We l c o m e t o

Loyal and Beloved Theatregoers ... What a bustling, busy, and exciting Festival season we have spread before us! A restored Shakespeare repertory, under the continually dancing baton of Darko Tresnjak; a comedy of manners wrapped around the writing of the film Gone with the Wind, directed by the gifted John Rando, and a glimpse at the scribblings of none other than Ann Landers, under the direction of the fabled Tom Moore. But it is not of fiction I wish to speak, but of the newest plate set at our staff dinner table: Jerry Patch. As my own leash stretches beyond the horizon to the East Coast and farther, we have brought the wit and acumen of dazzling Mr. Patch into the fold, a man of impeccable reputation garnered over the years at our sister theatre, South Coast Repertory, where he has guided some of the most exciting new plays into daylight put before contemporary audiences. And now, as Resident Artistic Director, he steps up to our stove, white toque on his head, and spices galore in his hands. Welcome him, watch him, encourage him, and introduce yourselves. Some of the best drama in the Park will not only be on our stages this summer, but being cooked up in our offices as well! We're lucky whichever way we look! JACK O’BRIEN Artistic Director

Welcome to the Globe’s 70th Anniversary Summer Season. It fills me with such pride to reflect on this institution’s incredible history. We began with Shakespeare, as a program of the 1935 California Exposition, and, as we did in 1935, we are again presenting Shakespeare in repertory, with the high level of production you’ve come to expect from the Globe. In addition to the Shakespeare Festival, we are presenting another homage to the period when the Globe was first formed — the new com- edy Moonlight and Magnolias, about the making of Gone with the Wind, on the Globe stage; and a world premiere about beloved columnist Ann Landers in the Carter. What a wonderful way to celebrate the Globe’s anniversary and our Founding Director Craig Noel’s 90th birthday. As we think about this milestone, we reflect upon what this Theatre has meant to our community and indeed the nation. With our renowned Shakespeare Festival, the many world-premieres we’ve sent to Broadway, and the countless classical and contemporary works we’ve mounted over the years, we have truly set the standard for excellence in the industry. And we’re not resting on our laurels – the 2005/6 season holds more gems in store, including a thrilling musical starring Broadway legend Chita Rivera and a major new work by celebrated choreogra- pher Twyla Tharp with music by Bob Dylan. We look to you, especially in this anniversary year, to help continue the legacy of excellence and service that has always been central to The Old Globe. As you know, ticket sales cover only 55% of our operating costs, and we rely on your tax-deductible contributions to ensure our continued outstanding artistic and educational outreach programs. We hope you will lend your support to the Globe in this celebratory season and for many seasons to come. LOUIS G. SPISTO Executive Director As a newcomer joining The Old Globe’s artists, staff and audiences for a summer of outstanding theatre, there are many things at which I already marvel. I am privileged: To be a part of a collaboration with two theatrical visionaries, Craig Noel and Jack O’Brien, from whom I learn some- thing new each day I converse with them. To be partnered with an outstanding arts administrator and leader, Lou Spisto, whose devotion to the Globe and daily commitment to make it better sets a standard for all of us working here. To be enthralled by the craft and creativity shown by the Globe’s artisans — a sublime collection of theatrical talent I’d match with any group, anywhere — as they give dimension and support to the designs they realize on the Globe’s stages. To be swept along by the energy, intelligence and bottomless good will of the Globe’s administrative leadership and staff — people whose love of theatre and desire to share it is everywhere evident in their dealings with patrons and each other. To work with the volunteers who love the Globe enough to dedicate their time towards creating that same enthusiasm in others. To serve a superb group of artists who merge their talents to bring our finest plays to life anew each time they and their art take the stage. To join with audiences who delight in and are taught by the plays’ thoughts and feelings. It is this community that makes the Globe the unique and special place it is. But it is also its place in Balboa Park — a stunning display of architecture, gardens, and homes for art — that calls us as a community to share concerns of the spirit, as surely as the tolling of its steeple bells. And, as in any hallowed place, we are renewed. Thanks for coming. JERRY PATCH Resident Artistic Director

PERFORMANCES MAGAZINE P1 Season Sponsors The Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual dona- tion of $50,000 or greater. These gifts are critical to maintaining the theatre’s high quality of artis- tic programming, and award-winning work in the community. The Board, staff and artists of the Globe are honored by this endorsement of the theatre’s work. The Lipinsky Family Donald and Darlene Shiley Sheryl and Harvey P. White Karen and Donald Cohn Conrad Prebys Valerie and Harry Cooper Norma Jean “Jake” Yonchak and Todd Figi Anonymous

Season Sponsors receive the ultimate level of access, recognition, benefits and services. To join this most cherished group of friends, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310.

P2 PERFORMANCES MAGAZINE Board of Directors

Thank you for joining for us for one of the three plays in our 2005 Shakespeare Repertory Festival. All three of these Shakespeare plays in our 70th Anniversary Season were produced by the company in 1935 and serve as an excellent way to celebrate the Globe’s tremendously rich history. As I write this letter, Dirty Rotten Scoundrels — which premiered at the Globe this past September — has just received 11 Tony Award® nominations, including Best Musical and individual nominations for John Lithgow, Norbert Leo Butz, Sherie Rene Scott, and Joanna Gleason, not to mention our very own Jack O’Brien, who has once again been nominated for Best Direction of a Musical. And, the New York Drama League named Dirty Rotten Scoundrels Best Musical of the 2004-05 season. Congratulations one and all on the success of this hilarious show! Be sure to join us to celebrate our dear Founding Director Craig Noel’s 90th Birthday on August 25th. This will be a very special event to honor our very special friend to whom we all owe the very existence of this Theatre. Please also mark your calendars for the 2005 Globe Gala on September 17. The Gala will feature the legendary Chita Rivera in the world premiere of the Broadway- bound musical, Chita Rivera: The Dancer’s Life, and will be followed by an elegant dinner and dancing to the Wayne Foster Orchestra. Thank you for continuing to make the Globe a part of your life. The support you give — as a subscriber and contributor — is essential to keeping theatre of this caliber on the Globe’s stages, and is truly appreciated. Many thanks, and enjoy the show!

Sheryl White, Chair, Board of Directors

Board of Deni S. Carpenter John Rebelo EMERITUS DIRECTORS Karen Cohn* Sandra Redman Garet B. Clark Directors Valerie S. Cooper Mike Samson J. Dallas Clark Jane Cowgill Kelly Sanders (1913–2005) OFFICERS Christopher L. Crockett Tom Sayles Bernard Lipinsky Sheryl White* Darlene G. Davies Phyllis Schwartz (1914–2001) Chair Bruce M. Dunlap Curtis Smith Delza Martin Tim K. Zinn* Sue Ebner Nancy A. Spector Patsy Shumway Vice Chair – Finance Bea Epsten* Louis G. Spisto* Harvey P. White Robert H. Gleason* Pam Farr Anne C. Taubman Carolyn Yorston Vice Chair – Development Victor P. Gálvez Anthony S. Thornley* Carlos D. Malamud* Lee Goldberg Dean Thorp HONORARY DIRECTORS Vice Chair – Nominating Ronald Heller, M.D. Evelyn Mack Truitt Mrs. Richard C. Adams Kathryn Hattox* Viviana Ibañez Carol M. Veit Clair Burgener Secretary Joseph E. Jessop, Jr. Patricia Weil Mrs. John H. Fox Sally Furay, R.S.C.J.* Katherine Kennedy Norma Jean “Jake” Yonchak (1908–2003) Treasurer Sheila Lipinsky *Executive Committee Member Audrey Geisel Timothy A. MacDonald Paul Harter DIRECTORS Susan Major Gordon Luce Mary Beth Adderley Arthur Neumann Dolly Poet Joseph Benoit Robert L. Noble, A.I.A. Deborah Szekely Charles Brazell Robin Nordhoff Hon. Pete Wilson

The Old Globe is supported in part by grants from The City of San Diego Commission for Arts and Culture, The Shubert Foundation, The County of San Diego, The National Endowment for the Arts, The San Diego Foundation's Weingart Price Fund, Mandell Weiss Charitable Trust and The San Diego Foundation's Arts & Culture Grants Program.

PERFORMANCES MAGAZINE P3 PRESENTS

THE COMEDY OF ERRORS

BY William Shakespeare

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Ralph Funicello+ Laurie Churba York Kennedy Christopher Walker

FIGHT DIRECTOR DRAMATURG Steve Rankin+ Dakin Matthews+

VOICE & SPEECH COACH STAGE MANAGER Jan Gist Julie Haber

DIRECTED BY Darko Tresnjak

+ Associate Artist of The Old Globe Casting by Liz Woodman and Brendon Fox

This production of The Comedy of Errors is generously sponsored by Union Bank of California -and- Kathryn Hattox

P4 PERFORMANCES MAGAZINE CAST OF CHARACTERS The Comedy of Errors

Solinus, Duke of Ephesus...... Michael A. Newcomer* Whore...... Carolyn Stone Egeon, a Merchant of Syracuse...... Charles Janasz* Sailor...... Ross Hellwig PRESENTS Antipholus of Syracuse...... Bruce Turk* Tailor...... Wynn Harmon* Antipholus of Ephesus...... J. Paul Boehmer* Goldsmith...... Matthew Gaydos Dromio of Syracuse...... Liam Craig* Cook...... Zura Young Dromio of Ephesus...... Evan Zes* Courtesan...... Leah Zhang Adriana...... Deirdre Lovejoy* Merchant...... David Villalobos THE COMEDY OF ERRORS Luciana...... Katie MacNichol* Hypnotist...... Wynn Harmon* Jailer...... Dan Hodge Jew...... Jon A. Sampson BY Executioner...... Brian Bielawski Muslim...... Melissa Condren Innkeeper...... Blake Longacre Lady Abbess...... Kandis Chappell* William Shakespeare Whore...... Edelen McWilliams Stage Manager...... Julie Haber* Assistant Stage Managers...... Moira Gleason*, Kathleen Reeves*, Tracy Skoczelas* Setting: Ephesus, 1935 There will be no intermission.

SYNOPSIS * Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. Egeon, a merchant of Syracuse, is condemned to death in Egeon, un mercader de Syracuse, es condenado a muerte en Efesos por Ephesus for violating the ban against trade between the two rival haber quebrantado la interdicción del comercio entre dos ciudades rivales. Al cities. As he is led to his execution, he tells Duke Solinus that he has ser llevado a su ejecución, le dice al duque Solinus que había venido a Efesos come to Ephesus in search of his family. Thirty years earlier his wife con la intención de encontrar a su familia. Treinta años habían pasado desde gave birth to twin boys (both named Antipholus). Simultaneously, a que su esposa había dado a luz a dos hijos gemelos, ambos llamados con el servant woman also delivered twin sons (both named Dromio). mismo nombre, Antífolo. Al mismo tiempo hubo una sirviente que dió a luz DIRECTED BY Egeon adopted her two infants, intending to raise them as attendants otros gemelos, ambos varones llamados Dromio. Egeon adoptó a sus dos to his sons. Sadly, his family was separated in a shipwreck — one pair hijos con la intención de criarlos como asistentes para sus hijos. Tristemente, Darko Tresnjak of infants being rescued with his wife, and the other pair with Egeon. su familia fué separada en un naufragio. Un par de los niños fué rescatado con The two boys Egeon raised to manhood, Antipholus and Dromio of su esposa y el otro par con Egeon. Los niños creados por Egeon, Antífolo y Syracuse, have gone abroad in search of their twin brothers and have Dromio de Syracuse, partieron al extranjero en busca de sus hermanos geme- not been seen since. After hearing the story, Solinus grants Egeon one los y desde entonces no se les ha vuelto a ver. Al oír la historia, Solinus le da a day to raise enough money to pay a large fine, which would allow him Egeon un solo día para poder generar suficientes fondos para pagar un multa + Associate Artist of The Old Globe to avoid execution. enorme la cual le permitiría escapar su ejecución. Casting by Liz Woodman and Brendon Fox Unbeknownst to Egeon, his son, Antipholus of Syracuse, and Mientras tanto, sin que Egeon esté informado, su hijo Antífolo de Antipholus' servant Dromio are also visiting Ephesus, where Syracuse y el asistente de Dromio también se encuentran de visita en Efesos, Antipholus' missing twin is a prosperous citizen. Adriana, Antipholus en donde el gemelo de Antífolo que se encuentra perdido es un ciudadano of Ephesus' wife, mistakes Antipholus of Syracuse for her husband próspero de la ciudad. Adriana, la esposa de Antífolo de Efesos, confunde a and drags him home for dinner, leaving Dromio of Syracuse to stand Antífolo de Syracuse con su esposo y se lo lleva a la fuerza a cenar a su casa, guard at the door. Antipholus and Dromio of Ephesus eventually dejando a Dromio de Syracuse cuidando la puerta. Antífolo y Dromio de return and are refused entry to the house. Meanwhile, Antipholus of Efesos regresan eventualmente pero se les prohibe entrar a la casa. Durante el Syracuse has fallen in love with Luciana, Adriana's sister, who is at transcurso de tiempo, Antífolo de Syracuse se ha enamorado de Luciana, la first appalled at the flirtatious behavior of the man she takes for her hermana de Adriana. Luciana se ofende al ver el comportaminto coqueto del brother-in-law. hombre al que ella considera ser su cuñado. The confusion rapidly mounts, involving more and more of La confusión se acumula rapidamente involucrando a los ciudadanos de Ephesus’ citizens. Finally Adriana believes her husband has gone Efesos aún más y más. Finalmente, Adriana cree que su esposo ha eloquecido mad and has him bound and thrown into a cellar. Antipholus and y ordena que se le aprenda y se encierre en un calabozo. Antífolo y Dromio de Dromio of Syracuse escape and attempt to flee the city, which they Syracuse escapan y tratan de abandonar la ciudad, la cual creen que está now belive to be enchanted. They are pursued until they take refuge at encantada. Por fín se refugian en un convento después de ser perseguidos a convent. At the hour of his execution, Egeon recognizes Antipholus intensamente. Egeon reconoce a Antífolo de Efesos a la hora de su ejecución of Ephesus, who of course doesn’t recognize him in return. At this pero él por supuesto no lo reconoce. En este momento se presenta una grande moment there is a huge surprise which clears up the confusion and sorpresa que aclara toda la confusión y lleva a la historia a una felíz conclusión brings the story to a joyful conclusion for all. para todos. Translations by AnaElvia Sánchez Teruel

PERFORMANCES MAGAZINE P5 PRESENTS

MACBETH

BY William Shakespeare

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC AND SOUND DESIGN Ralph Funicello+ Linda Cho York Kennedy Christopher Walker

FIGHT DIRECTOR DRAMATURG Steve Rankin+ Dakin Matthews+

VOICE & SPEECH COACH STAGE MANAGER Jan Gist Julie Haber

DIRECTED BY Paul Mullins

+ Associate Artist of The Old Globe Casting by Liz Woodman and Brendon Fox

This production of Macbeth is generously sponsored by Karen and Donald Cohn -and- Joan and Irwin Jacobs

P6 PERFORMANCES MAGAZINE CAST OF CHARACTERS M a c b e t h

Duncan, King of Scotland...... Wynn Harmon* Angus...... Ross Hellwig Malcolm, his elder son...... Jon A. Sampson Caithness...... Matt Biedel Donalbain, his younger son...... Blake Longacre MacUlrig...... Matthew Gaydos Macbeth...... Tom Hammond* 1st Witch...... Leah Zheng Lady Macbeth, his wife...... Deirdre Lovejoy* 2nd Witch...... Carolyn Stone 3rd Witch...... Melissa Condren Banquo...... J. Paul Boehmer* Fleance, his son...... Nicholas Barnes A Bloody Captain...... Bruce Turk* Macduff...... Michael A. Newcomer* A Porter...... Jonathan McMurtry* Lady Macduff, his wife...... Katie MacNichol* Seyton, an Officer attending on Macbeth...... Evan Zes* Young Macduff, their son...... Michael Drummond A Doctor...... Jonathan McMurtry* BY 1st Murderer...... Dan Hodge Lennox...... Liam Craig* 2nd Murderer...... David Villalobos Ross...... Charles Janasz* Gentlewoman attending on Lady Macbeth...... Edelen McWilliams William Shakespeare Menteith...... Brian Bielawski Gentlewoman attending on Lady Macduff...... Eve Danzeisen Stage Manager...... Julie Haber* Assistant Stage Managers...... Moira Gleason*, Kathleen Reeves*, Tracy Skoczelas* There will be one 15-minute intermission. SYNOPSIS * Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. On a battlefield, three witches speak of their plan to meet Macbeth, then Tres brujas se encuentran en un campo de batalla hablando del plan para quickly disappear. King Duncan and his men are met by a bleeding sergeant encontrarse con Macbeth y entocen desaparecen repentinamente. El Rey who tells them of the bravery in battle of Macbeth and Banquo. Duncan Duncan y sus hombres se encuentran con un sargento bañado en sangre quién orders the treacherous Thane of Cawdor killed, and his title given to les cuenta los detalles de la valentía en la batalla de Macbeth y Banquo. Duncan Macbeth, who is presently Thane of Glamis. ordena la muerte del malvado Barón de Cawdor, y también que su título sea The three witches are encountered by Macbeth and Banquo, and the dado a Macbeth, a quién se le conocía en ese tiempo como Barón de Glamis. women prophesy that Macbeth will be Thane of Cawdor and then King of Macbeth y Banquo se encuentran con las tres brujas. Ellas profetizan que Scotland, while Banquo's heirs shall be kings. The weird sisters disappear, Macbeth será Barón de Cawdor y después el Rey de Escocia, mientras que los and Macbeth and Banquo join Duncan and his men. Duncan confers the title herederos de Banquo serán reyes. Las exrtrañas hermanas se desaparecen y of Thane of Cawdor on a stunned Macbeth, but pronounces his own son, Macbeth y Banquo se reúnen con Duncan y sus hombres. Malcolm es el Malcolm, as the heir to the throne. To celebrate, they make a royal visit to heredero del trono. Para celebrar, hacen una visita real al castillo de Macbeth. Macbeth’s castle. Lady Macbeth recibe noticias de su esposo, la profesía y su nuevo título. Lady Macbeth receives news from her husband of the prophecy and his Ella recurre a los espíritus malos para que le den fortaleza para todo lo que ha new title. She calls on the dark spirits to give her strength for the deeds to de venir. El regreso de Macbeth es seguido casi inmediatamente por la llegada + Associate Artist of The Old Globe come. Macbeth's return is followed almost at once by Duncan's arrival. The de Duncan. Los Macbeth traman juntos y más tarde esa misma noche, Macbeth Casting by Liz Woodman and Brendon Fox Macbeths plot together and later that night, while all are sleeping, Macbeth asesina al rey. kills the King. El asesinato se descubre en el momento de la llegada de Macduff. Los hijos Macduff arrives and the murder is discovered. Duncan’s sons, Malcolm de Duncan, Malcolm y Donalbain, dejan el país con miedo de perder sus vidas. and Donalbain, fearing for their lives, flee the country. Macbeth is crowned Macbeth es coronado como rey de Escocia, pero se encuentra lleno de culpabili- King of Scotland, but is plagued by feelings of guilt and fear. He arranges for dad y miedo. Macbeth trata de que Banquo y su hijo Fleance sean asesinados Banquo and his son Fleance to be killed, but the boy escapes. At a celebratory pero el chico escapa. En un banquete Macbeth ve al fantasma de Banquo lo cual banquet Macbeth sees the ghost of Banquo, after which he seeks out the lo lleva a recurrir a las brujas, quienes le aseguran que estará salvo y seguro witches and is reassured when they say he will be safe until Birnam Wood hasta que Birmam Wood llegue a su castillo Dunsinane. Le informan que no comes to his castle, Dunsinane. They also inform him that he need fear no debe temerle a nada que haya sido engendrado de una mujer. one born of woman. Macbeth embarca un aterrorizante reinado en el que muchos, incluyendo la Macbeth embarks on a reign of terror and many, including Macduff's esposa de Macduff y sus hijos, son asesinados. Macduff se ha juntado con wife and children, are murdered. Macduff himself has gone to join Malcolm Malcolm en Inglaterra, donde forman una armada en contra de Macbeth. in England, where they gather an army against Macbeth. Meanwhile, Lady Mientras tanto, Lady Macbeth, invadida de culpabilidad, camina sonámbula Macbeth, wracked with guilt, walks in her sleep, reliving the murder of the revelando al mismo tiempo el asesinato del rey. Aquellos que le fueron fieles a king. Those loyal to Macbeth are fleeing his side but he has no fear until he Macbeth empiezan a huir también pero él no teme hasta que se entera que is told that Birnam Wood is moving towards him. Malcolm’s army carries Birnam Wood se aproxima rapidamente. La armada de Malcolm se cubre con branches from the forest as camouflage. Once in the castle, Macduff chal- ramas y varas para camuflajearse. Una vez ya dentro del castillo, Macduff reta a lenges Macbeth, who learns Macduff is not of woman born. Macduff tri- Macbeth, quien se entera que Macduff es el hijo nacido por cesaria que tuvo su umphs and Malcolm is crowned king. propia madre muy fuera de tiempo y sin haber enjendrado ni una sola mujer. Macduff triunfa y Malcolm es coronado como rey.

