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Houston Rapper Kirko Bangz Is Riding a Buzz Right Now Worthy of Attention
Houston rapper Kirko Bangz is riding a buzz right now worthy of attention. With a DJ Drama hosted mixtape blazing the streets now, Kirko’s been gaining a foothold in the talented Southern rap scene. MTV’s RapFix Representing Houston, Kirko Bangz is one of the most popular young MCs on the 'net. He can harmonize and rap, so it's no surprise that the Drake comparisons are starting to roll in. His single, 'Drank In My Cup,' strengthened his star power and after dropping his most recent mixtape, 'The Progression 2: A Young Texas Playa,' Bangz is not only perfecting his craft but well on his way to etching out his own niche in the hip-hop arena. AOL’s TheBoomBox.com - “Black History Month 2012: 10 New Black Artists” (#5) Kirko Bangz is the type of artist that some people may not truly appreciate until hindsight becomes a factor…there’s something authentic about his style that cannot be ignored…As long as he continues with his progression (no pun intended) and shows that he’s more than radio- friendly, he could get there much sooner than later. AllHipHop.com [Kirko Bangz] has a lyrical smoothness emphasizes originality and a modern sexy appeal. Kirko makes racy selections for the women followed by witty street freestyles embraced by the fellas and getting better by the second at mastering his own identity. HipHopDX.com Kirko Bangz may be known solely for his slow trippy hit of the summer, Drank in My Cup, but with his newest project, Procrastination Kills 4, he promises to prove that he is a true artist and not an "auto-tune singing ass n*gga." GlobalGrind.com This kid is going to be a problem once people really take notice. -
Karaoke Songs by Title
Songs by Title Title Artist Title Artist #9 Dream Lennon, John 1985 Bowling For Soup (Day Oh) The Banana Belefonte, Harry 1994 Aldean, Jason Boat Song 1999 Prince (I Would Do) Anything Meat Loaf 19th Nervous Rolling Stones, The For Love Breakdown (Kissed You) Gloriana 2 Become 1 Jewel Goodnight 2 Become 1 Spice Girls (Meet) The Flintstones B52's, The 2 Become 1 Spice Girls, The (Reach Up For The) Duran Duran 2 Faced Louise Sunrise 2 For The Show Trooper (Sitting On The) Dock Redding, Otis 2 Hearts Minogue, Kylie Of The Bay 2 In The Morning New Kids On The (There's Gotta Be) Orrico, Stacie Block More To Life 2 Step Dj Unk (Your Love Has Lifted Shelton, Ricky Van Me) Higher And 20 Good Reasons Thirsty Merc Higher 2001 Space Odyssey Presley, Elvis 03 Bonnie & Clyde Jay-Z & Beyonce 21 Questions 50 Cent & Nate Dogg 03 Bonnie And Clyde Jay-Z & Beyonce 24 Jem (M-F Mix) 24 7 Edmonds, Kevon 1 Thing Amerie 24 Hours At A Time Tucker, Marshall, 1, 2, 3, 4 (I Love You) Plain White T's Band 1,000 Faces Montana, Randy 24's Richgirl & Bun B 10,000 Promises Backstreet Boys 25 Miles Starr, Edwin 100 Years Five For Fighting 25 Or 6 To 4 Chicago 100% Pure Love Crystal Waters 26 Cents Wilkinsons, The 10th Ave Freeze Out Springsteen, Bruce 26 Miles Four Preps, The 123 Estefan, Gloria 3 Spears, Britney 1-2-3 Berry, Len 3 Dressed Up As A 9 Trooper 1-2-3 Estefan, Gloria 3 Libras Perfect Circle, A 1234 Feist 300 Am Matchbox 20 1251 Strokes, The 37 Stitches Drowning Pool 13 Is Uninvited Morissette, Alanis 4 Minutes Avant 15 Minutes Atkins, Rodney 4 Minutes Madonna & Justin 15 Minutes Of Shame Cook, Kristy Lee Timberlake 16 @ War Karina 4 Minutes Madonna & Justin Timberlake & 16th Avenue Dalton, Lacy J. -
