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CP-30 Finalcorr(Email) Charles Pollock, a selection Charles Pollock in Rome in 1963, photo: Aaron Siskind Charles Pollock died thirty years ago (1902-1988). Since then, there have been more than a dozen exhibitions (including Charles Pollock, a retrospective at the Peggy Guggenheim Foundation in Venice in 2015); a monograph (The Art of Charles Pollock, Sweet Reason by Terence Maloon in 2002, Ball State University Press) and a family correspondence (American Letters, Polity Press 2011) has been published; a film (Pollock & Pollock), by Isabelle Rèbre, will appear at the end of this year. With my mother, Sylvia Winter Pollock, we have been organizing, in the Charles Pollock Archives created twenty years ago (www.charlespollockarchives.com), all the known elements in order to con- stitute a “catalogue raisonné.” This on-going task, exhaustive only insofar as possible, permits us to now envisage a real selection of his life’s work. Here it is. It is dedicated to you: friends, collectors (or not), birds of passage, supporters, the curious, amateurs, admirers, publishers, art critics, journalists… Heartfelt thanks for your benevolent eye without which nothing, but nothing, would have been possible. Charles Pollock est mort il y a trente ans (1902-1988). Depuis lors, il y a eu plus d’une douzaine d’expositions (dont Charles Pollock, a retrospective, à la Peggy Guggenheim Foundation de Venise, en 2015) ; la parution d’une monographie (L’Art de Charles Pollock, Douce Raison, de Terence Maloon, en 2013, aux éditions Hermann) et d’une corre- spondance familiale (Lettres américaines aux « Cahiers rouges », chez Grasset, en 2017) ; ainsi que le tournage d’un film (Pollock & Pollock), réalisé par Isabelle Rèbre, dont la sortie est prévue fin 2018. Avec ma mère, Sylvia Winter Pollock, nous rassemblons, au sein des Archives Charles Pollock (www.charlespollockarchives.com), créées il y a vingt ans, tous les éléments portés à notre connais- sance, afin de constituer un « catalogue raisonné » (de presque mille œuvres). Ce travail, patient et exhaustif, permet enfin d’envisager une véritable rétrospective. La voici donc, dédiée à vous : amies, amis, collectionneurs ou non, oiseaux de passage, soutiens, cu- rieux, amateurs, admirateurs, éditeurs, critiques d’art, journalistes… Mille mercis pour votre regard bienveillant sans lequel absolument rien n’eût été possible. Francesca Pollock Family life / Vie de famille Self-portrait, c. 1930 Pencil and gouache on paper 57.8 x 47.6 cm LeRoy Pollock, 1935 Gesso on board 44.5 x 35.6 cm My father, sketchbook, c. 1930 My mother, sketchbook, c. 1930 Jack (Jackson Pollock), 1935 Elizabeth Pollock, 1930 Portrait of Elizabeth Pollock, 1937 Pencil, brush and ink Conte crayon on paper Casein on fiberboard 45.5 x 30.3 cm 36.8 x 26 cm 33.5 x 28.3 cm The early years / Les premières années (1917-1945) House in Winter, 1917 Colored pencil on tan paper 30 x 15 cm Farmer’s Shack in Corn Field, 1936 Watercolor on paper mounted on masonite. 71 x 56 cm Martha’s Vineyard, c. 1930 Gouache 40 x 43 cm Black Man, c. 1930 Untitled [Man at the Well], c 1937 Tempera on board Tempera on board 45 x 35 cm 38.1 x 40.6 cm Industrial scene, Chicago, 1933 Ink and wash 30.3 x 22.7 cm Steel mill, Gary, Indiana, 1933 Ink and colored washes 22.7 x 30.3 cm Chicago drawing 2, 1933 Ink and litho crayon 40 x 30 cm Oklahoma oil wells, c. 1934 Pencil, ink and wash 30.3 x 22.7 cm Carolina Landscape, 1940 Oil on canvas 71.1 x 96.5 cm Look Down That Road, 1942 Ringgold County, 1944 Oil tempera on canvas mounted on fiberboard Oil on fiberboard 96.4 x 122 cm 44.5 x 36.6 cm Arizona Landscape, 1945 Landscape, 1945 Oil on wood Gouache 42.8 x 59.2 cm 36 x 56 cm Into abstraction / Vers l’abstraction (1947-1956) Rooster, 1947 Oil on paperboard mounted on fiberboard 56.5 x 40.5 cm Aerodynamics, 1947 Ink and gouache on paper 53 x 36.5 cm Untitled, 1949 Oil on fiberboard 47.8 x 65.4 cm Untitled, 1949 Oil on canvas mounted on fiberboard 71.1 x 52 cm Untitled etching 1, 1949 Reverse etching colored by hand 32 x 24 cm Untitled etching 1a, 1949 Reverse etching colored by hand 32 x 24 