 015B 534622 신인류의 사랑 015B 533643 연인 015B 975331 나 같은 놈 100% 533674 착각 11월 975481 LOVE IS OVER 1AGAIN 980998 WHAT TO DO 1N1 974208 LOVE IS OVER 1SAGAIN 970863기억을 지워주는 병원2 1SAGAIN/FATDOO 979496 HEY YOU 24K 972702 I WONDER IF YOU HURT LIKE ME 2AM 975815 ONE SPRING DAY 2AM 575030 죽어도 못 보내 2AM 974209 24 HOUR 2BIC 97530224소시간 2BIC 970865 2LOVE 2BORAM 980594 COME BACK HOME 2NE1 980780 DO YOU LOVE ME 2NE1 975116 DON'T STOP THE MUSIC 2NE1 575031 FIRE 2NE1 980915 HAPPY 2NE1 980593 HELLO BITCHES 2NE1 575032 I DON'T CARE 2NE1 973123 I LOVE YOU 2NE1 975236 I LOVE YOU 2NE1 980779 MISSING YOU 2NE1 976267 UGLY 2NE1 575632 날 따라 해봐요 2NE1 972369 AGAIN & AGAIN 2PM Seite 1 von 58 SONGCODETITEL Interpret 972191 GIVE IT TO ME 2PM 970151 HANDS UP 2PM 575395 HEARTBEAT 2PM 972192 HOT 2PM 972193 I'LL BE BACK 2PM 972194 MY COLOR 2PM 972368 NORI FOR U 2PM 972364 TAKE OFF 2PM 972366 THANK YOU 2PM 980781 WINTER GAMES 2PM 972365 CABI SONG 2PM/GIRLS GENERATION 972367 CANDIES NEAR MY EAR 2PM/백지영 980782 24 7 2YOON 970868 LOVE TONIGHT 4MEN 980913 YOU'R MY HOME 4MEN 975105 너의 웃음 고마워 4MEN 974215 안녕 나야 4MEN 970867 그 남자 그 여자 4MEN/MI 980342 COLD RAIN 4MINUTE 980341 CRAZY 4MINUTE 981005 HATE 4MINUTE 970870 HEART TO HEART 4MINUTE 977178 IS IT POPPIN 4MINUTE 975346 LOVE TENSION 4MINUTE 575399 MUZIK 4MINUTE 972705 VOLUME UP 4MINUTE 975332 WELCOME
    [Show full text]
  • 3. 10 SHANTY Mencari Cinta Sejati (4:05) 4
    Disc Bola 1. Judika Sakura (4:12) 2. Firman Esok Kan Masih Ada (3:43) 3. 10 SHANTY Mencari Cinta Sejati (4:05) 4. 14 J ROCK Topeng Sahabat (4:53) 5. Tata AFI Junior feat Rio Febrian There's A Hero (3:26) 6. DSDS Cry On My Shoulder (3:55) 7. Glenn Pengakuan Lelaki Ft.pazto (3:35) 8. Glenn Kisah Romantis (4:23) 9. Guo Mei Mei Lao Shu Ai Da Mi Lao Shu Ai Da Mi (Original Version) (4:31) 10. Indonesian Idol Cinta (4:30) 11. Ismi Azis Kasih (4:25) 12. Jikustik Samudra Mengering (4:24) 13. Keane Somewhere Only We Know (3:57) 14. Once Dealova (4:25) 15. Peterpan Menunggu Pagi [Ost. Alexandria] (3:01) 16. PeterPan Tak Bisakah (3:33) 17. Peterpan soundtrack album menunggu pagi (3:02) 18. Plus One Last Flight Out (3:56) 19. S Club 7 Have You Ever (3:19) 20. Seurieus Band Apanya Dong (4:08) 21. Iwan Fals Selamat Malam, Selamat Tidur Sayang (5:00) 22. 5566 Wo Nan Guo (4:54) 23. Aaron Kwok Wo Shi Bu Shi Gai An Jing De Zou Kai (3:57) 24. Abba Chiquitita (5:26) 25. Abba Dancing Queen (3:50) 26. Abba Fernando (4:11) 27. Ace Of Base The Sign (3:09) 28. Alanis Morissette Uninvited (4:36) 29. Alejandro Sanz & The Corrs Me Iré (The Hardest Day) (4:26) 30. Andy Lau Lian Xi (4:24) 31. Anggun Look Into Yourself (4:06) 32. Anggun Still Reminds Me (3:50) 33. Anggun Want You to Want Me (3:14) 34.
    [Show full text]
  • Making Recreational Space: Citizen Involvement in Outdoor Recreation and Park Establishment in British Columbia, 1900-2000
    Making Recreational Space: Citizen Involvement in Outdoor Recreation and Park Establishment in British Columbia, 1900-2000 by Jenny Clayton B.A., University of Victoria, 1999 M.A., University of New Brunswick, 2001 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of History © Jenny Clayton, 2009 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopying or other means, without the permission of the author. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-60718-3 Our file Notre référence ISBN: 978-0-494-60718-3 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse.
