MUG Songsheets Book 5: Contents
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Eric Clapton: Guitar Chord Songbook Songlist
Hal Leonard – Eric Clapton: Guitar Chord Songbook Songlist: Let It Grow Let It Rain Alberta Lonely Stranger All Your Love (I Miss Loving) Malted Milk Anyone For Tennis Mean Old World Baby What's Wrong Miss You Bad Love Motherless Children Badge My Father's Eyes Before You Accuse Me (Take A Look At Old Love Yourself) One More Chance Bell Bottom Blues Only You Know And I Know Better Make It Through Today Presence Of The Lord Born Under A Bad Sign Promises Change The World Ramblin' On My Mind Cocaine Riding With The King Comin' Home Roll It Over Crosscut Saw Running On Faith Cross Road Blues (Crossroads) San Francisco Bay Blues Evil (Is Going On) See What Love Can Do For Your Love The Shape You're In Got To Get Better In A Little While She's Waiting Hard Times Someone Like You Have You Ever Loved A Woman Spoonful Heaven Is One Step Away Strange Brew Hello Old Friend Sunshine Of Your Love Hey Hey Superman Inside Holy Mother Tales Of Brave Ulysses Honey In Your Hips Tearing Us Apart I Ain't Got You Tears In Heaven I Can't Stand It Tell The Truth I Feel Free Thorn Tree In The Garden I Shot The Sheriff Too Bad I Wish You Would Walkin' Blues I'm Tore Down Watch Out For Lucy It's In The Way That You Use It Whatcha Gonna Do Knockin' On Heaven's Door White Room Lawdy Mama Willie And The Hand Jive Lay Down Sally Wonderful Tonight Layla Wrapping Paper. -
Guilty Conscience - Song List
Guilty Conscience - Song List DANCE – POP – DISCO – NEW WAVE Bad Romance - Lady Gaga Billie Jean - Michael Jackson Blurred Lines - Robin Thicke Brick House – Commodores Brown Eyed Girl – Jimmy Buffet/Van Morrison Celebration – Kool and the Gang Crazy in Love - Beyonce Dancing in the Streets – Martha & The Vandellas Dancing Queen - Abba Get this Party Started – Pink Girls Just Wanna Have Fun - Cindy Lauper Heart of Glass – Blondie Hella Good – No Doubt Hot and Cold - Katy Perry I Wanna Dance with Somebody - Whitney Houston I Will Survive – Gloria Gaynor Kiss - Prince Lady Marmalade – Patti LaBelle Love Shack - B52’s Material Girl – Madonna One Way or Another – Blondie Play That Funky Music – Wild Cherry Rolling in the Deep - Adele Royals - Lorde Titanium - Dave Guetta/Sia Fuller Turn the Beat Around - Gloria Estefan Walking on Sunshine – Katrina and the Waves We Are Family – Sister Sledge ROCK Bad Moon Rising – CCR Black Horse and the Cherry Tree – KT Turnstall Black Velvet – Alannah Myles Blue Suede Shoes – Elvis Presley Born to Be Wild – Steppenwolf Cadillac Ranch – Bruce Springsteen Don’t Stop Believin’ – Journey For What It’s Worth – Buffalo Springfield Give Me One Reason – Tracy Chapman Hit Me With Your Best Shot – Pat Benetar Honky Tonk Women – Rolling Stones/Tina Turner I Love Rock & Roll – Joan Jett Johnny B. Goode – Chuck Berry La Bamba – Ritchie Valens Lola - The Kinks Magic Man - Heart Mary Jane’s Last Dance - Tom Petty Miss You - Rolling Stones Mustang Sally - Wilson Pickett Old Time Rock & Roll – Bob Seger Pink Cadillac – Bruce -
Eric Clapton Welcome Back - Live in Japan 1974/1975 Mp3, Flac, Wma