Bun B Snow Money
Snow Money Bun B [Intro - Bun B - talking] Say mayne, I had this pussy ass nigga come up to me the other day You know what I'm sayin? Talkin 'bout "say Bun B Bun B you gon' rep for P-A on this album?" I said "you bitch ass nigga, I am P-A, who the fuck is you nigga? Know what I'm sayin? Everybody know I rep for Port Arthur, Texas to the fullest Who the fuck know you nigga? Don't nobody know you but your mama ho ass nigga Move around nigga I'm some on P-A shit, know what I'm talkin 'bout?" [Verse 1 - Bun B] P-A trill nigga, I was born ready bro Our here on the grind, rain or shine, for the fetti bro Work comin in and movin out with the steady flow Boys out of line, pull the thing out, let it go Always G'd out, blacked out, from my head to toe And it ain't a question that I be out to get the dough Call up my connect, get the powder in from Mexico Late night, come across the border in the Chevy ho Get it for the low, if you need a plug, let me know I get it from him, you come to me for the petty coke That's the way the cycle go around like a merry go Round, put it down for my town, they already know Every time I try to get away, I can't let it go Plush lifestyle, fly cars and the pretty hoes (pretty hoes) So play your distance by scenario (what's up?) Load up the van, let's hit the highway, here we go (here we go) [Chorus - Bun B] We hit the road and get the snow money Bring it home, take it to the mall, blow money Hit the strip club, take it out, throw money Then get back up on the road and get mo' money Mo' money, mo' money, money, mo' -
A Hip-Hop Copying Paradigm for All of Us
Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law 2011 No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson Jr. Elisabeth Haub School of Law at Pace University Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Horace E. Anderson, Jr., No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us, 20 Tex. Intell. Prop. L.J. 115 (2011), http://digitalcommons.pace.edu/lawfaculty/818/. This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. No Bitin' Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson, Jr: I. History and Purpose of Copyright Act's Regulation of Copying ..................................................................................... 119 II. Impact of Technology ................................................................... 126 A. The Act of Copying and Attitudes Toward Copying ........... 126 B. Suggestions from the Literature for Bridging the Gap ......... 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying ................................................................. 129 IV. The Hip-Hop Imitation Paradigm ............................................... -
Bun B Underground Thang
Underground Thang Bun B [Chorus: Chamillionaire] Can't knock the hustle man Don't hate the player hate the game Gotta love it man Catch me flipping gripping grain in the turning lane Trunk on bang Cause it's an underground thing Cause I'm an underground king [Bun B] It's Bun B the king of the trill And I'm bringing the steel Bringing the max it bitches of fact It's that gangsta shit I'm bringing it back I went from slanging the crack To slanging the tracks and slanging my skills Since ninety-two and slanging it still So bring who you feel bring who you feeling Bring them around and I'ma lay them down It's just another sound boy killing Rude boy wanna test Better make sure rude boy got on his vest Walk with a bunch