DOCSLIB.ORG

An International Conference on Concrete Architecture 14—16.4.2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
An International Conference on Concrete Architecture 14—16.4.2019 AZRIELI SCHOOL OF ARCHITECTURE AZRIELI ARCHITECTURAL ARCHIVE DEPARTMENT OF THE ARTS RESEARCH WORKSHOP YOLANDA AND DAVID KATZ FACULTY OF THE ARTS TEL AVIV MUSEUM OF ART FACULTY OF HUMANITIES AND SOCIAL SCIENCE OF THE ISRAEL SCIENCE TEL AVIV UNIVERSITY BEN-GURION UNIVERSITY FOUNDATION AN INTERNATIONAL CONFERENCE ON CONCRETE ARCHITECTURE 14—16.4.2019 DAY 1 DAY 2 DAY 3 SUNDAY, 14 APRIL, 2019 MONDAY, 15 APRIL, 2019 TUESDAY, 16 APRIL, 2019 TEL AVIV UNIVERSITY SITES IN BEERSHEBA TEL AVIV’S CENTRAL BUS STATION MEXICO BUILDING, ROOM 206C AND BEN-GURION UNIVERSITY OF THE NEGEV, BEERSHEBA, AND TEL AVIV MUSEUM OF ART ROTEM HALL, ZLOTOWSKI STUDENT ADMINISTRATION BUILDING AZRIELI ARCHITECTURAL ARCHIVE 1:30 PM 10:00 AM-12:00 PM 09:00-11:00 AM GREETINGS SITES IN BEERSHEBA TEL AVIV’S CENTRAL BUS STATION DR. ARCHITECT EFRAT BLUMENFELD-LIEBERTHAL, Head of the Azrieli School of Architecture, PLENARY SESSION 2 PLENARY SESSION 3 Tel Aviv University BRUTALISM ONSITE: STUDYING BEERSHEBA’S BRUTALISM ONSITE: STUDYING TEL AVIV’S CENTRAL BUS STATION PROF. ARCHITECT ERAN NEUMAN, Azrieli School of BRUTALIST ARCHITECTURE Architecture, Tel Aviv University and Director of the Azrieli 11:30 AM Architectural Archive, Tel Aviv Museum of Art 02:00 PM TEL AVIV MUSEUM OF ART BEN-GURION UNIVERSITY OF THE NEGEV, BEERSHEBA, AZRIELI ARCHITECTURAL ARCHIVE 1:45-2:00 PM ROTEM HALL, ZLOTOWSKI STUDENT ADMINISTRATION BUILDING GREETINGS GREETINGS MR. DORON RABINA, Chief Curator, Tel Aviv Museum of Art PLENARY SESSION 1 DR. SARA OFFENBERG, Department of Arts, Faculty of the THE BRUTALIST TURN – WELCOMING REMARKS Humanities and Social Sciences, Ben-Gurion University of 11:30-1:30 PM PROF. ARCHITECT ERAN NEUMAN, Conference Chair the Negev, Beersheba SESSION 5 2:00-4:00 PM 2:00-04:00 PM BRUTALISM, IDENTITY AND MEMORY Session Chair: ARCHITECT YONNI AVIDAN, the Azrieli SESSION 1 SESSION 3 Architectural Archive, Tel Aviv Museum of Art THE BRUTALIST DISCOURSE BRUTALISM MIGRATES Session Chair: ARCHITECT GILI SHAPIRA, the Azrieli Session Chair: PROF. NURIT ALFASI, The Department of PROF. ARCHITECT ALONA NITZAN-SHIFTAN, Technion – Israel Architectural Archive, Tel Aviv Museum of Art Geography and Environmental Development, Ben-Gurion Institute of Technology University of the Negev, Beersheba TEL AVIV MUSEUM: THE ISRAELI MONUMENTALITY OF PROF. LAURENT STALDER, GTA, ETH Zurich THE EVERYDAY BEHIND THE IMAGE DR. INBAL BEN-ASHER GITLER, Sapir Academic College, Sderot, Ben-Gurion University of the Negev, Beersheba DR. ARCHITECT FATINA ABREEK-ZUBIEDAT, Technion – Israel PROF. VLADIMIR KULIC, Iowa State University RAM KARMI’S ASSIMILATION OF BRITISH NEW BRUTALISM FOR Institute of Technology BRUTALISM AND SOPHISTICATION: THE ELASTICITY