PERFORMANCES MAGAZINE P7 PRESENTS THE WINTER’S TALE

BY William Shakespeare

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC AND SOUND DESIGN Ralph Funicello+ Linda Cho York Kennedy Christopher Walker

FIGHT DIRECTOR DRAMATURG Steve Rankin+ Dakin Matthews+

VOICE & SPEECH COACH STAGE MANAGER Jan Gist Julie Haber

DIRECTED BY Darko Tresnjak

+ Associate Artist of The Old Globe Casting by Liz Woodman and Brendon Fox

This production of The Winter’s Tale is generously sponsored by John A. Berol -and- The Jessie Polinsky Artistic Fund

P8 PERFORMANCES MAGAZINE CAST OF CHARACTERS The Winter’s Tale Sicilians Bohemians Leontes, the King...... Bruce Turk* Polixenes, the King...... Tom Hammond* Hermione, the Queen...... Katie MacNichol* Florizel, the Prince...... Matt Biedel Mamillius, the Prince...... Nicholas Barnes/Michael Drummond Old Shepherd...... Jonathan McMurtry* Camillo, a Lord...... Charles Janasz* Clown, his Son...... Liam Craig* Paulina, a Lady...... Kandis Chappell* Autolycus, a Thief...... Evan Zes* Antigonus, a Lord...... Wynn Harmon* Mopsa...... Carolyn Stone Lords...... Matthew Gaydos, Dan Hodge, Jon A. Sampson Dorcas...... Zura Young THE WINTER’S TALE Ladies...... Melissa Condren, Carolyn Stone, Zura Young Shepherdess...…...... Melissa Condren Pages...... Blake Longacre, David Villalobos Shepherds...... Matthew Gaydos, Dan Hodge Jailers...... Matt Biedel, Brian Bielawski, Ross Hellwig Lord...... Michael A. Newcomer* Guards...... Matt Biedel, David Villalobos Mariner...... Brian Bielawski -and- Perdita, the lost Princess...... Eve Danzeisen Time, as Chorus...... Edelen McWilliams Stage Manager...... Julie Haber* Assistant Stage Managers...... Moira Gleason*, Kathleen Reeves*, Tracy Skoczelas* Setting: Sicilia and Bohemia Sixteen years separate the first and second half of the play. There will be one 15-minute intermission. SYNOPSIS * Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. PART ONE —King Leontes of Sicilia begs his childhood friend, King PRIMERA PARTE — El rey Leontes de Sicilia le ruega a su Polixenes of Bohemia, to extend his long visit. Leontes urges his pregnant amigo de la niñez, el rey Políxeno de Bohemia, que alargue su visita. wife, Queen Hermione, to add her plea. When she succeeds in convincing La reina Hermione también se lo pide y teniendo éxito se queda más Polixenes to stay, Leontes becomes obsessively jealous, thinking Hermione tiempo. Leontes se encela pensando que su esposa le ha sido infiel has been unfaithful with Polixenes. He asks his adviser, the lord Camillo, to con su mejor amigo y le pide a Lord Camilo que envenene a Políxeno poison Polixenes. Camillo instead warns Polixenes and flees with him, leav- pero él lo advierte y en vez de éso se escapan juntos, abandonando a DIRECTED BY ing Hermione and her little boy, Mamillius, to face the King's displeasure. Hermione y su hijito Mamillius. Leontes accuses Hermione as an adulteress and traitor and imprisons Leontes acusa a Hermione de adúltera y traicionera y la encar- her. In jail, she delivers a baby girl. Her lady-in-waiting Paulina, takes the cela. En la prisión ella dá a luz a una niña. Su dama de compañía Darko Tresnjak baby to Leontes hoping to soften his heart. Instead, Leontes, believing Paulina presenta la bebé ante Leontes con esperanza de conmoverlo, Polixenes to be the father, demands that Antigonus, Paulina’s husband, take pero en vez de eso, él ordena que Antígono abandone a la niña en el the baby into the wilderness and abandon her there. desierto. During her trial, the Oracle at Delphi sends a message vindicating Durante el juicio el Oráculo en Delfi manda un mensaje pero + Associate Artist of The Old Globe Hermione. Leontes denounces the Oracle, and then finds out that his son Leontes denuncia el Oráculo y más tarde se entera que Mamillius ha Casting by Liz Woodman and Brendon Fox Mamillius has died from heartbreak. Hermione collapses. Leontes admits his muerto de un corazón roto. Hermione se desvanece y Leontes injustice. Paulina enters and announces that Hermione has died. The devas- admite su injusticia. Hermione también muere. Leontes se consagra tated Leontes commits himself to a life of atonement. Meanwhile, Antigonus a una vida de sacrificio. Antígono, marido de Paulina, pone la niña places the baby on a beach in Bohemia. He is killed by a bear. A shepherd en la playa de Bohemia y es luego matado por un oso. La niña es and his son find the child and take her home, adopting her as their own. encontrada por un pastor y su hijo, y es adoptada. PART TWO — The symbolic character of “Time” announces that sixteen SEGUNDA PARTE — Representado simbólicamente, el Tiempo years have passed. In Bohemia, Polixenes’ son, Florizel, has fallen in love anuncia que han pasado diez y seis años. Florizel, hijo de Políxeno, with the shepherd's daughter, Perdita. Polixenes and Camillo, seeking se ha enamorado de Perdita, la hija del pastor. Camilo y Políxeno se Florizel, attend the peasant sheep-shearing feast in disguise, where they are presentan en la trasquila con intención de encontrar a Perdita quién charmed by Perdita and entertained by the rogue minstrel and pickpocket, los entretiene y divierte junto con Autólycus, el bribón trovador y Autolycus. Polixenes reveals his identity, reprimands his son and demands carterista. Políxeno revela su identidad, regaña a su hijo y le ordena he renounce Perdita. Camillo persuades Florizel and Perdita to escape to que renuncie a Perdita. Políxeno anima a Florizel y Perdita a escapar Sicilia. a Sicilia. Leontes welcomes Florizel and the shepherdess Perdita. As Polixenes and Leontes les da la bienvenida mientras que Políxeno y Camilo lle- Camillo arrive, the tale told by the shepherds reveals Perdita to be Leontes’ gan, pero es la historia que ellos cuentan que revela que Perdita es la banished daughter. As all rejoice, Paulina leads them to the chapel to see a hija ausente de Leontes. Mientras todos se regocijan, Paulina los newly completed statue of Hermione. The play concludes in a scene of guía hacia la capilla a que vean una nueva estatua de Hermoine. La reunion and redemption. obra concluye con una escena de reunión y liberación.

PERFORMANCES MAGAZINE P9 Executive Producers - Leadership Gifts

The Executive Producers are a special group of friends who believe that The Old Globe plays an essential role in this community. Each has made a recent leadership gift of $1,000,000 or greater to significantly enhance The Old Globe today, paving a bright future for the Globe in years to come:

$5,000,000 or greater $1,000,000 or greater Audrey S. Geisel/ San Diego Foundation Dr. Seuss Fund

Estate of Beatrice P. Lynds

Mr. and Mrs. Victor H. Ottenstein Photo by Melissa Jacobs Estate of Dorothy Shorb Prough Sheryl and Harvey P. White Donald and Darlene Shiley

We applaud the leadership and vision of these truly wonderful friends. To learn more about becoming an Executive Producer, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310. Listing represents gifts received after January 2000.

Advisory Council Members

Robert S. Albritton Dr. Bernard Eggertsen & Bob Martinet & Susan Parkin Dorothy & Joel Sollender Mr. Lawrence Alldredge Ms. Florence Nemkov Dr. Marianne McDonald Gail Squires & Yaman Sencan Dr. Paul L. Black Mrs. Danah H. Fayman Paul I. Meyer Ms. Jeanette Stevens Clint Burdett Fifth & Hawthorn Restaurant/ Mr. & Mrs. George Miller Dr. & Mrs. Jay Sweeney Dave Witt Trish Butler Mrs. Harle Montgomery Marc R. Tarasuck, AIA Mr. & Mrs. Arnold Ginnow Dr. & Mrs. Edgar D. Canada David & Noreen Mulliken Dixie & Ken Unruh Mr. & Mrs. Leonard Hirsch Mr. & Mrs. Dallas Clark Bette Nagelberg Omar & Carol Winter Mr. & Mrs. Alfred W. JaCoby Steven J. Cologne Charles Noell June Yoder Russell & Mary Johnson R. Patrick & Sharon Connell Mr. & Mrs. Victor H. Mr. & Mrs. Robert D. Young Mr. & Mrs. J. Robert King Mrs. Susan B. Cowell Ottenstein Ken & Sheryl King Pat & Dan Derbes Mr. & Mrs. Blaine Quick For more information, Bob & Laura Kyle please contact Michele Prosser Mrs. Philip H. Dickinson Mr. & Mrs. Arthur Rivkin Terry & Mary Lehr at (619) 231-1941 x2311. Mr. & Mrs. Robert W. Doede Mr. & Mrs. Roger Roberts Ruth & Ron Leonardi Ms. Marion Eggertsen Donald & Darlene Shiley Peter & Inge Manes Ms. Roberta Simpson

P10 PERFORMANCES MAGAZINE 90thbirthday a birthday celebration for craig noel 2005 marks The Old Globe’s 70th Anniversary as well as the 90th Birthday of Founding Director Craig Noel. We’re planning a very special birthday celebration for Craig and want to make sure Join us to wish San Diego’s you save the date of Thursday, August 25, “Living Treasure” a very 2005 Happy 90th Birthday! in your calendars. After 68 years and more than 225 directing Thursday, August 25, 2005 posts at The Old Globe, Craig continues to help chart the theatre’s future and ensure > 5:00pm Birthday Reception the theatre’s long-term stability. (The Old Globe’s Copley Plaza) > 5:30pm Bust Unveiling To mark the occasion, The Old Globe has commissioned nationally-renowned sculptor > 6:30pm Birthday Dinner Lark Dimond Cates to create a bronze like- (San Diego Museum of Art Sculpture ness Court) of Craig to be unveiled on August 25th at a > 8:00pm Special Birthday Presentation champagne and hors d’oeuvre reception. > Reception: $90/person Following the reception will be a Birthday Dinner at the Sculpture Court of the San > Reception/Dinner: $450/person Diego Museum of Art, toasting a man whose energy, vision and commitment have made live theatre such a vital and vibrant element in San Diego.

Lowell Davies and Craig Noel in Craig Noel in 1957 Craig and his beloved friend Bijou in DirectingPERFORMANCES Springtime MAGAZINE for HenryP11 in

Major underwriting for this event provided by Donald and Darlene Shiley, Audrey Geisel, The Lipinsky Family and County Board of Supervisors Chairwoman Pam Slater-Price and the County of San Diego. The 2005 Shakespeare Festival Company

NICHOLAS BARNES MATT BIEDEL BRIAN BIELAWSKI J. PAUL BOEHMER KANDIS CHAPPELL

MELISSA CONDREN LIAM CRAIG EVE DANZEISEN MICHAEL DRUMMOND

MATTHEW GAYDOS TOM HAMMOND WYNN HARMON ROSS HELLWIG DAN HODGE

CHARLES JANASZ BLAKE LONGACRE DEIRDRE LOVEJOY KATIE MACNICHOL JONATHAN MCMURTRY

EDELEN MCWILLIAMS MICHAEL A. NEWCOMER JON A. SAMPSON CAROLYN STONE

BRUCE TURK DAVID VILLALOBOS ZURA YOUNG EVAN ZES LEAH ZHANG

P12 PERFORMANCES MAGAZINE The Old Globe is thrilled to present the 2005 Summer Shakespeare Festival as part of our 70th Anniversary Season. Three of the Bard's most beloved productions — The Comedy of Errors, Macbeth and The Winter’s Tale are running in repertory from June 19 through October 2, performed by a resident acting company. The plays rotate on a nightly basis, offering patrons the opportunity to see three different Shakespeare productions on three consecutive nights. The Globe revived the Shakespeare Repertory in 2004 after an absence of nearly 20 years, and we are delighted to bring back this time-honored tradition begun by Globe Founding Director Craig Noel.

ACTOR THE COMEDY OF ERRORS MACBETH THE WINTER’S TALE

NICHOLAS BARNES Fleance Mamillius (alt. performances) MATT BIEDEL Caithness Guard/Florizel BRIAN BIELAWSKI Executioner Menteith Jailer/Mariner J. PAUL BOEHMER* Antipholus of Ephesus Banquo KANDIS CHAPPELL*+ Lady Abbess Paulina MELISSA CONDREN Muslim 3rd Witch Lady/Shepherdess LIAM CRAIG* Dromio of Syracuse Lennox Clown EVE DANZEISEN Gentlewoman Perdita MICHAEL DRUMMOND Young Macduff Mamillius (alt. performances) MATTHEW GAYDOS Goldsmith MacUlrig Sicilian Lord/Shepherd TOM HAMMOND* Macbeth Polixenes WYNN HARMON* Tailor/Hypnotist Duncan Antigonus ROSS HELLWIG Sailor Angus Jailer DAN HODGE Jailer 1st Murderer Sicilian Lord/Shepherd CHARLES JANASZ* Egeon Ross Camillo BLAKE LONGACRE Innkeeper Donalbain Page DEIRDRE LOVEJOY* Adriana Lady Macbeth KATIE MACNICHOL* Luciana Lady Macduff Hermione JONATHAN MCMURTRY*+ Porter/Doctor Old Shepherd EDELEN MCWILLIAMS Whore Gentlewoman Time MICHAEL A. NEWCOMER Solinus Macduff Bohemian Lord JON A. SAMPSON Jew Malcolm Sicilian Lord CAROLYN STONE Whore 2nd Witch Lady/Mopsa BRUCE TURK* Antipholus of Syracuse Bloody Captain Leontes DAVID VILLALOBOS Merchant 2nd Murderer Page/Guard ZURA YOUNG Cook Lady/Dorcas EVAN ZES* Dromio of Ephesus Seyton Autolycus LEAH ZHANG Courtesan 1st Witch

*Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. Students from The Old Globe/University of San Diego Master of Fine Arts Program +Associate Artist of The Old Globe

PERFORMANCES MAGAZINE P13 Nicholas Barnes He holds a BFA from Southern Methodist Night with Conan O’Brien, Law & Order, Law & (Fleance; Mamillius on alt. performances) University and an MFA from the Professional Order: SVU. FILM: The Royal Tenenbaums. EDU- Nick Barnes is delighted to be making his first Theatre Training Program at the University of CATION: Mr. Craig received his MFA from appearance at The Old Globe. Nick has Delaware. NYU’s Graduate Acting Program. appeared in A Celebration of Seuss at the San Diego County Fair and at UCSD, as well as Kandis Chappell Associate Artist Eve Danzeisen numerous school productions. Nick is a stu- (Lady Abbess; Paulina) (Gentlewoman; Perdita) dent at Skyline Elementary School in Solana THE OLD GLOBE: More than 30 produci- THE OLD GLOBE: Debut. With The Old Beach. tons including Julius Caeser, Henry V, Collected Globe/USD Professional Actor Training Stories, Intimate Exchanges, The Dining Room, King Program: Major Barbara, Sir Patient Fancy, Uncle Matt Biedel Lear, The Merchant of Venice. BROADWAY: Vanya. NEW YORK: Rocket to the Moon, One Sax, (Caithness; Guard/Florizel) Rumors, Getting Away with Murder, Pride’s Leight Rain, A Coupla’ Bimbos Sittin’ Around Talkin’, With The Old Globe/USD Professional Actor Crossing. REGIONAL: The Guardsman, Arcadia, Seascape with Sharks and Dancer, Measure for Training Program: Major Barbara, Sir Patient Huntington Theatre; Woman in Mind, The Magic Measure, The Bitter Tears of Petra Von Kant, Alice (in Fancy, Uncle Vanya. REGIONAL: The Merry Fire, Milwaukee Rep; Intimate Exchanges, Three Wonderland), The Shortchanged Review. REGION- Wives of Windsor, Actors Repertory Theater Tall Women, Intiman Theatre; San Jose Rep; AL: The Moon Puppies, Love’s Labour’s Lost, When Ensemble; The Last Night of Ballyhoo, Provo ACT; Williamstown; Arizona Theatre She Danced. FILM: The Outside, Falsies, The Thin Theatre Company. ELSEWHERE: An Ideal Company; and more than 15 productions at Line, Confessions from Beyond. Husband, Bedroom Farce, Goodbye Marianne, Mere South Coast Rep. EDUCATION: Ms. Chappell holds a BA from SDSU. Michael Drummond Mortals, The Importance of Being Ernest. FILM: (Young Macduff; Mamillius on alt. performances) Zero Effect, Auteur. Eleven year-old Michael Drummond is thrilled Melissa Condren to make his Old Globe debut. Credits include: (Muslim; 3rd Witch; Lady/Shepherdess) Brian Bielawski Bye Bye Birdie, Annie Get Your Gun,Welk Resort THE OLD GLOBE: Debut. With The Old (Executioner; Menteith; Jailer/Mariner) Theatre; Festival of Christmas, Lambs Players Globe/USD Professional Actor Training THE OLD GLOBE: Antony and Cleopatra, As You Theatre; and several CCT and CYT productions. Program: Major Barbara, Sir Patient Fancy, Uncle Like It, The Two Noble Kinsmen. With The Old He also loves tap dancing, hip hop, singing, and Vanya. REGIONAL: Be Agressive, Theatre Globe/USD Professional Actor Training surfing. Program: Major Barbara, Sir Patient Fancy, Works. ELSEWHERE: King Lear, Private Lives, Relatively Speaking, The Cherry Orchard, Twelfth Calaveras Repertory Theatre; A Midsummer Matthew Gaydos Night. REGIONAL: A Midsummer Night's Dream, Night’s Dream, RADA; The Last Night of Ballyhoo, (Goldsmith; MacUlrig; Sicilian Lord/Shepherd) Noises Off, The Millionairess, Brownville Village California Conservatory Theatre; The Winter’s THE OLD GLOBE: Antony and Cleopatra, As You Theatre; Mame, Light Up the Sky, The Little Foxes, Tale, Joyful Noise, Bus Barn Stage Company; A Like It, The Two Noble Kinsmen. With The Old The Summer Place, Inc. UNIVERSITY OF Christmas Carol, Tabard Theatre; March Tale, Globe/USD Professional Actor Training EVANSVILLE: How I Learned to Drive, Jekyll and Actor’s Repertory Theatre Ensemble; Much Ado Program: Major Barbara, Sir Patient Fancy, Hyde, Julius Caesar, Awake and Sing, The Grapes of About Nothing, Quilters, Arms and the Man, The Relatively Speaking, The Cherry Orchard, Twelfth Wrath, Caucasian Chalk Circle, Rumors. EDUCA- Cherry Orchard, Black Comedy, Brigham Young Night. REGIONAL: Mrs. Bob Cratchit’s Wild TION: Mr. Bielawski holds a BFA in Theatre University. EDUCATION: BFA from Brigham Christmas Binge, City Theatre. ELSEWHERE: Performance from the University of Evansville. Young University. Ms. Condren is the recipi- Major Barbara, Hamlet, She Stoops to Conquer, ent of the 2005 Craig Noel Award in The Old Pittsburgh Irish & Classical Theatre; The Winter’s J. Paul Boehmer Globe/USD Professional Actor Training Tale, Unseam’d Shakespeare Co; Much Ado About (Antipholus of Ephesus; Banquo) Program. Nothing, Uncle Vanya, The Learned Ladies, The Real THE OLD GLOBE: Debut. BROADWAY: Sir Thing, Waiting for Godot, U. Pitt Rep. Peter Hall’s acclaimed production of An Ideal Liam Craig Husband. OFF-BROADWAY: Miss Evers’ Boys (Dromio of Syracuse; Lennox; Clown) Tom Hammond (NY premiere). NEW YORK: New Yorrick, New THE OLD GLOBE: Antony and Cleopatra, The (Macbeth; Polixenes) Yorrick, End of Day. REGIONAL: Pioneer Two Noble Kinsmen, Julius Caesar, Pericles. OFF- THE OLD GLOBE: Debut. OFF-BROADWAY: Theatre Company, Arena Stage, Seattle Rep, BROADWAY: Aunt Dan and Lemon, The New The Stendhal Syndrome, Julius Caesar, Cymbeline, The Huntington Theatre, Cincinnati Playhouse in Group; The Two Noble Kinsmen, Public Theatre; General from America, Troilus and Cressida, Richard the Park, Cleveland Playhouse, Missouri Don Juan, Theater for a New Audience; The III, Richard II, Macbeth. REGIONAL: All My Sons, Repertory Theatre, Walnut Street Theatre, Secret Order, EST; Juno and the Paycock, Pericles, Love’s Labour’s Lost, Permanent Collection, Syracuse Stage, Berkshire Theatre Festival and Roundabout Theatre; Hotel Universe, Blue Light The Rainmaker, The Real Thing. TV: All My Children, Theatre Works Palo Alto. FILM/TV: The Theatre Co. REGIONAL: Moving Picture, None Without Sin. Thomas Crown Affair, Star Trek: Enterprise, Voyager Williamstown Theatre Festival; Amphitryon, and Deep Space Nine, Frasier, Judging Amy, Guiding Huntington Theatre; Henry V, Shakespeare on Light and All My Children. Paul also narrates the Sound; Rosencrantz and Guildenstern Are books on tape and is most proud of the award- Dead, California Shakespeare Festival; Side winning unabridged recording of Moby Dick. Man, Arizona Theatre Company; The Lady from the Sea, Intiman Theatre. TV: Boston Legal, Late

