Oz 4E Player's Guide
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The Emerald City of Oz by L. Frank Baum Author of the Road to Oz
The Emerald City of Oz by L. Frank Baum Author of The Road to Oz, Dorothy and The Wizard in Oz, The Land of Oz, etc. Contents --Author's Note-- 1. How the Nome King Became Angry 2. How Uncle Henry Got Into Trouble 3. How Ozma Granted Dorothy's Request 4. How The Nome King Planned Revenge 5. How Dorothy Became a Princess 6. How Guph Visited the Whimsies 7. How Aunt Em Conquered the Lion 8. How the Grand Gallipoot Joined The Nomes 9. How the Wogglebug Taught Athletics 10. How the Cuttenclips Lived 11. How the General Met the First and Foremost 12. How they Matched the Fuddles 13. How the General Talked to the King 14. How the Wizard Practiced Sorcery 15. How Dorothy Happened to Get Lost 16. How Dorothy Visited Utensia 17. How They Came to Bunbury 18. How Ozma Looked into the Magic Picture 19. How Bunnybury Welcomed the Strangers 20. How Dorothy Lunched With a King 21. How the King Changed His Mind 22. How the Wizard Found Dorothy 23. How They Encountered the Flutterbudgets 24. How the Tin Woodman Told the Sad News 25. How the Scarecrow Displayed His Wisdom 26. How Ozma Refused to Fight for Her Kingdom 27. How the Fierce Warriors Invaded Oz 28. How They Drank at the Forbidden Fountain 29. How Glinda Worked a Magic Spell 30. How the Story of Oz Came to an End Author's Note Perhaps I should admit on the title page that this book is "By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children. -
OZ IS TWISTED a Play
OZ IS TWISTED a play Book By Joe Ferriero Based on the Story By L. Frank Baum Acting Script Final Copy May, 2011 Protected by Copyright i Cast of Characters Real World Characters: Dorothy Gale ....................... 16 years old, New York High Schooler James Gale ................................................ Dorothy’s Dad Aunt Em .................................................. Dorothy’s Aunt Uncle Henry ............................................. Dorothy’s Uncle Sheriff ............................................ of small Kansas town Toto ..................................... a stuffed toy, not a real dog! Willy, Edna, Margret ......................................... farm hands Oz Characters: Boq ............................................................. Munchkin Loq .................................................... Another Munchkin Toq ..................................................... Another Munchkin Glinda ....................................... the Good Witch of the South Locasta ...................................... the Good Witch of the North Bastinda ........................................ Wicked Witch of the West Scarecrow ..................... found in the outskirts of Munchkin Country Tinman .................... Was called Nick Chopper, now made fully of tin Cowardly Lion ................................ a lion in search of courage The Crow Bars ................................. a singing group of 3 Crows Pine and Oak .............................................. Fighting Trees Wizard of Oz ..................................... -
The Wonderful Wizard of Oz & Glinda of Oz Ebook, Epub
THE WONDERFUL WIZARD OF OZ & GLINDA OF OZ PDF, EPUB, EBOOK L. Frank Baum | 304 pages | 06 Jul 2012 | Wordsworth Editions Ltd | 9781840226942 | English | Herts, United Kingdom The Wonderful Wizard of Oz & Glinda of Oz PDF Book She explains "I have lived here many years Glinda plays the most active role in finding and restoring Princess Ozma , the rightful heir, to the throne of Oz, the search for whom takes place in the second book, The Marvelous Land of Oz , although Glinda had been searching for Ozma ever since the princess disappeared as a baby. Baum's children's novel The Wonderful Wizard of Oz refers to Glinda as the "Good Witch of the South"; she does not appear in the novel until late in its development. With the army quickly approaching Finley, China Girl, and finally Oz fall after her. She was old then and considered ugly by the cruel King Oz, thus causing him to brand her a witch. And Instead initiated a long grueling search across all the land of Oz, for the rightful ruler of royal blood. As the series draws to an end, Glinda telepathically contacts and saves Dorothy from falling to her death from a tower, following a confrontation with the Nome King and his minions. It is revealed that she wishes to wed Aiden, the Wizard of Oz. Glinda occasionally exhibits a more ruthless, cunning side than her counterparts or companions. In the books, Glinda is depicted as a beautiful young woman with long, rich rare red hair and blue eyes, wearing a pure white dress. -
Wizard of Oz Red 2Bused.Fdx
