ジャンル タイトル 作曲者名 出版社 編成 Sh00001 \7087 Etudes
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Choir and Choral Music
Choral Research : A Global Bibliography Geisler, Ursula 2010 Link to publication Citation for published version (APA): Geisler, U. (2010). Choral Research : A Global Bibliography. Körcentrum Syd. http://www.korcentrumsyd.se/wp- content/uploads/Geisler-2010_Choral-Research_A-Global-Bibliography.pdf Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Körforskning. En bibliografi Choral Research. A Global Bibliography Lund/Malmö, Körcentrum Syd, 2010 Dr. Ursula Geisler © Ursula Geisler 2 Choral Research. A Global Bibliography KOMMENTAR INLEDNING Detta är en körforskningsbibliografi. Den har sammanställts på uppdrag av Körcentrum Syd i syfte att kartlägga körforskningen i Sverige och globalt. Eftersom ett mål med Körcentrum Syds verksamhet är att stärka körlivet och körforskningen regionalt och utveckla den nationellt, har ett behov av att kartlägga körforskningen och dess status quo formulerats. -
Days of Bliss Are in Store: Antonino Pasculli's "Gran Trio Concertante
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Days of Bliss Are in Store: Antonino Pasculli's Gran Trio Concertante per Violino, Oboe, e Pianoforte su Motivi del Guglielmo Tell di Rossini Anna Pennington Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC DAYS OF BLISS ARE IN STORE: ANTONINO PASCULLI’S GRAN TRIO CONCERTANTE PER VIOLINO, OBOE, E PIANOFORTE SU MOTIVI DEL GUGLIELMO TELL DI ROSSINI By ANNA PENNINGTON A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music. Degree Awarded: Summer Semester, 2007 Copyright © 2007 Anna Pennington All Rights Reserved The members of the Committee approve the treatise of Anna Pennington defended on May 7, 2007. ______________________________ Eric Ohlsson Professor Directing Treatise ______________________________ Richard Clary Outside Committee Member ______________________________ Frank Kowalsky Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS For the generous encouragement of Eric Ohlsson in completing this project, I am greatly indebted. I also wish to thank Sandro Caldini and Olga Visentini, for their unselfish help in obtaining the trio. iii TABLE OF CONTENTS ABSTRACT ................................................................................................................... v -
Download Booklet
ACKNOWLEDGMENTS Recording, editing and mastering: Antonino D’Urzo/Opusrite SAD STEPS Producers: Kenneth Slowik, (Lutoslawski and Moe), James Ross, (Klughardt), Evelyn Elsing, (Musgrave and Erdmann) MUSIC OF TRAGEDY AND GRIEF Recorded in Dekelboum Concert Hall, The Clarice Smith Center for the Performing Arts, University of Maryland, College Park, Maryland, February-April 2014 MARK HILL, OBOE AUDREY ANDRIST, PIANO PUBLISHERS XAK BJERKEN, PIANO KATHERINE MURDOCK, VIOLA Witold Lutoslawski’s Epitaph is published by Chester; Pavel Haas’s Suite is published by Tempraha; Dietrich Erdmann’s Elegy is published by Edition Gerig; Thea Musgrave’s Niobe is published by Novello; August Klughardt’s Schilflieder is published by Amadeus; Eric Moe’s Sad Steps is published by Dead Elf Music Cover Art: detail from the painting The Head of Orpheus by John William Waterhouse (1849-1917); Private Collection; Photo Credit: Fine Art Photographic Library, London / Art Resource, New York Mark Hill gratefully acknowledges partial funding for this project in the form of a Creative and Performing Arts Award from the Graduate School of the University of Maryland. WWW.ALBANYRECORDS.COM TROY1557 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2015 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. INTRODUCTION whole. The melody rises to a held note, and the piano offers a brief interjection before the solo oboe descends again. After each appearance of this refrain, the piano joins Composers have often been drawn to the uniquely expressive and complex timbre of more formally, and the duo begins exploring the musical possibilities, which grow the oboe when conveying the darker emotional landscapes of the human experience. -
Catalogue and Musik” (Degenerate Music) Opened in Documentation of Sound) Should Düsseldorf
zagreb | 2018. XVIII. SVJETSKI KONGRES SAKSOFONISTA ODRŽAVA SE POD POKROVITELJSTVOM MILANA BANDIĆA, GRADONAČELNIKA GRADA ZAGREBA | THE XVIII WSC IS HELD UNDER THE PATRONAGE OF MR MILAN BANDIĆ, MAYOR OF THE CITY OF ZAGREB gradonačelnik grada zagreba Poštovani sudionici, dragi gosti, Zagreb prvi put ugošćuje renomirani Svjetski kongres saksofonista. Domaćin ovogodišnjega 18. kongresa je naša Muzička akademija koja je u svijetu poznata po izvrsnosti svoje Zagrebačke saksofonističke škole koju je utemeljio profesor Josip Nochta. Tijekom 5 dana, na više od 400 događanja, na brojnim mjestima u gradu će se predstaviti i susresti vrhunski glazbeni profesionalci, studenti i amateri. Bit će to, uvjeren sam, praznik glazbe, prigoda za promociju različitih stilova i izričaja te za razmjenu ideja. Svojom otvorenosti za publiku Kongres će obogatiti Zagrebačko kulturno ljeto te će doprinijeti boljem pozicioniranju Zagreba i