Hodder & Stoughton Spring 2021 Translation Rights Guide
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REFERENCE DOCUMENT Containing the Annual Financial Report Fiscal Year 2016 PROFILE
REFERENCE DOCUMENT containing the Annual Financial Report Fiscal Year 2016 PROFILE The Lagardère group is a global leader in content publishing, production, broadcasting and distribution, whose powerful brands leverage its virtual and physical networks to attract and enjoy qualifi ed audiences. The Group’s business model relies on creating a lasting and exclusive relationship between the content it offers and its customers. It is structured around four business divisions: • Books and e-Books: Lagardère Publishing • Travel Essentials, Duty Free & Fashion, and Foodservice: Lagardère Travel Retail • Press, Audiovisual (Radio, Television, Audiovisual Production), Digital and Advertising Sales Brokerage: Lagardère Active • Sponsorship, Content, Consulting, Events, Athletes, Stadiums, Shows, Venues and Artists: Lagardère Sports and Entertainment 1945: at the end of World 1986: Hachette regains 26 March 2003: War II, Marcel Chassagny founds control of Europe 1. Arnaud Lagardère is appointed Matra (Mécanique Aviation Managing Partner of TRAction), a company focused 10 February 1988: Lagardère SCA. on the defence industry. Matra is privatised. 2004: the Group acquires 1963: Jean-Luc Lagardère 30 December 1992: a portion of Vivendi Universal becomes Chief Executive Publishing’s French and following the failure of French Offi cer of Matra, which Spanish assets. television channel La Cinq, has diversifi ed into aerospace Hachette is merged into Matra and automobiles. to form Matra-Hachette, 2007: the Group reorganises and Lagardère Groupe, a French around four major institutional 1974: Sylvain Floirat asks partnership limited by shares, brands: Lagardère Publishing, Jean-Luc Lagardère to head is created as the umbrella Lagardère Services (which the Europe 1 radio network. company for the entire became Lagardère Travel Retail ensemble. -
An International Study of Over 1000 Digital Influencers Table of Contents
Long Live GIRL power! AN INTERNATIONAL STUDY OF OVER 1000 DIGITAL INFLUENCERS TABLE OF CONTENTS Celebrating International Women’s Day - a Brief History 3 Why Are Women so Important as Consumers and Influencers? 5 Influencer Survey Results 7 Noteworthy Campaigns 15 Noteworthy Social Media Trends 21 LONG LIVE GIRL POWER! 03 CELEBRATING INTERNATIONAL WOMEN’S DAY – a Brief History International Women’s Day, with its history deeply rooted in the movement for women’s rights, is celebrated annually on March 8th. The day originated in the United States, where the Socialist Party of America organised the first “National Woman’s Day” in 1909. The event then inspired European activists to establish an annual “Women’s Day” in 1910. International Women’s Day as we know it started in 1977 when the United Nations General Assembly invited member states to proclaim March 8th as the UN Day for women's rights and world peace. Since then, International Women’s Day has been widely adopted as a celebration of women in a very Photo: mission.org broad sense, transcending politics. Brands actively join the efforts to honour and inspire women and recognize their accomplishments. In recent years, women’s empower- ment has become an increasingly prominent theme year- round and @_janemay it continues to leave a notable mark on the advertising world. In this report, we want to give voice to women and hear them out. We asked 896 female influencers about their views on their careers, everyday lives, the image of women Long in advertising, and more. Alongside the analysis of our influencers’ LiveGIRL opinions, this study’s objective is to present notable case studies of campaigns celebrating women power! and examples of female influencers absolutely worth knowing. -
Pink Unicorn Program