P14 PERFORMANCES MAGAZINE Playhouse; Macbeth, Cyrano de Bergerac, Westport/Cape/Ogunquit Playhouses. Five Wynn Harmon Weatherford Repertory Theatre; Marathon 33, seasons at New York Stage and Film. TV: The (Tailor/Hypnotist; Duncan; Antigonus) The Dining Room, Much Ado About Nothing, West Wing, Without a Trace, NYPD Blue, Judging THE OLD GLOBE: Pericles. BROADWAY: Rumors, University of Evansville. EDUCA- Amy, Third Watch, Ed, Kingpin, Spin City, Law & Porgy and Bess. OFF-BROADWAY: As You Like TION: BFA from the University of Evansville. Order (all four). UPCOMING: season four of It, The New Yorkers, Tibet Does Not Exist (pre- HBO’s critically-acclaimed series The Wire as miere). REGIONAL: A Moon for the attorney Rhonda Pearlman. TRAINING: Misbegotten, Long Wharf Theatre; The Way of the Charles Janasz (Egeon; Ross; Camillo) University of Evansville (BFA) and NYU World, Huntington Theatre; Silent Edward, La THE OLD GLOBE: Antony and Cleopatra, As You (MFA). Visit www.DeirdreLovejoy.com. Jolla Playhouse; Dr. Faustus, Pure Poe, Capital Like It, The Two Noble Kinsmen, Pericles, Richard III, Rep; The Marriage of Figaro, American Repertory A Midsummer Night’s Dream. BROADWAY: Theatre; Sylvia, Syracuse Stage; Travels with My Katie MacNichol Amadeus. REGIONAL: Over 45 productions at (Luciana; Lady Macduff; Hermione) Aunt, Virginia Stage; The West End Horror (pre- the Guthrie Theater, including Private Lives, THE OLD GLOBE: Antony and Cleopatra, As You miere), Bay Street Theatre; Noises Off, Les Trois Amadeus, A Month in the Country, Racing Demon, Like It, All in the Timing. BROADWAY: The Green Dumas (premiere), Indiana Repertory Theatre; Molly Sweeney, Too Clever by Half, King Lear, Much Bird, Two Shakespearean Actors. OFF-BROAD- A Christmas Carol, Milwaukee Rep; The Normal Ado About Nothing, The Merchant of Venice, WAY: The Cider House Rules, King John, The Food Heart, Edith Stein, She Loves Me, A Midsummer Measure for Measure, K: Impressions of The Trial by Chain. LONDON: A Chaste Maid in Cheapside, Night’s Dream, Pittsburgh Public Theatre; The Franz Kafka, and title roles in Richard II, Pericles Shakespeare’s Globe Theatre. REGIONAL: All Three Sisters, Ring ‘Round the Moon, American and Fantasio; Uncle Vanya, Ghosts, Animal Crackers, My Sons, The Voice of the Turtle, Westport Country Conservatory Theatre; 1776, Moon Over Buffalo, The Cocoanuts, The Three Sisters, Still Life, Arena Playhouse; The Real Thing, Dallas Theater Anything Goes, Riverside Theatre; The Comedy of Stage; also credits at the Ahmanson Theatre, Center; The Moliere Comedies, Mark Taper Errors, The Merchant of Venice, VITA Shakespeare New York Shakespeare Festival, Playwright’s Forum; The Rainmaker, The Glass Menagerie, The Festival; Much Ado About Nothing, Romeo and Horizons, Williamstown Theatre Festival, Show Off, Slavs, Center Stage; A Midsummer Juliet, Hudson Valley Shakespeare Festival; As Geffen Playhouse, Seattle Rep, La Jolla Night’s Dream, She Stoops to Conquer, Shakespeare You Like It, Shakespeare Festival of St. Louis Playhouse, Center Stage, The Empty Space, Santa Cruz; The Importance of Being Earnest, (winner, Best Supporting Actor, 2004 St. Huntington Theatre. TV: Mystery Woman, 7th McCarter Theatre; Yale Rep, Williamstown Louis Critics Award for role of Jacques). Heaven, Philly, Crossing Jordan, Frasier, Ball and Theatre Festival, Denver Center Theatre, FILM: Paper Cranes. TV: Live from Lincoln Center, Chain, The Pretender, Dharma & Greg, Time of Your Intiman Theatre, Portland Center Stage, Trinity All My Children. EDUCATION: Mr. Harmon Life, All My Children. TRAINING: The Juilliard Rep, Huntington Theatre, Actors Theatre. graduated Magna Cum Laude from Boston School. FILM: Garmento, Bamboozled, Bury the Evidence. University and holds an MFA from American TV: The Practice, Medical Investigation, Law & Conservatory Theatre. Blake Longacre Order: CI. Ross Hellwig (Innkeeper; Donalbain; Page) THE OLD GLOBE: Antony and Cleopatra. With Associate Artist (Sailor; Angus; Jailer) Jonathan McMurtry The Old Globe/USD Professional Actor (Porter/Doctor; Old Shepherd) THE OLD GLOBE: Vincent in Brixton, Antony Training Program: Major Barbara, Sir Patient THE OLD GLOBE: Over 170 productions and Cleopatra, As You Like It, Don Juan. With The Fancy, Uncle Vanya. ELSEWHERE: Anticipating since 1961, including Antony and Cleopatra, As Old Globe/USD Professional Actor Training Heat, Playwrights Horizons; This Lime Tree You Like It, Bus Stop, Da, Henry V, The Seagull, Program: Major Barbara, Sir Patient Fancy, The Bower, Guthrie Lab; Horse Country, Vital Romeo and Juliet, Othello, Macbeth, American Cherry Orchard, Twelfth Night. ELSEWHERE: Theatre. TV: One Life to Live, The Dave Chapelle Buffalo, Henry IV, Home, Hamlet, Waiting for Godot, Spinning into Butter, Pittsburgh Public Theatre; Show. EDUCATION: BS in Theatre from Timon of Athens, There’s One in Every Marriage, Romeo and Juliet, Theatreworks/USA; And Then Northwestern University. (San Diego Critics’ Circle Award), King Lear, They Came for Me, Mill Mountain Theatre; Rashomon, Dear Liar, Moby Dick Rehearsed. ELSE- Romeo and Juliet,Pennsylvania Shakespeare WHERE: A Life in the Theatre (San Diego Festival. FILM & TV: Law & Order: SVU, Guiding Deirdre Lovejoy (Adriana; Lady Macbeth) Critics’ Circle Award), North Coast Rep, Light. EDUCATION: BFA in Acting from the THE OLD GLOBE: Debut. BROADWAY: The Gaslamp Theatre; Picasso at the Lapin Agile, A University of Arizona. Gathering, Getting and Spending, Six Degrees of Christmas Carol, Uncle Vanya, San Diego Rep; Separation (also first national tour). OFF- leading roles at theatres throughout the U.S., Dan Hodge BROADWAY: How I Learned to Drive, Century including South Coast Rep, Alley Theatre, (Jailer; 1st Murderer; Sicilian Lord/Shepherd) Theatre; The Water Children, Playwrights Studio Arena, Syracuse Stage, Arizona Theatre THE OLD GLOBE: Debut. With The Old Horizons; A Midsummer Night’s Dream (Helena), Company, San Jose Rep, Alaska Rep, Globe/USD Professional Actor Training Machinal, Public Theatre; Henry IV (Delacorte, Ahmanson Theatre, Mark Taper Forum, LATC, Program: Major Barbara, Sir Patient Fancy, Uncle dir. Joseph Papp), Vineyard Theatre; Primary Indiana Rep, Berkeley Rep, and the roles of Vanya. REGIONAL: Much Ado About Nothing, Stages, among others. REGIONAL: Heartbreak Shylock and Macbeth at Walnut Creek’s The Merry Wives of Windsor, Michigan House (dir. Darko Tresnjak), Huntington Regional Center for the Arts. Mr. McMurtry is Shakespeare Festival; Candida, As You Like It, Theatre; How I Learned to Drive (Helen Hayes the recipient of the KPBS Patté Award for The Cherry Orchard, Love’s Labour’s Lost, nom.), Arena Stage; The Rivals, Williamstown “Shiley Lifetime Achievement” in Theatre, the Peterborough Players; Bus Stop, Cleveland Theatre; Dark Rapture, ACT; Noises Off, ‘92 Joe Callaway Award, L.A. Critics Circle

PERFORMANCES MAGAZINE P15 Award for the title role in Uncle Vanya, and 30 Merchant of Venice, Twelfth Night, The Comedy of Zura Young Drama-Logue Awards. FILM: Running with Errors, Stone Soup Studio. (Cook; Lady/Dorcas) Scissors (with Annette Bening, soon to be THE OLD GLOBE: Antony and Cleopatra, As released), Beautiful Joe (with Sharon Stone), Carolyn Stone You Like It. With The Old Globe/USD Little Nikita, Best Laid Plans, The Settlement. TV: (Whore; 2nd Witch; Lady/Mopsa) Professional Actor Training Program: Major Encore! Encore!, The Skin of Our Teeth (live PBS THE OLD GLOBE: Antony and Cleopatra, The Barbara (Lady Brit), Sir Patient Fancy (Isabella), telecast from the Globe), thirtysomething, Cheers, Two Noble Kinsmen, Sky Girls. With The Old Relatively Speaking, The Cherry Orchard, Twelfth Almost Perfect, The Naked Truth, Wings, Frasier. Globe/USD Professional Actor Training Night. UNIVERSITY OF EVANSVILLE: The Program: Major Barbara, Sir Patient Fancy, Kentucky Cycle (Mary Ann Rowen Jackson), Edelen McWilliams Relatively Speaking, Twelfth Night. NEW YORK: Caucasian Chalk Circle (Governor's Wife), Julius (Whore; Gentlewoman; Time) The Mistress of the Inn, Handcart Ensemble. Caesar, Carousel, The Merchant of Venice, Jack’s THE OLD GLOBE: Antony and Cleopatra, As REGIONAL: Gun-Shy, Salt Lake Acting Holiday and Boys Life. UNLV: Of Mice and Men, You Like It, Don Juan. With The Old Company; The Last Night of Ballyhoo, Provo The Comedy of Errors. ELSEWHERE: Under Milk Globe/USD Professional Actor Training Theatre Company; Romeo and Juliet, Crimes of Wood, Lend Me a Tenor, All in the Timing, The Program: Major Barbara, Sir Patient Fancy, The the Heart, Actors’ Rep Theatre Ensemble. Heiress and The Wizard of Oz. EDUCATION: Cherry Orchard, Twelfth Night. OFF-BROAD- EDUCATION: BA in Acting from BYU. BS in Theatre Performance from the WAY: Tabletop, American Place Theatre (u/s). University of Evansville, MFA Old OFF-OFF-BROADWAY: The Seagull, Blue Bruce Turk Globe/USD. Light Theatre Company; Admissions, Blue (Antipholus of Syracuse; Bloody Captain; Leontes) Heron Theatre (both directed by Austin THE OLD GLOBE: Antony and Cleopatra, As Evan Zes Pendleton); I Wanna Be Adored, NY You Like It, Don Juan. BROADWAY: The Green (Dromio of Ephesus; Seyton; Autolycus) Performance Works; as well as productions Bird (title role), Juan Darien. OFF-BROAD- THE OLD GLOBE: Debut. OFF-BROAD- with IAE, NYU Directors Lab, MCC Summer WAY: Pericles, BAM; King John, Titus Andronicus, WAY: Time to Burn, American Dreams Lost and Play Party. FILM: Engine Trouble, Trifling with The Green Bird. REGIONAL: The Silent Woman, Found, Romeo and Juliet. INTERNATIONAL: Fate, Tuesday (also writer/producer), Boxes, The Shakespeare Theatre; Don Juan, McCarter The King Stag, Barbican-London; The Seagull, Romance in Durango, Pillow Talk. EDUCATION: Theatre, Seattle Rep; The Tempest, Picasso at the Moscow Art Theatre. TOURS: As You Like It, BA from Middlebury College. Lapin Agile, The Rivals, Don Quixote, Macbeth, The Tempest, The Acting Company. REGION- Fables, Denver Center; The Tempest, Red Noses, AL: Pericles, The Shakespeare Theatre; Full Michael A. Newcomer Goodman Theatre; The Miser, Geva Theatre; A Circle, Ivanov, The Merchant of Venice, American (Solinus; Macduff; Bohemian Lord) Midsummer Night’s Dream, She Stoops to Conquer, Repertory Theatre; Much Ado About Nothing, THE OLD GLOBE: Debut. REGIONAL: The Shakespeare Santa Cruz; Rhinoceros, Measure for San Francisco Shakespeare Festival; Karagiosis, Importance of Being Earnest, Dallas Theatre Measure, Macbeth, Shakespeare Theatre of New Mettawee River Theatre. FILM: The Street. TV: Center; Tallgrass Gothic, A Bone Close to My Jersey; Swimming in March, Market Theatre; All My Children. EDUCATION: Mr. Zes Brain, Actors Theatre of Louisville, Humana Much Ado About Nothing, Equus, Cincinnati received an MFA in Acting from the American Festival; The Devils, Antigone, The Merchant of Playhouse; La Jolla Playhouse; Remains Repertory Theatre/Moscow Art Theatre at Venice, The Seagull, Flesh and Blood, Portland Theatre; Prince Music Theatre. FILM/TV: Law Harvard University. Center Stage; The Glass Menagerie, Virginia & Order: SVU, Third Watch, Garmento, Lighthouse, Stage Company; Loot, Intiman Theatre; Midnight Spin. INTERNATIONAL: Tadashi Leah Zhang Wintertime, A Contemporary Theatre; Romeo Suzuki’s Acting Company in Mito and (Courtesan; 1st Witch) and Juliet, Alliance Theatre; A Christmas Carol, Togamura, Japan. THE OLD GLOBE: Debut. With The Old Ford's Theatre; Love! Valour! Compassion!, The Globe/USD Professional Actor Training Devils, Actor's Express. FILM: Unforgivable, A David Villalobos Program: Major Barbara, Sir Patient Fancy, Uncle Father's Revenge, In the Flesh. TV: All My Children. (Merchant; 2nd Murderer; Page/Guard) Vanya. REGIONAL: Love’s Labour’s Lost, The THE OLD GLOBE: Debut. With The Old Taming of the Shrew, Antony and Cleopatra, Jon A. Sampson Globe/USD Professional Actor Training American Players Theatre; The Shaughraun, A (Jew; Malcolm; Sicilian Lord) Program: Major Barbara, Sir Patient Fancy, Uncle Christmas Carol, Milwaukee Rep. ELSE- THE OLD GLOBE: Antony and Cleopatra, As Vanya. NEW YORK: Cellophane, Flea Theatre; WHERE: A Thousand Cranes, Nebraska Theatre You Like It, Don Juan. With The Old City Canyons, Gene Frankel Theatre. REGION- Caravan; Northanger Abbey, Johnny Appleseed, Globe/USD Professional Actor Training AL: Three Days of Rain, Northern Stage; Othello, Creede Repertory Theatre; When the Moon Program: Major Barbara, Sir Patient Fancy, The Shakespeare Theatre of New Jersey; Love’s Disappeared, Chicago Dramatists. FILM: Cherry Orchard, Twelfth Night. ELSEWHERE: Labour’s Lost, Antigone, Dark of the Moon, Next Ocean’s Twelve. EDUCATION: Knox College in Romeo and Juliet, Much Ado About Nothing, Stage Ensemble at Shakespeare Theatre of Galesberg, Illinois. Macbeth, The Winter’s Tale, Othello, illusions of New Jersey; The Seagull, George Street grandeur; The Taming of the Shrew, Sexual Playhouse. ELSEWHERE: The Tempest, Crimes Perversity in Chicago, ‘Dentity Crisis, The Empty of the Heart, Raft of the Medusa, The Threepenny Space; Titus Andronicus, The Merry Wives of Opera, Merrily We Roll Along, Fiorello, Godspell, Windsor, Kern Shakespeare Festival; The Sweet Charity, Pippin. TV: All My Children. Tempest, Theatre Arts Productions; The

P16 PERFORMANCES MAGAZINE Darko Tresnjak Nothing, Reckless and The Merry Wives of Windsor of Louisville; The Firecracker, Michael Mao (Artistic Director, 2005 Summer Shakespeare Festival; at American Stage; As You Like It at the Juilliard Dance; Orpheo ed Euridice, Virginia Opera; The Director: The Comedy of Errors, The Winter’s Tale) School and Summerfolk at the Yale School of Magic Flute, Opera Theatre of St. Louis, and Darko Tresnjak's theater credits include: Drama. As an actor: off-Broadway: True Love, several productions at the Huntington Theatre Pericles, The Two Noble Kinsmen, Antony and The Torchbearers, Never the Sinner, The Merchant of and Williamstown Theatre Festival, including Cleopatra, The Old Globe; The Two Noble Venice. Also credits at Steppenwolf, Moving Picture and Once in a Lifetime. Ms. Cho Kinsmen, The Public Theater; Princess Turnadot, Shakespeare Theatre of New Jersey, The holds an MFA from the Yale School of Drama Hotel Universe, Blue Light Theater Company; Shakespeare Theatre, DC, Yale Rep, Portland and is the recipient of the 2003 Craig Noel More Lies About Jerzy, Vineyard Theater Stage, Indiana Repertory Theatre. Award for Excellence in Theatre in San Diego Company; The Skin of Our Teeth, Rosencrantz and for her work on the Globe’s acclaimed produc- Guildenstern Are Dead, The Winter’s Tale, Under Ralph Funicello Associate Artist tion of Pericles, directed by Darko Tresnjak. Milk Wood, Moving Picture, The Blue Demon, (Scenic Design) Princess Turandot, The Love of Three Oranges, THE OLD GLOBE: 2004 Summer Laurie Churba Williamstown Theatre Festival; Heartbreak Shakespeare Festival, Julius Caesar, Pericles, The (Costume Design: The Comedy of Errors) House, What the Butler Saw, Amphityron, The Blue Taming of the Shrew , The Trojan Women, Henry V, THE OLD GLOBE: Debut. BROADWAY: The Demon, Huntington Theatre; Hay Fever, Princess The Merry Wives of Windsor, The Hostage, Price. OFF-BROADWAY: The Tricky Part, Our Turandot, Westport Country Playhouse; Paramour, Romeo and Juliet, Othello, The Comedy of Fathers, Private Jokes-Public Places, Something Old- Rosencrantz and Guildenstern Are Dead, Long Errors, Pride's Crossing, Macbeth, American Buffalo, Something New, Golden Boy, Waiting for Lefty. Wharf Theater Company; A Little Night Music, Private Lives, The Gate of Heaven, Mister Roberts, REGIONAL: The Threepenny Opera, Loot, Buffalo Goodspeed Opera House; La Dispute, UCSD. Henry IV, Dancing at Lughnasa, Hedda Gabbler, Gal, The Price, Johnny on a Spot, Horse Heavens, His opera credits include: Die Zauberflöte, The Way of the World, Twelfth Night, King Lear, Williamstown Theatre Festival; Member of the Opera Theater of Saint Louis; Orfeo ed Euridice, Ghosts, Interior Decoration, From the Mississippi Wedding (upcoming), The Old Settler, Master Il Trovatore, Turandot, Virginia Opera; Turnadot, Delta, The Winter's Tale, Mr. Rickey..., Bargains, The Harold and the Boys, Westport Country Opera Carolina; Il Barbiere di Siviglia, Florida Tempest, The Merchant of Venice, The White Rose, Playhouse. Laurie is currently the assistant Grand Opera; Die Zauberflöte, Florentine Hamlet, Our Town, Driving Miss Daisy, Measure for costume designer for Saturday Night Live as well Opera Company; La Traviata, Der Fliegende Measure. ELSEWHERE: Mr. Funicello has as a stylist for the commercial parodies. Holländer, Die Fledermaus, and the American designed scenery on and off-Broadway and for premiere of May Night, Sarasota Opera. He is many theatres across the country, including York Kennedy the recipient of the Alan Schneider Award for Lincoln Center, American Conservatory (Lighting Design) Directing Excellence, T.C.G. National Theater Theatre, A Contemporary Theatre, Mark Taper Mr. Kennedy’s designs have been seen in the- Artist Residency Award, Boris Sagal Directing Forum, Arizona Theatre Co, Seattle Rep, atres across the country, including Berkeley Fellowship, N.E.A. New Forms Grant, two Berkeley Rep, Milwaukee Rep, Denver Center Rep, ACT, The Old Globe, Seattle Rep, Alley Pennsylvania Council on the Arts Individual Theatre Company, Guthrie Theatre, South Theatre, Yale Rep, Dallas Theatre Center, BAM, Artist Fellowships, and San Diego Critics Coast Rep, Oregon Shakespeare Festival, and the Whitney Museum in New York. His Circle Award for his direction of Pericles. He Williamstown Theatre Festival, Intiman awards for theatrical lighting design include has performed with numerous Philadelphia Theatre, Stratford Festival, New York City the Drama-Logue, San Diego Critics Circle, dance and theater companies and toured Opera and Houston Grand Opera. He current- Back Stage West Garland, Arizona Theatre and across the United States and Japan with the ly holds the position of Powell Chair in Set the Bay Area Theatre Critics Circle Awards. In U.N.I.M.A. Award-winning Mum Design at SDSU. the dance world he has designed and toured Puppettheatre. He was educated at throughout Eastern Europe and the United Swarthmore College and Columbia University Linda Cho States. As an architectural lighting designer, he and teaches acting and directing at UCSD. (Costume Design: Macbeth, The Winter’s Tale) has designed lighting for numerous themed He is proud to have worked with Dana Ivey, THE OLD GLOBE: Antony and Cleopatra, The environment, theme park and museum pro- Richard Easton, Marian Seldes, Paxton Two Noble Kinsmen, Much Ado About Nothing, jects all over the world, including the Sony Whitehead and Jefferson Mays. Pericles. NEW YORK: 2004 Lucille Lortel Metreon Sendak Playspace in San Francisco Award nomination for Outstanding Costume (2000 I.E.S. Award), Warner Bros. Movie Paul Mullins Design for The Two Noble Kinsmen at The Public World in Madrid, Le Centre de Loisirs in (Director: Macbeth) Theatre. OTHER CREDITS: Princess Turnadot Morocco and the LEGO Racers 4-D attraction Paul Mullins is a company member of the (2001 Drama Desk Award); Hotel Universe, in Germany, Denmark, England and the USA. Shakespeare Theatre of New Jersey where he Blue Light Theatre Company; A Little Night His current projects include The Merchant Of has directed Richard II, King John, Illyria, The Music, Goodspeed Opera House; More Lies Venice at Milwaukee Shakespeare Company, A Illusion, Tartuffe, Rhinoceros, Measure for Measure, About Jerzy, Eli’s Comin’, Vineyard Theatre; Reckoning at The Magic Theatre and the Michel All's Well that Ends Well and The Threepenny Hurricane, CSC Rep; The Author’s Voice, Imagining Legrand/ Didier Van Cauwelaert musical Opera. For the Studio Theatre in Washington, Brad, Drama Department; The Notebook, Amore at Goodspeed Opera House. A graduate DC he directed the US premiere of The Russian Second Stage Theatre; Wolf Lullaby, Atlantic of the California Institute for the Arts and the National Postal Service. Other credits: True West Theatre Company; Rosencrantz and Guildenstern Yale School of Drama, Mr. Kennedy lives in at Portland Stage; The Swan, Much Ado About Are Dead, Long Wharf Theatre; Old Times, Berkeley, CA. George Street Playhouse; Hair, Actors Theatre

