Ankles Shook at Milege Concert
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Code-Switching in Contemporary Nigerian Hip
University of Ghana http://ugspace.ug.edu.gh CODE-SWITCHING IN CONTEMPORARY NIGERIAN HIP HOP SONGS BY KUPONIYI ADERIYIKE OREOLUWA (10361991) THIS DISSERTATION IS SUBMITTED TO THE UNIVERSITY OF GHANA, LEGON, IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE AWARD OF M.A ENGLISH DEGREE. JULY 2013 University of Ghana http://ugspace.ug.edu.gh DECLARATION I, Kuponiyi Aderiyike Oreoluwa, do hereby declare that apart from the acknowledged references cited, this work is the result of my own research. It has neither been partly nor wholly submitted for the award of another degree elsewhere. CANDIDATE ……………………………… DATE………………………… KUPONIYI, ADERIYIKE OREOLUWA SUPERVISOR……………………………. DATE…………………………... PROFESSOR A.B.K. DADZIE SUPERVISOR……………………………... DATE……………………………. PROFESSOR KARI DAKO i University of Ghana http://ugspace.ug.edu.gh DEDICATION This work is dedicated to my late Mother, Mrs Olajide Ilori-Kuponiyi. ii University of Ghana http://ugspace.ug.edu.gh ACKNOWLEDGEMENTS I give all the glory to God Almighty. My sincere gratitude goes to my father, Professor F.A. Kuponiyi for his total and unwavering support. Thank you to all my siblings, for their love, support and prayers. Special appreciations go to my supervisor, Professor A. B. K Dadzie for his help, advice and guidance and also to Professor Kari Dako. Again I say thank you to Mr Kenneth Igiri for his prompt response each time I call on him for help and for making my first few months in Ghana comfortable and remarkable. Also I thank everyone that has in one way or the other contributed to the achievement of this work. God bless you all. iii University of Ghana http://ugspace.ug.edu.gh ABSTRACT Most Nigerian hip hop artistes use a combination of English and one or more local language(s) in writing the lyrics of their songs. -
Afp-Services Selected to Provide Coverage of The
10.21.2016 AFP -SERVICES SELECTED TO PROVIDE COVERAGE OF THE MTV AFRICA MUSIC AWARDS AFP-SERVICES IS PROUD TO HAVE BEEN SELECTED AS THE EXCLUSIVE PHOTO PROVIDER FOR COVERAGE OF THE MTV AFRICA MUSIC AWARDS JOHANNESBURG 2016 AS WELL AS THE PROVIDER FOR VIDEO HIGHLIGHTS FOR THE INTERNATIONAL BROADCAST MARKET. The MTV Africa Music Awards (MAMA), Africa’s biggest celebration of contemporary music, culture and achievement, kicks off at the Ticketpro Dome, Johannesburg, South Africa on 22 October 2016. The annual awards show, now in its sixth edition, is taking place in the city of Johannesburg for the first time ever. The MAMA, as it is affectionately known, highlights the “gold standard” in contemporary music, creativity and achievement across the continent. The MAMA will air live on MTV and MTV Base across Africa at 21:00 CAT on 22 October. Lighting up the MAMA stage on 22 October will be African stars Davido (Nigeria), C4 Pedro (Angola), Sauti Sol (Kenya), Diamond (Tanzania), Emtee (South Africa), Kwesta (South Africa), Patoranking (Nigeria); Alikiba (Tanzania), Babes Wodumo (South Africa), Cassper Nyovest (South Africa), Nasty C(South Africa), Ycee (Nigeria) and Yemi Alade (Nigeria), while US hip hop star Future (nominee for Best International) will also be on site. Many more African artists remain to be announced. The definitive annual celebration of African and international talent and achievement, MAMA 2016 recognises and rewards musicians and achievers in 18 categories who have made the most impact on African contemporary music and culture over the previous year. The ceremony will feature stunning performances from African and international artists along with the show’s signature cross-genre and cross-border collaborations. -
D Banj King Don Come Album Zip Download D Banj King Don Come Album Zip Download
d banj king don come album zip download D banj king don come album zip download. DB Records boss D’Banj has finally unveiled his much anticipated album “King Don Come“. The 10-track album features acts like Wande Coal, Harrysong, Gucci Mane, Phyno, Kayswitch, Bucie & Busiswa as well as two previously released bonus tracks; “Emergency” and “Oliver Twist“. 1: Its Not A Lie (ft Wande Coal, Harrysong) 2: Be With You 3: Te Neceseto 4: El Chapo (ft Gucci Mane, Wande Coal) 5: As I Dey Go – DOWNLOAD 6: Turn Down For What – DOWNLOAD 7: Egweji (ft Phyno) – DOWNLOAD 8: Thats What I Mean (ft KaySwitch) – DOWNLOAD 9: Ntswempu (ft Bucie, Busiswa) – DOWNLOAD 10: Emergency – DOWNLOAD 11: Oliver Twist – DOWNLOAD 12: Shoulda – DOWNLOAD. D banj king don come album zip download. DOWNLOAD King Don Come Album by D’Banj for free mp3 and zip itunes download. Nigerian-born D’Banj has been riding high ever since the success of his playful 2012 summer smash “Oliver Twist”—which also features on this 12-track album, King Don Come. The singer/songwriter, entrepreneur and TV host delivers fresh hits our way too, harmonising with Afrobeats heavyweights Wande Coal and Harrysong on the irresistibly twitchy album opener “It’s Not a Lie”. Gucci Mane lends swagger to the driving, determined “El Chapo”, while the syncopated beats of “Emergency” permeate the track with an energised, contemporary feel. Switching things up, D’Banj also explores his softer side on the floor filler “Be With You”. Wondering y dis track is not on d album. -