OF CONCRETE BUILDING THE NEGEV CENTER, 1960–1963 CASTING CONCRETE AND DEFINING URBAN CITIZENSHIP IN IN 1960S BELGRADE GAZA CITY: THE RASHAD SHAWA CULTURAL CENTER AND SHEIKH DR. ARCHITECT EREZ GOLANI SOLOMON, Keio University, Tokyo, RADWAN NEIGHBORHOOD AS A CASE STUDY, 1967–1982 MR. OLIVER ELSER, Deutsches Architekturmuseum, Bezalel Art Academy, Jerusalem Frankfurt THE MIGRATION TO AND EARLY NATURALIZATION OF BRUTALIST LANDSCAPE ARCHITECT EFRAT HILDESHEIM, Azrieli School of 1966: MONSTERS WITHOUT THEORY ARCHITECTURE IN JAPAN Architecture, Tel Aviv University LANDSCAPE, SPACE AND WHITEWASHED BÉTON: HABIK’A WAR 4:00-4:30 PM MS. ANNA KATS, Museum of Modern Art, NYC MEMORIAL AT THE BORDEROADSCAPE OF ROAD NO.90 COFFEE BREAK BRUTALISM IN-BETWEEN: SVETLANA KANA RADEVIĆ IN AND OUT OF YUGOSLAV CONTEXT 1:30-3:00 PM 4:30-6:30 PM LUNCH BREAK 04:00-04:30 PM SESSION 2 COFFEE BREAK 3:00-5:00 PM THE SOCIAL ETHICS OF BRUTALISM Session Chair: DR. ARCHITECT TALIA MARGALIT, 04:30-06:30 PM SESSION 6 Azrieli School of Architecture, Tel Aviv University THE MEDIUM OF BRUTALISM SESSION 4 Session Chair: MS. MEIRA YAGID-HAIMOVICH, PROF. ARCHITECT DIRK VAN DEN HEUVEL, TU Delft and BRUTALISM BEYOND FORM Tel Aviv Museum of Art Het Nieuwe Instituut, Rotterdam Session Chair: MS. ADI ENGLMAN, Marcel Art Projects BRUTALISM AND THE WELFARE STATE: HISTORIES OF DR. NISSIM GAL, Department of Art History, DISPLACEMENT 1952-2017 DR. ARCHITECT DUFFY E. HALF, University of Pennsylvania University of Haifa A NEW MATERIALITY IN PRAISE OF THE ORDINARY: CONCRETE SCULPTURE: BETWEEN BRUTALIST ETHICS DR. ARCHITECT ROY KOZLOVSKY, Azrieli School PALESTINE-ISRAEL, 1940-1966 AND AESTHETICS of Architecture, Tel Aviv University BRUTALISM FOR CHILDREN PROF. ARCHITECT ALEXIS MEIER, Institut National des ARCHITECT AYA PERI BADER, Azrieli School of Architecture, Sciences Appliquées de Strasbourg - AMUP Lab Tel Aviv University PROF. NOAH CHASIN, Columbia University, NYC MORPHOGENESIS AND MEANING PHENOMENON IN EXISTENTIAL BRUTALISM: LIVED, BUILT AND EMOTIONAL HAS BRUTALISM EVER BEEN ETHICAL? BRUTALIST ARCHITECTURE RESIDENTIAL ENVIRONMENTS IN ISRAELI CINEMA 6:30-7:00 PM DR. ARCHITECT DANA MARGALITH, Azrieli School of PROF. ARCHITECT ALESSANDRA PONTE, Université de Montréal COFFEE BREAK Architecture, Tel Aviv University MONTREAL: MÉSODESIGN/TOTAL INFORMATION ISRAELI BRUTALISM: RAM KARMI’S DESIGN FOR THE 7:00-9:00 PM NEGEV CENTER IN BEERSHEBA 5:00-5:30 PM MEXICO BUILDING, FASTLICHT AUDITORIUM COFFEE BREAK KEYNOTE LECTURE 5:30-6:30 PM ARCHITECT ZVI HECKER, Hecker Architects, Berlin SOCIALIZED BRUTALISM PLENARY SESSION 4 CONCLUDING DISCUSSION ADMISSION IS FREE. For registration please contact architect Gili Shapira: [email protected] The Yolanda and David Katz Faculty of the Arts Tel Aviv University Image: Ram Karmi, Negev Center, Beersheba | Kobi Franco Design | Kobi Franco Beersheba Center, Image: Ram Karmi, Negev.