The Wizard of OZ __________________________ a LINX adaptation RED CAST LINX 141 LINDEN ST. WELLESLEY, MA 01746 (781) 235-3210 [email protected] PROLOGUE [ALL] GLINDA GREETS THE AUDIENCE CURTAIN OPENS. Behind the curtain is GLINDA. She looks at the audience with wonder.] GLINDA_PP What a wonderful audience. So many excited and eager faces. Are we all ready for an adventure? Watch one another’s back now. Things do sneak up on you in Oz. Fortunately, they can be very nice things... (points to back of house) Like that... 1ST SONG - FIREWORK ACT I, SCENE 1 [PP] IN WHICH DOROTHY IS CALLED BEFORE THE WIZARD. CHARACTERS: WIZARD, DOROTHY, SCARECROW, LION, TIN MAN [Head of Wizard hovers before audience. Below, Dorothy, Scarecrow, Lion and Tin Man tremble in terror. Mid-runner curtain is closed behind them. Also onstage is a booth with a hanging curtain. Thick ducts branch out from the booth.] WIZARD I am the great and powerful OZ! Who dares approach me? [Scarecrow, Lion and Tin Man shove Dorothy forward. Dorothy looks back at them.] SCARECROW_PP You got this. LION_PP We’re right behind you. [Dorothy turns toward Wizard. Scarecrow, Lion and Tin Man shuffle backwards. Dorothy turns to them, noticing the increased distance.] TIN MAN_PP Right behind you! 2. WIZARD (to Dorothy) Who are you? DOROTHY_PP My name is Dorothy. Dorothy Gale. WIZARD And where do you come from, “Dorothy Gale”? DOROTHY_PP Kansas. WIZARD Kansas? (long pause) What is Kansas? DOROTHY_PP It’s a place. My home - and I so want to return. A tornado picked up my home, picked up me and my little dog - only, he’s not so little anymore. -
The Emerald City of Oz
TTHE EEMERALD CCITY OF OOZ by L. Frank Baum Author of The Road to Oz, Dorothy and The Wizard in Oz, The Land of Oz, etc. The Emerald City of Oz Contents --Author’s Note— 1. How the Nome King Became Angry 2. How Uncle Henry Got Into Trouble 3. How Ozma Granted Dorothy’s Request 4. How The Nome King Planned Revenge 5. How Dorothy Became a Princess 6. How Guph Visited the Whimsies 7. How Aunt Em Conquered the Lion 8. How the Grand Gallipoot Joined The Nomes 9. How the Wogglebug Taught Athletics 10. How the Cuttenclips Lived 11. How the General Met the First and Foremost 12. How they Matched the Fuddles 13. How the General Talked to the King 14. How the Wizard Practiced Sorcery 15. How Dorothy Happened to Get Lost 16. How Dorothy Visited Utensia 17. How They Came to Bunbury 18. How Ozma Looked into the Magic Picture 19. How Bunnybury Welcomed the Strangers 20. How Dorothy Lunched With a King 21. How the King Changed His Mind 22. How the Wizard Found Dorothy 23. How They Encountered the Flutterbudgets 24. How the Tin Woodman Told the Sad News 25. How the Scarecrow Displayed His Wisdom 26. How Ozma Refused to Fight for Her Kingdom 27. How the Fierce Warriors Invaded Oz 28. How They Drank at the Forbidden Fountain 29. How Glinda Worked a Magic Spell 30. How the Story of Oz Came to an End 2 L. Frank Baum Author’s Note Perhaps I should admit on the title page that this book is “By L. -
Sample File Is So-So
Heroes by testing their abilities and getting What is “The Lost them to spend Story points. Also, Make sure their Troubles are brought into play. This Unicorn of Oz?” adventure was written with Lye, Na'iya, Lulu and Naynda's shortcomings in mind. Temp Greetings, adventurers of Oz. This is the first in them with Story Points. a line of adventures for Instant Oz, designed to Cutaway scenes be played with minimum preparation and used with the premade Heroes found in the Instant In the Oz books, the action isn't always Oz rules. As an option, one of the players can centered on the main characters. In The play the Secondary character, Ceros, so a Emerald City of Oz, the story alternates filled-out Hero Record for him has been between Dorothy with her aunt and uncle and provided. the Nome King's general, Guph. While this kind of thing is good storytelling in the books, it Players: Unless you want the story contained in might be boring for the players to just listen to this document to be spoiled for you, please put the Historian go on about what's not happening this down and let the Historian use it. However, to their characters, so if you choose to use if you do catch some glimpses of the story here, cutaway scenes, give players the roles of the be a dear and pretend you didn't see it. characters playing out the scene. Remember, your Hero doesn't know this stuff, even if you do. It is possible that what the secondary characters are doing will cause problems for the Heroes Historian: Make sure you read this adventure later. -
C. Edward Wheaton Big Dog Publishing