of bananas on his chest These monkey niggas on that monkey shit Best to evolve or I'm bouts to go gorilla and kill them with a revolver So go on pimping you's a chip and I'ma blue bat You ain't ready for the blowback Bitch and you already knew that So bring who you wanna bring on I'ma go king kong And squeeze him 'til he come up off his cream like a ding dong Standing on top of the towers the trans go beating my chest So it's best you and your mans know I'm an underground king [Chorus: Chamillionaire] Can't knock the hustle man Don't hate the player hate the game Gotta love it man Catch me flipping gripping grain in the turning lane Trunk on bang Cause it's an underground thing Cause I'm an underground king [Pimp C] I'm an underground king for life ?In my shoes like hittin in your wife? Tattoo that's you *man is an island* Nigga -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
The Pennsylvania State University the Graduate School College of the Liberal Arts
The Pennsylvania State University The Graduate School College of the Liberal Arts PASSING, PASSAGES, AND PASSKEYS: POST-CIVIL RIGHTS SATIRISTS UNLOCK THE MASTER’S HOUSE A Dissertation in English By Mahpiua-Luta Deas © 2012 Mahpiua-Luta Deas Submitted in Partial Fulfillment Of the Requirements For the Degree of Doctor of Philosophy December 2012 ii The dissertation of Mahpiua-Luta Deas was reviewed and approved by the following: Aldon L. Nielsen The George and Barbara Kelly Professor of American Literature Dissertation Adviser Chair of Committee Linda F. Selzer Associate Professor of English Shirley Moody Assistant Professor of English Lovalerie King Associate Professor of English Director of the Africana Research Center Garrett A. Sullivan Professor of English Director of Graduate Studies, English *Signatures are on file in the Graduate School. iii ABSTRACT In the post-civil rights era, which is marked by the eradication of legalized racial boundaries, racial passing should be unnecessary and obsolete. Yet contemporary satirists have found satiric portrayals of racial passing to be productive on two levels. On a plot-level, they use passing to interrogate contemporary racial subjectivity and to both explore racial advances and to critique persistent racial inequities. On a structural level, they write fiction that challenges the prescriptive and restrictive aesthetic criteria that they believe African American fiction is required to meet. Ultimately, this fiction offers dynamic critiques of contemporary racial identity and textual production. These authors use satire to examine how the fictional depiction of racial identities/bodies informs, depends on, and dictates the textual body and vice versa. The purpose of the study is to draw on two parallel contemporary literary theories, racial passing and satire, in order to analyze the works of five of the most important and recognized contemporary satiric writers of the post-civil rights generation: Percival Everett, Paul Beatty, Mat Johnson, Trey Ellis, and Adam Mansbach. -
The Nickel Boys : a Novel / Colson Whitehead