Eric Clapton Welcome Back - Live In Japan 1974/1975 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Welcome Back - Live In Japan 1974/1975 Country: Japan Released: 1995 Style: Classic Rock, Blues Rock MP3 version RAR size: 1462 mb FLAC version RAR size: 1794 mb WMA version RAR size: 1523 mb Rating: 4.5 Votes: 548 Other Formats: MP1 AA WAV XM DMF AHX MOD Tracklist Slowhand Was Here Tout 1975 1-1 Layla 1-2 Knockin' On Heaven's Door 1-3 Key To The Highway 1-4 Badge 1-5 Can't Find My Way Home 1-6 Further On Up The Road 1-7 I Shot The Sheriff 1-8 Teach Me To Be Your Woman 2-1 Have You Ever Loved A Woman 2-2 Tell The Truth 2-3 Eyesight To The Blind 2-4 Smile 2-5 Let It Grow 2-6 Can't Find My Way Home Back In Every Crowd Tour 1974 3-1 I Shot The Sheriff 3-2 Tell The Truth 3-3 Ramblin' On My Mind / Have You Ever Loved A Woman 3-4 Willie And The Hand Jive 3-5 Get Ready 3-6 Opposites 3-7 Blues Power 3-8 Little Wing 3-9 Singin The Blues Notes Tracks 1-1 to 2-3 recorded live at Budo-kan, November 1, 1975 Tracks 2-4 to 2-6 recorded live at Budo-kan, November 1, 1974 Related Music albums to Welcome Back - Live In Japan 1974/1975 by Eric Clapton Eric Clapton - Give Me Strength The '74/'75 Recordings Eric Clapton - Crossroads 2 (Live In The Seventies) Eric Clapton - Backtrackin' (22 Tracks Spanning The Career Of A Rock Legend) Eric Clapton - Mojo Hand Eric Clapton - I Shot The Sheriff Eric Clapton - Belfast Odyssey Eric Clapton - 24 Nights - First Night Eric Clapton - Jones Beach 1983 - Audience Master Eric Clapton And His Band - Eyesight To The Blind Eric Clapton - Live At The Crossroad. -
Eric Clapton
ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album. -
JOHNNY OTIS: That's Your Last Boogie: the Best
JOHNNY OTIS: That’s Your Last Boogie: The Best Of Johnny Otis 1945-1960 Fantastic Voyage FVTD120 (Three CDs: 79:00; 77:00; 77:00) CD One: BARRELHOUSE STOMP (1945-1950) – ILLINOIS JACQUET: Uptown Boogie; WYNONIE HARRIS: Cock A-Doodle-Doo; JIMMY RUSHING: Jimmy’s Round- The-Clock Blues; JOHNNY OTIS: Harlem Nocturne/ One O’Clock Jump/ Jeff-Hi Stomp/ Midnight In The Barrel House/ Barrel House Stomp/ Court Room Blues/ New Orleans Shuffle/ The Turkey Hop Parts 1 & 2; JOHNNY MOORE’S THREE BLAZERS: Drifting Blues/ Groovy; WYNONIE HARRIS: Yonder Goes My Baby; JOE TURNER: S.K. Blues; GEORGE WASHINGTON: Good Boogdi Googie; LESTER YOUNG: Jamming With Lester; THE FOUR BLUEBIRDS: My Baby Done Told Me; OLD MAN MOSE: Matchbox Blues; JOE SWIFT: That’s Your Last Boogie; THE ROBINS: Around About Midnight/ If I Didn’t Love You So/ If It’s So Baby; LITTLE ESTHER: Mean Ole Gal; LITTLE ESTHER & THE ROBINS: Double Crossing Blues; MEL WALKER & THE BLUE NOTES: Cry Baby CD Two: ROCKIN’ BLUES (1950-1952) – LITTLE ESTHER & THE BLUE NOTES: Lover’s Lane Boogie; LITTLE ESTHER: Misery/ Harlem Nocturne; MARYLYN SCOTT: Beer Bottle Boogie; LITTLE ESTHER & MEL WALKER: Mistrustin’ Blues/ Cupid’s Boogie/ Deceivin’ Blues/ Far Away Blues; MEL WALKER: Sunset To Dawn/ Rockin’ Blues/ Feel Like Cryin’ Again/ Gee Baby/ Call Operator 210/ The Candle’s Burnin’ Low; JOHNNY OTIS: Mambo Boogie/ All Nite Long/ Dreamin’ Blues/ Oopy-Doo/ One Nighter Blues/ Goomp Blues/ Harlem Nocturne (live); JOHNNY OTIS’ CONGREGATION: Wedding Boogie; LINDA HOPKINS: Doggin’ Blues; HUNTER HANCOCK: ‘Harlematinee’ -
The Beatles on Sullivan by Tim Riley
On February 9, 1964, alongside the Broadway cast of Oliver!, comedian Frank Gorshin, and Olympian Terry THE McDermott, the Beatles played five numbers, start- ing with “All My Loving,” “Till There Was You,” and their first U.S. number one, “I Want to Hold Your Hand.” For BEATLES viewers, time froze: it had been seven years since Elvis Presley had graced this same stage, but it must have felt like forever for fans of rock and roll. With “She Loves You” ON and “I Saw Her Standing There” especially, rock and roll cracked open again— the music sounded