cm Calligraphic print 1a (Untitled), 1952 Etching on Fabriano 33 x 24.5 cm Calligraphic print 1b (Untitled), 1952 Reverse etching colored by hand 53.2 x 46.1 cm Calligraphic print 1c (Untitled), 1952 Reverse etching colored by hand 53.2 x 46.1 cm Untitled, 1947 Pen and ink 30.5 x 22.9 cm Cock, 1949 Brush and ink 43.2 x 28.9 cm Flight, 1949 Pen and ink 47 x 31.8 cm Untitled, c 1951 Reverse etching 33 x 24.5 cm Untitled (red), 1953 Two-color reverse etching 47.5 x 42 cm Untitled [Don Quixote], c. 1950 Oil on paperboard 73.6 x 52.8 cm Untitled [Fireworks], 1950 Gouache on paper mounted on board 73.6 x 50.8 cm Untitled drawing, c. 1956 Ink on paper 73.7 x 53.3 cm Chapala Drawing 10, 1956 Ink on Arches paper 77 x 56.5 cm Chapala Drawing 11, 1956 Ink on Arches paper 65 x 44 cm Chapala Drawing 13, 1956 Ink on Arches paper 77 x 56.5 cm Chapala Drawing 18, 1956 Ink on Arches paper 62.5 x 48 cm Chapala Drawing 23, 1956 Ink on Arches paper 62.5 x 48 cm Chapala 1, 1956 Oil and tempera on canvas 122 x 92.5 cm Chapala 3, 1956 Oil and tempera on canvas 122 x 92.5 cm Chapala 4, 1956 Oil and tempera on canvas 122 x 92.5 cm Chapala 8, 1956 Oil and tempera on canvas 80.5 x 40.5 cm Chapala 9, 1956 Oil and tempera on canvas. 80.5 x 40.5 cm Black Collage, 1959 Color-Aid paper on lightweight board 42 x 34.5 cm Untitled charcoal 1, 1960 Charcoal on rag paper 77 x 57.5 cm Untitled charcoal 2, 1960 Charcoal on rag paper 61.5 x 48.5 cm Black and Gray 2, 1959 Oil on canvas 117 x 82.5 cm Black and Gray 7, 1960 Oil on canvas 140 x 114 cm Black and Gray 10, 1960 Oil on canvas 139 x 110.5 Black and Gray 15, 1960 Oil on canvas 138.5 x 81 cm Untitled [Black], gray-green, 1961 Oil on canvas 180.5 x 151.5 cm Untitled [Black], green, 1961 Oil on canvas 180.5 x 151.5 cm Untitled [Black], yellow-green, 1962 Oil on canvas 151.5 x 180.5 cm Rome One, 1962 Oil on canvas 155 x 130 cm Study #2 for Rome series, 1963 Charcoal on Fabriano paper 33 x 27 cm Study #4 for Rome series, 1963 Charcoal on Fabriano paper 33 x 27 cm Study #5 for Rome series, 1963 Charcoal on Fabriano paper 33 x 27 cm Rome Seven, 1963 Oil on canvas 170 x 140 cm Rome Eight, 1962 Oil on canvas 170 x 140 cm Rome Thirteen, 1963 Oil on canvas 170 x 140 cm Rome Fourteen, 1963 Oil on canvas 170 x 140 cm Post-Rome pastel #3, 1964 Pastel and litho crayon 28 x 28 cm Post-Rome pastel #12, 1964 Pastel and litho crayon 28 x 28 cm Post-Rome pastel #5, 1964 Pastel and litho crayon 33 x 34 cm Untitled [Post-Rome], blue green black, 1964 Oil on canvas 152.5 x 152.5 cm Untitled [Corcoran], 1966 Acrylic on canvas 183 x 127 cm Adam T, 1966 Acrylic on canvas 183 x 127 cm Gregoire, 1966 Acrylic on canvas 152 x 126.5 cm Poissy, 1966 Acrylic on canvas 183 x 127 cm Alcona, 1967 Acrylic on canvas 183 x 127 cm Delta, 1967 Acrylic on canvas 183 x 152 cm #98, 1968 Acrylic on canvas 238.7 x 127 cm #100, 1968 Acrylic on canvas 213 x 127 cm NY1, 1968 Acrylic on canvas 111.8 x 76.2 cm NY6, 1968 Acrylic on canvas 111.8 x 76.2 cm NY21, 1969 Acrylic on canvas 183 x 127 cm NY29, 1969 Acrylic on canvas 238.3 x 152 cm NY32, 1969 Acrylic on canvas 238.3 x 152 cm Untitled [Slash], blue, 1973 Acrylic on canvas 130.5 x 81 cm Untitled [Slash] yellow, 1973 Acrylic on canvas 130.5 x 81 cm Untitled [Slash] green, violet, 1973 Acrylic on canvas 130.5 x 81 cm Passim #3, 1974 Acrylic on canvas 130 x 81 cm Passim #28, 1975 Acrylic on canvas 116 x 73 cm Untitled [Pulse], orange, 1974 Acrylic on canvas 48.5 x 31 cm Untitled [Pulse], gray, 1974 Acrylic on unstretched canvas 36 x 26 cm Arches Paintings II #6, 1981 Gouache on heavy Arches 76.3 x 49.4 cm Arches Paintings II #11, 1981 Gouache on heavy Arches 76.3 x 49.4 cm Arches Paintings II #12, 1981 Gouache on heavy Arches 76.3 x 49.4 cm Untitled [Last Drawings #2], 1983 India ink on Arches 38 x 28 cm Untitled [Last Drawings #5], 1983 India ink on Arches 38 x 28 cm Untitled [Last Drawings #9], 1983 India ink on Arches 38 x 28 cm Photo album / Album photos 1 2 3 4 5 6 7 8 9 10 11 1. 1904 LeRoy, Jay, Charles, Stella. Cody. 2. 1918 Pollock family, Chico. 3. 1923 Franz Geritz, Charles Pollock and Arthur Millier, Los Angeles.
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