C. Edward Wheaton Adapted from the Oz novels by L. Frank Baum Big Dog Publishing Return to Oz 2 Copyright © 2016, C. Edward Wheaton ALL RIGHTS RESERVED Return to Oz is fully protected under the copyright laws of the United States of America, and all of the countries covered by the Universal Copyright Convention and countries with which the United States has bilateral copyright relations including Canada, Mexico, Australia, and all nations of the United Kingdom. Copying or reproducing all or any part of this book in any manner is strictly forbidden by law. No part of this book may be stored in a retrieval system or transmitted in any form by any means including mechanical, electronic, photocopying, recording, or videotaping without written permission from the publisher. A royalty is due for every performance of this play whether admission is charged or not. A “performance” is any presentation in which an audience of any size is admitted. The name of the author must appear on all programs, printing, and advertising for the play. The program must also contain the following notice: “Produced by special arrangement with Big Dog/Norman Maine Publishing LLC, Rapid City, SD.” All rights including professional, amateur, radio broadcasting, television, motion picture, recitation, lecturing, public reading, and the rights of translation into foreign languages are strictly reserved by Big Dog/Norman Maine Publishing LLC, www.BigDogPlays.com, to whom all inquiries should be addressed. Big Dog Publishing P.O. Box 1401 Rapid City, SD 57709 Return to Oz 3 Return to Oz CLASSIC. Adapted from the Oz novels by L. -
The Chronicles of Oz: the Marvellous Land of Oz a Six-Part
The Chronicles of Oz: The Marvellous Land Of Oz __________________________ A six-part audio drama by Aron Toman A Crossover Adventures Production chroniclesofoz.com 183. EPISODE FIVE 77 PREVIOUSLY Recap of the previous episodes. 78 EXT. DEADLY POPPY FIELD - NIGHT Same location as in Season 1. OZMA (V.O.) In order for you to understand what's to come, you need to understand what has been. In the distance, at the Emerald City, fireworks and cheers. It's a great celebration. Watching this is Glinda and Locasta. GLINDA Fireworks. LOCASTA So I see. GLINDA Not for the sake of the Festival of Jac'acai, I'll wager. LOCASTA It must have finally happened. We have a new princess. GLINDA An exciting new era for the Emerald City. And look at us, hanging around the Deadly Poppy Field while the others take their sweet time. LOCASTA Glinda, you're moping. GLINDA I'm not moping, I'm frustrated. We should be in there with his Majesty, showing a united Oz. And yet -- WITCH And yet you're waiting for us. Poor you. I do apologise for the delay. 184. The WITCH and the EAST WITCH approach. EAST WITCH Someone had to feed their Winged Monkeys. LOCASTA And what's your excuse? Munchkinland is just over the river, you should have been the first here. EAST WITCH And be alone and fully exposed in Emerald City territory? Please. GLINDA Well we're all here now. Is this going to be long? WITCH Don't look at me, I didn't call this meeting. -
THE PATCHWORK GIRL of OZ by L. Frank Baum
THE PATCHWORK GIRL OF OZ by L. Frank Baum Cryptomaoist Editions THE PATCHWORK GIRL OF OZ Affectionately Dedicated to my young friend Sumner Hamilton Britton of Chicago by L. Frank Baum 3 Prologue 5 Ojo and Unc Nunkie 8 The Crooked Magician 15 The Patchwork Girl 21 The Glass Cat 26 A Terrible Accident 35 The Journey 46 The Troublesome Phonograph 53 The Foolish Owl and the Wise Donkey 58 They Meet the Woozy 69 Shaggy Man to the Rescue 75 A Good Friend 87 The Giant Porcupine 95 Scraps and the Scarecrow 106 Ojo Breaks the Law 113 Ozma's Prisoner 120 Princess Dorothy 127 Ozma and Her Friends 131 Ojo is Forgiven 138 Trouble with the Tottenhots 147 The Captive Yoop 154 Hip Hopper the Champion 160 The Joking Horners 168 Peace is Declared 175 Ojo Finds the Dark Well 177 They Bribe the Lazy Quadling 183 The Trick River 190 The Tin Woodman Objects 197 The Wonderful Wizard of Oz Prologue Through the kindness of Dorothy Gale of Kansas, afterward Princess Dorothy of Oz, an humble writer in the United States of America was once appointed Royal Historian of Oz, with the privilege of writing the chronicle of that wonderful fairyland. But after making six books about the adventures of those interesting but queer people who live in the Land of Oz, the Historian learned with sorrow that by an edict of the Supreme Ruler, Ozma of Oz, her country would thereafter be rendered invisible to all who lived outside its bord- ers and that all communication with Oz would, in the future, be cut off. -
The Marvelous Land of Oz