bigger, more provocative, and more pressing than ever. In their Sullivan debut, the Beatles reframed all of rock and roll history up to SULLIVAN that point, and hinted at a thousand enticing new directions. The overpowering immediacy of the Beatles’ impact by Tim Riley was a key part of their appeal, and largely ironic. What seemed fresh and spontaneous to Americans was actually a polished act of songs and quips refined throughout 1963. By early 1964, Beatlemania had seduced Britain and Stories of Britain’s peculiar Beatlemania phenomenon had Europe, but American success was still elusive. Capitol trickled in via Jack Paar and Walter C ronkite— the Beatles Records had rejected “Please Please Me,” “From Me were news fluff (“ mop- tops” with “screaming girls”) even to You,” and “She Loves You,” and was about to snub “I before their songs began playing on Top 40 radio over Want to Hold Your Hand,” when manager Brian Epstein Christmas and the New Year. intervened. -
Music Man SG Final
Civil War Study Guide.qxd 9/13/01 10:31 AM Page 3 MUSIC THEATRE INTERNATIONAL MUSIC THEATRE INTERNATIONAL is one of the world’s major dramatic licensing agencies, specializing in Broadway, Off-Broadway and West End musicals. Since its founding in 1952, MTI has been responsible for supplying scripts and musical materials to theatres worldwide and for protecting the rights and legacy of the authors whom it represents. It has been a driving force in cultivating new work and in extending the production life of some of the classics: Guys and Dolls, West Side Story, Fiddler On The Roof, Les Misérables, Annie, Of Thee I Sing, Ain’t Misbehavin’, Damn Yankees, The Music Man, Evita, and the complete musical theatre works of composer/lyricist Stephen Sondheim, among others. Apart from the major Broadway and Off- Broadway shows, MTI is proud to represent youth shows, revues and musicals which began life in regional theatres and have since become worthy additions to the musical theatre canon. MTI shows have been performed by 30,000 amateur and professional theatrical organizations throughout the U.S. and Canada, and in over 60 countries around the world. Whether it’s at a high school in Kansas, by an all-female troupe in Japan or the first production of West Side Story ever staged in Estonia, productions of MTI musicals involve over 10 million people each year. Although we value all our clients, the twelve thousand high schools who perform our shows are of particular importance, for it is at these schools that music and drama educators work to keep theatre alive in their community. -
September 2017 on Set in Vietnam
LearningLearning ThroughThrough Play Play Give your child the foundation for educational success during Early Education years, driven by American standards: (028) 2222 7788 / 99 Hands-on, activity based learning centers • www.issp.edu.vn Stimulating flexible learning spaces • 92 Nguyen Huu Canh Street, Binh Thanh District, HCMC • Sensory environments that promote inquiry EVERYWHERE YOU GO Director HUYEN NGUYEN Managing Director JIMMY VAN DER KLOET [email protected] Managing Editor CHRISTINE VAN [email protected] Online Editor JAMES PHAM [email protected] This Month’s Cover Chief Photographer NGOC TRAN Model Cindy V, Star of [email protected] Television Series Graphic Designer LAM SON VU Glee Vietnam [email protected] Photo by Ngoc Tran Intern CLARA BONDIS MUA Kim Bi Studio Tí Studio (339 Nguyen Canh Chan, D1) Fashion by Old Navy (Vincom Dong Khoi) For advertising, please contact: ƠI VIỆT NAM Director of Sales & Marketing NGAN NGUYEN NHIỀU TÁC GIẢ, TẬP 06 /2017 [email protected] 090 279 7951 NHÀ XUẤT BẢN THANH NIÊN 64 Bà Triệu - Hoàn Kiếm - Hà Nội Account Managers QUAN NGUYEN ĐT (84.04) 39424044-62631719 [email protected] Fax: 04.39436024. 