Load more

Recommended publications
  • Studiomagazine164.Pdf
    �������������������������� ארכיטקטורה סטודיו Studio 164 164 אפריל≠מאי April-May 2006 2006 גיליון ארכיטקטורה מיוחד Special Architecture Issue עורכים: צבי אלחייני, יעל ברגשטיין Editors: Zvi Elhyani, Yael Bergstein רחוב אחוזת בית Ahuzat Bayit St. 4 4 ת.ד. 29772, תל–אביב POB 29772, Tel-Aviv 61290 61290 טל: 5165274≠03, פקס: Tel: 972-3-5165274, Fax: 972-3-5165694 03≠5165694 www.studiomagazine.co.il www.studiomagazine.co.il [email protected] מערכת והפקה Editor in Chief Yael Bergstein Design Ankati [email protected] Text Editing Einat Adi ��������������������������������������������������������������������������������������������������������������������������������������������������������� ����������������������������������������������������������������������������������������������������������������������������������������������� מודעות Architecture Editor Zvi Elhyani ������������������������������������������������������������������������������������������������������������������������������������������ Production Manager Nitzan Wolansky [email protected] �������������������������������������������������������������������������������������������������������������������������������������������� Advertising Manager Rachel Michaeli ��������������������������������������������������������������������������������������������������������������������������������������������� ������������������������������������������������������������������������������������������������������������������������������� עורכת ראשית יעל ברגשטיין Advertisment
    [Show full text]
  • Exporting Zionism
    Exporting Zionism: Architectural Modernism in Israeli-African Technical Cooperation, 1958-1973 Ayala Levin Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Ayala Levin All rights reserved ABSTRACT Exporting Zionism: Architectural Modernism in Israeli-African Technical Cooperation, 1958-1973 Ayala Levin This dissertation explores Israeli architectural and construction aid in the 1960s – “the African decade” – when the majority of sub-Saharan African states gained independence from colonial rule. In the Cold War competition over development, Israel distinguished its aid by alleging a postcolonial status, similar geography, and a shared history of racial oppression to alleviate fears of neocolonial infiltration. I critically examine how Israel presented itself as a model for rapid development more applicable to African states than the West, and how the architects negotiated their professional practice in relation to the Israeli Foreign Ministry agendas, the African commissioners' expectations, and the international disciplinary discourse on modern architecture. I argue that while architectural modernism was promoted in the West as the International Style, Israeli architects translated it to the African context by imbuing it with nation-building qualities such as national cohesion, labor mobilization, skill acquisition and population dispersal. Based on their labor-Zionism settler-colonial experience,
    [Show full text]
  • Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation
    Fairfield University DigitalCommons@Fairfield History Faculty Book Gallery History Department 2009 Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation Rose-Carol Washton Long Matthew Baigell Milly Heyd Gavriel D. Rosenfeld Fairfield University, [email protected] Follow this and additional works at: https://digitalcommons.fairfield.edu/history-books Copyright 2009 Brandeis University Press Content archived her with permission from the copyright holder. Recommended Citation Washton Long, Rose-Carol; Baigell, Matthew; Heyd, Milly; and Rosenfeld, Gavriel D., "Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation" (2009). History Faculty Book Gallery. 14. https://digitalcommons.fairfield.edu/history-books/14 This item has been accepted for inclusion in DigitalCommons@Fairfield by an authorized administrator of DigitalCommons@Fairfield. It is brought to you by DigitalCommons@Fairfield with permission from the rights- holder(s) and is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. 12 Gavriel D. Rosenfeld Postwar Jewish Architecture and the Memory of the Holocaust When Daniel Libeskind was named in early 2003 as the mas- ter planner in charge of redeveloping the former World Trade Center site in lower Manhattan, most observers saw it as a personal triumph that tes- tifi ed to his newfound status as one of the world’s most respected architects.