ALSO BY COLSON WHITEHEAD The Intuitionist John Henry Days The Colossus of New York Apex Hides the Hurt Sag Harbor Zone One The Noble Hustle The Underground Railroad This is a work of fiction. All incidents and dialogue and all characters, with the exception of some well-known historical figures, are products of the author’s imagination and are not to be construed as real. In all other respects, any resemblance to persons living or dead is entirely coincidental. Copyright © 2019 by Colson Whitehead All rights reserved. Published in the United States by Doubleday, a division of Penguin Random House LLC, New York. www.doubleday.com DOUBLEDAY and the portrayal of an anchor with a dolphin are registered trademarks of Penguin Random House LLC. Cover design by Oliver Munday Cover photograph: Reflection, Harlem, New York, 1964 (detail) © Neil Libbert/Bridgeman Images LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Names: Whitehead, Colson, 1969– author. Title: The nickel boys : a novel / Colson Whitehead. Description: First edition. | New York : Doubleday, [2019] Identifiers: LCCN 2018042961| ISBN 9780385537070 (hardcover) | ISBN 9780385537087 (ebook) | ISBN 9780385545440 (open market) Classification: LCC PS3573.H4768 N53 2019 | DDC 813/.54—dc23 LC record available at https://lccn.loc.gov/ 2018042961 Ebook ISBN 9780385537087 v5.4 ep Contents Cover Also by Colson Whitehead Title Page Copyright Dedication Prologue Part One Chapter One Chapter Two Chapter Three Part Two Chapter Four Chapter Five Chapter Six Chapter Seven Chapter Eight Chapter Nine Chapter Ten Part Three Chapter Eleven Chapter Twelve Chapter Thirteen Chapter Fourteen Chapter Fifteen Chapter Sixteen Epilogue Acknowledgments About the Author For Richard Nash PROLOGUE Even in death the boys were trouble. -
Songs by Title
Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co. -
PIMP C’S HURRICANE LAST CHRIS WORDS MR
OZONE MAGAZINE MAGAZINE OZONE YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE PIMP C’S HURRICANE LAST CHRIS WORDS MR. COLLIPARK BUN B, TOO $HORT, SCARFACE, BIG GIPP LIL BOOSIE DAVID BANNER & LIL WAYNE REMEMBER TRILL N*GGAS DON’T DIE DON’T N*GGAS TRILL TRAPSTARZ THEIR THREE DEEP FRIEND YOUNG CASH & MIDGET MAC SOULJA BOY +OZONE WEST THE BOY BOY YOUNG MESS JANUARY 2008 ICE CUBE | MITCHY SLICK HOT ROD 50 CENT’S PROTEGE OZONE MAG // YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE PIMP C’S LAST WORDS SOULJA BUN B BOY TOO $HORT CRANKIN’ IT SCARFACE ALL THE WAY BIG GIPP TO THE BANK WITH DAVID BANNER MR. COLLIPARK LIL WAYNE FONSWORTH LIL BOOSIE’S BENTLEY JEWELRY CORY MO 8BALL & FASCINATION MORE TRAPSTARZ SHARE THEIR THREE DEEP FAVORITE MEMORIES OF THE YOUNG CASH SOUTH’S & MIDGET MAC FINEST HURRICANE CHRIS +OZONE WEST THE BOY BOY YOUNG MESS ICE CUBE | MITCHY SLICK HOT ROD 50 CENT’S PROTEGE 8 // OZONE WEST 2 // OZONE MAG OZONE MAG // // OZONE MAG OZONE MAG // // OZONE MAG OZONE MAG // 8 // OZONE MAG OZONE MAG // 0 // OZONE MAG OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly CHIEF OPERATIONS OFFICER // N. Ali Early MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric Perrin ART DIRECTOR // Tene Gooden features ADVERTISING SALES // Che’ Johnson 54-59 YEAR END AWARDS PROMOTIONS DIRECTOR // Malik Abdul 76-79 REMEMBERING PIMP C MARKETING DIRECTOR // David Muhammad Sr. 22-23 RAPPERS’ NEW YEARS RESOLUTIONS LEGAL CONSULTANT // Kyle P. King, P.A. 74 DIRTY THIRTY: PIMP C’S GREATEST HITS SUBSCRIPTIONS MANAGER // Adero Dawson ADMINISTRATIVE // Cordice Gardner, Kisha Smith CONTRIBUTORS // Bogan, Charlamagne the God, Chuck T, Cierra Middlebrooks, Destine Cajuste, E-Feezy, Edward Hall, Felita Knight, Jacinta Howard, Jaro Vacek, Jessica Koslow, J Lash, Jason Cordes, Jo Jo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, K.G. -
HAUNT - 2018 : Cover Image: Andrea Welton Untitled | Ink, Acrylic, and Pumice on Canvas | 54X102” | 2018 HAUNT Journal of Art
