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Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
Reportfrom the Capital
REPORTfrom the Capital BJC weighs in on proposed faith-based regulations, affirms progress On October 5, the BJC, working with a government funding of “inherently religious broad coalition of dozens of organizations, activities” to prevent government funding of submitted comments on proposed regula- religion, a violation of the First Amendment. tions that would govern partnerships be- This phrase has proved confusing for some tween the government and faith-based social faith-based providers because the services service providers. These regulations from provided (such as operating a food pantry) nine federal agencies demonstrate a move were motivated by religious directives (for toward sound resolution of a church-state example, Matthew 25:35). The proposed reg- conflict that has been bitterly contested for ulations change the terminology to prohibit Magazine of the more than two decades. government funding of “expressly religious Baptist Joint Committee In early August, the Obama administration activities.” Faith-based providers may not took a significant step to strengthen part- use government funding to pay for overtly nerships between the federal government religious activities such as worship, religious Vol. 70 No. 8 and religious organizations that provide instruction or proselytization. The proposed services for those in need. The issuance of the regulatory changes clarify that activities must September/October proposed rule changes is part of a complex be offered at a different time or in a different administrative process that will continue location from any federally funded program- 2015 over the next few months. The breadth of this ming. development, and its potential to provide A second — and arguably the most import- consistency and protect government benefi- ant — improvement is the requirement that INSIDE: ciaries, is welcome news for religious liberty. -
The Uuiversitj Musical Souietj of the University of Michigan
The UuiversitJ Musical SouietJ of The University of Michigan Presents ANN ARBOR THE PHILADELPHIA ORCHESTRA E UGENE ORMANDY , Music Director and Conduct01' WILLIAM SMITH, Assistant Conductor EUGENE ORMANDY, Conducting Soloist BEVERLY SILLS, Soprano SATURDAY EVENING , MAY 4, 1974, AT 8 :30 HILL AUDITORIUM , ANN ARBOR , MICHIGAN PROGRAM Five Pieces for Small Orchestra, Op. 42 SHOSTAKOVI CH Moderato Andante Largo Moderato Allegretto Symphony No. 88 in G major HAYDN Adagio; allegro La rgo Menuetto : a llegretto Allegro con spirito Motet, "Exsultate, jubilate," K. 165 MOZART Exsul tate, jubilate Tu virginum corona Fulge t arnica di es .-\lIelu ja BEVERL Y S ILLS IN TERiVIISSION " Depuis Ie jour," fr om Louise CHARPENTIER Fin al Scene from Anna Bolena DON IZETTl MISS SILLS ';'Roman Festivals R ESPIGHI *A vailable on Columbia R ecords RCA R ed Seal F ourth Concert Eighty-first Annua l May Festi n ll Complete Conce rts 3885 PROGRAM NOTES by G LENN D. MCGEOCH Five Pieces for Small Orchestra, Op. 42 DMITRI SHOSTAKOVICH (1906- ) The Fi ve Pieces, written by Shostakovich at the age of twenty-nine, were never mentioned or listed among his major works, until Ivan M artynov, in a monograph ( 1947) referred to them as "Five Fragments for Orchestra, 193 5 manuscript, op. 42." A conflict, which had begun to appear between the compose r's natura l, but advanced expression, and the Soviet official sanction came to a climax in 1934 wh en he produced his "avant guarde" opera Lady Ma cbeth of Mzensk. He was accuse d of "deliberate musical affectation " and of writing "un Soviet, eccent ric music, founded upon formalistic ideas of bourge ois musical conce ptions." Responding to this official castigation, he wrote a se ries of short, neoclassic, understated works, typical of the Fi ve Pieces on tonight's program. -
Prefaces to Scalia/Ginsburg: a (Gentle) Parody of Operatic Proportions
WANG, SCALIA/GINSBURG: A (GENTLE) PARODY OF OPERATIC PROPORTIONS, 38 COLUM. J.L. & ARTS 237 (2015) Prefaces to Scalia/Ginsburg: A (Gentle) Parody of Operatic Proportions Preface by Justice Ruth Bader Ginsburg: Scalia/Ginsburg is for me a dream come true. If I could choose the talent I would most like to have, it would be a glorious voice. I would be a great diva, perhaps Renata Tebaldi or Beverly Sills or, in the mezzo range, Marilyn Horne. But my grade school music teacher, with brutal honesty, rated me a sparrow, not a robin. I was told to mouth the words, never to sing them. Even so, I grew up with a passion for opera, though I sing only in the shower, and in my dreams. One fine day, a young composer, librettist and pianist named Derrick Wang approached Justice Scalia and me with a request. While studying Constitutional Law at the University of Maryland Law School, Wang had an operatic