    [Show full text]
  • The Designed Israeli Interior, 19601977
    The ‘‘Designed’’ Israeli Interior, 1960–1977: Shaping Identity Daniella Ohad Smith, Ph.D., School of Visual Arts ABSTRACT The concept of a ‘‘home’’ had played an important role during the early decades of Israel’s establishment as a home for all the Jewish people. This study examines the ‘‘designed’’ home and its material culture during the 1960s and 1970s, focusing on aesthetic choices, approaches, and practices, which came to highlight the home’s role as a theater for staging, creating, and mirroring identities, or a laboratory for national boundaries. It seeks to identify the conceptualization of the domestic space during fundamental decades in the history of Israel. Introduction and conventions in interior design developed and shifted to other countries been recognized and The concept of a ‘‘home’’ played an important role examined.4 The process of importing and shifting during the early decades of Israel’s establishment as a 1 ideas is particularly relevant to a country such as homeland for all Jewish people. Israel, which has attracted immigrants from many parts of the world during the discussed period. This study aims to provide a detailed scholarly Yet, while the creation of modernist architecture in appraisal of the conceptualization of domestic Israel has received substantial scholarly attention, the interiors between 1960 and 1977, two of the most interior spaces within these white architectural shells formative decades of Israel’s history. It examines the have been excluded from an academic discussion until ‘‘designed’’ home, its comparative analysis to the recently.5 ‘‘ordinary’’ home, and its material culture. It focuses on aesthetic choices, methodologies, and practices This research comes to fill a gap in the literature that highlighted the role of the home as a theater for on residential interiors.
    [Show full text]
  • Opus 54. Eiermann, Wash, D
    Edition Axel Menges GmbH Esslinger Straße 24 D-70736 Stuttgart-Fellbach tel. +49-711-574759 fax +49-711-574784 Opus 71 Ram Karmi and Ada Karmi-Melamede, Supreme Court of Israel, Jerusalem With an introduction by Anne-Catrin Schultz and photographs by Richard Bryant. 56 pp. with 66 illus., 280 x 300 mm, hard- cover, English ISBN 978-3-932565-71-7 Euro 36.00, sfr 59.00, £ 29.00, US $ 49.00, $A 69.00 Intent on realizing her late husband’s vision, Dorothy de Rothschild first offered to provide funding for a new building housing the Su- preme Court of Israel in the 1960s. In 1983 the offer was seriously considered and accepted. Distributors Renowned architects from Israel and from all over the world entered into a two-stage competition in 1986. Ram Karmi and Ada Brockhaus Commission Karmi-Melamede, siblings their own architecture practices, were Kreidlerstraße 9 asked to compete as a team. Their contribution stood out clearly D-70806 Kornwestheim against the other entries. Instead of proposing a formal and monu- Germany mental scheme, the Karmis came up with a coherent site-specific tel. +49-7154-1327-33 building which roots itself into the land, continues the stone lan- fax +49-7154-1327-13 guage of Jerusalem, and relates to its unique vibrant light. [email protected] Pure geometrical volumes are arranged to form a balanced composition and complex whole. A careful equilibrium is created Buchzentrum AG between the gravity of local stone-masonry walls and the immateri- Industriestraße Ost 10 al play of light and shadow in the voids and volumes of the struc- CH-4614 Hägendorf ture.