M T H A E Y E OUT OF THE BOX 9 P I - S 2 C 5 THEATRICS O , P 2 A 0 L 1 A presents 9 C T O R A L I C E R I P L E Y in S ' G U I L D MUSIC & LYRICS BY STEPHEN SONDHEIM BOOK BY JAMES LAPINE BOOK E L I S E F O R I E R E D I E DIRECTION A M Y E . J O N E S @ootbtheatrics Opening Night: May 15, 2019 The Episcopal Actors' Guild 1 East 29th Street Elizabeth Flemming Ethan Paulini Producing Artistic Director Associate Artistic Director present Alice Ripley* in Out of the Box Theatrics' production of By Elise Forier Edie Technical Design Dialect Coach Costume Design Frank Hartley Rena Cook Hunter Dowell Board Operator Wardrobe Supervisor Joshua Christensen Carrie Greenberg Graphic Design General Management Asst. General Management Gabriella Garcia Maggie Snyder Cara Feuer Press Representative Production Stage Management Ron Lasko Theresa S. Carroll* Directed by AMY E. JONES+ * Actors' Equity OOTB is proud to hire members of + Stage Directors and Association Choreographers Society AUTHOR'S NOTE ELISE FORIER EDIE People often ask me “how much of this play is true?” The answer is, “All of it.” Also, “None of it.” All the events in this play happened to somebody. High school students across the country have been forbidden to start Gay and Straight Alliance clubs. The school picture event mentioned in this play really did happen to a child in Florida. Families across the country are being shunned, harassed and threatened by neighbors, and they suffer for allowing their transgender children to freely express their identities. -
2017 DGA Episodic Director Diversity Report (By STUDIO)
2017 DGA Episodic Director Diversity Report (by STUDIO) Combined # Episodes # Episodes # Episodes # Episodes Combined Total # of Female + Directed by Male Directed by Male Directed by Female Directed by Female Male Female Studio Title Female + Signatory Company Network Episodes Minority Male Caucasian % Male Minority % Female Caucasian % Female Minority % Unknown Unknown Minority % Episodes Caucasian Minority Caucasian Minority A+E Studios, LLC Knightfall 2 0 0% 2 100% 0 0% 0 0% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC Six 8 4 50% 4 50% 1 13% 3 38% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC UnReal 10 4 40% 6 60% 0 0% 2 20% 2 20% 0 0 Frank & Bob Films II, LLC Lifetime Alameda Productions, LLC Love 12 4 33% 8 67% 0 0% 4 33% 0 0% 0 0 Alameda Productions, LLC Netflix Alcon Television Group, Expanse, The 13 2 15% 11 85% 2 15% 0 0% 0 0% 0 0 Expanding Universe Syfy LLC Productions, LLC Amazon Hand of God 10 5 50% 5 50% 2 20% 3 30% 0 0% 0 0 Picrow, Inc. Amazon Prime Amazon I Love Dick 8 7 88% 1 13% 0 0% 7 88% 0 0% 0 0 Picrow Streaming Inc. Amazon Prime Amazon Just Add Magic 26 7 27% 19 73% 0 0% 4 15% 1 4% 0 2 Picrow, Inc. Amazon Prime Amazon Kicks, The 9 2 22% 7 78% 0 0% 0 0% 2 22% 0 0 Picrow, Inc. Amazon Prime Amazon Man in the High Castle, 9 1 11% 8 89% 0 0% 0 0% 1 11% 0 0 Reunion MITHC 2 Amazon Prime The Productions Inc. -
Publishing in the Nineteenth Century
1 Publishing in the Nineteenth Century Originally published as “Editer au XIXe siècle”, Revue d’histoire littéraire de la France, vol. 107, no. 4, 2007, pp. 771–90. Introduction When Roger Chartier and Henri-Jean Martin were preparing the introduction to the first volume of their monumental Histoire de l’Édition francaise (History of French publishing), which they entitled Le livre conquérant. Du Moyen Age au milieu du XVIIe siècle (The Conquering Book. From the Middle Ages to the mid-seventeenth century), they encountered a problem – one might even call it an aporia. They explained their twin debt both to Lucien Febvre, the initiator of research into the history of the book,1 and to Jean-Pierre Vivet, a journalist turned director of Promodis Publishing, who had expressed his desire to “see [the publisher] placed at the center of these four volumes,” which he had entrusted to them.2 This outspoken directive implied that the figure of the publisher long predated the invention of printing, and that he had been performing the role of broker or mediator without interruption from the thirteenth up to the twentieth century, as is the case today. The two editors were very well aware that sustaining such a notion could prove risky, and so they added this further comment, which partly contradicted what had gone before: The story we would like to tell is one in which the role of the publisher was gradually asserted and became more clearly defined; he was bold in the age of the conquering 1 Lucien Febvre and Henri-Jean Martin, L’apparition du livre (Paris: Albin Michel, 1958), translated into English as The Coming of the Book: The Impact of Printing, 1450-1800 (London: Verso, 1976). -