idea. The different perspectives of Justices Scalia and Ginsburg on constitutional interpretation, he thought, could be portrayed in song. Wang put his idea to the “will it write” test. He composed a comic opera with an important message brought out in the final duet, “We are different, we are one”—one in our reverence for the Constitution, the U.S. judiciary and the Court on which we serve. Would we listen to some excerpts from the opera, Wang asked, and then tell him whether we thought his work worthy of pursuit and performance? Good readers, as you leaf through the libretto, check some of the many footnotes disclosing Wang’s sources, and imagine me a dazzling diva, I think you will understand why, in answer to Wang’s question, I just said “Yes.” Preface by Justice Antonin Scalia: While Justice Ginsburg is confident that she has achieved her highest and best use as a Supreme Justice, I, alas, have the nagging doubt that I could have been a contendah—for a divus, or whatever a male diva is called. -
Selected Highlights of Women's History
Selected Highlights of Women’s History United States & Connecticut 1773 to 2015 The Permanent Commission on the Status of Women omen have made many contributions, large and Wsmall, to the history of our state and our nation. Although their accomplishments are too often left un- recorded, women deserve to take their rightful place in the annals of achievement in politics, science and inven- Our tion, medicine, the armed forces, the arts, athletics, and h philanthropy. 40t While this is by no means a complete history, this book attempts to remedy the obscurity to which too many Year women have been relegated. It presents highlights of Connecticut women’s achievements since 1773, and in- cludes entries from notable moments in women’s history nationally. With this edition, as the PCSW celebrates the 40th anniversary of its founding in 1973, we invite you to explore the many ways women have shaped, and continue to shape, our state. Edited and designed by Christine Palm, Communications Director This project was originally created under the direction of Barbara Potopowitz with assistance from Christa Allard. It was updated on the following dates by PCSW’s interns: January, 2003 by Melissa Griswold, Salem College February, 2004 by Nicole Graf, University of Connecticut February, 2005 by Sarah Hoyle, Trinity College November, 2005 by Elizabeth Silverio, St. Joseph’s College July, 2006 by Allison Bloom, Vassar College August, 2007 by Michelle Hodge, Smith College January, 2013 by Andrea Sanders, University of Connecticut Information contained in this book was culled from many sources, including (but not limited to): The Connecticut Women’s Hall of Fame, the U.S. -
Special Wuhan Composition Makes European Debut
18 | Monday, February 24, 2020 HONG KONG EDITION | CHINA DAILY LIFE Museums exhibit tech Shows of solidarity nous for home users XI’AN — Li Bin, an avid visitor of museums from the northwestern Chinese city of Xi’an, has never had a better view of the upholstery of a chair in Beijing’s Palace Museum. Sitting comfortably at home and putting on a device featuring virtual reality technology, Li toured the museum through its online exhibi- tion program, getting an up-close and personal view of the precious exhibits presented in crystal-clear 3D. “During a field trip to the Palace Museum, it can be tough to visit some of its hidden places and view all of the palace decorations in detail,” says Li. “VR technology has made these expe- The nation’s performing arts riences possible.” Amid the coronavirus outbreak, industry is working hard to many museums and galleries in Chi- na have been closed to visitors to pre- lessen the potential financial vent the spread of the epidemic. impact of COVID-19, as well as However, they have launched or repackaged various online exhibi- using technology to serve tions to provide a satisfactory touring audiences as best it can now, experience for the country’s vast number of stay-at-home visitors. Chen Nan reports. In Chongqing in Southwest China, the Chongqing China Three Gorges Museum and the Chongqing Natural History Museum are among those offering exhibitions online. Visitors can find audio guides to nevitably, the novel coronavi- promoting charity performances According to Zheng Honglin, who more than 30 exhibitions and videos rus outbreak has had a mas- and offering free shows to medical is in charge of Gong’s program, it is on 10 others through CCTGM’s offi- sive impact on China’s workers on the front line of the about training young talent to cial account on WeChat during their performing arts market. -
2016 English Language Arts Item and Scoring Sampler Grade 3