    [Show full text]
  • 2005-2006Program in Judaic Studies
    WINTER 2005-2006Program in Judaic Studies PERELMAN INSTITUTE PRINCETON UNIVERSITY In this Issue 2 Courses NEWSDIRECTOR’S MESSAGE into the first decade of the new century. The beginning of the As late as Princeton was among its peers 3 Students academic year 2005- in finally establishing a Program in 3 The Class of 2005 2006 saw a change in Judaic Studies, thanks to Froma’s vision 3 2005 Alumni the directorship of and relentless energy, as well as to the 4 Judaic Studies Senior Theses 2005 Princeton’s Program generous support she garnered from the 6 Graduate Fellowships in Judaic Studies. After administration, the Program has become 7 Graduate Students nine years of dedicated not only highly visible on Princeton’s 10 Summer Funding and distinguished campus, but it has developed into one of 16 Sefer Hasidim service, Froma Zeitlin the most active and successful programs Photo: John Jameson, 17 Committee Office of Communications handed over the reins among Princeton’s distinguished under- of the program. We graduate institutions. It is an honor to 17 Support celebrated Froma’s many successful follow Froma as Program Director and 18 Faculty Research & News achievements as Program Director with a charge of great responsibility to build 20 Jewish Studies Quarterly a party last May upon the strong foundations so vigorously 21 Director’s Message (continued) Peter Schäfer becomes and honored her designed and developed by her. 22 Events scholarly contri- new director. butions in early November with NEW BUILDING beautiful view of Chancellor Green a Yom Iyyun, a one-day workshop dedi- We are now safely at home in the Scheide courtyard.
    [Show full text]
  • The Knesset Building in Giv'at Ram: Planning and Construction
    The Knesset Building in Giv’at Ram: Planning and Construction Originally published in Cathedra Magazine, 96th Edition, July 2000 Written by Dr. Susan Hattis Rolef Introduction Already in the early days of modern Zionism, it was clear to those who envisioned the establishment of a Jewish State, and those who acted to realize the vision, that once it was established, it would be a democracy, in which a parliament would be built. In his book Altneuland (written in 1902), Theodor Herzl, described the parliament of the Jewish state in Jerusalem in the following words: “[A] great crowd was massed before (the Congress House). The election was to take place in the lofty council chamber built of solid marble and lighted from above through matte glass. The auditorium seats were still empty, because the delegates were still in the lobbies and committee rooms, engaged in exceedingly hot discussion…" 1 In his book Yerushalayim Habnuya (written in 1918), Boris Schatz, who had established the Bezalel school of arts and crafts, placed the parliament of the Jewish State on Mount Olives: "Mount Olives ceased to be a mountain of the dead… it is now the mountain of life…the round building close to [the Hall of Peace] is our parliament, in which the Sanhedrin sits".2 When in the 1920s the German born architect, Richard Kaufmann, presented to the British authorities his plan for the Talpiot neighborhood, that was designed to be a Jerusalem garden neighborhood, it included an unidentified building of large dimensions. When he was asked about the meaning of the building he relied in German: "this is our parliament building".
    [Show full text]
  • Destination Unknown
    Zvi Hecker Architekt | Berlin Destination unknown Zvi Hecker in conversation with Hans Ulrich Obrist „Agency Of Unrealized Projects“ at the daadgalerie, Berlin October, 2012 Fascinated by unrealised projects, Hans Ulrich Obrist has met the pioneering architect Zvi Hecker, whose work is an inspiration to many young architects today, but also has a very strong impact on the art world. Together, they discuss his first steps in architecture, his most iconic buildings and his many unrealised projects combining his skills as an architect with the vision of an artist. Hans Ulrich Obrist: I would like to ask you about your unusual beginning in architecture, or rather “beginnings” as you began to study architecture three times. First in Samarkand, then in Krakow in 1949, then in Haifa in the legendary Technion. Zvi Hecker: Well, I already started a globalisation process in the early thirties. Born in Krakow, Poland in 1931. With the break of the WWII I was sent to Siberia, then to Samarkand, before returning to Poland. I have studied architecture in Technion in Haifa in Israel, taught in Quebec, Canada, and in Vienna, Austria. In 1991 I came to Berlin. That’s why I claim to study architecture more than once. H.U.O.: When I was a student, I met P. K. Hönig, a very interesting artist connected both to art and to technology. He told me that the Technion was a utopian school for him. Could you tell us about your experience there? Z.H.: I think that the Technion was basically a very provincial school of architecture, before P.K.