PERFORMANCES MAGAZINE P17 Christopher Walker Antaeus Company, Andak Stage Company and Arena Stage; The Taming of the Shrew, (Original Music and Sound Design) many others. FILM: The Fighting Temptations, PlayMakers Rep; Pride and Prejudice, Indiana THE OLD GLOBE: 2004 Summer Thirteen Days, The Muse, The Siege, Rising Sun, Rep; and five full seasons at Utah Shakespeare Shakespeare Festival, Don Juan, The Trojan Nuts. TV: Numerous guest and regular appear- Festival. Gist has been a guest on KPBS Women, The Woman in Black, Twelfth Night, The ances on episodic television, including recently Radio’s A Way with Words and is the narrator Taming of the Shrew. REGIONAL: Over thirty recurring roles on The Practice, King of Queens for the San Diego Museum of Art’s documen- productions with American Repertory Theatre; and Gilmore Girls. Mr. Matthews is also a play- taries on Degas and the Retratos exhibit. She Dante’s Inferno, Huntington Theatre; Having wright, translator, Emeritus Professor of coached dialects on the film The Rosa Parks Our Say, Trinity Rep; Shlemiel the First, Geffen English, and an Antaean. His verse play on Story and has recorded dozens of Books to Playhouse; The Beard of Avon, Romeo and Juliet, sexual abuse in the Catholic Church, The Prince Listen To. Gist is a founding and published Seattle Rep; In Real Life, Mark Taper Forum; of L.A., will be the first play in the Cassius member of The Voice and Speech Trainers Art, Alley Theatre; Don Juan, McCarter Theatre; Carter Centre Stage from the Globe’s Association and at their conferences. She has Triumph of Love, Long Wharf Theatre; Ain’t 2005/2006 Winter Season. also presented many workshops internation- Nothin but the Blues, Arizona Theatre Company; ally, such as “Shakespeare’s Shapely When Grace Comes In, La Jolla Playhouse. Steve Rankin Associate Artist Language” and “Rotating Repertory.” This ELSEWHERE: The Woman in Black, Minetta (Fight Director) year, The Voice Foundation Symposium has Lane Theatre; In Real Life, Manhattan Theatre THE OLD GLOBE: Mr. Rankin is an invited her to speak on “Filling the House Club; Dante’s Inferno, 92nd Street Y; A Associate Artist of The Old Globe as an actor with Ease.” She teaches in The Old Midsummer Night’s Dream, Commonwealth and fight director. He has been staging fights Globe/USD Professional Actor Training Shakespeare Co. of Boston; Long Day’s Journey for The Old Globe for the past 19 years, Program. into Night, Stamford Center for the Arts. Mr. including the 2004 Summer Shakespeare Walker was also sound designer for produc- Festival, Pentecost, Compleat Female Stage Beauty, Liz Woodman tions in Singapore, Moscow and Taiwan. He is Twelfth Night, Cymbeline, Romeo and Juliet, As You (Casting) currently Resident Sound Designer at the Like It, The Two Noble Kinsmen, Antony and THE OLD GLOBE: I Just Stopped By to See the Seattle Children’s Theatre, and prior to that Cleopatra, Othello, The Taming of the Shrew, King Man, Fiction, 2004 Summer Shakespeare served as Resident Sound Designer at Lear, Hamlet, White Linen, Julius Caesar, Henry V, Festival, Resurrection Blues, Bus Stop, Julius American Repertory Theatre for seven years. and Richard II. BROADWAY: Henry IV parts 1 & Caesar, Much Ado About Nothing (Artios Award He also spent four years as Sound 2 (directed by Jack O'Brien), Twelfth Night, nomination), Blue/Orange, Rough Crossing, Engineer/Resident Designer at Intiman Getting Away with Murder, Dracula the Musical, Splendour, Loves & Hours, Knowing Cairo, Theatre in Seattle. The Who's Tommy, Anna Christie, The Real Inspector Pentecost, Compleat Female Stage Beauty, An Hound,Two Shakespearean Actors. OFF-BROAD- Infinite Ache, All My Sons, Faith Healer, Pericles, WAY: The Night Hank Williams Died and The Taming of the Shrew, Twelfth Night, The Boswell Dakin Matthews Associate Artist Richard Dresser's Below the Belt. REGIONAL: Sisters, A Midsummer Night’s Dream, Art, Dinner (Dramaturge: Macbeth, The Comedy of Errors, La Jolla Playhouse, Mark Taper Forum, with Friends, The Countess, Love’s Labour’s Lost, The The Winter’s Tale) Ahmanson, Geffen Playhouse, Center Stage, Trojan Women, The Full Monty, God’s Man in THE OLD GLOBE: Playwright/Director: GeVa, Asolo, Philadelphia Drama Guild, Texas, Orson’s Shadow, Cymbeline, Things We Do Uncommon Players; Director: Henry V; Co- Virginia Stage Company and the Actors for Love, Private Eyes, The Weir, Bedroom Farce, Director: Julius Caesar; Adapter: Henry IV; Theatre of Louisville. FILM: Renaissance Man, Blues for an Alabama Sky, Paramour, Romeo and Dramaturge: Julius Caesar, The Taming of the Human Error, Tumbleweeds. This past season he Juliet, The Old Settler, Cowgirls, All in the Timing. Shrew, Twelfth Night, Cymbeline, Romeo and Juliet, staged fights for Rodelinda, directed by Stephen REGIONAL: Ford’s Theatre, The Alley Othello, King Lear, The Winter’s Tale, The Tempest, Wadsworth, at the Metropolitan Opera. Theatre, Hartford Stage. FILM: The Lunch Date The Comedy of Errors, The Way of the World. (Academy Award). TV: Loving (Artios Award Actor: Julius Caesar, The Taming of the Shrew, nomination), Another World, Texas Dottie. Twelfth Night, The Merry Wives of Windsor, Henry Jan Gist ELSEWHERE: Ms. Woodman has cast many (Voice and Speech Coach) IV, Much Ado About Nothing, Coriolanus (Critics’ plays in New York, from Sugar Babies to Timon Jan Gist has been resident Voice, Speech, and Circle Award), Henry V, A Midsummer Night’s of Athens (National Actors Theatre) to Cowgirls, Dialect Coach for The Old Globe since 2002, Dream, The Winter’s Tale, Scapino (on tour, The Full Monty (Artios Award nomination) and including: Dirty Rotten Scoundrels, Pentecost, Critics’ Circle Award). BROADWAY: Henry IV A Thousand Clowns with Tom Selleck. Himself and Nora, and ten Shakespeare produc- (Bayfield Award for acting/Drama Desk Award She cast Not About Nightingales for Trevor tions. Previously she was Head of Voice and for adaptation). OFF-BROADWAY: Nunn in both London and New York. She was Speech for the Alabama Shakespeare Festival Freedomland, Playwrights’ Horizons; The the casting director for the national compa- for nine years and 140 productions. She has Hostage, School for Scandal, The Acting nies of The Full Monty (Artios Award nomina- coached many productions at theatres around Company. REGIONAL: Leading roles and tion). She has cast The Acting Company for the country including: Royal Family, Ahmanson directing assignments for the American the last two years. MEMBERSHIPS: Casting Theatre; The Country, La Jolla Playhouse; Conservatory Theatre, Ahmanson Theatre, Society of America, ATAS, League of Continental Divide, Major Barbara, Oregon Mark Taper Forum, Denver Center, South Professional Theatre Women. Coast Rep, LATC, Berkeley Shakespeare Shakespeare Festival; Hobson’s Choice, Season Greetings, Milwaukee Rep; A Perfect Ganesh, Festival, California Actors Theatre, The (Biographies continued on page 31)

P18 PERFORMANCES MAGAZINE The Old Globe 2005 Summer sponsored Shakespeare Festival and County Board of Supervisors Chairwoman Pam Slater-Price and the County of San Diego OUDREY J EN K FESTIV AL 2 005 CALENDAR

SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Shakespeare Talks JUNE 19 20 21 22 23 24 25 in the Garden 26 27 28 29 30 JULY 1 2 Join us in the Plaza Garden for our pre- 3 4 5 6 7 8 9 show lectures on the 2005 Shakespeare

10 11 12 13 14 15 16 Festival productions. Globe artistic staff and prominent local Shakespeare 17 18 19 20 21 22 23 scholars will lead in a series of lively Comedy of Errors 24 25 26 27 28 29 30 pre-show discussions before select Festival performances. Discussion 31 AUGUST 1 2 3 4 5 6 dates are marked with an asterisk (*) 7 8 9 10 11 12 13 on the calendar to the left.

14 15 16 17 18 19 20 — Free and open to the public — 21 22 23 24 25 26 27 TIME: 7pm - 7:25pm 28 29 30 31 SEPTEMBER 1 2 3 LOCATION: Globe’s Plaza Garden, 4 5 6 7 8 9 10 next to the Museum of Man. 11 12 13 14 15 16 17 Please visit www.TheOldGlobe.org 18 19 20 21 22 23 24 for a list of featured speakers.

25 Comedy 26 27 28 29 30 OCTOBER 1 Comedy 2 PERFORMANCES MAGAZINE P19 1955 Globe Guilders founded by Irma 1935 McPherson. July 1959 First professional (Actors' Equity) acting company employed to The Old Globe perform San Diego National traces its begin- Shakespeare Festival. nings to the 1935 California 196 Exposition, when the October 1968 Theatre was temporarily erected to house Construction begins on popular 50-minute presentations of Cassius Carter May 29, 1935 Centre Stage, Shakespeare's plays. It has since grown The Old Globe debuts with repertory of remodeled 50-minute versions of Shakespeare plays from into an internationally-acclaimed, Tony as part of the California Exposition. the former Falstaff Tavern Award®-winning regional theatre that into a permanent, 225 seat arena- has stood as San Diego's flagship arts style theatre. institution for seven decades. Today, of the over two thousand professional the- atres in the country, the Globe ranks in 1969 Jack O’Brien the top ten – in number of productions, directs annual budget and quality of work. Craig his first Globe production: The Noel, who celebrates his 90th birthday Comedy of Errors. this year, has been a part of the Globe's December 2, 1937 Old Globe organization pre- history for nearly all of its 70 years, and it sents first production, The Distaff Side, with a young is his vision that steered the Globe from a Craig Noel in the company. community theatre to the year-round professional organization it has become. Along the way he brought in many out- standing actors, designers and directors, 197 1974-76 0 including two-time Tony-winner Jack Globe launches new outreach programs, O'Brien, who became the Globe's Artistic including the Globe Education Tours and the Play Discovery Program. Director in 1981.

More than a quarter million patrons come 1941-1947 194 U.S. Navy acquires 0 to the Globe each year to attend one of Balboa Park for military purposes the fifteen outstanding plays and musi- during World War II. cals mounted on its three stages, totaling over 600 performances. The Globe's repertoire is unparalleled, from the renowned Shakespeare Festival to classi- 1947 Craig Noel March 8, 1978 cal and contemporary works, to stunning named Arson destroys the Old Globe Artistic Director Theatre. Board of Directors world-premiere plays and musicals, fif- meets in emergency session and vows to rebuild Theatre on same teen of which – including Into the Woods, site. The Full Monty and Dirty Rotten Scoundrels – have gone on to successful 195 runs on Broadway. The Globe also serves 0 July 8, 1953 Mr. Roberts opens, replacing the community through its award-win- Shakespeare Festival for one summer June 16, 1978 ning education programs, such as the and plays to capacity audiences. Just 100 days after the fire, the 29th Young Globe Shakespeare Conservatory, San Diego National Shakespeare in-school Shakespeare programs for high Festival opens on newly- school students, as well as the bi-nation- erected (in 52 days) Festival al Romeo y Julieta Project, which serves Stage with Henry V, co- over one thousand students in both San directed by Craig Noel and Diego and Tijuana each year. Through its Eric Christmas, dynamic theatrical and educational pro- featuring a young January 12, 19811980 2002 Jack O'Brien named Artistic Director; November October 2002 Tom Hall, Managing Director; and 1986 Globe The Old Globe names Craig Noel becomes Executive presents Louis G. Spisto as new Producer of world premiere of Executive Director. Sondheim’s Into the Woods, January 14, 1982 which earns New Old Globe Theatre 3 Tony Awards® inaugurated with and 10 nominations. As You Like It, directed by Craig Noel, employing 2003 the Theatre’s first winter June 8, 2003 season professional 1987 Jack O'Brien wins Globe establishes Master of Tony Award®for his Fine Arts/Professional Actor direction of the hit Training Program in partner- Broadway musical ship with the University of San Hairspray. 1990

1993 Jack O'Brien's revival of Damn Yankees is a box office hit and goes on to a suc- cessful Broadway run and national tour, June 6, 2004 2004 starring Jerry Lewis. Jack O'Brien wins his second consecutive Tony Award® for his direction of Henry IV at

January 18, 1983 Thornton Wilder's The Skin of Our Teeth, directed by Jack O'Brien, is telecast live June 2004 via satellite from the Globe stage for Globe revives its PBS' "American Playhouse." November 1998 renowned The Old Globe Summer launches annual Shakespeare production of Dr. Festival in reper- February 26, Seuss’ How the tory, under 1983 Grinch Stole the Artistic Her Majesty, Christmas! Direction of Queen Elizabeth in association with Darko Tresnjak. II, long-time supporter visits The Old and San Diego Globe, unveiling sculpture of William March 2005 Shakespeare 200 Globe’s world in bronze by Roy premiere of Dirty Paul Madsen in Globe Rotten Scoundrels by David Yazbek and Jeffrey Lane, directed by Jack O'Brien, opens on June 3, 1984 Broadway, earning The Old Globe 11 Tony Award® receives the nominations. Tony Award® for outstanding achievement by a regional the- atre.

October 29, 1984 The Festival Stage is com- 2000 pletely destroyed by early May 2000 morning fire. World-premiere of The Full Monty, by Terrence McNally and David June 7, 1985 Yazbek, directed by Jack O’Brien, Festival Stage plays to reopens with A sold-out audiences at the Globe Midsummer and goes onto a successful Night's Dream. Broadway run, earning 10 Tony Theatre is nomintations. rededicated as the Lowell September 2005 Davies Festival Globe launches Theatre in honor 2005/06 Season of the late Mr. featuring renowned Davies, who was artists Chita Rivera for 40 years a board and Twyla Tharp. officer. THE COMEDY OF ERRORS Innocence and Experience By Dakin Matthews The Comedy of Errors is one of Shakespeare's earliest plays, a slapstick farce of mistaken identity based on traditional Greek and Latin comic models. It is arguably a light piece, and burdening it with too much thematic weight might seem an exercise in futility. Nonetheless, there are some thought-provoking things about the play, as there are about all Shakespearean plays. And one theme in the play in particular fits neatly into this season's repertoire: the theme of innocence. And that theme is largely carried by the dramaturgical strategy of twin protag- onists. It is a truism to say that stories about twins in lore and literature — like stories LIAM CRAIG AS “DROMIO OF SYRACUSE” AND EVAN ZES AS “DROMIO OF EPHESUS.” PHOTO BY J.T. MACMILLAN. about sisters or brothers or siblings — are often stories about contrary impulses in a more often, and more specifically, it seems to demonic in both its strangeness and its single human personality. This is true to be a difference between sexual innocence and temptations. At the same time, he is child- some extent about the twin sexual experience. And that is a difference like in his willingness to let himself be masters in The Comedy of which seems to color both men's attitudes caught up in and carried along by that very Errors. Antipholus of toward the rest of their social and moral strangeness. And he exhibits a kind of sim- Syracuse and Antipholus lives. ple goodness, a desire to set things right; it is of Ephesus are in fact Let's look at the two men. Antipholus of he, after all, who feels a sense of incomplete- quite different peo- Ephesus is, first of all, married. And rather ness and goes off in search of his twin; while ple, though few obviously, not all that happily married — his more worldly-wise, and perhaps more on the city clearly disillusioned. He is also, just as obvi- self-involved, brother seems not to care. streets seem to ously, unfaithful and, perhaps even more cul- Is all this somehow personal for realize that. And pably, doesn't seem to care if his wife knows Shakespeare? Is Syracuse a stand-in for the difference it. He is clearly at ease in the hurly burly of a Stratford and Ephesus for London? And is between them is not large commercial city, and resents any cur- Shakespeare exploring, however cryptically, so much a difference tailing of his social or domestic freedom. He his own loss of innocence, his estrangement .