The Pennsylvania System of School Assessment English Language Arts Item and Scoring Sampler 2016–2017 Grade 3 Pennsylvania Department of Education Bureau of Curriculum, Assessment and Instruction—September 2016 TABLE OF CONTENTS INFORMATION ABOUT ENGLISH LANGUAGE ARTS Introduction . 1 General Introduction . 1 Pennsylvania Core Standards (PCS) . 1 What Is Included . 1 Purpose and Uses . 1 Item Format and Scoring Guidelines . 2 English Language Arts Grade 3 . 3 English Language Arts Test Directions for Reading Passages and Questions . 4 Passage 1 . 6 Multiple-Choice Questions . 8 Evidence-Based Selected-Response Question . .14 Passage 2 . .15 Multiple-Choice Questions . .18 Evidence-Based Selected-Response Question . .22 Short-Answer Question . .23 Short-Answer Scoring Guideline . .24 English Language Arts Test Directions for Language Questions and Writing Prompt . .29 Standalone Multiple-Choice Questions . .30 Writer’s Checklist and Narrative Writing Prompt . .35 Narrative Scoring Guideline. .39 English Language Arts—Sample Item Summary Data . .48 ACKNOWLEDGEMENTS . .49 PSSA Grade 3 English Language Arts Item and Scoring Sampler—September 2016 ii INFORMATION ABOUT ENGLISH LANGUAGE ARTS INTRODUCTION General Introduction The Pennsylvania Department of Education provides districts and schools with tools to assist in delivering focused instructional programs aligned with the Pennsylvania Core Standards (PCS). These tools include Academic Standards, Assessment Anchor documents, assessment handbooks, and content-based item and scoring samplers. This Item and Scoring Sampler is a useful tool for Pennsylvania educators in preparing local instructional programs. It can also be useful in preparing students for the statewide assessment. Pennsylvania Core Standards (PCS) This sampler contains examples of test questions that are aligned to the new Pennsylvania Core Standards-based 2016 PSSA Assessment Anchors and Eligible Content. -
CSI in the News
CSI in the News November 2010 Table of Contents Ads . 3 Arts . 8 Faculty & Staff . 10 Sports . 66 Stories . 104 Students & Alumni . 119 ADS Page 3 of 141 Page 4 of 141 Page 5 of 141 Page 6 of 141 Page 7 of 141 Arts Page 8 of 141 Page 9 of 141 Faculty & Staff Page 10 of 141 Teens charged in fatal attack on ex-College of Staten Island professor allegedly bragged about incident, report says Published: Monday, November 01, 2010, 5:20 PM Staten Island Advance OLD BRIDGE, N.J. -- Prosecutors claim the five teens accused of beating a former College of Staten Island professor to death during a family stroll outside his New Jersey home attacked him unprovoked and then sent text messages to each other celebrating the violence, according to a published report. Middlesex County Assistant Prosecutor Christopher Kuberiet described the June 25 attack on Divyendu Sinha as a "wilding spree for no apparent purpose" during a hearing in September that led to the five teens being charged as adults, according to a report in the Star-Ledger. The Star-Ledger obtained audio recordings of four of five closed family court hearings. Click here to listen. Julian Daley, 16, Christian Tinli, who turned 18 in September, Cash Johnson, 17, Christopher Conway, 17, and Steven Contreras, 17, are accused of the attack on Sinha as he walked with his family in his Old Bridge neighborhood. Sinha, 49, worked at CSI as an assistant professor in the computer science department from 1990 to 1999. Kuberiet said authorities obtained time-stamped messages between the alleged assailants sent within an hour of the fatal attack, saying how much they enjoyed the assault, and discussing another similar attack the next day, the Star-Ledger reported. -
Spending by NYC on Charter School Facilities: Diverted Resources, Inequities and Anomalies
Spending by NYC on Charter School Facilities: Diverted Resources, Inequities and Anomalies A report by Class Size Matters October 2019 Spending by NYC on Charter School Facilities: Diverted Resources, Inequities and Anomalies Acknowledgements This report was written by Patrick Nevada, Leonie Haimson and Emily Carrazana. It benefitted from the assistance of Kaitlyn O’Hagan, former Legislative Financial Analyst for the NYC Council, and Sarita Subramanian, Supervising Analyst of the NYC Independent Budget Office. Class Size Matters is a non-profit organization that advocates for smaller classes in NYC public schools and the nation as a whole. We provide information on the benefits of class size reduction to parents, teachers, elected officials and concerned citizens, provide briefings to community groups and parent organizations, and monitor and propose policies to stem class size increases and school overcrowding. A publication of Class Size Matters 2019 Design by Patrick Nevada 2 Class Size Matters Spending by NYC on Charter School Facilities: Diverted Resources, Inequities and Anomalies Table of Contents Table of Figures 4 Cost of Facility Upgrades by Charter Schools and Missing DOE Matching Funds 9 Missing Matching Funds 11 Spending on Facility Upgrades by CMO and DOE Matching Funds 16 DOE spending on leases for Charter schools 17 Cost of buildings that DOE directly leases for charter schools 21 DOE-Held Lease Spending vs Lease Subsidies 23 DOE Lease Assistance for charters in buildings owned by their CMO or other related organization 26 Cost of DOE Expenditures for Lease Assistance and Matching Funds for each CMO 31 Proposed legislation dealing with the city’s obligation to provide charter schools with space 33 Conclusion and Policy Proposals 34 Appendix A. -