The Oldest Independent Publisher in the English Speaking World
the Oldest Independent Publisher in the English Speaking World The oldest publishers in the English speaking world are: Witherbys 1740 London Witherbys is the oldest independent publisher in the English speaking world still operating under the name of its founder. Witherbys started as a stationer in the City of London, 6 years after Lloyd’s List, the oldest daily newspaper in the world, was first published in 1734. From the outset, Witherbys published and sold marine insurance clauses for the carriage of cargo by ship, which have been issued at approximately 4 yearly intervals since that time. The 77th Edition is to be published in 2013. Since 2008, Witherbys has been based in Edinburgh. John Murray 1768 London In 2002, John Murray was sold to Hodder Headline, part of the W H Smith group, and in 2004 Hodder Headline was bought by Hachette Livre. Schroedel 1792 20th Century Now part of the Westermann printing and publishing group Constable & Co. 1795 Edinburgh Became ‘Constable & Robinson Ltd.’ in 1999, now based in London. John Wiley & Sons 1807 New York Butterworths 1818 London Butterworths was acquired by Reed Elsevier Plc in 1970 Chambers 1819 Edinburgh Chambers was purchased by Harrap’s in the early 1990s and is now part of The Hachette Book Group. Pickering (& Chatto) 1820 London Became ‘Pickering & Chatto’ in 1878 Hachette Livre 1826 France Hachette Book Group was created when Hachette Livre, a global publishing company based in France, acquired Time Warner Book Group from Time Warner in 2006. In 1902 Houghton Mifflin 1832 USA In 2007 Houghton Mifflin Company acquired Harcourt Education, which was founded in 1919. -
Reference Document Including the Annual Financial Report
REFERENCE DOCUMENT INCLUDING THE ANNUAL FINANCIAL REPORT 2012 PROFILE LAGARDÈRE, A WORLD-CLASS PURE-PLAY MEDIA GROUP LED BY ARNAUD LAGARDÈRE, OPERATES IN AROUND 30 COUNTRIES AND IS STRUCTURED AROUND FOUR DISTINCT, COMPLEMENTARY DIVISIONS: • Lagardère Publishing: Book and e-Publishing; • Lagardère Active: Press, Audiovisual (Radio, Television, Audiovisual Production), Digital and Advertising Sales Brokerage; • Lagardère Services: Travel Retail and Distribution; • Lagardère Unlimited: Sport Industry and Entertainment. EXE LOGO L'Identité / Le Logo Les cotes indiquées sont données à titre indicatif et devront être vérifiées par les entrepreneurs. Ceux-ci devront soumettre leurs dessins Echelle: d’éxécution pour approbation avant réalisation. L’étude technique des travaux concernant les éléments porteurs concourant la stabilité ou la solidité du bâtiment et tous autres éléments qui leur sont intégrés ou forment corps avec eux, devra être vérifié par un bureau d’étude qualifié. Agence d'architecture intérieure LAGARDERE - Concept C5 - O’CLOCK Optimisation Les entrepreneurs devront s’engager à executer les travaux selon les règles de l’art et dans le respect des règlementations en vigueur. Ce 15, rue Colbert 78000 Versailles Date : 13 01 2010 dessin est la propriété de : VERSIONS - 15, rue Colbert - 78000 Versailles. Ne peut être reproduit sans autorisation. tél : 01 30 97 03 03 fax : 01 30 97 03 00 e.mail : [email protected] PANTONE 382C PANTONE PANTONE 382C PANTONE Informer, Rassurer, Partager PROCESS BLACK C PROCESS BLACK C Les cotes indiquées sont données à titre indicatif et devront être vérifiées par les entrepreneurs. Ceux-ci devront soumettre leurs dessins d’éxécution pour approbation avant réalisation. L’étude technique des travaux concernant les éléments porteurs concourant la stabilité ou la Echelle: Agence d'architecture intérieure solidité du bâtiment et tous autres éléments qui leur sont intégrés ou forment corps avec eux, devra être vérifié par un bureau d’étude qualifié. -
BC2019-Printproginccovers-High.Pdf