KETCH is thus, quite predictably, chauvinistic in his from his wife Anne, and his own infidelity, as

S of personality traits, as it is a difference of attitude towards his wife, and bridles under he moved from the country to the city, from CHURBA OSTUME personality phases; it whatever marital power she may try to wield being the small town burgher's son to play- AURIE .” C .” L over him. ing the urban sophisticate? It is possible,

BY is the difference

UCIANA between inno- Antipholus of Syracuse, on the other though he had no need to draw the details “L cence and experi- hand, is unmarried, and apparently sexually from his personal life; these are, after all, lit- ence. At times, it unsophisticated, if not inexperienced. He is, erary types, as common as the country mouse seems to be no therefore, quite capable of still being naive and the city mouse. more than a difference and romantic about women, as moony as he It is the portrait of the injured wife that is between rural and is confused. He is equally befuddled by com- perhaps the most fascinating in the play. urban lifestyles, but mercial transactions and is innocent about Caught between the two men — one who big city life, which strikes him as possibly acts as if he doesn't love her and the other

P22 PERFORMANCES MAGAZINE who acts as if he doesn't know her — she is also, as it were, caught between the lov- MACBETH ing groom she married and the faithless Evil and Sin husband he has become. And she has gone from the sweet innocence of a new By Dakin Matthews bride to the bitter experience of a neglect- ed wife. And the irony is that her only con- Macbeth is not just a play solers — whose counsel is essentially that about evil. It is, more specifi- she must accept the infidelity and cally, a depiction of moral evil intractability of her husband — are two through a Christian lens — in women who, for different reasons, are short, a tragedy about sin. And celibate and unhusbanded: her virginal not casually or impressionisti- sister Luciana, whose fears of the mar- cally about sin, it is doggedly riage bed have kept her unwed, however and rigorously about sin. It swooningly submissive she may be to asks and tries to answer — as men in her imagination; and the other an well as human reason and great (apparently) widowed nun, whose long- art can — the theological and time separation from her husband has psychological question: how actually empowered her in her life of exactly does a person come to chastity. commit so grave a sin, or series In the heady buzz of Shakespeare's of sins, as Macbeth does? And TOM HAMMOND AS “MACBETH” AND DEIRDRE LOVEJOY AS “LADY MACBETH.” denouement, when all the confusion that the answer it gives is complex, PHOTO BY J.T. MACMILLAN. swirls around the two sets of twins is dis- compelling, and squarely in pelled, these same two women find their the classical tradition, both Christian and able theologically within the pure Christian respective spouses — the Abbess, with pagan. tradition, because no Christian was allowed her old husband Egeon; and Luciana, with The two poles of that complex tradition to seriously believe that man's free will could her new husband-to-be Antipholus of are to some extent reflected in the two sub- be mortally compromised by malevolent Syracuse. But the fact is, nothing is final- plots — of the witches on the one hand, and spirits, that man could be forced into sin ly resolved in Adriana's marriage to her of Malcolm on the other. The witches, and either by fate or by diabolical influence. Yet unfaithful husband; these two are simply to some extent Lady Macbeth in her desire on the other hand, it was not an altogether swept along in the rush to the happy end- to commune with evil spirits, may be said to improbable fit, what with the gospel stories ing. The innocence lost in that relation- represent the irrational, otherworldly, fatal- of Jesus casting out demons and being ship is not recovered, and perhaps is not istic, and at times frankly Satanic view of tempted by the devil, and with the Christian to be recovered. This joyful closing human evil. On the other hand, Malcolm's belief in the existence of Satan and his enor- cadence with a minor chord of discontent Act Four scene with Macduff encapsulates mous power over this world — from the is a technique Shakespeare will perfect what might be called the rational, theologi- Garden of Eden. over the years, with complex comedies cal, humanistic, and free-will view. Both The cooler, theological view — “man like The Merchant of Venice, Much Ado About views are affirmed in the play; neither is chooses of his own free will to do evil" — Nothing and All's Well That Ends Well, allowed to cancel the other out, and — as in fits neatly within the Christian tradition of extending, finally, into the romances. And the best Greek tragedies, like Oedipus the the fallen human race, tainted in both body there perhaps innocence may be, not so King — the dark drives of the human will and soul and yet still able to choose sin by much recovered, as revered. And experi- and the decrees of destiny are pitted against its own power, though not, paradoxically, ence may lead not only to sorrow, but one another in a kind of dynamic equilibri- able to choose good except by the grace of through sorrow to forgiveness and even um. God. Thus, free will helps to “solve" the redemption. There is a sort of paganism in the fatal- “problem of evil" — at least of moral evil. istic view — “the devil made me do it!"— a And once sin can be identified as a complex paganism that was incorporated into early human action arising from the interplay of Christianity in the form of fallen angels and twisted desire, clouded intellect, and tainted demons and black magic and Lucifer. On will, then the exact degrees of malice and the one hand, it was never entirely comfort- guilt can also be assigned. Hence the

PERFORMANCES MAGAZINE P23 treason, anarchy, chaos — the ination which her husband possesses, in diabolical sins. Here, finally, abundance, from the very beginning of the Macduff demurs; and play. His image of the deed extends beyond Malcolm, convinced at last the deed, to all its consequences. For her it is of his integrity, confesses he merely a means to a desired end. For him it has made all this up, and is is the doorway to hell. He has the imagina- “WITCH.” COSTUME SKETCH BY LINDA CHO. in fact a complete innocent. tion and the conscience to know exactly So where, in this double where that door leads. And he willingly scheme — of demonic fatal- cracks it open anyway. ism on the one hand and of His imagination not only pictures his disordered freewill on the other sins in all their malice, it actually embodies — do the protagonist and his wife them. He sees, in his fevered mind's eye, figure? For Lady Macbeth, the ten- what no one else sees. He hears what no one sion between the two is almost else hears. And finally he becomes inured palpable. She views the world even to his own foulness. As his wife grows as simultaneously human and ever more distracted, so that only in her exhaust- non-human, as brimming with dreamworld — and then only in fragments ing taxonomy of venial and mortal sins, invisible malevolences, waiting — can she taste the bitterness of her own so common in the older Catholic catechisms. — like silent servants — to be summoned to guilt, Macbeth seems to grow less troubled This is more or less what Malcolm does do their human master's or mistress's evil by what he does and sees, more self-assured, in Act Four, when he carefully catalogues his will. And what summons them, besides more sane even. While she becomes her (fictional) sins in an attempt to test direct incantation, are “mortal thoughts," most human, her most vulnerable, in her Macduff's integrity. He portrays himself as a contemplations of sin, the mental act of sim- guilty sleepwalking, he becomes a cold sinner and unworthy of the crown and of ply entertaining the idea of murder. What sleepless monster of malice. Macduff's loyalty. He starts with sins of the blocks them from entering and doing their Thus for Macbeth, for Shakespeare, and flesh, sins of lust, sins in which the will work is “humankindness," the very physical for the medieval and Renaissance theolo- chooses to follow strong, but natural, bodily existence in the human body — almost as if gians, evil actions are complex human desires. When Macduff, with some difficul- they were carried in the blood and the breast- behaviors, born of a busy commerce between ty, confesses himself willing to accept such milk — of tenderness, mercy, conscience the body's desires, the heart's passions, the faults in a leader for the general good, (“remorse"). These Lady Macbeth wishes mind's imagination, and the soul's intellect Malcolm moves onto sins of the world, drained or sucked out of her, to be replaced and will, all of which operate in a fallen world where the will yields to earthly desires, such with thickening poison, with “gall." populated by evil spirits and still somehow as greed for power and money. When If there is, however, something that Lady permeated, for those who would accept it, Macduff, with even greater discomfort, Macbeth lacks — a lack that perhaps miti- with God's grace. accedes even to these, Malcolm then con- gates her malice — it is imagination. For her We have become accustomed now, four fronts him with the most serious of sins, the sinful act, however repugnant, is simple hundred years later, to calling such behavior where the will chooses evil, not from a disor- and virtually without ramifications beyond “a sickness;" Shakespeare was quite com- dered desire for lesser goods like sex or those she desires. When the act is done, it is fortable calling it a sin. money, but for the sheer love of evil itself — done; the crown is theirs. It is this very imag-

THE RICHES OF REPERTORY Once again, in this the second year of the Globe’s revived repertory, we offer three plays from three different periods of Shakespeare's creative life — early, middle, and late. The plays differ not only in their dates of composition, but in their genres as well: a comedy from perhaps the 1580s, a tragedy from the 1600s, and a tragicomedy or romance from the 1610s. To see them performed in repertory is to marvel at the sheer ATTHEWS

M theatrical riches this triad of plays offers, from thematic explorations of innocence, guilt, and forgiveness, to the triptych they create to show us Shakespeare's working methods NDREW A and concerns, as well as his development as a dramatist.

P24 PERFORMANCES MAGAZINE THE WINTER’S TALE A Triumph of Art and Forgiveness: A Conversation with Director Darko Tresjnak and Dramaturg Dakin Matthews

Most of the time Shakespeare intermixes DT: I believe that Pericles has something to comedy and tragedy with alternating scenes, do with that. In that play, the most touching but here the Sicily story plays all the way moment is the reunion of the father and the through to its tragic conclusion. Then you daughter. The reunion with the wife is not as start another story — almost another play — nearly as eloquent. In The Winter’s Tale, the that is completely different. I mean, the father-daughter reunion is kept off-stage, so whole enterprise seems very modern to me. that the last scene becomes most touching. DT: Yes, and the most famous stage direc- DM: Well, it’s also part of the fact that it’s tion in all of Shakespeare, “Exit, pursued by one of the rare times that Shakespeare cheats bear,” is a part of that enterprise. It is such an the audience. The audience generally knows absurd, radical moment. Sometimes I think more than the characters, but the fact is that that it is the most radical gear shift in all of Hermione’s non-death is withheld from the theatre — Shakespeare’s way of saying: “And audience as much as it’s withheld from every- now for something completely different.” one else. It is as incredible to us as it is to the characters. We are meant to share their DM: Absolutely, because the two shepherds incredulity. when they’re younger, they’re looking at a tragedy — two tragedies really — occurring: DT: Jonathan McMurtry says that Paulina’s a ship tossed by a storm, and a man being line in the statue scene (“It is required you

KATIE MACNICHOL AS “HERMOINE.” PHOTO BY J.T. MACMILLAN. eaten by a bear. But the language is comic as do awake your faith”) is his favorite line in all they’re watching. What is tragic to the peo- of Shakespeare. I agree. It is an instruction to DAKIN MATTHEWS (DM): What is it ple who are participating, is comic to the the actors and to the audience. It is also a about The Winter’s Tale that attracts you as a onlookers, which is so bizarre. And that, comment on the nature of theatre. The play, and what is it that attracts you as a part along with the stage direction and then moment that the red curtain goes up, our of this Repertory Season? Time’s appearance, all form this incredible willingness to buy into the world on the bridge. And it goes from one to the other so stage is an exercise in faith. DARKO TRESNJAK (DT): I like the fact swiftly. Shakespeare recognizes the artifice, that for our 70th Anniversary we are doing a DM: And perhaps what we’re doing is cele- he hurls it in your face really, and suddenly comedy, a tragedy and a romance — a genre brating, not the reality of the dead being you have to rethink exactly what kind of play that combines the two. So that, tonally, it is a brought back to life, but the very human you’ve gotten yourself into. perfectly balanced season. I believe that the impulse to bring life out of death. The first half of The Winter’s Tale is a tragedy with DT: And that’s part of what attracted me to human need to believe that man can some- comic underpinnings — that come from it. I guess I fell in love with it the first time I times make a near miraculous recovery from Leontes’ sick sense of humor. The second did it in grad school. I just thought it was a mortal injury. But you also said that it’s a tri- half of the play is a comedy with serious, perfect play for a greedy director, because it umph of “forgiveness”; what do you mean by tragic underpinnings. Beneath the joviality, does give you tragedy, comedy, and then this that? there is danger that arises from the fact that amazing thing at the end, which is triumph DT: It is a great play for anyone dealing with five characters are in disguise — Camillo, of art and forgiveness. regret, remorse or a guilty conscience. To use Polixenes, Florizel, Autolycus, and (in taking DM: Yes, the fifth act is so fascinating one of Paulina’s favorite words, the play’s on the role of the Mistress of the Feast) because the scene you thought you were effect is medicinal. I believe that it has Perdita. The pastorale is, in fact, a powder going to see, the one you thought the play restorative power. keg waiting to explode. was heading for all the time — the reunion of (continued next page) DM: I’m trying to think of another play that father and daughter — is instead completely separates the two genres and yet makes them narrated by three characters you’ve never fit back together in such a wonderful way. seen before. PERFORMANCES MAGAZINE P25 At the time of writing this note, we are about to enter our seventh week of rehearsal. We met six weeks ago and took the first, tentative steps at getting to know each other. We started with table-work rehearsals; proceeded with staging and (when necessary) re-staging rehearsals; and got to the point when we were ready to do our first, tentative run-throughs. Some of our rehearsals involved the entire group; others were devoted to intimate coaching sessions. A number of them were set aside for dancing, singing, and stage combat. Some were joyous. Others brimmed with tension. And some of the best work took place outside of the rehearsal hall, late at night, over mojitos, when — exhilarated and exhausted — we found perfect solutions for troubling moments. Tomorrow, we start our technical rehearsals in the beautiful Lowell Davies Festival Theatre. We will put on our sun- screen during the day and our sweatshirts at night. Slowly, we will layer in sound, lights, props and costumes. Some of our work from the rehearsal hall will transfer to the outdoor stage beautifully. Other work will need to be rethought quick- ly, on the spot. In three weeks, our first audiences will join us. We will listen to them as much as they will listen to us, and we will try to learn from them: slow down, speed up, capitalize on this moment, slide past the next one. The three productions will run in repertory until the early Fall. Scenes will grow; change ever so slightly; need to be tweaked every once in a while. In October, we will give our last performances. There will be a closing night party and we will all move on. Some of us may work together again, stay in touch, lose contact, have strange, improbable reunions decades from now. But the group, and the alchemy of sensibilities that made this summer happen, will never be quite the same. It has been so for the past seventy years at The Old Globe. And this season, which consists of three Shakespeare plays that were performed here in 1935, is a tribute to the generations of artists who have formed and reformed these strange, makeshift families, and to the man who has been here for all of it, Craig Noel. — Darko Tresnjak, Artistic Director, The Old Globe 2005 Summer Shakespeare Festival

THE WINTER’S TALE (cont.) paid. And the fact is, Paulina’s not emascu- DM: You would think she wouldn’t leave lating, though that’s often how she’s played that baby there without getting somebody’s DM: Yes, something I always find interest- — and how Leontes initially sees her, though word or promise, but she says, “No, deal with ing is the character of Paulina; for so much of later he accepts her harshness as his due. it. It’s your baby, I’m leaving.” She leaves on the play she is so abrasive. Medicine does She looks around and sees that the men are her own terms, which is pretty amazing. not always please the palate. But the audi- emasculating themselves. She says in effect, Irrational even. ence gets on her side because Leontes is so “The man is sick, and needs medicine, which wrong. And she offers something of a coun- DT: There are many elements in the play that doesn’t taste good”; and then she says to the terweight as well to a simplistic desire for a may seem irrational but are, in theatrical other lords, “You’re just feeding his sickness, “happy ending,” to “forgiveness all around,” terms, simply marvelous. If theatre was just making him sicker. He needs a purga- to “life out of death.” That kind of happi- always rational it wouldn’t be theatre. The tive.” She’s a medic. ness, that kind of forgiveness, that kind of first day that I met the acting company, I life does not come easy. Especially forgive- DT: I love the scene in which she brings the quoted Paulina: “It is required you do awake ness — it is hard won. After such sickness as baby to Leontes’s court and leaves it there. your faith.” You have to ask the actors to go Leontes has contracted, the treatment is She can do that because she has taught the to that place. Otherwise, you end up with a harsh and the recovery long. After such sins men in the room how to be nurturing. She flippant, cynical production of the play. And, as Leontes has committed, the penance is knows that they will protect the child from somehow, I don’t think that this is what hard and the sorrow lengthy. Faith must be Leontes. Shakespeare had in mind when he wrote The awakened, yes, but still the price must be Winter’s Tale.

P26 PERFORMANCES MAGAZINE SAVE THE DATE 2005 GLOBE GALA SATURDAY, SEPTEMBER 17, 2005 Celebrating the 70th Anniversary of The Old Globe

Join us for the World Premiere of CHITA RIVERA: THE DANCER’S LIFE followed by dining and dancing under the moonlight at the star-studded Globe Gala. Mark your calendars now for the event of the year!

DONALD COHN HARRY COOPER TODD FIGI CONRAD PREBYS TONY THORNLEY HARVEY WHITE 2005 Gala Co-Chairs

LADY CAROLYN’S PUB

FULL BAR | COFFEE | CAPPUCCINO | FRUIT DRINKS | DESSERTS | SOUPS | SALADS | SANDWICHES Join us before the show or at intermission for a quick drink at our full-service bar or enjoy a delicious dessert with a rich cappuccino or a refreshing soda. We also offer warm stuffed croissants, sandwiches, crispy fruit crumbles and hearty soups served in sourdough bread tureens. This summer patrons can enjoy our gourmet picnics as well. Just pre-order your picnic 24 hours in advance through the box office at (619) 23-GLOBE. PUB HOURS: Sunday, Tuesday, Wednesday 5:30pm through intermission Thursday, Friday, Saturday 6:30pm through intermission Saturday, Sunday 1pm through intermission of evening performances

PERFORMANCES MAGAZINE P27 The Old Globe is proud to recognize the following Sponsors for the 2005 Summer Shakespeare Festival

Karen and Donald Cohn — Macbeth Season Sponsor Karen and Donald Cohnhave been actively involved with The Old Globe for nearly fifteen years. Karen joined the Globe Board in 1993 and subsequent- ly served two terms as Board President (1996-1998), and chaired four of the theatre’s most successful Galas. Past production sponsorships have includ- ed Antony and Cleopatra, Twelfth Night, Blue/Orange, A Midsummer Night’s Dream, The Doctor Is Out and Wonderful Tennessee. Karen currently serves as a member of the Board’s Executive Committee and Donald is serving as a Co-Chair of the 2005 Globe Gala. In addition to their support of the theatre, the Cohns are involved with the San Diego Opera and The Bishops School. Our sin- cere thanks to Karen and Donald Cohn for their tremendous commitment to The Old Globe!

Chairwoman Pam Slater-Price & the County of San Diego Shakespeare Festival Sponsor County Board of Supervisors Chairwoman Pam Slater-Price is an unwavering supporter of the arts in San Diego County. Her 13-year tenure as a member of the County Board of Supervisors has elicited numerous gifts to support all facets of the community, but what makes Chairwoman Slater-Price unique is her complete understanding of how the arts enhance and enrich a community and her consistent and dedicated funding that helps ensure a healthy and vibrant arts community. This $150,000 matching grant from the County of San Diego and Chairwoman Slater- Price will help underwrite the Globe's 70th Anniversary Open House and Season. Members of our community must make new or increased gifts to match these funds that are designated to support the two major celebratory events this summer: the 70th Anniversary Open House on Saturday, June 18 and Craig Noel's 90th Birthday Event on Thursday, August 25. The Old Globe expresses its sincere gratitude to Chairwoman Slater-Price for her steadfast support of the arts and, more specifically, for this generous grant to help the community celebrate this very special year in the Globe's history.

P28 PERFORMANCES MAGAZINE The Old Globe is proud to recognize QUALCOMM as the 2005 Summer Shakespeare Festival Sponsor

Kathryn Hattox — The Comedy of Errors Production Sponsor Kathryn Hattox is a long-time friend of the theatre. A San Diego resident, Kathryn began attending the Globe as a child and made the theatre a part of the lives of her children and grandchildren. Kathryn has previously sponsored Globe productions including Lucky Duck, Rough Crossing, All My Sons, The Boswell Sisters, As You Like It, Thunder Knocking on the Door and The Trojan Women. In addition to her generous financial support, Kathryn vol- unteers her time and expertise as a member of the theatre’s Board of Directors. Kathryn and her husband John are residents of Point Loma.

Union Bank of California — The Comedy of Errors Production Sponsor A partner of the Globe for over twenty years, Union Bank of California has embraced its responsibility to help meet the needs of the communities in which it is active, and makes an ongoing pledge to reinvest into the communities where it does business. The bank is repre- sented on the Globe's Board of Directors by Market President Joseph Benoit. Union Bank of California's previous production support includes underwriting for A Midsummer Night's Dream, Imaginary Friends and As You Like It. The bank is also a sponsor of the Globe's Education and Outreach Programs and the Grinch Family Experience.

PERFORMANCES MAGAZINE P29 Joan and Irwin Jacobs — Macbeth Production Sponsor Joan and Irwin Jacobs have been enthusiastic supporters of The Old Globe for many years. They have been loyal subscribers and members for over twenty years, and during that time, the theatre has greatly benefited from their generosity and involvement. Previous Old Globe production sponsorships include Resurrection Blues, Smash and Julius Caesar. Joan and Irwin are active throughout the San Diego community, supporting numerous organiza- tions, including UCSD, the Museum of Contemporary Art, San Diego Opera, La Jolla Music Society, La Jolla Playhouse and the San Diego Symphony.

John A. Berol — The Winter’s Tale Production Sponsor Having previously enjoyed Shakespeare at school and on stage, John Berol was delighted to discover San Diego’s enthusiasm for Shakespeare in Balboa Park upon moving to the city in 1977. Aware of the fragile dependence of artistically driven theatre upon charitable support from individuals, John joyfully joined in with contributions including sponsorship of Much Ado About Nothing, The Two Noble Kinsmen, Pericles, Twelfth Night, Dancing at Lughnasa, Voir Dire and Labor Day. In addition to having served on the Board of Directors of The Old Globe, John has par- ticipated in various other San Diego community endeavors including the UCSD Libraries Advisory Board, Chair of the La Jolla Shores Association and past president of the Harvard Club of San Diego. John can be found sail- ing in San Diego bay preparing for future voyages.

The Jessie Polinsky Artistic Fund — The Winter’s Tale Production Sponsor The Jessie Polinsky Artistic Fund was established in 1986 by longtime Globe supporters Jeannie and Arthur Rivkin as a permanent endowment that assists the Globe in presenting a variety of artistic projects. Since its inception the fund has helped to fund nearly twenty mainstage productions including Oldest Living Confederate Widow Tells All, Henry IV, Missing Footage, and The SantaLand Diaries. With this endowment, the Globe will contin- ue to honor the family and memory of Mrs. Polinsky through a production sponsorship each year.

