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Sponsored by the National Security Group Play It Safe
TWENTIETH ANNUAL NOVEMBER 20, 2020 - CRAMTON BOWL MONTGOMERY, ALABAMA SPONSORED BY THE NATIONAL SECURITY GROUP PLAY IT SAFE. ACCIDENTS HURT. NATIONAL SECURITY HELPS. CALL 1.800.798.2515 WWW.NATIONALSECURITYGROUP.COM 2020 AISA STATE CHAMPIONSHIP FOOTBALL The #1 team in each region will host the #4 team from the other region. The #2 team from each region will host the #3 team from the other region. Semi-finals: The highest ranked teams advancing will host the semi-final games. PLAY-OFF BRACKET CLASS A November 6 November 13 November 20 (12:00 P.M.) Crenshaw (H) 64 Region I #1 Crenshaw (H) 53 Pickens 14 Region II #4 Crenshaw (H) Sparta (H) 41 Region II #2 Sparta 29 Lowndes 2 Region I #3 STATE 12:00p.m. Jackson (H) 54 CHAMPIONS Region II #1 Jackson (H) 20 Lakeside 14 Region I #4 Abbeville Abbeville (H) 63 Region I #2 Abbeville 28 South Choctaw 21 Region II #3 2020 AISA STATE CHAMPIONSHIP FOOTBALL The #1 team in each region will host the #4 team from the other region. The #2 team from each region will host the #3 team from the other region. Semi-finals: The highest ranked teams advancing will host the semi-final games. PLAY-OFF BRACKET CLASS AA November 6 November 13 November 20 (3:30 P.M.) Chambers (H) 43 Region I #1 Chambers (H) 51 Autauga 3 Region II #4 Chambers (H) Patrician (H) 34 Region II #2 Edgewood 20 Edgewood 35 Region I #3 3:30p.m. STATE Escambia (H) 48 CHAMPIONS Region II #1 Escambia (H) 54 Springwood 8 Region I #4 Escambia Macon East (H) 28 Region I #2 Macon East 13 Wilcox 25 Region II #3 2020 AISA STATE CHAMPIONSHIP FOOTBALL The #1 team in each region will host the #4 team from the other region. -
Additional Submission to the Leveson Inquiry – February 2012
TRANS MEDIA WATCH – ADDITIONAL SUBMISSION TO THE LEVESON INQUIRY – FEBRUARY 2012 A. Introduction Trans Media Watch (TMW) wishes to make this additional submission to the Leveson Inquiry into press standards, ethics and culture. It follows the submission made by TMW to the Inquiry in January 20121, and the oral evidence given by Helen Belcher to the Inquiry on behalf of TMW on 8 February 2012. In our original submission, TMW explained some of the various ways that the press uses to misrepresent the trans and intersex communities, including themes such as “trans as fraud”, “trans as undeserving” and “trans as deviant”. We feel it will be useful for the Inquiry to review the coverage of trans issues in the press, specifically but not exclusively from The Sun and the Mail newspapers, since 8 February. In summary: The press has published two main stories featuring trans people over the past two weeks, both appearing on front pages. This is in addition to the standard low level coverage that trans issues get in the mainstream media. With both there are significant concerns over misrepresentation, with corresponding effects on public perception of the issues. With both there are significant concerns over placing vulnerable people, including innocent children, at risk of physical violence. The key issue is the complete lack of respect shown to trans people. Far from mending their ways and reporting trans stories more sensitively, as claimed in person before the Inquiry2, the press has shown a distasteful rush to objectify and sensationalise these stories in a way that places real people in real danger. -
The Impact of Role Models on Sun Protective Behaviours: Expert Paper Lynne Eagle, Gill Kemp, Simon Jones, Julia Verne
Expert paper 6: The impact of role models on sun protection behaviours The Impact of Role Models on Sun Protective Behaviours: Expert Paper Lynne Eagle, Gill Kemp, Simon Jones, Julia Verne The impact of media image on body satisfaction and self esteem has been the subject of a large body of research across areas such as eating disorders, sexualisation, smoking initiation and gender stereotyping (Fabrianesi et al., 2008; Jones & Rossiter, 2008; Sargent 2005; Ogden & Sherwood, 2005) as well as sun exposure. We cannot locate any specific content analyses for television programmes or websites either in the UK or internationally relating to sun tanning, sun exposure risks or effective sun protection, however the portrayal of sun-related behaviours in all media forms is likely to have some influence on perceptions of desirable body image. The magnitude