2015 Next Wave Festival DEC 2015
2015 Next Wave Festival DEC 2015 Shinique Smith, Abiding Light, 2015 Published by: Season Sponsor: #BAMNextWave #SteelHammer Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer Steel Hammer BAM Harvey Theater Dec 2—5 at 7:30pm; Dec 6 at 3pm Running time: one hour & 55 minutes, no intermission Julia Wolfe and SITI Company Bang on a Can All-Stars Directed by Anne Bogart Music & lyrics by Julia Wolfe Original text by Kia Corthron, Will Power, Carl Hancock Rux, and Regina Taylor Music performed by Bang on a Can All-Stars Play performed & created by SITI Company Scenic & costume design by James Schuette Lighting by Brian H Scott Sound design by Andrew Cotton and Christian Frederickson Choreography by Barney O’Hanlon Season Sponsor: Steel Hammer premiered at Actors Theatre of Louisville in the 2014 Humana Festival of New American Plays In memory of Robert W. Wilson, with gratitude for his visionary and generous support of BAM STEEL HAMMER Akiko Aizawa Ashley Bathgate Eric Berryman Robert Black Patrice Johnson Vicky Chow David Cossin Emily Eagen Chevannes Katie Geissinger Gian-Murray Gianino Barney O’Hanlon Molly Quinn Mark Stewart Ken Thomson Stephen Duff Webber Steel Hammer CAST Akiko Aizawa* Eric Berryman* Patrice Johnson Chevannes* Gian-Murray Gianino* Barney O’Hanlon* Stephen Duff Webber* BANG ON A CAN ALL-STARS Ashley Bathgate cello Robert Black bass Vicky Chow piano David Cossin -
The Studio Museum in Harlem Magazine Summer/Fall 2012 Studio Magazine Board of Trustees This Issue of Studio Is Underwritten, Editor-In-Chief Raymond J
The Studio Museum in Harlem Magazine Summer/Fall 2012 Studio Magazine Board Of Trustees This issue of Studio is underwritten, Editor-in-Chief Raymond J. McGuire, Chairman in part, with support from Bloomberg Elizabeth Gwinn Carol Sutton Lewis, Vice-Chair Creative Director Rodney M. Miller, Treasurer The Studio Museum in Harlem is supported, Thelma Golden in part, with public funds provided by Teri Trotter, Secretary Managing Editor the following government agencies and elected representatives: Dominic Hackley Jacqueline L. Bradley Valentino D. Carlotti Contributing Editors The New York City Department of Kathryn C. Chenault Lauren Haynes, Thomas J. Lax, Cultural A"airs; New York State Council Joan Davidson Naima J. Keith on the Arts, a state agency; National Gordon J. Davis Endowment for the Arts; Assemblyman Copy Editor Reginald E. Davis Keith L. T. Wright, 70th A.D. ; The City Samir Patel Susan Fales-Hill of New York; Council Member Inez E. Dr. Henry Louis Gates, Jr. Dickens, 9th Council District, Speaker Design Sandra Grymes Christine Quinn and the New York City Pentagram Joyce K. Haupt Council; and Manhattan Borough Printing Arthur J. Humphrey, Jr. President Scott M. Stringer. Finlay Printing George L. Knox !inlay.com Nancy L. Lane Dr. Michael L. Lomax The Studio Museum in Harlem is deeply Original Design Concept Tracy Maitland grateful to the following institutional 2X4, Inc. Dr. Amelia Ogunlesi donors for their leadership support: Corine Pettey Studio is published two times a year Bloomberg Philanthropies Ann Tenenbaum by The Studio Museum in Harlem, Doris Duke Charitable Foundation John T. Thompson 144 W. 125th St., New York, NY 10027. -
Stanley Cowell Samuel Blaser Shunzo Ohno Barney
JUNE 2015—ISSUE 158 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM RAN BLAKE PRIMACY OF THE EAR STANLEY SAMUEL SHUNZO BARNEY COWELL BLASER OHNO WILEN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JUNE 2015—ISSUE 158 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Stanley Cowell by anders griffen Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Samuel Blaser 7 by ken waxman [email protected] Advertising: On The Cover : Ran Blake 8 by suzanne lorge [email protected] Editorial: [email protected] Encore : Shunzo Ohno 10 by russ musto Calendar: [email protected] Lest We Forget : Barney Wilen 10 by clifford allen VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Summit 11 by ken dryden [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Miscellany 41 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Event Calendar Terrell Holmes, Robert Iannapollo, 42 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman There is a nobility to turning 80 and a certain mystery to the attendant noun: octogenarian.