Davido-Bio-November-2019.Pdf
DAVIDO Nearing the close of 2019, it’s hard for many to say they haven’t heard the name Davido, born David Adedeji Adeleke. The year marks another fete of huge achievements, from opening the year with a sold out date at London’s O2 Arena – making him the first solo African artist to do this – to creating mass hysteria across America with his 2018 single “Fall” which has gone on to have the longest run of an Afrobeats single on the Billboard charts, and saw it peak across Shazam as one of the most searched songs in the United States, and now gears up to release his second album A Good Time, all before a circuit of Christmas shows across Africa. If anything has framed where Davido currently is, it would his “childhood.” The youngest of five, growing up with his parents in Lagos, Nigeria, he was “exposed” to the world. Across summer breaks he would travel to visit his siblings in London and Atlanta, the latter being home to some of the artists that he today he can call his good friends – YoungThug, Gunna, Lil Baby – and the home to some of his favorite rappers growing up – Ludacris, Nelly – the sounds of noughties Hip Hop that he “loved.” It was most likely these trips that would drive a love for music that reflected global ambition. This exposure to the world, would in turn give Davido the opportunity to share with his University of Alabama friends music from Nigeria, that he knew if “given a chance” would go global. -
Foregrounding Female Agency in the Dance Culture of Nigeria
WHAT I DO WHEN I DANCE: FOREGROUNDING FEMALE AGENCY IN THE DANCE CULTURE OF NIGERIA Oladoyin Abiona A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2021 Committee: Angela Nelson, Advisor Jeremy Wallach Rahdika Gajjala © 2021 Oladoyin Abiona All Rights Reserved iii ABSTRACT Angela Nelson, Advisor Scholarship on female representations in hip hop has been predominantly premised on the sexualization of the female body. By focusing mainly on this singular aspect of the genre, we reduce the whole essence of womanhood in the industry to such interpretations. The limited scope of such discussions deprives the women of opportunities to tell their own stories of what they do when they dance. Seeing the cultural significance of dance as a form of popular culture in the Nigerian context, this essay, from a feminist perspective, closes this gap by engaging in a qualitative exploration of the lives of three female dancers in Nigeria telling their stories through dance. They are Kaffayat Oluwatoyin Shafau (Kaffy), Odumewu Debbie (Debbiepinkie), and Usiwo Orezinena Jane (Janemena). Exploring their social media archives, interviews granted to TV stations and a published autobiography “Alajoota” by Kaffy, this essay contextualizes and complicates the interpretations of sexualization in the Nigerian hip hop dance industry. Through dance Nigerian women performers are able to negotiate the heavily male-dominated hip hop scene. For them, dance is a coping strategy, a profession, a space for redefining self and embracing sexuality and femininity, and a form of youthful identity and inclusion. -
Universal & Eriartista 2012 Sawa Festival Artists
SAWA 2012 Universal & EriArtista Sounds Yared Tesfay Universal & Eriartista Sounds SAWA 2012 Universal & EriArtista Sounds SAWA 2012 Sawa Festival 2012 As preparations for the grand 5th Sawa Festival celebrations get underway, it comes as no surprise that music will take center stage. Eritrea‟s history is a story shared in the music of Eritrea past and new. During struggle for independence, music and drama was used for education and mobilization and it was a means of expressing the hopes, pains and suffering of the people of Eritrea. After Independence, music played a vital role in mobilizing support for the rehabilitation and development of Eritrea. Once again, Eritreans continue to rely on their own ingenuity and resources to rebuild their country from scratch and they have made remarkable progress, unparalleled in all of post independence Africa. At this historic juncture, musicians and artists from all over the world will converge on Sawa to participate in the historical 5th Sawa Youth Festival. There will groups such as FULANI Afro Band from Guinea, 2009 MTV Africa Award winner AMANI from Kenya, East African Superstar, JACKIE CHANDIRU from Uganda, South Africa German based singer LEBOGANG MASEMOLA, one of west Africa best Kora‟s LAMINE SESSU from Senegal and MISS JOJO from Rwanda. Amongst the many productions that will be on display in Eritrea this year will be a musical collaboration by Eritrea‟s artists such as America Got Talent semi finalist ERIAM SISTERS from Seattle USA, NJOY from Sweden and many more. This production which will depict Eritrea‟s illustrious history and post independence success and showcase the talents and diversity of African‟s artists, as well as Eritrea‟s music. -