of this effect across different media forms is un-researched, as is the actual or potential impact on the effectiveness of sun protection interventions. Two major content analyses of print media from Australia and the USA respectively (Dixon et al., 2007, Miner & Baker, 1994) indicate that deep tanning is glamorised in magazines, poor sun-protective behaviours are commonly shown and a substantial quantity of implicit messages are misleading or contradictory. Younger age groups, particularly females, appear to be more influenced by media images. By the age of 8, girls are aware of societal images of female beauty and the use of media images to compare self image with the media portrayal of ideal increase markedly between the ages of 8 – 12 and leads to dissatisfaction (Bessenof, 2006; Dohnt & Tiggemann, 2006). -
Page 1 of 125 © 2016 Factiva, Inc. All Rights Reserved. Colin's Monster
Colin's monster munch ............................................................................................................................................. 4 What to watch tonight;Television.............................................................................................................................. 5 What to watch tonight;Television.............................................................................................................................. 6 Kerry's wedding tackle.............................................................................................................................................. 7 Happy Birthday......................................................................................................................................................... 8 Joke of the year;Sun says;Leading Article ............................................................................................................... 9 Atomic quittin' ......................................................................................................................................................... 10 Kerry shows how Katty she really is;Dear Sun;Letter ............................................................................................ 11 Host of stars turn down invites to tacky do............................................................................................................. 12 Satellite & digital;TV week;Television.................................................................................................................... -
(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
ARIA Charts, 1993-01-10 to 1993-04-18
4 i Enjoy iian /21.'oril industty %s °clai!? m 1'3 A U S T R A L I A N SINGLES CHART ALBUMS CHART TW LW TI TITLE / ARTIST TW LW TI TITLE / ARTIST 1 1 6 I WILL ALWAYS LOVE YOU Whitney Houston A BMG 4321120654 *1 3 4 STILL THE 12TH MAN The Twelfth Man A2 EMI 8141392 *2 12 7 YOU DON'T TREAT ME NO GOOD Sonia Dada • FES C 12078 *2 10 11 TIMELESS (THE CLASSICS) Michael Bolton A COL/SONY 472302.2 3 2 14 END OF THE ROAD Boyz II Men A PDR/POL 8600644 3 1 10 ABBA GOLD • GREATEST HITS ABBA A2 PDR/POL 5172752 4 4 10 ACCIDENTLY KELLY STREET Frente A VVHUFES C 12063 *4 14 17 UNPLUGGED Eric Clapton A WARNER 9362450242 5 3 10 WOULD I LIE TO YOU? Charles & Eddie • EMI 8802284 *5 23 4 THE BODYGUARD Soundtrack BMG 7822186992 6 7 25 NOVEMBER RAIN Guns n' Roses A GEF/BMG GEFCS19067 6 7 6 MARVIN THE ALBUM Frente A WHI/FES D 93367 *7 18 7 DECEMBER 1963 (OH WHAT A NIGHT) The Four Seasons SONY 658441.8 7 5 9 THE ESSENTIAL COLLECTION Joe Cocker A EMI 7807572 8 5 20 ACHY BREAKY HEART Billy Ray Cyrus A2 PHON/POL 8640554 *8 16 10 COOLEYHIGHHARMONY Boyz II Men A PDR/POL 530 089-2 9 6 18 THE DAY YOU WENT AWAY Wendy Matthews • WARNER 4509905224 9 2 9 GLITTERING PRIZE 81.92 Simple Minds A VIR/EMI 7865082 10 10 9 TEQUILA A.L.T. -
Hello? Goodbye! Marriage and Divorce Amongst Celebrities Rehna Azim and Harry Benson the Marriage Foundation, November 2012