CONTENTS Welcome with Acknowledgements 1 Talk Abstracts (Alphabetically by Presenter) 3 Programme (Friday) 32–36 Programme (Saturday) 37–41 Programme (Sunday) 42–46 Installations 47–52 Film Festival 53–59 Entertainment 67–68 Workshops 69–77 Visionary Art 78 Invited Speaker & Committee Biographies 79–91 University Map 93 Area Map 94 King William Court – Ground Floor Map 95 King William Court – Third Floor Map 96 Dreadnought Building Map (Telesterion, Underworld, Etc.) 97 The Team 99 Safer Spaces Policy 101 General Information 107 BREAK TIMES - ALL DAYS 11:00 – 11:30 Break 13:00 – 14:30 Lunch 16:30 – 17:00 Break WELCOME & ACKNOWLEDGEMENTS WELCOME & ACKNOWLEDGEMENTS for curating the visionary art exhibition, you bring that extra special element to BC. Ashleigh Murphy-Beiner & Ali Beiner for your hard work, in your already busy lives, as our sponsorship team, which gives us more financial freedom to put on such a unique event. Paul Callahan for curating the Psychedelic Cinema, a fantastic line up this year, and thanks to Sam Oliver for stepping in last minute to help with this, great work! Andy Millns for stepping up in programming our installations, thank you! Darren Springer for your contribution to the academic programme, your perspective always brings new light. Andy Roberts for your help with merchandising, and your enlightening presence. Julian Vayne, another enlightening and uplifting presence, thank you for your contribution! To Rob Dickins for producing the 8 circuit booklet for the welcome packs, and organising the book stall, your expertise is always valuable. To Maria Papaspyrou for bringing the sacred feminine and TRIPPth. -
Editeur Diffuseur Gestionnaire
EDITEUR DIFFUSEUR GESTIONNAIRE REPRESENTANT CHEFS DE PRODUIT VERLAG VERTRIEB SACHBEARBEITER VERTRETER PRODUKTVERANTWORTLICHER PUBLISHER DISTRIBUTOR ADMINISTRATOR SALES REPRESENTATIVE HEAD OF PRODUCT 1 2 3 EDITIONS INTERFORUM EDITIS AUDE BORNET CHARLES-HENRI DE VAULCHIER 1 2 3 SOLEIL HEIDIFFUSION DEBORAH RACCANELLO LUC FEUGERE 1 MORE CHAPTER OLF ENGLISH BOOKS SOPHIE MONOD CH. KAECH - I. MORALES 10 X 18 INTERFORUM EDITIS ELEONORE GRAF CARINE DARBELLAY 2 ROADS OLF ENGLISH BOOKS SOPHIE MONOD CH. KAECH - I. MORALES 2 SALAMANDRES -LES- FLAMMARION AUDE BORNET JEAN-MARC BRUTTIN 2 TERRES -LES- DIFFULIVRE ANAIS DESCLOUX ALODIE AUDERSET YANNICK PAGE 2HOOT OLF ENGLISH BOOKS SOPHIE MONOD CH. KAECH - I. MORALES 2ME EPOQUE CINQ FRONTIERES DEBORAH RACCANELLO MARC COSTA 3 COLONNES DIFFULIVRE ANAIS DESCLOUX PIERRE-ANDRE PASQUIER YANNICK PAGE 3 FONTAINES OLF DIFFUSION MARTINE NICOLET FLORENCE BOURDIN 38 EDITIONS DU DIFFULIVRE ANAIS DESCLOUX PIERRE-ANDRE PASQUIER YANNICK PAGE 4 FLEUVES DIFFULIVRE LUDIVINE BOSCHUNG ISMAEL VAN TRAPPEN LAURENT JOBET 4 TRAINER DILISCO AUDE BORNET AMERICO MATTIA 404 EDITIONS INTERFORUM EDITIS ELEONORE GRAF JEAN-MARC DASSIO 5 CONTINENTS OLF ENGLISH BOOKS EMILIE BRUEGGER CH. KAECH - I. MORALES 5 SPOT OLF ENGLISH BOOKS SOPHIE MONOD CH. KAECH - I. MORALES 84 EDITIONS FLAMMARION ELEONORE GRAF JEAN-MARC BRUTTIN A DOS D ANE DILISCO DILISCO AUDE BORNET AMERICO MATTIA AA PUBLISHING OLF ENGLISH BOOKS SOPHIE MONOD CH. KAECH - I. MORALES AB LUDIS HEIDIFFUSION DEBORAH RACCANELLO LUC FEUGERE ABACUS OLF ENGLISH BOOKS SOPHIE MONOD CH. KAECH - I. MORALES ABC CLIO PRES OLF ENGLISH BOOKS EMILIE BRUEGGER CH. KAECH - I. MORALES ABC MELODY HEIDIFFUSION DEBORAH RACCANELLO LUC FEUGERE ABIGAIL SERAN ZOE MARTINE DAFFLON MANUELLA MOUNIR ABRAMS INC OLF ENGLISH BOOKS SOPHIE MONOD CH. -
Las Drogas En Las Series a Través De La Postproducción”
UNIVERSIDAD POLITÈCNICA DE VALÈNCIA ESCUELA POLITÈCNICA SUPERIOR DE GANDIA Máster en Postproducción Digital “LAS DROGAS EN LAS SERIES A TRAVÉS DE LA POSTPRODUCCIÓN” TRABAJO FINAL DE MÁSTER Autora: Clara Lozano Evangelio Tutor: Héctor Julio Pérez GANDIA, Septiembre de 2017 1 ÍNDICE RESUMEN. ..................................................................................................................... 3 ABSTRACT ..................................................................................................................... 3 1. Introducción. ............................................................................................................... 