P30 PERFORMANCES MAGAZINE of North Carolina at Greensboro. (continued from page 18) Moira Gleason TUNE IN TO (Assistant Stage Manager) “BACKSTAGE AT THE Julie Haber THE OLD GLOBE: As Production Assistant: (Stage Manager) Vincent in Brixton, I Just Stopped By to See the GLOBE” ON UCSD-TV THE OLD GLOBE: Debut. REGIONAL: The Time of Your Life, Anna in the Tropics, Seattle Rep; Man, Fiction, The Full Monty; as Douglas The Old Globe and Pagliotti Stage Management Intern: Old The Dead, Huntington Theatre Company, ACT; UCSD-TV have teamed Ballad of Yachiyo, Berkeley Rep; three seasons as Wicked Songs. Ms. Gleason has held many dif- PSM for American Conservatory Theater; ferent positions at the Globe from House up to create the latest twenty years as Company Stage Manager for Manager to Carpenter, Master Sound segment in the “Back- South Coast Rep; A Mad World My Masters, Big Technician to Education Coordinator. Ms. stage at the Globe” River, As You Like It, A Man’s a Man, La Jolla Gleason holds a BA from Southern Oregon series, featuring the Playhouse; two seasons at Yale Repertory University. 2005 Summer Shakespeare Festival. Theatre; two seasons at the Guthrie Theater. OPERA: world premiere of Guest from the Kathleen Reeves This fascinating in-depth program Future at Bard Summerscape. EDUCATION: (Assistant Stage Manager) focuses on the process of mounting MFA from Yale School of Drama, BA from UC THE OLD GLOBE: Debut. EDUCATION: BFA these three Shakespeare classics run- Irvine. Taught Stage Management at Yale in Design from Baylor University and MFA in ning in repertory June 19 through Drama School, UC Irvine, UCSD, Cal Arts. Stage Management from UCSD. October 2. Viewers get a taste of the Tracy Skoczelas rehearsal process and hear insights (Assistant Stage Manager) from Festival Artistic Director Darko

THE OLD GLOBE: Vincent in Brixton, I Just This theater operates under an agreement between the Tresnjak, Jack O’Brien, plus inter- Stopped By to See the Man, Dirty Rotten Scoundrels, League of Resident Theatres and Actors’ Equity Association, the union of professional actors and stage views with actors, designers and 2004 Shakespeare Festival, The Food Chain, Two managers in the United States. other artists involved in the produc- Sisters and a Piano, Bus Stop, Rough Crossing, Much The Directors are members of the Society of Stage Ado About Nothing, Julius Caesar, Dirty Blonde, Directors and Choreographers, an independent national tions. UCSD-TV airs on Cox Cable labor union. Pentecost, Loves & Hours, Oldest Living Confederate 66, North County Cox Cable 69, Widow Tells All, Splendour, Pericles, All My Sons, The Scenic, Costume, Lighting and Sound Designers in Time Warner Cable 18, Del Mar LORT Theatres are represented by United Scenic Artists Compleat Female Stage Beauty, Betrayal, Smash, Local USA-826, IATSE. Cablevision 69, and UHF (no cable) Memoir, Dr. Seuss’ How the Grinch Stole Christmas! 35. For air dates and more informa- (‘01-’04), Twelfth Night, A Midsummer Night’s This Theatre operates under an Agreement with the International Alliance of Theatrical Stage Employees tion, please visit www.ucsd.tv. Dream, Henry V, The Trojan Women. EDUCATION: Local No. 122. Ms. Skoczelas holds a BFA from the University

Macbeth...... …...... Ross Hellwig Old Shepherd...... Matthew Gaydos UNDERSTUDIES Lady Macbeth...... Edelen McWilliams Clown...... ……...... Matthew Gaydos Banquo...... …Brian Bielawski Autolycus...... Dan Hodge The Comedy of Errors Macduff...... Matthew Gaydos Lady/Mopsa...... Leah Zhang Lady Macduff...... Zura Young Lady/Dorcas...... Lean Zhang Duke Solinus...... Brian Bielawski Lennox...... …...... …David Villalobos Shepherdess...... Leah Zhang Egeon...... Dan Hodge Ross...... Dan Hodge Shepherds...... …Jon A. Sampson Antipholus of Syracuse...... Ross Hellwig Menteith...……...... ……Matt Biedel Time...... Leah Zhang Antipholus of Ephesus...... …Brian Bielawski Angus...... Dan Hodge Dromio of Syracuse...... Dan Hodge Caithness...... Matthew Gaydos Dromio of Ephesus...... …...... Matthew Gaydos 1st/2nd/3rd Witch...... Zura Young FOR THESE PRODUCTIONS Adriana...... …...... …….....……..…Carolyn Stone Bloody Captain...... Brian Bielawski Luciana...... ………………...... …..…Melissa Condren Porter...... Matthew Gaydos Jailer...... ………...... …….……Matt Biedel Seyton...... Matthew Gaydos Additional Staff Executioner…...... …..Matt Biedel Doctor...... Matthew Gaydos Innkeeper...... Matt Biedel 1st Murderer...... Matt Biedel Assistant Directors...... Jennifer Chang, Whore...... ……Eve Danzeisen 2nd Murderer...... Matt Biedel Nick Eilerman, Jerry Ruiz Sailor...... Matt Biedel Gentlewomen/Soldiers...... Zura Young Assistant Scenic Design…...... Amanda Stephens Tailor...... …Matthew Gaydos Assistant Costume Design...... Charlotte Devaux Goldsmith...... …Matt Biedel The Winter’s Tale Assistant Costume Design...... Shelly Cook...... …...... ….………...... ……Eve Danzeisen Leontes...... David Villalobos Williams Courtesan...... Eve Danzeisen Hermione...... Edelen McWilliams Assistant Lighting Design…...... Jason Bieber Merchant...... …….……...... ……Matt Biedel Camillo...... Ross Hellwig Associate Fight Director...... Wayne Kohanek Hypnotist...... …Matthew Gaydos Paulina...... ………………...... Carolyn Stone Associate Fight Director……...... …..Jason Siner Jew...... ………...... Matt Biedel Antigonus...... Matthew Gaydos Muslim...... ….....…...... …….…….……Eve Danzeisen Lords...... ….………...... ……David Villalobos Douglas Pagliotti Stage Management Interns...... Lady Abbess...... Carolyn Stone Pages...... Leah Zhang Sean Alexander, Guards...... Matt Biedel Karen Peck, Kirsten Rogers Macbeth Mariner...... Matt Biedel Jailer...... Matt Biedel Duncan.....……...... …Matthew Gaydos Perdita...... Melissa Condren Malcolm...... Brian Bielawski Polixenes...... ……...... Brian Bielawski Donalbain...... David Villalobos Florizel...... …...... Brian Bielawski

PERFORMANCES MAGAZINE P31 Education Experiences STUDENT PROGRAMS Romeo y Julieta Bi-National Project San Diego-Tijuana The Old Globe’s Romeo y Julieta Bi-National Project is a year-long study/theatrical program uniting high school students from San Diego County with students from our neighbor city of Tijuana. It aims to foster a creative cultural exchange between students and teachers from both sides of the border. Old Globe professional teaching artists, under the direction of Education Director Bonnie Johnston and award-winning dramaturg and Globe Associate Artist Dakin Matthews, have taught a series of classes focusing on Romeo and Juliet to students from eight county high schools. This summer, the project will culminate in an exciting, contemporary, cross-border production of Shakespeare’s Romeo and Juliet. This bilingual adaptation by director Peter Webster will be performed by two casts of stu- dents and adults from both sides of the USA/Mexico border.

Friday, July 22 at 8pm — Centro Culutral (CECUT), Tijuana Saturday, July 23 at 5pm — Colonia Obrera, Tercera Sección, Tijuana Sunday, July 24 at 3pm — Parque Teniente, Guerrero, Tijuana FREE PERFORMANCES! Friday, July 29 at 8pm — Casa del Prado, Balboa Park, San Diego Saturday, July 30 at 8pm — Memorial Park, Chula Vista

SHAKESPEARE UNPLUGGED August - October, 2005 A three-part, curriculum-based program centered on The Old Globe’s Shakespeare productions and other student-appropriate mainstage work. Designed for middle and high School Students. For more informa- tion, contact Cate Burke, Group Sales Manager, at [email protected], or (619) 231-1941 x2408.

BEHIND THE SCENES GLOBE TOURS “FOLLOW THE BARD” TOURS Discover how the magic is created with a behind-the-scenes tour of “Alas, poor Yorick! — I knew him, Horatio.” — Hamlet The Old Globe, including a backstage look at the Old Globe Especially designed for middle school and high school Theatre, the Cassius Carter Centre Stage and the Lowell Davies student groups wishing to delve more deeply into the details Festival Theatre. Find out why the Green Room is called the Green of Shakespeare's plays and characters, and the folklore of the Room! Why the stage area is referred to as “the deck!” Why no one age of Elizabeth I. The “Follow the Bard" Tours will send must whistle backstage or carry live flowers onstage! Find out a both students and teachers on a "Shakespeare Egg Hunt" in million other facts and theatre lore. Visit the Globe’s renowned cos- the environment of Balboa Park's wonderful Old Globe. tume and scene shops, and much more. For reservations or more information about tours , contact Holly Ward at (619) 238-0043 x2142.

P32 PERFORMANCES MAGAZINE THE YOUNG GLOBE SHAKESPEARE CONSERVATORY Shakespeare Rocks! Join us for a hip, very dynamic and very intensive summer theatre experience. We will immerse our young actors in the theatre world, as well as the life and times of William Shakespeare. This program culminates in a student-produced and performed showcase for parents, teachers, relatives and friends.

— Attend class sessions taught by professional artists — See the plays of our world-famous Shakespeare Festival — Take part in our Meet the Actor seminars, where professional actors from the Shakespeare company will answer questions — Train in improvisation, classical, clown, dance, mime, acting techniques, set design, Shakespeare’s text analysis and delivery — Rehearse daily for a culminating showcase performed by all students

ALL THE WORLD’S A STAGE! Returning in 2006 Following the great success in 2004 of If the Shoe Fits, The Old Globe will offer plays for young audiences at our theatre complex, yor school site or a performance space in your district. We are

PROGRAMS FOR TEACHERS SHAKESPEARE UNPLUGGED Do you remember seeing your first play? Bring your classes to see our world-famous Shakespeare under the stars. Your student discount ticket includes a pre-performance visit designed to invite your students into the world of the plays. Professional artists will arrive with costumes and props, and add depth to your students’ viewing experience with curriculum-related projects. For more information, con- tact Cate Burke, Group Sales Manager, at [email protected], or (619) 231-1941 x2408.

SHOESTRING THEATRE WORKSHOP THE QUINTESSENTIAL HAMLET A grade level appropriate “Learn-By-Doing” experience for “Ho Hum! Not another year of the Hamlet unit,” you might be Elementary and Middle School Teachers, this inspiring, arts-infused saying to yourself. The Quintessential Hamlet comes to the res- readers’ theatre workshop for teachers of grades K through 8. cue with a new, inspiring, “up on your feet” approach to teach- Out of “thin air,” teachers will create dynamic, hands-on scripts and ing about the Prince of Denmark. This is a very exciting unit, projects based on core literature materials. If your school hosts the and you can breathe life into the play for your students. Join us event by volunteering a working area, a minimum of 15 teachers rep- for this workshop and watch the sparks fly! resenting your school needs to be registered. This approach will help you save valuable time and effort. We will then encourage other teachers in your district to participate in this collaborative event.

To learn more about The Old Globe’s Education Programs or to make a gift, please contact us at (619) 231-1941 x2141 or visit www.TheOldGlobe.org.

PERFORMANCES MAGAZINE P33 THE CRAIG NOEL LEAGUE Paving a Bright Future for The Old Globe Through Planned Gifts

He was a young ensign in the Navy, living in London, when Joe Jessop saw his first play. It was a transforming experience. “Watching those actors live in front of me was emotionally thrilling and mentally stimulating,” he recalls. “As soon as I came back to San Diego, I headed for The Old Globe.”

Decades later, Joe is still sitting in the audience at the Globe and is still as enthralled with the live performance as he was so many years ago. “Once a performance is over, it’s done, finished, never to be repeated exactly the same again,” he says. JOE JESSOP Joe is leaving a gift of real estate in his will to The Old Globe, to support the theatre’s endowment. Through this gift, people all around San Diego will be able experi- ence the wonder of live theatre for years to come. * * * Many thoughtful friends are helping to secure The Old Globe’s future by leaving gifts in their wills and estate plans. We hope you might also be so moved to join them in helping to sustain the theatrical excellence of The Old Globe for years to come. We’d love to hear from you, so that we might recognize your generosity and thoughtfulness through membership in the Craig Noel League, our planned giving society. For information on leaving a lasting gift to The Old Globe, please contact Planned Giving Officer Brad Ballard at (619) 231-1941 x2309 or via e-mail at [email protected].

CRAIG NOEL, Founding Director During Craig Noel's distinguished 68-year career with The Old Globe, the much-honored director has staged over 225 productions of all styles and periods. Craig has been associated with The Old Globe since its community-theatre inception in 1937 when he made his debut as an actor. Since then, Craig has guided the organization through its metamorphosis from a community theatre of the highest standards to one of the country's most successful regional theatres. Noel's contributions to San Diego and to the nation are legion. He has enriched the quality of life in San Diego through vision- ary dreams that became reality. He has enriched the larger community through his support and encouragement of playwrights, actors and theatre artists and through the nurturing of an entire generation of citizens who have become today's theatre-goers and arts supporters. His numerous honors include the Governor's Award for the Arts; San Diego State University's Outstanding Alumnus; Honorary Doctorate of Humane Letters, University of San Diego; and being named by Mayor Maureen O’Connor as San Diego's “Living Treasure.”

P34 PERFORMANCES MAGAZINE Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence,while keeping ticket prices affordable, is due in large part to the annual financial support of nearly 3,500 individuals, busi- nesses, foundations and government agencies. Please join us in giving a warm thanks and recog- nition to these leaders who have made tonight and many other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight: Benefactors Saks Fifth Avenue Samuel J. & Katherine French Fund, ($100,000 and above) Sheraton San Diego Hotel & Marina Wells Fargo Trustee City of San Diego, Target Stores Mary Ann & Arnold Ginnow Commission for Arts & Culture Union Bank of California Robert Gleason & Marc Matys Audrey S. Geisel/The San Diego Mandell Weiss Charitable Trust Grosvenor Family Foundation Foundation Dr. Seuss Fund Bob Martinet & Susan Parkin The San Diego Union-Tribune Dr. Marianne McDonald Director Circle Paul I. & Margaret W. Meyer Fund The Shubert Foundation ($10,000 to $24,999) at The San Diego Foundation Anonymous (2) Money/Arenz Foundation, Inc. Season Sponsors Elizabeth M. Adderley Arthur & Marilyn Neumann ($50,000 to $99,999) Charles & Molly Brazell Allison & Robert Price The Louis Yager Cantwell Ellen C. Revelle Anonymous (1) Private Foundation Jeannie & Arthur Rivkin AT&T Ken & Deni Carpenter Nancy & Alan Spector and Family J. Dallas & Mary H. Clark Fund of Darlene G. Davies Ms. Jeanette Stevens The San Diego Foundation in memory of Lowell Davies Deborah Szekely Karen & Donald Cohn Mr. & Mrs. Brian Devine The Thursday Club Foundation Valerie & Harry Cooper Bea & Dr. Robert M. Epsten June E. Yoder Globe Guilders Pam & Chuck Farr The Lipinsky Family Lee & Frank Goldberg Playwright Circle The Parker Foundation ($2,500 to $4,999) (Gerald & Inez Grant Parker) Susan & Dr. Ronald Heller Conrad Prebys Dr. & Mrs. Harry F. Hixson, Jr. Dr. & Mrs. Wayne Akeson Qualcomm, Inc. Deni & Jeff Jacobs Robert S. Albritton Sempra Energy Joseph E. Jessop, Jr. Gail, John & Jennifer Andrade Donald & Darlene Shiley Katherine Kennedy/ Mr. & Mrs. Richard Baldwin Wells Fargo Relocation Coordinates Sheryl & Harvey P. White Mr. & Mrs. Neil Kjos Norma Jean “Jake” Yonchak Sue & John Major Did you know that & Todd Figi Robert L. Noble, AIA Robin & Hank Nordhoff all three productions from the Patsy & Forrest Shumway Production Sponsors Anne Taubman & David Boyle 2005 Summer Shakespeare ($25,000 to $49,999) Evelyn Mack Truitt Mary Beth Adderley & Richard Wright Carol & Larry Veit Festival were featured in the American Airlines Christopher & PatriciaWeil Globe’s Bank of America Weingart-Price Fund at Mr. & Mrs. William J. Barkett The San Diego Foundation 1935 inaugural season, exactly Alan Benaroya Brent V. Woods & Laurie C. Mitchell John A. Berol Carolyn W. Yorston 70 years ago? Break-Away Tours Ellen & Tim Zinn California Bank & Trust Melissa & Michael Bartell Cohn Restaurant Group/Prado Restaurant Joan & Jeremy Berg Continental Airlines Founder Circle City of Chula Vista Office of Cultural Arts County of San Diego ($5,000 to $9,999) Garet & Wendy Clark Kathryn & John Hattox Lawrence G. Alldredge & Dawn Moore The Colwell Family Fund HM Electronics, Inc. Ken & Ginger Baldwin Ms. Heidi Conlan/ Joan & Irwin Jacobs Mr. & Mrs. James W. Bastien The Sahan Daywi Foundation Marsh, Inc. Cecilia Carrick & Stan Nadel John & Ann Davies National Endowment for the Arts Nina & Robert Doede Bernard J. Eggertsen & Florence Nemkov Northern Trust Bank Mrs. Danah H. Fayman Susanna & Michael Flaster Patrons of the Prado Thompson & Jane Trevor Fetter Martha & George Gafford

PERFORMANCES MAGAZINE P35 Annual Fund Donors CONTINUED

Fred & Alicia Hallett Dean & Mrs. M.H. Dessent Kitty Lombardo Melissa & James Hoffmann Mrs. Philip H. Dickinson Mr. Robert E. Mackey, Jr. Mary & Russell Johnson Jim & Sally Ditto Barbara J. Malk Dr. & Mrs. Richard L. Kahler Marion Eggertsen Charlie & Jackie Mann Bob & Gladys King R.J. Maus, Architects Dr. Ronald & Mrs. Ruth Leonardi Jeri & Bill McGaw Peter & Inge Manes Did you know ticket sales Josie Rios McGuffey & A.T. McGuffey Judy & George Miller Elizabeth & Edward McIntyre Drs. Francis & Patricia Montalbano cover only 55% of Ethel Merriman Realtor Coralee Ann Morris the Globe’s costs to Elizabeth Meyer David & Noreen Mulliken Joel & Deirdre Mick Tim & Leslie Paul present live theatre? Estelle & Jim Milch Dolly & Jim Poet Steve Miller Mr. & Mrs. Matthew Pollack Rena Minisi & Rich Paul Pratt Memorial Fund Noddy & Ira Epstein Judith & Neil Morgan James S. & Kalpana Rhodes Mr. & Mrs. Ronald C. Erbetta James & Nancy Mullen The San Diego Foundation Mark Faber Ruth & Jim Mulvaney Jay & Diane Sweeney Carol Fink Bette Nagelberg Marilyn Elizabeth Thompson Bruce & Patricia Fischer Josiah & Rita Neeper Dieter & Susan Fischer/ Charles Noell & Barbara Voss Dixie & Ken Unruh Dieter’s Mercedes Service Marcia & Jim Pipe Dr. & Mrs. Andrew J. Viterbi Millicent & Charles Froehlich Jim & Claudia Prescott Robert Young Karen & Orrin Gabsch RAdm. Arthur & Peggy Price, Jr. Mrs. Deede Gales Michael & Cheryl Price Barbara & Albert Garlinghouse Brenda Marsh-Rebelo & John Rebelo Craig Noel Circle Bill & Judy Garrett ($1,500 to $2,499) Roger & Christine Roberts Drs. Thomas H. & Jane D. Gawronski Nancy Robertson Mrs. Mary Thomas Adams Mr. & Mrs. Daniel Genis Warren & Beverly Sanborn Richard Addesso Teresa C. George Susan & Edward Sanderson In Memory of Charles R. Allen Nancy Reed Gibson Margery P. Schneider Anonymous (2) Martin & Enid Gleich Roberta J. Simpson Mr. & Mrs. John E. Barbey, Jr. Bud, Nancy & Rebecca Goodpasture Dotti & Joel Sollender Diana Barliant & Nowell Wisch Ms. Cheryl Haimsohn Gail Squires & Yaman Sencan Dr. C. K. Barta & Inge Lehman Norman & Valerie Hapke Eugene L. & Hannah Step Teresa & Tom Bernard Drs. Patrick Harrison & Eleanor Lynch Gwen Stoughton Sally & John Berry Dr. & Mrs. Peter K. Hellwig Marc R. Tarasuck, AIA Pamela F. Billings Maria & Michael Herman The Tarlov Family Charles & Charlotte Bird Rhonda Heth & Tom Mabie Mr. & Mrs. Charles Taubman Paul Black Alexa Kirkwood Hirsch Mrs. Claire Tavares Cynthia Bolker & Greg Rizzi Leonard & Elaine Hirsch Cherie Halladay Tirschwell William & Janice Bopp Dr. David K. Hostetler Carol Vassiliadis Robert & Lillie Breitbard Foundation Mr. & Mrs. Gary R. Huckell Doris & Lou Vettese BRG Consulting Richard & Janet Hunter Jordine & Harvey Von Wantoch Arthur & Sophie Brody Alfred & Pat JaCoby Merle & Phil Wahl Clint & Susie Burdett William W. Karatz John & Christy Walton Mrs. Jeanette Burnett Marge & Jerry Katleman WD-40 Company Dr. & Mrs. Robert M. Callicott William & Edythe Kenton Shirli Fabri Weiss Ruth Mary Campbell Mr. & Mrs. Irving J. Kern Michael & Penny Wilkes Pamela & Jerry Cesak Ken & Sheryl King Betty Jo & Hal Williams Carol & Rudy Cesena Dr. Fritz Klein Omar & Carol Winter Carol & Jeff Chang Dr. Ara & Sosi Klijian Brad Young R. Patrick & Sharon Connell Phyllis & Martin Kornfeld Helene & Allan Ziman Dr. Roger C. Cornell Rosalie Kostanzer Allan & Bev Zukor Richard & Stephanie Coutts Bob & Laura Kyle Susan B. Cowell William Ladd & Anita Busquets Sally & Pat Crahan Terry & Mary Lehr Platinum Mrs. Willard T. Cudney Ms. Sherrill Leist ($1,000 to $1,499) Dr. & Mrs. Francis C. Cushing, Jr. James & Pamela Lester Anonymous (1) Mrs. Gail Powell Davis Elsa & Jerry Lewis Drs. John & Karen Berger Pat & Dan Derbes Mrs. Thelma Lindblade Mary Ann Blair