0122 277 3538 Website: nxbthanhnien.vn Email: [email protected] (MS.) MAN TRAN Chi nhánh: 27B Nguyễn Đình Chiểu [email protected] Phường Đa Kao, Quận 1, TP. Hồ Chí Minh 090 938 0039 ĐT: (08) 62907317 Chịu trách nhiệm xuất bản: Giám đốc, Tổng biên tập Nguyễn Xuân Trường Biên tập: Tạ Quang Huy Thực hiện liên kết xuất bản: OI VIET NAM MEDIA & ADVERTISING CO.,LTD 14 D1 Đường Thảo Điền, Phường Thảo Điền, Quận 2, TP. -
Oneirohtane.Pdf
1 1 2 Πέρασαν µέρες χωρίς να στο πω το Σ’ αγαπώ, δυο µόνο λέξεις. Αγάπη µου πως θα µ΄ αντέξεις που είµαι παράξενο παιδί, σκοτεινό. Πέρασαν µέρες χωρίς να σε δω κι αν σε πεθύµησα δεν ξέρεις, κοντά µου πάντα θα υποφέρεις, σου το χα πει ένα πρωί βροχερό Θα σβήσω το φως κι όσα δεν σου χω χαρίσει σ’ ένα χάδι θα σου τα δώσω, κι ύστερα πάλι θα σε προδώσω µες του µυαλού µου το µαύρο Βυθό. Θα κλάψεις ξανά αφού µόνη θα µείνεις, κι εγώ ποιο µόνος κι από µένα, µες σε δωµάτια κλεισµένα το πρόσωπό σου θα ονειρευτώ, γιατί είµαι στ’ όνειρο µόνος µου. 2 3 Όνειρο Ήτανε ∆ηµήτρης 2001 3 4 Εισαγωγή Όλοι µας κάθε νύχτα βλέπουµε αµέτρητα όνειρα µε διάφορα περιεχόµενα. Άλλες φορές όµορφα, άλλες φορές άσχηµα, χαρούµενα, έντονα, θλιβερά, βαρετά, αγχωτικά. Έχει κανείς αναρωτηθεί τι είναι το όνειρο; Βιάστηκαν οι επιστήµονες να το εξηγήσουν. Υποθέτω θα το όριζαν σαν µια αναδροµή στο ασυνείδητο ή στο υποσυνείδητο. Να µε συγχωρέσουν αλλά έχω αντίθετη άποψη! Εγώ θα σας πω ότι το όνειρο ή µάλλον ο κόσµος των ονείρων, είναι κάτι το πραγµατικό. Ναι! Κάτι το πραγµατικό. Είναι ένας Κόσµος στον οποίον µεταφερόµαστε µε τον ύπνο... σαν να ταξιδεύει η ψυχή µας και να µπαίνει σε ένα άλλο υλικό σώµα, σε κάποια άλλη διάσταση. Ένας κόσµος στον οποίο δεν ισχύουν οι νόµοι, οι φυσικοί νόµοι που ισχύουν σε αυτόν που ζούµε όταν είµαστε ξύπνιοι! ∆εν χρειάζεται να έχεις φτερά για να πετάξεις, ούτε χρειάζεται να πονάς όταν χτυπάς. Έτσι λοιπόν η ψυχή ακούραστη πηγαίνει από το ένα σώµα στο άλλο, από την µία διάσταση στην άλλη, από κάποιους νόµους σε κάποιους άλλους. -
Music for Guitar
So Long Marianne Leonard Cohen A Bm Come over to the window, my little darling D A Your letters they all say that you're beside me now I'd like to try to read your palm then why do I feel so alone G D I'm standing on a ledge and your fine spider web I used to think I was some sort of gypsy boy is fastening my ankle to a stone F#m E E4 E E7 before I let you take me home [Chorus] For now I need your hidden love A I'm cold as a new razor blade Now so long, Marianne, You left when I told you I was curious F#m I never said that I was brave It's time that we began E E4 E E7 [Chorus] to laugh and cry E E4 E E7 Oh, you are really such a pretty one and cry and laugh I see you've gone and changed your name again A A4 A And just when I climbed this whole mountainside about it all again to wash my eyelids in the rain [Chorus] Well you know that I love to live with you but you make me forget so very much Oh, your eyes, well, I forget your eyes I forget to pray for the angels your body's at home in every sea and then the angels forget to pray for us How come you gave away your news to everyone that you said was a secret to me [Chorus] We met when we were almost young deep in the green lilac park You held on to me like I was a crucifix as we went kneeling through the dark [Chorus] Stronger Kelly Clarkson Intro: Em C G D Em C G D Em C You heard that I was starting over with someone new You know the bed feels warmer Em C G D G D But told you I was moving on over you Sleeping here alone Em Em C You didn't think that I'd come back You know I dream in colour -