Hello? Goodbye! Marriage and divorce amongst celebrities Rehna Azim and Harry Benson The Marriage Foundation, November 2012 • For many people, marriage is Celebrity weddings ending in divorce now the glitzy celebration that (by years married) comes after having a baby and 50% moving in together. Hello! and Celeb divorce rate (3 year ave) other celebrity magazines 40% reinforce this focus on the UK divorce rate (actual) event. 30% • But marriage is far more than a wedding: it is the commitment, 20% the development of relationship skills and the working through issues together. 10% • The ingredients of marital 0% success, however, are not 2 4 6 8 10 dramatic or newsworthy. After the wedding it tends to be only the rows and splits that make the news. • At the launch of the Marriage Foundation, Family Court judge Sir Paul Coleridge raised concerns about the image of 'Hello! weddings' and the experience of seeing many couples in court soon after the big day. Our research confirms that the glamour of celebrity weddings is a poor indicator of future marital success. • Marriage Foundation has tracked 572 better-known celebrity couples whose weddings have taken place since 2000. • Despite all the comforts and advantages of fame and wealth, these celebrities divorce at twice the rate of the UK population. After ten years of marriage, the divorce rate for celebrities is 40%, compared to 20% for the rest of us. Rehna Azim is a barrister specializing in family law, as well as freelance journalist and writer. Harry Benson is a relationship educator and Director of Communications for The Marriage Foundation. -
The Changing Nature of Audience Participation in Mainstream Entertainment Programming
MM From Props to Products The Changing Nature of Audience Participation in Mainstream Entertainment Programming Have you ever been a member of a Media audiences of the past are often 1967-1975). As with many quiz and game shows characterised as being passive recipients of of the time, members of the public took part as studio audience, for the recording of a the information and entertainment that was competitors. The true stars of these shows were, radio sketch show, a TV sitcom, Strictly handed down by media institutions. In our however, the presenters. Bob Monkhouse was modern media world, audiences are thought the first presenter of The Golden Shot and was or Buzzcocks? Once upon a time, you to be much more active and media institutions massively popular with contemporary audiences. might have thought that would be actively encourage audience participation. To The original host of BBC’s long-running Saturday the closest you’d get to involvement; some this is an indication of a new, democratised tea-time audience participation show, The state where the power traditionally held by Generation Game (BBC: 1971-2007) was Bruce but in fact audience participation has media institutions is being shared with audiences Forsyth (1971-1977 and 1990-1994), who long been a feature of ‘old media’ who are able to participate in the construction is astonishingly still a household name, as he and development of media texts. currently presents Strictly Come Dancing (BBC: entertainment programming. Steph This view, however, can hide the fact that 2004 onwards). Hendry considers the role of the audience participation is not a new idea. -
Mothers on Mothers: Maternal Readings of Popular Television
From Supernanny to Gilmore Girls, from Katie Price to Holly Willoughby, a MOTHERS ON wide range of examples of mothers and motherhood appear on television today. Drawing on questionnaires completed by mothers across the UK, this MOTHERS ON MOTHERS book sheds new light on the varied and diverse ways in which expectant, new MATERNAL READINGS OF POPULAR TELEVISION and existing mothers make sense of popular representations of motherhood on television. The volume examines the ways in which these women find pleasure, empowerment, escapist fantasy, displeasure and frustration in popular depictions of motherhood. The research seeks to present the MATERNAL READINGS OF POPULAR TELEVISION voice of the maternal audience and, as such, it takes as its starting REBECCA FEASEY point those maternal depictions and motherwork representations that are highlighted by this demographic, including figures such as Tess Daly and Katie Hopkins and programmes like TeenMom and Kirstie Allsopp’s oeuvre. Rebecca Feasey is Senior Lecturer in Film and Media Communications at Bath Spa University. She has published a range of work on the representation of gender in popular media culture, including book-length studies on masculinity and popular television and motherhood on the small screen. REBECCA FEASEY ISBN 978-0343-1826-6 www.peterlang.com PETER LANG From Supernanny to Gilmore Girls, from Katie Price to Holly Willoughby, a MOTHERS ON wide range of examples of mothers and motherhood appear on television today. Drawing on questionnaires completed by mothers across the UK, this MOTHERS ON MOTHERS book sheds new light on the varied and diverse ways in which expectant, new MATERNAL READINGS OF POPULAR TELEVISION and existing mothers make sense of popular representations of motherhood on television. -