Keeping in Touch June 2013 Edition Contents
NEWSLETTER Keeping in touch June 2013 Edition Contents IN THE CHAIrman’s Words 3 Flying to new heights 3 COUNTRY NEWS 4 Amila gets children painting and the creative juices flowing 4 Loya Milk welcomes Don Jazzy as its brand ambassador in Nigeria 4 Promasidor Nigeria takes its Business Process Management System (BPMS) live 5 Promasidor Nigeria receives ISO/SON certification 5 Promasidor pledges continuous sponsorship of sporting activities in Nigeria 6 Promasidor Ghana strengthens bonds with its customers 6 Promasidor Kenya enlists cyclist David Kinjah as spokesperson for the Sossi brand 7 BITS AND PIECES 7 Conservation Fisherman Andy Taylor 7 THE LAUNCH PAD 8 Loya is reborn in Ghana as premium Hi-Cal 8 The newest Twisco family member: Twisco Choco-Banana 8 Promasidor Nigeria launches the Loya “It’s What’s Inside That Matters” consumer promo 9 MILESTONES 10 Promasidor Nigeria rewards over 400 employees for long service 10 NEWSLETTER Ten years Promasidor Algeria: ten years of partnership! 11 Feel free to click on the above titles to jump to the relevant article. continues to establish its number one brand positioning in Algeria with the launch of its latest banana chocolate flavour. And welcome to David Kinja The competition is there as the official spokesperson for Sossi. David’s achievements in cycling are and often copying us, but In the Chairman’s Words legendary and with the tremendous global growth in this sport, which to persist and Boko Haram remains global shortage of milk powder supply epitomises health and fitness, the I believe you will be the FLYING TO NEW HEIGHTS a major threat to national security. -
Africa's Soft Power : Philosophies, Political Values, Foreign Policies and Cultural Exports / Oluwaseun Tella
“This seven-chapter book is a powerful testimonial to consummate African scholarship. Its analysis is rigorous, insightful, lucid and authoritative, providing fresh perspectives on selected uniquely African philosophies, and the potential ities, deployment and limitations of soft power in Africa’s international relations. The author rigorously Africanises the concept, broadening its analytic scope from its biased Western methodology, thus brilliantly fulfilling that great African pro verb made famous by the inimitable Chinua Achebe: ‘that until the lions have their own historians, the history of the hunt will always glorify the hunter’. This is truly an intellectual tour de force.” W. Alade Fawole, Professor of International Relations, Obafemi Awolowo University, Ile-Ife, Nigeria. “This book addresses an important tool in the arsenal of foreign policy from an African perspective. African states have significant soft power capacities, although soft power is not always appreciated as a lever of influence, or fully integrated into countries’ foreign policy strategies. Tella takes Nye’s original concept and Africanises it, discussing Egypt, Kenya, Nigeria and South Africa via their respective philosophies of Pharaonism, Harambee, Omolúwàbí and Ubuntu. This study is a critical contribution to the literature on African foreign policies and how to use soft power to greater effect in building African agency on the global stage.” Elizabeth Sidiropoulos, Chief Executive, South African Institute of International Affairs, Johannesburg, South Africa. “Soft power is seldom associated with African states, given decades bedevilled by coup d’états, brazen dictatorships and misrule. This ground-breaking book is certainly a tour de force in conceptualising soft power in the African context. -
World Economic Forum on Africa
World Economic Forum on Africa List of Participants As of 7 April 2014 Cape Town, South Africa, 8-10 May 2013 Jon Aarons Senior Managing Director FTI Consulting United Kingdom Muhammad Programme Manager Center for Democracy and Egypt Abdelrehem Social Peace Studies Khalid Abdulla Chief Executive Officer Sekunjalo Investments Ltd South Africa Asanga Executive Director Lakshman Kadirgamar Sri Lanka Abeyagoonasekera Institute for International Relations and Strategic Studies Mahmoud Aboud Capacity Development Coordinator, Frontline Maternal and Child Health Empowerment Project, Japan International Cooperation Agency (JICA), Sudan Fatima Haram Acyl Commissioner for Trade and Industry, African Union, Addis Ababa Jean-Paul Adam Minister of Foreign Affairs of the Seychelles Tawia Esi Director, Ghana Legal Affairs Newmont Ghana Gold Ltd Ghana Addo-Ashong Adekeye Adebajo Executive Director The Centre for Conflict South Africa Resolution Akinwumi Ayodeji Minister of Agriculture and Rural Adesina Development of Nigeria Tosin Adewuyi Managing Director and Senior Country JPMorgan Nigeria Officer, Nigeria Olufemi Adeyemo Group Chief Financial Officer Oando Plc Nigeria Olusegun Aganga Minister of Industry, Trade and Investment of Nigeria Vikram Agarwal Vice-President, Procurement Unilever Singapore Anant Agarwal President edX USA Pascal K. Agboyibor Managing Partner Orrick Herrington & Sutcliffe France Aigboje Managing Director Access Bank Plc Nigeria Aig-Imoukhuede Wadia Ait Hamza Manager, Public Affairs Rabat School of Governance Morocco & Economics -