These Eyes Before
collidethese eyes before Classic yet Modern... If you’re already familiar with Collide, you surely know that the duo’s brave, forward-looking electronic sound is deeply grounded in a fusion of diverse influences (hence the band’s chosen name). Over the years, singer kaRIN and pro- ducer Statik have proven themselves to be gifted interpreters as well as courageous innovators – consider their brooding take on the Jefferson Airplane’s “White Rabbit”, a highlight of 2000’s landmark Chasing The Ghost, or their expansive take on Dusty Springfield’s “Son Of A Preacher Man”, from the remix set Distort, and the beloved anthem “The Lunatics are Taking Over the Asylum”, from their Vortex album. But nothing in the group’s history will sufficiently prepare you for These Eyes Before: a set of ten mainstream classics, each one completely reimagined by the imaginative pair. We don’t want to ruin all of Collide’s surprises, since part of the joy of listening to These Eyes Before is encountering familiar material with utterly refreshing arrangements. And you will be familiar with the playlist – any real music fan will be able to sing along to the tunes kaRIN and Statik have selected. Also, we don’t want to single out any highlights, because a project like this one is nothing but highlights. But we’d be remiss if we didn’t crow about the group’s flexibility, and their unerring ability to make songs of all kinds seem utterly consistent with the sound they’ve been developing for the past fifteen years. In their hands, “Space Oddity” becomes a gorgeous, jazzy, ethereal techno-rock stroll, and David Essex’s swaggering “Rock On” turns into a deliciously distorted slice of trip-hop. -
Elisabeth Haich
Elisabeth Haich INITIATION AUTHOR'S NOTE It is far from my intentions to want to provide a historical picture of Egypt. A person who is living in any given place has not the faintest idea of the peculiarities of his country, and he does not consider customs, language and religion from an ethnographic point of view. He takes everything as a matter of course. He is a human being and has his joys and sorrows, just like every other human being, anywhere, any place, any time; for that which is truly human is timeless and changeless. My concern here is only with the human, not with ethnography and history. That is why I have, in relating the story which follows here, intentionally used modern terms. I have avoided using Egyptian sounding words to create the illusion of an Egyptian atmosphere. The teachings of the High Priest Ptahhotep are given in modern language so that modern people may understand them. For religious symbols also, I have chosen to use modern terms so that all may understand what these symbols mean. People of today understand us better if we say 'God' than if we were to use the Egyptian term 'Ptah' for the same concept. If we say 'Ptah' everyone immediately thinks, 'Oh yes, Ptah, the Egyptian God'. No! Ptah was not an Egyptian God. On the contrary, the Egyptians called the same God whom we call God, by the name of Ptah. And to take another example, their term for Satan was Seth. The words God and Satan carry meanings for us today which we would not get from the words Ptah or Seth.