    [Show full text]
  • The George-Anne
    Tuesday, February 8,2011 Georgia Southern University THE www.thegeorgeanne.com Volume 86 • Issue 52 GEORGE-ANNE Ayers protesters take front row BY PATRICK STOKER The group, however, did not Staff reporter apply to use the free speech area on campus in the required 48 hours in A group known as the Sons of advance. Liberty Riders attended the Bill Mike Russell, director of public Ayers lecture last night to show safety and chief of GSU police, said their opposition to his presence on the protestors did not cause any the GSU campus. problems during the lecture. The group refers to themselves "They were very easy to deal as "a political movement of riders with. We told them exactly what and supporters," and they do we had to tell them and they not "endorse or tolerate radical, understood," said Russell. extreme, violent or racial behavior." Rather than actively protest, the "We're just appalled that the riders sat in the first three rows of university would invite someone the auditorium. who is a known terrorist to come The group was not opposed here and to speak to our students," to Ayers speaking, but rather the said Don Hodges, President of the location where it occurred. Sons of Liberty's Georgia chapter. "We are not opposed to him Opposition to Ayers' appearance speaking, but the venue that he was due to his radical past in is speaking to our youth, as him which he co-founded the Weather being a known terrorist, is not what Underground, a communist- needs to be done to our youth," said anti war group, responsible for Mickey Snelling, road captain for Randy Hudgins/STAFF the bombings of several federal the Georgia Sons of Liberty chapter.
    [Show full text]
  • Islamic Militancy in North East India by Jaideep Saikia
    ACDIS Occasional Paper Terror sans Frontiers: Islamic Militancy in North East India Jaideep Saikia Ford Fellow Program in Arms Control, Disarmament, and International Security University of Illinois at Urbana-Champaign Research of the Program in Arms Control, Disarmament, and International Security University of Illinois at Urbana–Champaign July 2003 This publication is supported by a grant from the Ford Foundation and is produced by the Program in Arms Control, Disarmament, and International Security at the University of Illinois at Urbana-Champaign. The University of Illinois is an equal opportunity/ affirmative action institution. ACDIS Publication Series: ACDIS Swords and Ploughshares is the quarterly bulletin of ACDIS and publishes scholarly articles for a general audience. The ACDIS Occasional Paper series is the principal publication to circulate the research and analytical results of faculty and students associated with ACDIS. The ACDIS Research Reports series publishes the results of grant and contract research. Publications of ACDIS are available upon request. For additional information consult the ACDIS home page on the World Wide Web at <http://www.acdis.uiuc.edu/>. Published 2003 by ACDIS//ACDIS SAI:1.2003 University of Illinois at Urbana–Champaign 359 Armory Building, 505 E. Armory Ave. Champaign, IL 61820-6237 Series editor: Matthew A. Rosenstein Terror sans Frontiers Islamic Militancy in North East India Jaideep Saikia Ford Fellow With a Foreword by Lt. Gen. (Retd.) S.K. Sinha, PVSM, Governor of Jammu & Kashmir Program
    [Show full text]
  • Entertainment&Media
    ENTERTAINMENT&MEDIA CJ E&M CJ CGV CJ HELLOVISION 1 CJ E&M is Asia’s No.1 integrated contents company, offering a variety of contents and platform services, including media, movies, live entertainment, and games. CJ E&M leverages synergies by converging a myriad of contents to lead the global Hallyu with new contents developed for one source for multi-use. 25 Korea’s first Multiplex Theater CGV boasts the largest number of cinemas in Korea and the greatest brand power. CGV has continued to develop a unique cinema experience so that the audience can watch a movie within the optimal environment. Cultureplex offers a new paradigm in movie theaters and is just one of the many innovations that CJ has brought to the movie industry. 41 CJ HelloVision is a leader in the smart platform market, delivering valuable contents and information to customers. CJ HelloVision provides you with advanced services fit for the new media environment. Its products include smart cable TV ‘hello tv Smart,’ digital cable TV ‘hello tv,’ fast speed internet ‘hello net,’ internet home telephone ‘hello fone,’ Korea’s No.1 budget phone service ‘hello mobile’ and the N screen service ‘tving.’ CJ E&M CJ CGV CJ HELLOVISION 2 3 BUSINESS OVERVIEW FINANCIAL HIGHLIGHTS CJ E&M Weight of each business Sales by year (Unit: billion won) CJ E&M Center, 66, Sangamsan-ro, Mapo-gu, Seoul as % of sales www.cjenm.com (As of 2013) 2013 1,716.1 2012 1,394.6 29% Asia’s No.1 Total Contents Company CJ E&M, 2011 1,279.2 45% creating a culture and a trend 12% Media Sales Profit by Year (Unit: billion won) Game 14% CJ E&M is the No.1 total contents company creating culture and trends.
    [Show full text]