Record Dreams Catalog
RECORD DREAMS 50 Hallucinations and Visions of Rare and Strange Vinyl Vinyl, to: vb. A neologism that describes the process of immersing yourself in an antique playback format, often to the point of obsession - i.e. I’m going to vinyl at Utrecht, I may be gone a long time. Or: I vinyled so hard that my bank balance has gone up the wazoo. The end result of vinyling is a record collection, which is defned as a bad idea (hoarding, duplicating, upgrading) often turned into a good idea (a saleable archive). If you’re reading this, you’ve gone down the rabbit hole like the rest of us. What is record collecting? Is it a doomed yet psychologically powerful wish to recapture that frst thrill of adolescent recognition or is it a quite understandable impulse to preserve and enjoy totemic artefacts from the frst - perhaps the only - great age of a truly mass art form, a mass youth culture? Fingering a particularly juicy 45 by the Stooges, Sweet or Sylvester, you could be forgiven for answering: fuck it, let’s boogie! But, you know, you’re here and so are we so, to quote Double Dee and Steinski, what does it all mean? Are you looking for - to take a few possibles - Kate Bush picture discs, early 80s Japanese synth on the Vanity label, European Led Zeppelin 45’s (because of course they did not deign to release singles in the UK), or vastly overpriced and not so good druggy LPs from the psychedelic fatso’s stall (Rainbow Ffolly, we salute you)? Or are you just drifting, browsing, going where the mood and the vinyl takes you? That’s where Utrecht scores. -
'Fraping', 'Trolling'
‘Fraping’, ‘Trolling’ and ‘Rinsing’: Social Networking, Feminist Thought and the Construction of Young Women as Victims or Villains Dr Karen Lumsden and Dr Heather M. Morgan1 Abstract This paper explores the contradictory framing of young women’s social networking use in public and media discourses and situates it within current debates regarding the future of feminism for young women. While social networking activities began as relatively trivial, recently public and media concern has grown, especially in light of a so-called rise in ‘problematic’ gendered/sexualized behaviours on social networking sites. Examples include ‘fraping’, ‘sexting’, ‘trolling’ and ‘rinsing’; behaviours that push the boundaries of acceptability in terms of normative gendered/sexualized and embodied practices. Paradoxically, young women are presented as both victims of more predatory, deviant and/or criminal behaviours on social networking sites, such as cyber-stalking and cyber-bullying and their consequences, and villains in terms of their engagement in the aforementioned gendered/sexualized interactions. Keywords Facebook, feminism, gender, media, social networking, trolling Introduction In the last decade, social networking sites such as Facebook and Twitter have become essential interactional tools for negotiating both public (professional) and private (personal) lives. Via these sites, online spaces are created for individuals to parody and play with a multitude of identities by presenting themselves in one or several virtual profiles, thus allowing for the constant contesting and re-moulding of their electronic personas depending on the specific purpose or context. Hence, through information and communications technologies such as the internet, ‘individuals increasingly exist beyond their private bodies’ (Sheller and Urry 2003, 116). -
Inforiwatfonto USERS
INFORIWATfONTO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction Is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and teaming 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI' THE ART SWGS OF ANDRÉ PREVIN WITH LYRICS BY TONI MORRISON: HONEY AND RUE AND FOUR SOSGS FOR SOPRANO, CELLO AND PIANO A PERFORMER'S PERSPECTIVE D.M.A. DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Misical Arts in the Graduate School of the School of The Ohio State University By Stephanie McClure Adrian, B.M., M M ***** The Ohio State University 2001 D.M.A.