3 1.1. Justificación e interés del tema. ........................................................................... 4 1.2. Objetivos. ............................................................................................................. 4 1.3. Hipótesis de la investigación. ............................................................................... 5 1.4. Estructura de la investigación. ............................................................................. 5 2. Contextualización. ...................................................................................................... 6 2.1. Evolución del concepto postproducción. .............................................................. 6 2.2. Evolución de las drogas en el audiovisual. .......................................................... 8 3. Montaje, ritmo y efectos. ............................................................................................ -
HUK+Adult+FW1920+Catalogue+-+
Saving You By (author) Charlotte Nash Sep 17, 2019 | Paperback $24.99 | Three escaped pensioners. One single mother. A road trip to rescue her son. The new emotionally compelling page-turner by Australia's Charlotte Nash In their tiny pale green cottage under the trees, Mallory Cook and her five-year- old son, Harry, are a little family unit who weather the storms of life together. Money is tight after Harry's father, Duncan, abandoned them to expand his business in New York. So when Duncan fails to return Harry after a visit, Mallory boards a plane to bring her son home any way she can. During the journey, a chance encounter with three retirees on the run from their care home leads Mallory on an unlikely group road trip across the United States. 9780733636479 Zadie, Ernie and Jock each have their own reasons for making the journey and English along the way the four of them will learn the lengths they will travel to save each other - and themselves. 384 pages Saving You is the beautiful, emotionally compelling page-turner by Charlotte Nash, bestselling Australian author of The Horseman and The Paris Wedding. Subject If you love the stories of Jojo Moyes and Fiona McCallum you will devour this FICTION / Family Life / General book. 'I was enthralled... Nash's skilled storytelling will keep you turning pages until Distributor the very end.' FLEUR McDONALD Hachette Book Group Contributor Bio Charlotte Nash is the bestselling author of six novels, including four set in country Australia, and The Paris Wedding, which has been sold in eight countries and translated into multiple languages. -
Report by Show Title
2017 DGA Episodic Director Diversity Report (by SHOW TITLE) Combined # Episodes # Episodes # Episodes # Episodes Combined TotAl # of FemAle + Directed by Male Directed by Male Directed by FemAle Directed by FemAle Male FemAle Title FemAle + Studio Network Episodes Minority Male CaucasiAn % Male Minority % FemAle CaucasiAn % FemAle Minority % Unknown Unknown Minority % Episodes CaucasiAn Minority CaucasiAn Minority 100, The 12 4 33% 8 67% 2 17% 2 17% 0 0% 0 0 Warner Bros Companies CW 12 Monkeys 8 6 75% 2 25% 5 63% 1 13% 0 0% 0 0 NBC Universal Syfy 13 Reasons Why 13 11 85% 2 15% 7 54% 2 15% 2 15% 0 0 Paramount Pictures Corporation Netflix 24: Legacy 11 2 18% 9 82% 0 0% 2 18% 0 0% 0 0 Twentieth Century Fox FOX A.P.B. 11 4 36% 7 64% 2 18% 1 9% 1 9% 0 0 Twentieth Century Fox FOX Affair, The 10 1 10% 9 90% 0 0% 1 10% 0 0% 0 0 Showtime Pictures Development Showtime Company Altered Carbon 10 3 30% 7 70% 1 10% 2 20% 0 0% 0 0 Skydance Pictures, LLC Netflix American Crime 8 6 75% 2 25% 0 0% 2 25% 4 50% 0 0 Disney/ABC Companies ABC American Gods 9 2 22% 7 78% 1 11% 1 11% 0 0% 0 0 Fremantle Productions, Inc. Starz! American Gothic 13 7 54% 6 46% 3 23% 2 15% 2 15% 0 0 CBS Companies CBS American Horror Story 10 8 80% 2 20% 2 20% 5 50% 1 10% 0 0 Twentieth Century Fox FX American Housewife 22 8 36% 13 59% 2 9% 5 23% 1 5% 1 0 Disney/ABC Companies ABC Americans, The 13 6 46% 7 54% 2 15% 3 23% 1 8% 0 0 Twentieth Century Fox FX Andi Mack 13 3 23% 10 77% 2 15% 0 0% 0 0% 0 1 Disney/ABC Companies Disney Channel Angie Tribeca 10 3 30% 7 70% 1 10% 1 10% 1 10% 0 0 Turner Films, Inc.