journal of art HAUNT - 2018 : Cover Image: Andrea Welton Untitled | ink, acrylic, and pumice on canvas | 54x102” | 2018 HAUNT Journal of Art Issue 005 November 2018 TABLE OF CONTENTS Artwork: Portrait of a Super Predator Who We Never Taught to Cry | 5 Antoine Williams Comfort | Coverage Notes from the Editor-in-Chief | 6 Charisse Pearlina Weston Poetics Against Notes from the Managing Editor | 12 Linette Park A Natural History of Inequality | 17 Douglas Kearney Noord Street | 24 Frank Wilderson III Civil Rights | 25 Frank Wilderson III Artwork: Cheaper to Keep Her | 26 Cosmo Whyte The Blind Eye | 28 John Pluecker Future Dated Eulogy for the Carefree | 31 S. Erin Batiste In Conversation with Erin Christovale | 34 photos by Brian Forrest Artwork: Fiction Diptych (Drape no. 2) | 43 Regina Agu Pedagogy of Ridiculousness | 44 Prathna Lor acrylic and thread on skin | 36”x70” 2018 The Jacket | 47 Mali Collins-White a broken silence | 49 Traci-Ann Wint-Hayles Artwork: Portrait of a Super Predator Who Was Made to Believe She Was Cute to Be Dark | 54 Antoine Williams Eskimo (After Wiley) | 55 D.S. Marriott Essay on Demand | 58 Prathna Lor African Rainbow Lizard | 61 Terrance Hayes Portrait of a Super Predator Who We Never Taught To Cry | To Taught Never We Who of a Super Predator Portrait Contributor Biographies | 72 Antoine Williams Williams Antoine Portrait of a Super Predator Who We Never Taught to Cry Antoine Williams NOTES FROM THE EDITOR IN CHIEF Charisse Pearlina Weston COMFORT | COVERAGE I begin this meditation while sitting in the neighborhood of Roma Sur in Mexico City, Mexico. -
In the Hip-Hop Game These Days, Rappers Make All
PUBLISHER/EDITOR: Julia Beverly JUL05 MUSIC REVIEWS: ADG, Wally Sparks CONTENTS CONTRIBUTORS: AJ Woodson, Bogan, Cynthia Coutard, Dain Burroughs, Dar- nella Dunham, Felisha Foxx, Felita Knight, Iisha Hillmon, Jaro Vacek, Jessica Koslow, J Lash, Katerina Perez, Keith Kennedy, K.G. Mosley, King Yella, Lisa Coleman, Malik COVER: “Copafeel” Abdul, Marcus DeWayne, Matt Sonzala, WEBBIE pg A26 Maurice G. Garland, Natalia Gomez, Noel Malcolm, Ray P$C pg B22-23 Tamarra, Rayfield Warren, Rohit Loomba, Spiff, Swift SALES CONSULTANT: FEATURES: Che’ Johnson (Gotta Boogie) TONY YAYO pg A17 LEGAL AFFAIRS: Kyle P. King, P.A. (King Law SMITTY pg A19 Firm) TOK pg A31 STREET REPS: Al-My-T, B-Lord, Bill Rickett, 112 pg B13 Black, Bull, Cedric Walker, Chill, Chilly C, Chuck T, Con- Z-RO pg B18-19 troller, Dap, Delight, Dereck Washington, Derek Jurand, Dwayne Barnum, Dr. Doom, Ed the World Famous, Episode, General, H-Vidal, Hollywood, Jammin’ Jay, Janky, Jason Brown, Joe Anthony, Judah, Kamikaze, Klarc Shepard, Kydd Joe, Lex, Lump, Marco Mall, Miguel, Mr. Lee, Music & More, Nick@Nite, Pat Pat, PhattLipp, Pimp G, Quest, Red Dawn, Rippy, Rob-Lo, Statik, Stax, TJ’s DJ’s, Trina Edwards, Vicious, Victor Walker, Voodoo, Wild Bill ADMINISTRATIVE: Melinda Pas, Nikki Kancey CIRCULATION: Mercedes (Strictly Streets) Buggah D. Govanah (On Point) MONTHLY SECTIONS: Big Teach (Big Mouth) Efren Mauricio (Direct Promo) 16 BARS pg A20 To subscribe, send check or FEEDBACK pg A10 money order for $11 to: JB’s 2 CENTS pg A11 1516 E. Colonial Dr. Suite 205 ON THE SET pg A23,27 Orlando, FL 32803 PHOTOS pg A12-18, B8-16 Phone: 407-447-6063 Fax: 407-447-6064 LIVE SHOW REVIEWS pg B31 Web: www.ozonemag.com CD & DVD REVIEWS pg B24-26 Cover credits: P$C photo by CAFFEINE SUBSTITUTES pg B17 Eric Johnson; Webbie, Smitty, & Pimp G photos by Julia GROUPIE CONFESSIONS pg A13 Beverly.