    [Show full text]
  • Personal Details Education
    Inbal Ben-Asher Gitler, Sapir Academic College, Curriculum Vitae and List of Publications October 2018 CURRICULUM VITAE AND LIST OF PUBLICATIONS Personal Details Name: Inbal Ben-Asher Gitler Institutional Affiliation: Sapir Academic College / Ben-Gurion University of the Negev e-mail: [email protected] / [email protected] Education B. A. 1987-1991 Yolanda and David Katz Faculty of the Arts, Tel-Aviv University M. A. 1992-1998 magna cum laude Yolanda and David Katz Faculty of the Arts, Tel-Aviv University Specialty: Art History Title of Thesis: Orientalism in architecture and interior design in Europe and America in the nineteenth century Supervisor: Dr. Edina Meyer-Maril Ph. D. 1998-2006 Yolanda and David Katz Faculty of the Arts, Tel-Aviv University Specialty: Art History Title of Thesis: The architecture of the Jerusalem YMCA building (1919-1933): constructing multiculturalism Supervisor: Dr. Edina Meyer-Maril 1999-2004 Research for Ph.D. dissertation in the United States ( at Duke University, Durham, North Carolina, University of Minnesota, Minneapolis, New York City, NY and Chicago, Illinois). 2000-2001 Attended the graduate level course “Architecture and the Market” at the Department of Art History of Duke University, Durham, North Carolina 1984-1987 Studied drawing and printing in the studio of the Israeli artist Mike Dvorsky, Ramat Hasharon, Israel 1 Inbal Ben-Asher Gitler, Sapir Academic College, Curriculum Vitae and List of Publications Awards and scholarships 2016 Sapir Academic College outstanding lecturer title. 2011 Fellowship to deliver a paper at the 27th AIS Annual Conference: “Israel as a Jewish and Democratic State,” Brandeis University, Waltham, MA.
    [Show full text]
  • Zvi Hecker Press
    About Distributors Online Issues Printed Issues Shoot the Breeze Store Video Rachel de Joode Various Qualities To Orbit The Mysterious Core, 2013 Interview by Whitney Mallett When I went to visit Rachel de Joode in her studio this Fall, she said we were going to try making a “squish.” This process consisted of filling a plastic tube with wet plaster and me hugging it likeuncube, a lover ,January leaving a 2016n imprint of my body, until it dried. About Distributors Online Issues Printed Issues Shoot the Breeze Store Video Rachel de Joode With the changes in Israeli society that followed the 1967 Six-Day War – during which Israel conquered the West Bank, Sinai Peninsula and Golan Heights, thus more than doubling its size – came massive urban expansion and architecture of a new kind. Rafi Segal traces how the design and construction of a single project, Zvi Hecker’s Ramot Polin housing complex on the outskirts of Jerusalem, came to embody and yet defy this nationwide change. The unification of Jerusalem under Israeli control in 1967 prompted a national building project of urban expansion through the construction of new neighbourhoods and settlements on Jerusalem’s surrounding hilltops. These aspired to echo the historic architecture of the old city of Jerusaem and thus establish a direct visual connection between the old and the new. The resulting architectural style of stone façades, arches and other “old Jerusalem” vernacular elements was so dominant that in some cases it led to the dressing of modernist pre-fabricated concrete slab buildings with local stone and arches.