The Marvelous Land of Oz Audition Information Packet The Beverly Arts Center spring musical, The Marvelous Land of Oz, is an original musical premiering on the Beverly Arts Center stage. The show offers lead and supporting roles for students of both genders between the ages of 10 and 18. There are both singing and non-singing leads, as well as a number of small chorus groups and roles for dancers (see character descriptions on page 3 for more information.) About the Casting Process An audition is required to participate in the program. Please call 773.445.3838 x216 to reserve an audition slot. Auditions will be held: Tuesday, March 24, 5:30 to 7pm • Audition slots will be 5 minutes in length. • Audition Monologues are included at the end of this information packet. We ask that students memorize one of the four monologues included for their audition. • Students will be asked to sing 16 bars (one chorus or one verse) a capella (without musical accompaniment) of a song of their choice. • Students who are invited to callbacks may be asked to learn and short vocal selection and/or dance number from the production, as well as participate in cold readings. • Please take a look at the rehearsal, tech, and performance schedule on Page 2 and come to the auditions prepared to note any conflicts on your audition sheet. Callbacks will be held: Thursday, March 26, 5:30 to 7:30 pm Please Note: We call back about half of the actors who will be cast. If you are not invited to callbacks, you may still have a role in the production! The Cast List will be sent out via email and posted on the BAC School of Theater Callboard by Noon on Saturday, March 28. -
Wicked Study Guide
A tool for using the theater across the curriculum to meet ® National Standards for Education ■ Production Overview ■ Lesson Guides ■ Student Activities S S ■ At-Home Projects ■ Reproducibles E E T T A NEW MUSICAL O O A FIELD GUIDE FOR TEACHERS A FIELD GUIDE FOR TEACHERS N N THE UNTOLD STORY OF THE WITCHES OF OZ e e A NEW MUSICAL g g THE UNTOLD STORY OF THE WITCHES OF OZ A NEW MUSICAL Sta Sta THE UNTOLD STORY OF THE WITCHES OF OZ A NEW MUSICAL WICKED THE UNTOLD STORY OF THE WITCHES OF OZ A NEW MUSICAL THE UNTOLD STORY OF THE WITCHES OF OZ © 2004, Camp Broadway LLC® All rights reserved This publication is based on the production of Wicked with music and lyrics by Stephen Schwartz and book by Winnie Holzman, based on the novel by Gregory Maguire. The content of the Wicked edition of StageNOTES®: A Field Guide for Teachers is fully protected under the copyright laws of the United States of America and all other countries with which the United States has reciprocal copyright relations. All rights regarding publishing, reprint permissions, public readings, and mechanical or electronic reproduction, including but not limited to, CD- ROM, information storage and retrieval systems and photocopying, and the rights of translation into foreign languages are strictly reserved. Printed in the United States of America First printing, April 2004 ISBN: 1-930504-15-2 Original Broadway Cast Recording available on Decca Broadway For more information on StageNOTES® and other theater arts related programs for students, contact: Camp Broadway LLC® 145 West 45th Street, 7th Floor New York, NY 10036 Telephone: (212) 575-2929 Facsimile: (212) 575-3125 Email: [email protected] www.campbroadway.com ® CAMP BROADWAY LLC CAMP BROADWAY StageNA FIELDOGUIDETFORE TEACHERSS NEW YORK ® Idina Menzel and Stephen Oremus NOTES Stage From top: Kristin Chenoweth, Director Joe Mantello, Composer and Lyricist Stephen Schwartz, Joel Grey, Norbert Leo Butz and Idina Menzel Contents Using the Field Guide/Using the Lessons . -
83891-Sample.Pdf
Sample file Creating Spells ...................................................................................................................... 20 Table Of Contents Help/Hinder ........................................................................................................................... 20 Apportation ........................................................................................................................... 20 Introduction........................................................................................................... 4 Transmutation ....................................................................................................................... 20 Transformation ...................................................................................................................... 21 What Is Roleplaying?...................................................................................................................... 4 Duration ................................................................................................................................ 21 What Do You Need To Play? .......................................................................................................... 4 Scope .................................................................................................................................... 21 How Do You Win? .......................................................................................................................... 4 Ritual ...................................................................................................................................