P36 PERFORMANCES MAGAZINE Drs. Gary & Barbara Blake Steve & Carolyn Conner Susan & David McColl Ronda & Stanley Breitbard Jane Cowgill Jonathan McCue Mr. & Mrs. Blaine A. Briggs Dr. & Mrs. William R. Dito Dr. & Mrs. M. Joseph McGreevy Conrad & Christa Burke Fund DO or DICE Mr. & Mrs. George McGregor, III of the San Diego Foundation Silvia Dreyfuss/LABS, Inc. Drs. John Meyers & Betty Joan Maly Judy & Tom Carter Joanne Dunn Dr. Ronald H. Miller Sandra & Harry Carter In Memory of Dr. & Mrs. Isaac Mizrahi Celeste & Steven Cowell Richard & Elaine Fechheimer Akiko Charlene Morimoto Mrs. Gigi Cramer Esther & Robert Feier W. D. Nichols Sue K. & Charles C. Edwards, M.D. Ms. Pat Frost Rod & Barbara Orth Mary & David Fitz Arthur & Judy Getis Dr. John C. Parker Hal & Pam Fuson The Golemb Family Susan Parker William C. Gabrielson Drs. Leonard & Barbara Gosnik William & Sandra Peavey Madeline L. & Milton D. Goldberg Grady & Associates Attorneys at Law Mrs. Margaret F. Peninger Family Foundation Dr. & Mrs. Don Graham Mr. & Mrs. David J. Pettitt Sandra Gulden & Leon J. Goldberger Pamela L. Graven Deborah Brooks Pettry Gulden Private Foundation Carol & Don Green Mr. & Mrs. Thomas Pierce Jay & Mary Hanson Ed & Frances Grimes Dick & Rosemary Pinney Alex & Mary Hart Thomas M. Henry Dr. Ken Pischel & Dr. Katherine Ozanich Salah M. Hassanein Arnie & Barbara Hess Dr. & Mrs. Daniel Porte Dr. & Mrs. James E. Lasry Mr. & Mrs. Thomas O. Hippie Lisa Powell Matthew R. Lehman Susan Hoff Eileen Prisby Loonin Family Fund Terry & Peter Holt Mary & Kedar Pyatt Mr. Calvin Manning Jean E. Holtz Jeffrey & Vivien Ressler John & Marcia Price Family Foundation Margot Reinke Humphreys Stuart & Linda Robinson William & Susane Roberts Drs. Andrew & Sonia Israel Drs. Sara Rosenthal & Julie Prazich Ruth Whitney Robinson Mr. & Mrs. Gary Jacobs Dr. H. Warren Ross Thomas Rohanlon Kathy & Rob Jones Dr. Joseph & Carol Sabatini Don & Darlene Russell Dr. L. Michael Kettel Dr. & Mrs. Roger H. Schmitt Marilies Schoepflin, PhD. Mr. & Mrs. Kevin Kiernan Richard Shapiro & Marsha Janger In Memory of Edward Silverstein Paul & Lisa Laikind Alex V. Sher Gloria Penner Snyder & Bill Snyder John Q. Lalas, Jr. Ken Sherborne Celeste & Gene Trepte Dr. Eric Lasley Dee E. Silver, M.D. Pamela J. Wagner Sandy & Arthur Levinson Alan & Esther Siman Mr. & Mrs. James Lim Rodney & Dolores Smith Sandy & Ernie Lippe, D.D.S. Herbert & Elene Solomon Gold Mark C. Lorenzo ($500 to $999) Ann & Robert Steiner Dr. & Mrs. Leeland M. Lovaas Robert H. Stickel Anonymous (3) Ed & Nancy Lyon Eric Leighton Swenson Charles & Susan Avery M & S Ponds & Supplies Charles B. Tesar, M.D. Mr. & Mrs. David A. Baer Margo Thomas Ms. Carol L. Baldi Janet & Bernard Trabin Mrs. Ina S. Bartell Did you know that Lawrence P. Urbonas Deborah W. Bennett nearly 40,000 people Will & Vanessa Van Loben Sels Nicholas B. Binkley Natalie C. Venezia & Paul A. Sager Dennis & Michele Black participate in Globe Education Kenneth & Lorelei Warburton Robert & Nancy Blayney Zona Weekly Joyce & Robert Blumberg & Outreach Janis Wellberg Mrs. Suzanne I. Bond Angela Whiteley Mrs. Henri Brandais programs each year? Carol & Dennis Wilson Stuart & Joanne Butler Keith J. Wong George & Ellen Casey Ms. Jo Bobbie MacConnell Harry & Carol Cebron Dr. Carl Maguire & Margaret Sheehan Choice 2000 Dr. Robert & Marcia Malkus Silver Doug & Elisabeth Clark Ron & Mercy Mandelbaum ($250 to $499) Jack & Carol Clark F. Dale & Lois Marriott Alfred Aburto & Carol Parker Sue & Keith Colestock Christopher J. Maxin & Mr. Gale Acker & Dr. Nancy Acker Arthur J. Collingsworth Stephanie Buttell-Maxin Susan Adams Mike Conley & Sue Steele Valorie McClelland B.J. & Sybil Adelson

PERFORMANCES MAGAZINE P37 Annual Fund Donors CONTINUED

Mark Allen Luc & Annemarie Cayet-Pleska Robert & Edry Goot George Amerault Ray & Shelley Chalupsky Ms. Cindy Gordon Anonymous (7) Charlene Chatham & Wm. Price Ms. Euvoughn L. Greenan Drs. Michael & Gabriela Antos Dr. & Mrs. Alberto Chavira Arthur A. Greenberg Charles Arthur Elaine & Peter Chortek Mr. George Guerra Mike & Rhoda Auer Mr. & Mrs. Henry B. Clark, Jr. Deborah A. Hammond Roswell & Patricia Austin Mr. & Mrs. Owen Clinton Robert W. & Helen M. Hammond Mark & Tina Bachman Benjamin Coll Robert M. & Helen M. Hansen John Randolph Backman, M.D. & Candis Compton Linda Hanson Carolyn Darrow Alan L. & Frances E. Cornell C. Harbordt Robert Baily Ronald D. Culbertson Mr. & Mrs. James Harris Lewis & Lynne Baker Kevin & Christine Dahlke Elizabeth Raines Harrop Shawn & Jennifer Baker James & Kristen Dalessio Fritz & Jeannine Healey Richard & Linda Basinger Dewey & Cindy Dasher Cdr. Rodney & Michele Hearns Sharon & Bill Beamer Susan Davey Lynne & Stephen Heidel Judith Belinsky John Wm. Davis & William M. Hughes Dr. Charles & Joan Henkelmann Warren & Inez Bellows Mr. & Mrs. William Deatrick Donald J. Hickey Lee & Amnon Ben-Yehuda Janice DeMund Mark & Lynn Hofflund Edgar & Julie Berner Dutch & Dawn Dershem Paul & Anne Hofflund Lanie & Lazare F. Bernhard Capt. & Mrs. J. King Deutsch, USN Ret. John & Jean Hoffner John Biggs Eugene Diskin John & Peggy Holl Perry S. Binder, M.D. In Memory of Edith Dolnick Paul & Barbara Holz Mr. & Mrs. Stanley Birstein Dr. & Mrs. Donald B. Dose Mr. & Mrs. William G. Homeyer Robert D. Blanton & Ann Clark Patricia & Glen Doughty Mrs. Elsie M. Hooper Ms. Sheila M. Bobenhouse & Bob & Lorrie Dunn Bonnie & Cecil Hornbeck Mr. Jeffrey C. Truesdell Lizbeth Ecke & David Meyer Kendyl & Merri Houdyshell H.L. & Irene Boschken Roberta & Stephen Edelstein Bettina J. Huber Mark A. Botta Judge & Mrs. Harry Elias Stephanie & Carl Hurst Dr. James Lewis Bowers Peggy Elliott Joseph & Donna Hynes Todd & Margaret Bradley James & Mary Ann Emerson Mr. & Mrs. Joseph & Eileen Innecken Marge & Hugh Bradner Dan & Phyllis Epstein Susan D. Inot Wyloma Bradshaw-Samuels Diane Espinosa ISEC, Inc. Mr. & Mrs. Ronald Brady Mr. Jesse Fadick Mr. & Mrs. David Ives Janis & Michael Brams Donald & Patricia Falkner Mike & Paula Jantz In Honor of Deem Bristow Dr. Susan Fee Richard & Katherine Jarvis Ms. Beverly A. Bromley Richard & Donna Ferrier In Memory of Donald Jenkins Ed Brookins Mary Jo Fetters Kenneth & Catherine Jones Ms. Julia Brooks Gorman Drs. Lawrence & Irene Fine Kenneth & Marilyn Jones Mr. & Mrs. Hal W. Brown Dr. & Mrs. Frank B. Flint Judge Anthony C. & Joyce Joseph Ronald & Dorothy Brown Foley & Associates Dr. & Mrs. James Justeson Dr. & Mrs. Simon C. Brumbaugh, Jr. Mr. & Mrs. Rob Foley William P. & Nancy Moffatt Kane Bob Buchner/Marie Buckey Dr. Ruth M. Forbis Andrew & Denise Kaplan Larry & Jan Ford Pete & Terry Katz Larry Forsyth Miriam & Jerome Katzin Did you know that The Dr. & Mrs. Paul Friedman Drs. Irvin & Nancy Kaufman Dr. Richard & Randee Friedman Katherine Kaufman Old Globe has produced Dr. & Mrs. Frederick A. Frye Gale Kavanaugh 15 shows that have made their Natacha Furlan Patricia & Alexander Kelley Charles & Jeanne Gahagan Charles & Gail Kendall way to Broadway? Gaspare Trust Joanna & Lloyd Kendall Mr. & Mrs. Robert J. Gawlowski Jennifer Kent Norman & Patricia Gillespie Kathleen Kim & Zachary Rattner Linda Burgum-Sunkel Dr. & Mrs. Michael Goldbaum Thomas & Dianne Klauda David Burns & Diane Lischio Carole & Howard Goldfeder Mr. & Mrs. John & Carmen Kline John & Kirk Butler Marilyn & Mel Goldzband Louis J. Knobbe C.E. & Iris Carlson Deni D. Goodman Jo Ann & Lee Knutson Ralph & Gwen Carrier Louise & Doug Goodman Curt & Nancy Koch Jane Carrigan Drs. Thomas & Cynthia Goodman Steven & Lisa Kradjian

P38 PERFORMANCES MAGAZINE Mr. & Mrs. Jay Kranzler Mr. & Mrs. Jean-Louis Paroz Mr. & Mrs. Avery Stone Leona & Larry Krevat Dennis Pennell Karen & Michael Stone Marvin Kripps, M.D. Clifford T. Pentrack & Carl L. Strona Lou Krueger Mary E. Giovaniello Helga & Sam Strong Betty & Richard Kuhn Marion D. Perlman John P. Studarus Adrian & Elaine Kuyper Drs. Mark & Darcey Perlman Abbe Wolfsheimer Stutz Janet & Dan La Marche Anthony Perricone Ron & Susan Styn Victor Landa Darrell C. Pope & Dov Marocco Mrs. J.B. Swedelius Jillana Lashmet Mr. A.W. Prichard Clifford & Kay Sweet Dixon & Pat Lee Barbara Pricola Drs. Paul Sylvan & Ellen Heyneman Tom & Terry Lewis Donald & Marie Prisby Diana P. Syvertson Eddie & Joyce Lindros Dr. Alex & Eileen Pue Dr. Blake S. & Mrs. Peggy Jean Talbot Donald C. Lipkis & Arlene Pollard Martha Susan Quinn Dr. Terry & Naomi Tanaka Stan & Susan Loft Anne F. Ratner Elliot & Lynn Tarson Sally & Bill Luster Shirley & Emanuel Ravet Jim & Sally Taylor Dr. David Lynn Mr. H.E. Reichert Dr. Marshall & Leila Taylor Jerry & Beverly Lynn Dr. Richard Reid Steven & Anoush Tencati Judge & Mrs. Frederick Mandabach Robert T. Reid Don Terwilliger Cathie Marsh Mr. & Mrs. Daniel Reisfeld and Family Judge & Mrs. David R. Thompson Douglas T. Martin Andrew Ries, M.D. & Iwona A. Trybus Harold & Beverly Martyn Vivian Reznik, M.D. Mr. & Mrs. Stan Ulrich Susan B. Mason Tim Ringland Ginny Unanue Cdr. & Mrs. John C. Matthews III Mark & Lisa Robillard Village Nurseries/Jason Dworman Diana McCarthy Mr. & Mrs. Brent Robinson Hobart & Violet Wagener Virgina McClintock Lois S. Roon Donald & Ann Walker Teresa McEuen Gerald & Ruth Rosenbaum Kathy & Jim Waring Steve McIntee & Robert Meinz Ursula R. Roth Pitt & Virginia Warner Dan McLeod Dr. Norman & Barbara Rozansky David P. Watry Harold O. McNeil, Esq. Mr. Joseph Rusche David Waymire Mr. & Mrs. Jim Melcher George & Karen Sachs Janice L. Weinrick Joyce & Bill Mellos Dr. Peter & Arlene Sacks Mr. & Mrs. David Weinrieb Dr. & Mrs. Robert Meredith Phoebe & David Sackett Ms. Margaret Wells James & Dorothy Mildice Edward & Rae Samiljan Mr. & Mrs. James D. Welterlen Mr. & Mrs. James Milligan Barbara A. Sawrey Pat & Bob Whalen Joel, Annette & Arianna Millman Simon & Ruth Sayre Hal M. White Stan & Phyllis Minick Terry & Carol Schaefer Ross & Barbara White Mark Morel RAdm. & Mrs. H. James T. Sears Mr. & Mrs. Patrick N. Whitney Susan Morgan Linda J. Seifert Mark & Ann Wieczorek Michael Morris Bernard R. Senick Dr. & Mrs. Roland Wilhelmy Muriel G. Morrison Lori Severson & Eric Longstreet Carol & Martin Wilson Charlotte Moskovitz Tom & Vivian Shive Cass Witkowski Family Pat & Barbara Moss Sandy & Stella Shvil Mr. & Mrs. John W. Witt Susan & Charles Muha Alice & Lewis Silverberg Dr. Perri L. Wittgrove Maggie & Wayne Myers Jerry & Beth Silverman Dr. Dolores Wozniak Richa Nand Dr. Eunice M. Simmons Mr. & Mrs. C.E. Wylie/ Dr. & Mrs. James H. Nelson Anne & Ronald Simon C.E. Wylie Construction Company Tom & Doris Neuman Susan Sincoff & Dr. Joseph Yedid Alan R. Zeleznikar Nicholas & Louise Nicoloff Christine Skoczek Mr. & Mrs. David Zimmerman, Jr. Stephen B. Nielander & Terrence & Kathryn Slavin Vicky Zollweg & Michael Dunteman Dominique K. Alessio Tom Sowers Charlotte W. Nielsen Dr. & Mrs. Bradley Spitz This list is current as of May 15, 2005 Gwen & Dr. Mike Nobil Steven & Carol Stachwick Gary & Gail Nordstrom Mr. & Mrs. Fred C. Stalder To learn more about supporting The Patricia O’Connor Susan I. Steele Old Globe’s artistic excellence and Fred & Susan Oliver Deborah & Hilton Stemwedel Mr. & Mrs. John Oliver Sheila Stephan community outreach programs, Kathleen Olsen Edward Stickgold & Steven Cande please visit our website at Floyd T. Olson Mrs. John R. Stitt www.TheOldGlobe.org or call

PERFORMANCES MAGAZINE P39 Special Thanks to Our Corporate Sponsors

CORPORATE LEADERS $25,000 AND ABOVE

SAKS FIFTH AVENUE

CORPORATE DONORS Higgs, Fletcher & Mack, LLP Science Applications International ($2,500 to $24,999) Home Bank of California Corporation American Express KPMG, LLP Seltzer Caplan McMahon Vitek Ashworth, Blanchet, Christenson, Mission Federal Credit Union Showtime Kalemkiarian Neiman Marcus Smith Barney Classic Party Rentals Nokia Skyy Vodka Cush Automotive Pfizer Starbucks Charitable Foundation Nordstrom Stewart Title of California Deutsche Bank Private Wealth Management OVATION - The Arts Network Time Warner Cable Evans Hotels Relocation Coordinates TK&A Custom Catering Fifth & Hawthorn ResMed Foundation U.S. Bank Fleishman-Hillard San Diego Chargers The Westgate Hotel Goldman Ferguson Partners San Diego National Bank

Corporate Members enjoy exclusive benefits and recognition, especially the opportunity to entertain clients and employees with exclusive receptions in our Patron and Lipinsky Family Suites, behind-the-scenes tours, and preferred seating at our shows. For information, please contact Chris Graham at (619)231-1941, x2308.

National Corporate Theatre Fundis a non-profit corporation created to increase and strengthen support from the business community for eleven of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions of $10,000 or more to National Corporate Theatre Fund:

Benefactors ($20,000 & Above) Pacesetters ($15,000 to $19,999) Donors ($10,000 to $14,999) Altria Group, Inc. Bank of America Baruch College American Express Company Cisco Systems Bingham McCutchen Broad Street, Inc. Estee Lauder Companies, Inc. Credit Suisse First Boston Citigroup Goldman, Sachs & Company Deloitte & Touche Ernst & Young JP Morgan Chase Dorsey & Whitney LLP KPMG Merrill Lynch & Co. Mayer, Brown, Rowe & Maw LLP Marsh & McLennan Companies, Inc. Morgan Stanley Metlife Foundation Praxis Media/Palace Production UBS Pfizer, Inc. Center/Rabbit Ears Entertainment Sidley Austin Brown and Wood LLP Verizon Skadden, Arps, Slate, Meagher & Flom LLP Wilke, Farr & Gallagher LLP

P40 PERFORMANCES MAGAZINE Credits for pages 20-21 COLUMN 1: Original Old Globe Shakespeare Company (1935); Craig Noel in The Distaff Side (1937); Craig Noel (1947), photo by Edward Sievers; Cast of Mr. Roberts (1953). COLUMN 2: Cassius Carter Centre Stage, photo by Ken Howard; Jack O'Brien (1969); Old Globe Fire (1978); Kelsey Grammer in Henry V (1978). COLUMN 3: (L-R) Craig Noel, Deborah May and Melora Marshall in As You Like It (1982), photo by Ken Howard; Queen Elizabeth II at Old Globe (1983), photo by Alan Pagenhart; Lowell Davies Festival Theatre, photo by Craig Schwartz. COLUMN 4: Joanna Gleason and Chip Zien in Into the Woods (1986), photo by J.P. Weiss; Cast of Damn Yankees (1993), photo by Ken Howard; David Brannen as the “Grinch" (2003), photo by Craig Schwartz; Cast of The Full Monty (2000), photo by Craig Schwartz. COLUMN 5: Jack O'Brien with his Tony Award, photo courtesy of Bruce Glikas/Broadway.com; Sara Surrey and Dan Snook in Antony and Cleopatra (2004), photo by Craig Schwartz; (L-R) John Lithgow, Norbert Leo Butz and Sherie Rene Scott in Dirty Rotten Scoundrels (2004), photo by Craig Schwartz; Chita Rivera. Associate Artists OF THE OLD GLOBE In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE, the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theatre.