    [Show full text]
  • The Museum Issue 15 West 16Th Street the Latest: New York, NY 10011 Ari Folman’S Waltz with Bashir a Travelogue from Jewish Moscow
    Association for Jewish Studies SPRING 2010 Center for Jewish History The Museum Issue 15 West 16th Street The Latest: New York, NY 10011 Ari Folman’s Waltz with Bashir A travelogue from Jewish Moscow The Questionnaire: Scholars write in about books they love to teach Perspectives THE MAGAZINE OF THE ASSOCIATION FOR JEWISH STUDIES Table of Contents From the Editors 3 From the President 4 The Museum Issue Creating the Museum of the History of Polish Jews 5 Barbara Kirshenblatt-Gimblett The Palmach Museum in Tel Aviv: History between Fact and Fiction 9 Avner Ben-Amos Jewish Museums on the American Ethnic Museum Landscape 12 David Shneer Listening for Jews in the History of the Blues 14 Ari Y. Kelman Memory Going Global: The Jewish Museum and Holocaust Centre in Cape Town 20 Albert Lichtblau Revisiting and Remembering: Family Photographs and Holocaust Commemoration, Towers, Halls, and Cases 24 Laura Levitt The Illinois Holocaust Museum & Education Center 26 Brett Kaplan Teaching Jewish Studies with Museums 30 Jeffrey Shandler Curating Jews: Reflections on the Practice of Heritage 32 Erica Lehrer The Latest Waltz with Bashir 36 Todd Hasak-Lowy Jewish Moscow—A Guidebook 38 Olga Gershenson The Questionnaire What are three books you love to teach to undergraduates? 44 Remembering Our Colleagues Yosef Hayim Yerushalmi (1932-2009) 49 John Efron AJS Perspectives: The Magazine of the President Please direct correspondence to: Association for Jewish Studies Marsha Rozenblit Association for Jewish Studies University of Maryland Center for Jewish History Editors 15 West 16th Street Matti Bunzl Vice President/Publications New York, NY 10011 University of Illinois at Urbana-Champaign Jeffrey Shandler Rachel Havrelock Rutgers University Voice: (917) 606-8249 University of Illinois at Chicago Fax: (917) 606-8222 Vice President/Program E-Mail: [email protected] Derek Penslar Web Site: www.ajsnet.org Editorial Board Allan Arkush University of Toronto Binghamton University AJS Perspectives is published bi-annually Vice President/Membership by the Association for Jewish Studies.
    [Show full text]
  • Jüdische Kunst Und Kultur Edward Van Voolen
    Jüdische Kunst und Kultur Edward van Voolen Prestel München • Berlin • London • New York Universitäts- und Inhalt Landesbibliothek 78 Die verlorene Welt des Schtetl Darmstadt Issachar Ryback Die alte Synagoge, 1917 Jüdische Kunst und Judentum 80 Jüdische Geschichte singen Zwischen Israel und der Diaspora El Lissitzky Edward van Voolen »Und dann kam das Feuer und verbrannte den Stock«, Chad Gadja, 1919 Chronologie 82 Jüdisches Leben im Theater Marc Chagall Einführung in das jüdische Theater, 1920 86 Was steckt in einem Namen? Man Ray Das Rätsel des Isidore Ducasse, 1920-1971 54 Jüdische Emanzipation und Jüdische Kunst 88 Jüdische Pioniere in Palästina Reuven Rubin Erste Früchte, 1923 56 Loyalität gegenüber Glauben und 90 Blut und Tränen: Vaterland Nichtjüdische jüdische Kunst? Moritz Daniel Oppenheim Die Rückkehr des Freiwilligen aus dem Chaim Soutine Befreiungskriege zu den nach alter Sitte Geschlachteter Ochse, um 1925 lebenden Seinen, 1833/34 92 Träume von der Emanzipation 58 Ein orientalisches Hochzeitsfest Lesser Ury Moses schaut auf das Gelobte Land, 1927/2 32 Das Bild des Judentums Eugene Delacroix Jüdische Hochzeit in Marokko, um 1839 94 Auf den Spuren der Genealogie Frida Kahlo 60 Freude und Pracht 34 Ein lebendiger Text Meine Großeltern, meine Eltern und ich Hebräische Bibel, Spanien, Manuskript aus Solomon Alexander Hart (Stammbaum), 1936 dem 14. Jahrhundert Das Fest der »Freude der Lehre« in der 96 Menschliche Würde Hebräische Bibel, gedruckt in Amsterdam, Synagoge von Livorno, Italien, 1850 Jankel Adler 1724-1727 62 Das Eigene und das Exotische Zwei Rabbiner, 1942 36 Ein jüdisches Pompeji Eduard Knoblauch, Friedrich August Stüler Neue Synagoge, Öranienburgerstraße, Berlin, Synagoge mit Wandgemälden, Dura- Deutschland, 1859-1866 Europos,Syrien,244/45 u.Z.
    [Show full text]