Parlotones Are Potentially
Put simply, The Parlotones are potentially South Africa’s biggest selling pop/rock act ever with 700,000+ albums sales worldwide. All the more impressive when you consider this has been achieved via independent record labels in just a few key markets. Double Platinum, Platinum and Gold Records saturate the band’s discography. Their live story is even more humbling having played live to over The single ‘Beautiful’ was used in a 2 million people in their career to date. FujiFilmTV ad in Ireland, which exposed Add to that the 1 Billion people that ‘RadioControlledRobot’ was released the band to their first International watched the band on TV as they opened under the Sovereign Entertainment label audience and secured them a worldwide the 2010 FIFA soccer World Cup, and in 2005 and spawned the hits ‘Here licensing deal with the International you get a sense of this band’s success Comes The Man’, ‘Colourful,’ division of Universal Music, covering the so far. ‘Dragonflies & Astronauts’, ‘Beautiful’ territories of Ireland, the UK, France, and ‘Overexposed’. The music video for Japan, Germany and Holland. A 12-track When The Parlotones first met in 1998 in ‘Overexposed’ won 2 Awards for Best version of the album was released Johannesburg, little did they know that Video and Best Animation at the 2009 internationally in 2007, making it the first they would go on to write one of the MK (TV) Awards. international album released by the band. greatest Rock ‘n Roll stories South Africa ‘RadioControlledRobot’ is now an had ever seen. Their hard working, ‘RadioControlledRobot’ showcased The humble attitude, dedication and Parlotones as top songwriters in their incredible 2 x Platinum. -
A Transnational Feminist Perspective of US Health Coloniality
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2019 Dominating the Disease: A Transnational Feminist Perspective of U.S. Health Coloniality Jessica Ann Johnson University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Critical and Cultural Studies Commons Recommended Citation Johnson, Jessica Ann, "Dominating the Disease: A Transnational Feminist Perspective of U.S. Health Coloniality" (2019). Electronic Theses and Dissertations. 1586. https://digitalcommons.du.edu/etd/1586 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. Dominating the Disease: A Transnational Feminist Perspective of U.S. Health Coloniality __________ A Dissertation Presented to the Faculty of Social Sciences University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________ by Jessica A. Johnson June 2019 Advisor: Dr. Bernadette Calafell, PhD ©Copyright by Jessica A. Johnson 2019 All Rights Reserved Author: Jessica A. Johnson Title: Dominating the Disease: A Transnational Feminist Perspective of U.S. Health Coloniality Advisor: Dr. Bernadette Calafell, PhD Degree Date: June 2019 Abstract HIV has been a pandemic since the 1980s with 70 million people infected since the beginning, about 35 million people have died of complications resulting from HIV, and an estimated 36.9 million people living with HIV in 2017 (WHO, “HIV and AIDS”). -
Mainstream Or Marginal?
Mainstream or marginal? A study of the musical practices of three African immigrant performers in Norway Tormod Wallem Anundsen Dissertation for the degree of Philosophiae Doctor (Ph.D.) Faculty of Humanities Department of Musicology University of Oslo 2014 © Tormod Wallem Anundsen, 2014 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission. Printed in Norway: 07 Media AS, Oslo, 2014 CONTENTS Contents ...................................................................................................... i Acknowledgements ............................................................................... ix Chapter 1: Constructing the field ..................................................... 1 Purpose and implications ........................................................................... 1 Perspectives .................................................................................................... 2 Three combinations of ‘world’ and ‘music’ ........................................... 2 Searching for the ‘diverse’ .................................................................................... 3 Discourses of difference or sameness ............................................................. 8 From observation to research design ............................................................. 9 Theoretical sampling of research participants ................................ 10 Research participants selected ......................................................................