Louis G. Spisto, Executive Director Jack O’Brien, Artistic Director Jerry Patch, Resident Artistic Director Craig Noel, Founding Director William Anton Tovah Feldshuh Mark Harelik John McLain Steven Rubin Conrad Susa Jacqueline Brookes Monique Fowler Bob James Jonathan McMurtry Ken Ruta Deborah Taylor Lewis Brown Ralph Funicello Tom Lacy Stephen Metcalfe Douglas W. Schmidt Sada Thompson Kandis Chappell Lillian Garrett-Groag Diana Maddox Robert Morgan Seret Scott Paxton Whitehead George Deloy Harry Groener Dakin Matthews Steve Rankin David F. Segal James R. Winker Tim Donoghue A.R. Gurney Deborah May Robin Pearson Rose Don Sparks Robert Wojewodski Richard Easton Joseph Hardy Katherine McGrath Marion Ross David Ogden Stiers

PATRON INFORMATION RESTROOMS AND TELEPHONES TICKET SERVICES Restrooms are located in the lower lobby of the Old Globe Theatre and adjacent to the Festival Theatre; pay phones may be found in the lower HOURS Globe Theatre lobby and next to the Gift Shop. Monday: noon – 6pm Tuesday through Sunday: noon – last curtain SEATING OF LATECOMERS Hours subject to change. Please call ahead. Although we understand parking is often at a premium, the seating of PHONE (619) 23-GLOBE or (619) 234-5623 latecomers is extremely disruptive. Latecomers may be given alternative FAX (619) 231-6752 seating and will be seated at an appropriate interval. EMAIL [email protected] YOUNG CHILDREN ADMINISTRATION Children five years of age and under will not be admitted to performances. HOURS Monday – Friday : 9am – 5pm ELECTRONIC DEVICES AND CAMERAS PHONE (619) 231-1941 Use of recording devices and cameras is not permitted. If you are WEBSITE www.TheOldGlobe.org wearing a digital watch or pager, or if you are carrying a cellular phone, ADDRESS The Old Globe please silence it prior to entering the theatre. P.O. Box 122171 San Diego, CA 92112-2171 SENNHEISER® LISTENING SYSTEM For the convenience of the hearing impaired, the Sennheiser® Listening ORDERING TICKETS / CHANGE OF ADDRESS System is available in the Old Globe Theatre. Lightweight headsets may be obtained from the house manager prior to performances, free of charge. The Old Globe accepts Visa, Discover, MasterCard, or American Express. Phone orders for non-subscibers are subject to a $3 per ticket service charge, not to exceed $12. Ticket exchanges are subject to a service charge for non-sub- PUBLIC TOURS scribers. If you have moved, please notify the Ticket Services Office to update Go behind the scenes at The Old Globe to learn about the history, three our records. Call (619) 234-5623 during Ticket Services hours, mail your stages, shop and craft areas. Open tours: most Saturdays and Sundays change of address to the Ticket Services Office, or email us at at 10:30am. Groups by reservation. $5 adults; $3 seniors and students. [email protected]. Phone (619) 231-1941 x2142 for information/reservations.

UNABLE TO ATTEND? LOST AND FOUND If you find you are unable to use your tickets, please give them to a friend, or If you have misplaced a personal item while at the theatre, please contact the turn them in to the Ticket Serivces Office and receive a tax receipt for your Ticket Services Office or Security as soon as possible. If we are unable to donation. Tickets must be received by show time. locate your item, we’ll happily take down your contact information as well as a description of the item and contact you if it is found. The Old Globe does Ricola Cough Drops are available upon request. Please ask an Usher. not assume liability for items left behind on premises. SPEAKERS’ BUREAU As part of The Old Globe’s educational outreach to the community, the Theatre offers a Speakers’ Bureau program that will provide a speaker for your club, civic, or church group to talk about the Globe’s productions and programs, free of charge. The Old Globe engages several knowledgeable docents, who are available year-round to share the institution’s fascinating history and exciting infor- mation about the current season of plays. Subject to their availability, several key members of the artistic and production team are also available to speak with your group. For more information on docent speakers’ bureau representatives please contact Carol Green at (619)582-1079. To find out about our artistic and production speakers please contact Erin Anderson at (619) 231-1941 x2355.

P42 PERFORMANCES MAGAZINE DIRECTOR P r o f i l e s

Louis G. Spisto Jerry Patch Jack O’Brien Executive Director Resident Artistic Director Artistic Director Louis G. Spisto has been Executive Director of The Jerry Patch was appointed Resident Artistic Recent Globe productions include Dirty Rotten Old Globe since October, 2002. During his Director of The Old Globe in February 2005. Scoundrels (currently playing on Broadway), tenure, Spisto spearheaded the return of the Globe’s He most recently served as the Dramaturg and a Imaginary Friends, Twelfth Night, The Full Monty, The acclaimed Shakespeare Repertory Season and pro- member of the long standing artistic team at Seagull, The Magic Fire, Dr. Seuss’ How the Grinch duced several world-premiere plays and musicals, Southern California’s Tony Award®-winning Stole Christmas!, the world premieres of Associate including the current Broadway musical Dirty Rotten South Coast Repertory (SCR), where he coordi- Artist A.R. Gurney’s Labor Day and Tina Howe’s Scoundrels. During the past two seasons, the organi- nated the development of 150 new plays, includ- Pride’s Crossing, as well as Time and Again, The Doctor zation has grown its subscription audience an ing three Pulitzer Prize winners and numerous Is Out (Getting Away With Murder) by Stephen unprecedented amount, countering a trend in the other finalists. Patch became the top choice for Sondheim and George Furth, plus productions of non-profit theatre industry and resulting in the this new role at the Globe due to his many years Henry IV, Much Ado About Nothing, Oleanna, Damn highest level of attendance in over a decade. Prior to of artistic accomplishments, his exceptional Yankees, King Lear, Ghosts, Hamlet, Uncle Vanya, and coming to the Globe, Spisto served as the Executive relationships with the nation’s leading directors world premieres of Terrence McNally’s Up in Director of American Ballet Theatre in New York and playwrights, and his enthusiastic commit- Saratoga, A.R. Gurney’s The Snow Ball and The City. While there, he increased ticket income and ment to new work. While at SCR, Patch worked Cocktail Hour, Tom Dulack’s Breaking Legs, Stephen annual contributions for the organization by nearly as Dramaturg on numerous new works, includ- Metcalfe’s Emily. ELSEWHERE: Henry IV (Tony 20 percent. He also tripled the Ballet’s touring ing Donald Margulies’ Sight Unseen and Brooklyn Award®); Hairspray (Tony Award®); The Invention of weeks and the resources devoted to education and Boy, which just opened to critical acclaim on Love (Tony nominations, best director and play), training programs. Spisto has also served as the Broadway, Margaret Edson’s Pulitzer Prize-win- Lincoln Center Theater; The Full Monty (Tony President of the Detroit Symphony Orchestra, ning Wit, Howard Corder’s Search and Destroy, nominations, best director and musical), Eugene where he provided fundraising leadership and cre- Amy Freed’s The Beard of Avon, as well as Intimate O’Neill Theatre; More to Love; Labor Day, ative direction for the orchestra’s $60 million reno- Apparel, Freedomland and several world-premieres Manhattan Theatre Club; St. Louis Woman, City vation project, and helped dramatically increase plays by Richard Greenberg, including Three Center Encores!; Pride’s Crossing, The Little Foxes, ticket sales while initiating several new series for Days of Rain and A Naked Girl on the Appian Way. Hapgood (Lucille Lortel Award for Direction, the orchestra. Spisto established a reputation as a In addition, he co-conceived The Education of 1995), Lincoln Center; Damn Yankees (Tony nomi- superb arts executive here in California, where he Randy Newman with Michael Roth and Mr. nation, best musical revival); Two Shakespearean spent over ten years as the Executive Director of the Newman. Patch also served as the project direc- Actors (Tony nominations, best director and play) Pacific Symphony Orchestra in Orange County. tor of SCR’s renowned Pacific Playwrights on Broadway; Porgy and Bess for Houston Grand During his tenure there, he tripled the orchestra’s Festival, which annually introduces seven new Opera and Broadway (Tony Award), as well as annual budget, all while eliminating a prior deficit plays to an audience of national theatre leaders. Radio City Music Hall; The Magic Flute, San and successfully completing the orchestra’s first Typically, more than 75% of the plays presented Francisco Opera; Tosca, Santa Fe Opera; Così fan endowment campaign. In addition, he established a receive multiple productions in theatres across Tutte and Aida, Houston Grand Opera; The Most series of innovative recording projects with Sony the country. During his tenure at SCR, Patch Happy Fella, Michigan Opera and Broadway. TV: Classical and oversaw a number of nationally rec- also held the position of Artistic Director An Enemy of the People, All My Sons, I Never Sang for ognized commissioning projects. A strong advocate (1990-1997) of The Sundance Theatre Program, My Father, Painting Churches, and The Skin of Our of arts education, Spisto built one of the largest and which included the Sundance Playwrights Teeth, all for PBS’s American Playhouse. Recent most respected music training and outreach efforts. Laboratory, one of the nation’s leading new play awards: 2004 Thomas Degaetani Award During his career, Spisto has also served as development programs. Additionally, he ran the (USITT), 2002 “Mr. Abbott” Award (SDCF), Director of Marketing for the Pittsburgh Symphony Sundance Summer Theatre, a repertory of 2-3 2001 Joan Cullman Award for Extraordinary Orchestra and Director of Operations and productions staged outdoors for Utah audiences Creativity, 2001 Joe A. Callaway Award (SDCF), Development for the Performing Arts Center, UC and The Sundance Children’s Theatre, which is the Drama League’s Julia Hansen Award for Berkeley. He holds a Masters degree from the dedicated to the development and presentation Excellence in Directing, 2001. Member, College University of Wisconsin in Arts Administration of new works for family audiences by leading of Fellows of the American Theatre; Honorary and a Bachelors of Business Administration from American playwrights. He has also served as a Doctor of Humane Letters, University of San the University of Notre Dame, and spent many consulting Dramaturg for New York’s renowned Diego. Mr. O’Brien a member of the College of years acting, directing and producing plays and Roundabout Theatre Company, one of two of Fellows of the American Theatre. musicals throughout his student days, as well as in the largest theatre companies in the country. professional summer theater. PERFORMANCES MAGAZINE P43 Louis G. Spisto Jack O’Brien Jerry Patch Craig Noel S t a f f Executive Director Artistic Director Resident Artistic Director Founding Director

Michael G. Murphy Stephan Aldrich-Lutz M.H. Schrenkeisen PROFESSIONAL Cate Burke GENERAL MANAGER CHARGE CARPENTER, CARTER SHOP FOREMAN TRAINING GROUP SALES MANAGER Rory Murphy Llance Bower Elisha Solmes Dave Henson Costumes LEAD CRAFTSMAN DIRECTOR OF MARKETING PROGRAM COORDINATOR PUBLICATIONS COORDINATOR AND COMMUNICATIONS Stacy Sutton Shannon Dedman Erin Anderson COSTUME DIRECTOR Maria Carrera, Cynthia Todd Schultz PROPERTIES BUYER Caywood, Gerhard Gessner, PUBLIC RELATIONS ASSISTANT DIRECTOR OF DEVELOPMENT Charlotte Devaux Shields Ryan Buckalew, David Buess, Peggy Ryan RESIDENT DESIGN ASSISTANT Jan Gist, Peter Kanelos, Colleen Mark Somers Tonye Meads, Patricia Rutter, Kelly, Fred Robinson MARKETING ASSISTANT DIRECTOR OF FINANCE Kristin Sauter Kristin Steva MFA FACULTY Judy Zimmerman ASSISTANT TO THE DIRECTOR Richard Seer CRAFTSPERSONS James Feinberg, Corey MARKETING/EVENTS ASSISTANT Shelly Williams Jennifer Brawn Gittings, Erica Dei DIRECTOR OF DESIGN ASSISTANT, FESTIVAL Johnston, Robin Sanford PROFESSIONAL TRAINING Kristi Hummel-Rosen Roberts GRAPHIC DESIGNER Jennifer Brawn Gittings PROPERTIES ASSISTANTS MFA PRODUCTION STAFF J.T. MacMillan, Craig Schwartz Robert Drake DESIGN ASSISTANT, GLOBE DIRECTOR OF PRODUCTION Pat Cain PRODUCTION PHOTOGRAPHERS Tara Gasparian PROPERTY MASTER, GLOBE EDUCATION Bonnie Johnston DESIGN ASSISTANT, CARTER Subscription Sales DIRECTOR OF EDUCATION Marcus Polk Raúl Moncada Lesha Sand PROPERTY MASTER, CARTER EDUCATION ASSOCIATE Scott Cooke Darko Tresnjak SUBSCRIPTION SALES MANAGER BUYER Trevor Hay Peter Webster ARTISTIC DIRECTOR, DIRECTOR, ROMEO Y JULIETTA Russ Allen, Anna Bowen-Davies, SHAKESPEARE FESTIVAL Maureen MacNiallais PROPERTY MASTER, FESTIVAL OFFICE ASSISTANT BI-NATIONAL PROJECT Kat Castelblanco, Stanley Lighting Einhorn, Arthur Faro, Andrew ARTISTIC Su Lin Chen, Gwen Dunham, Forrest Aylsworth Maggie Frede, Louise M. Chris Rynne PRODUCTION STAGE MANAGER Fink, Jessica Morrow, Ken Seper, Samantha Barrie LIGHTING DIRECTOR Crystal Mercado, Sandra Ruiz, Yvonne Silva, Grant Walpole, ARTISTIC COORDINATOR Herman, Marsha Kuligowski, Randal Sumabat Tonnie Ficken Michael Zimabalist Molly Yoder-Williams Kim Montelibano Heil DRAPERS MASTER ELECTRICIAN, GLOBE PRODUCTION ASSOCIATES SUBSCRIPTION SALES REPS. ARTISTIC ASSISTANT Joan Mathison, Mary Miller, Jim Dodd Holly Ward Ticket Services Diane Sinor MASTER ELECTRICIAN, CARTER TOUR COORDINATOR DRAMATURGY ASSOCIATE Nunzia Pecoraro Shari Ressel COSTUME ASSISTANTS Kevin Liddell Carol Green TICKET SERVICES MANAGER Jan Gist MASTER ELECTRICIAN, FESTIVAL SPEAKERS BUREAU COORD. VOICE AND SPEECH COACH Gloria Bradford, Anne Glidden Elaine Gingery Grace, Kendra Greathouse, Randy Anetsky, Megan Forrest Aylsworth, Janet TICKET OPERATIONS MANAGER Stage Management Erika Lilienthal, Leslie Malitz, Bourdeau, Kristen Flores, Lacy Hayatshahi, Sara Meeks, Tim Cole, Shouna Shoemake Leila Knox Somsi Norfolk, Susan Sachs, Flores, Megan Fonseca, Allyson Sandra Ruiz, Marlene Shelton ASSISTANT MANAGERS TEACHING ARTISTS PRODUCTION STAGE MANAGER Gina Topolewski Guertin, Matt Hibbs, Lex Jorge, Jean McKissick Tracy Skoczelas ASSISTANT CUTTERS Josh Klem, Tricia Lesinski, Andy FINANCE DATA COORDINATOR ASSISTANT STAGE MANAGER Lowe, Miranda Mikesh, Leah Mark Baiza, Babs Behling, Jannet I. Wise Lyle Wilson Sean Alexander, Karen Peck, Mariah Bowers, Suzanne Nellman, Candace Ortega, ASSOCIATE DIRECTOR OF LEAD TICKET SERVICES REP. Kirsten Rogers Clements, Kelly-Marie Falvella, Andrea Ryan, Stacey Schrom, FINANCE Michael Crowe, James Dublino, DOUGLAS PAGLIOTTI Veronica Freed, Kandice Elizabeth Squire, Chad Stenner J. Adam Latham Dru Garcia, Mame Gile, Robert STAGE MANAGEMENT INTERNS ELECTRICIANS PAYROLL CLERK/ Guzman, Elena Ham, Holly ACCOUNTING ASSISTANT Glaze, Kirk Glover, Bernadette Hess, Jess Holzworth, Yinan Sound PRODUCTION Diane Jenkins Hobson, Jim Lawrence, Julie Debra Pratt Ballard Liu, Michelle McCullough- Paul Peterson ACCOUNTING ASSISTANT Lockard, Royden Marsh, Kendra Sanden, Maria Molina, SOUND DIRECTOR ASSOCIATE DIRECTOR Lynn Dougherty McCall, Jennifer McKay, Lisa OF PRODUCTION Mercedes Moore, Margo Erik Carstensen Moering, Daniel Patterson, Raab MASTER SOUND RECEPTIONIST Ellen Dieter Selensky TECHNICIAN, GLOBE Rashi, Wendy Telford, Steven COMPANY MANAGER STITCHERS DEVELOPMENT Warner Jan Burgoyne Teri Tavares Rachel Eaves TICKET SERVICES REPS. PRODUCTION COORDINATOR DYER/PAINTER MASTER SOUND Brad Ballard TECHNICIAN, CARTER ASSOCIATE DIRECTOR, Technical Linda Black Jeremy Nelson MAJOR & PLANNED GIFTS PATRON SERVICES CRAFTS SUPERVISOR MASTER SOUND Chris Graham Mike Callaway Benjamin Thoron TECHNICIAN, FESTIVAL THEATRE MANAGER TECHNICAL DIRECTOR Stephanie Parker, Erin Pearson, ASSOCIATE DIRECTOR, Svi Roussanoff, Deborah A. Jeremy Siebert CORPORATE RELATIONS Marla Greene Wendy Stymerski, Liz Eisele MIC RUNNER, FESTIVAL Annamarie Maricle FRONT OF HOUSE ASSISTANT ASSISTANT TECHNICAL Uttenreither CRAFTS ARTISANS ASSOCIATE DIRECTOR, DIRECTORS INSTITUTIONAL GRANTS Merlin D. “Tommy” Thompson Amanda Stephens Molly O’Connor ADMINISTRATION PATRON SERVICES REP. WIG & MAKEUP SUPERVISOR Michele Prosser RESIDENT DESIGN ASSISTANT Brian Ulery ASSOCIATE DIRECTOR, Marla Greene, L. Jay Maness, ASSISTANT TO THE ANNUAL FUND Teresa McGee, Ashley Roberts, Rusty Jolgren Melyssa Swensen GENERAL MANAGER SHOP FOREMAN/ ASSISTANT TO WIG & MAKEUP Megan Sullivan SUPERVISOR Eileen A. Prisby MASTER CARPENTER Information Technology EVENTS MANAGER HOUSE MANAGERS Christian Thorsen Vicky Martinez, Kim Parker Dana Juhl WIG ASSISTANTS Dean Yager Diane Addis STAGE CARPENTER/ INFORMATION TECHNOLOGY MEMBERSHIP ADMINISTRATOR FOOD & BEVERAGE MANAGER FLYMAN, GLOBE MANAGER Jeri Nicholas, Allison Reyes Diana Steffen Elaine Nelson, Roland Roberge, Bob Dougherty HAIR CONSULTANTS ThadSteffen SHOP FOREMAN/ DEVELOPMENT ASSISTANT Brock Roser, Tess Rowley, Anne- MASTER CARPENTER, FESTIVAL Lisa Wylie INFORMATION TECHNOLOGY Marie Shafer, Kim Thurston, LEAD DRESSER, FESTIVAL/GLOBE ASSISTANT Amanda Sitko Carole Payette EVENTS ASSISTANT Felicia Tobias Samantha Beckhardt, PUB STAFF CHARGE SCENIC ARTIST Human Resources Donor Services Kathy Lindsey, Stacey Schrom, Rose Espiritu, Kristina Armand, Adam Sandra Parde Babs Behling, Eve Childs, Bernard, Rafael Acosta, Alexis Kelley Sikes HUMAN RESOURCES Stephanie Rakowski DRESSERS, FESTIVAL ADMINISTRATOR Barbara Lekes, Tony Okun, Hamm-Gibney, Courtney GIFT SHOP SUPERVISORS Kim Parker Jenny Kazan-Mills Landin Rice, Judy Zimmerman Harmon, Shirley Ordway, Ken WIG RUN CREW, FESTIVAL CONSULTANT SUITE CONCIERGES Security/Parking Services Verdugo Angela Miller, Kelley Sikes Ryan Barsotti, Tony Okun, Rachel “Beahr” Garcia SCENIC ARTISTS Maintenance SECURITY/PARKING DRESSERS, GLOBE Pat Van Sloun SERVICES SUPERVISOR Cynthia Bloodgood, Matthew Chad Oakley V.I.P. VALET ATTENDANTS Beverly Boyd FACILITIES MANAGER Sherisa Eselin, Irene Herrig Clark, Kevin Fain, Nate DRESSER, CARTER Getrich, Mark Helmuth, Jim Violanda Corona, Ismael MARKETING SECURITY OFFICERS Angie Land Deborah Elliot, Jane Geren, Hopper, Tim Jung, Terry RENTAL AGENT Delgado, Humberto Elvira, Becky Biegelsen McCambridge, Laura David Gaspar, Miguel Gaspar, PUBLIC RELATIONS DIRECTOR David Lipps, Brandi Mahan, McEntyre, Edward C. Pyne, Properties Roberto Gonzalez, Reyna Dominique Vargas Frank Teplin PARKING LOT ATTENDANTS Andy Recker, Stuart Neil A. Holmes Huerta, Margarita Meza, AUDIENCE DEVELOPMENT Zuckerman PROPERTIES DIRECTOR Jose Morales, Maria Rios MANAGER CARPENTERS BUILDING STAFF