Hrvatske na svjetskoj karti kulturnog turizma. Zahvaljujem organizatorima na uspješnoj realizaciji Kongresa, osobito red. prof. art. Draganu Sremcu, umjetničkomu ravnatelju Kongresa i prodekanu za umjetnost i poslovanje Muzičke akademije Sveučilišta u Zagrebu. Svim sudionicima želim uspješno sudjelovanje i ugodan boravak u našem gradu! Gradonačelnik Grada Zagreba Milan Bandić Major of the City of Zagreb Esteemed participants, dear guests, Zagreb is hosting the renowned World Saxophone Congress for the irst time. The host of this 18th Congress is our Academy of Music, world- famous for the excellence of its Zagreb School of Saxophone, established by professor Josip Nochta. In the course of 5 days, in more than 400 events at various locations in the city, top music professionals, students and amateurs will present themselves and meet each other. I am sure that it will be a celebration of music, an opportunity to promote various styles and expressions and to exchange ideas. -
The Louisiana Musician PAID the OFFICIAL PUBLICATION of L.M.E.A
STANDARD U.S. POSTAGE The Louisiana Musician PAID THE OFFICIAL PUBLICATION OF L.M.E.A. PERMIT # 51 PAT DEAVILLE, Editor 70601 The Louisiana Musician P.O. BOX 6294 “The Official Journal of the Louisiana Music Educators Association” LAKE CHARLES, LOUISIANA 70606 Volume 83 Number 2 November 2017 2017 Annual LMEA Schedule of Events National Piano Competition, Op. 44 Professional Development Historical Site: Southern University, A. & M. College Baton Rouge, Louisiana Conference April 14, 2018, Saturday - PRE-COLLEGE DIVISION COMPETITION ~ SOLO Southern University: DeBose Music Building & Annex 91 E. C. Harrison Dr./BRLA STANDARD: ACCORDING TO GRADE A, B, C, D, IA, IB, IIA, IIAB, IIIA, IIIB, IVA, IVB Standard-Students whose piano study or school matriculation matches established elementary and/or secondary school grades. Elementary, Intermediate, Advanced. LATE-STARTER “: ACCORDING TO AGE AA, BB, CC, DD Late Starters”-Students whose piano study begins later than established elementary and/or secondary school classifications. Primary (Age-8/9 or Later), Intermediate, Advanced. ACCELERATED: ACCORDING TO GRADE GA, GB, GC, GD, GIA, GIB, GIIA, GIIB, GIIIA, GIIIB, GIVA, GIVB Accelerated-Students whose piano study or school matriculation exceeds the established published standards of competition classifications. Primary (Age-5/6), Intermediate, Advanced. PRE-COLLEGE DIVISION COMPETITION ~ DUET ONLY-ONE-DUET CATEGORY-PER-YEAR PD-S –SIBLING OR PD-O – OPEN: ELEMENTARY, INTERMEDIATE, ADVANCED. Contestant will be allowed to compete in Solo and/or Duet categories. Students of any age may work together. The students will enter in the age group of the oldest ensemble member. Performance Time – 15 Minutes. STUDENT PAGE TURNER, PERMITTED . -
El Clarinete Bajo
The bass clarinet, the great unknown “It’s not a black saxophone, it’s a Bass Clarinet” By Daniel Belloví. Master in Bass Clarinet by the Koninklijk Vlaams Conservatorium in Antwerp (Belgium). Member “Duo Antwerp " (Bass Clarinet & Marimba). Many times we have had to hear the bass clarinet performers, even within a musical, "What a rare saxophone" or "Do you play a black saxophone?" The bass clarinet is not a black saxophone as it has been thought of or still is thought by a lot of people, it is this large wooden, metal instrument that usually has heavy joints and limited tessitura. Usually in our musical societies the directors feel that when someone has to play a bass clarinet, you have to be an "average", musician, no longer studying, or an elderly person without many ambitions, without thinking that the bass clarinet, in many occasions is and will be a solo instrument. Spanish composers until recently saw the bass clarinet as a large clarinet, ponderous but not for great virtuosity or for difficult passages, usable in its most serious juncture, preferring not to use it in the medium, sharp and very sharp registry because there is widespread belief that the sound is poor in those registries and is difficult to broadcast. The bass clarinet is an instrument of the family of the woodwinds, invented in the mid- eighteenth century, particularly between 1730 and 1750 as a complement to the family of clarinets. Its’ sound extension is almost five eighths although its optimal sound registry is around three and a half. -
PAPER TREASURES LIBRARIES and ARCHIVES Edited by Claudia Oliva
TREASURE MAPS Twenty Itineraries Designed to Help You Explore the Cultural Heritage of Palermo and its Province Soprintendenza per i Beni culturali e ambientali di Palermo PAPER TREASURES LIBRARIES AND ARCHIVES edited by Claudia Oliva REGIONE SICILIANA Assessorato dei Beni culturali e dell’Identità siciliana PO FESR Sicilia 2007-2013 Linea d’intervento 3.1.1.1. “Investiamo nel vostro futuro” Project TREASURE MAPS Twenty Itineraries Designed to Help You Explore the Cultural Heritage of Palermo and its Province project by: Ignazio Romeo R.U.P.: Claudia Oliva Soprintendente: Maria Elena Volpes Paper Treasures: Libraries and Archives edited by: Claudia Oliva photographs: Giuseppe Cucco and Gaetano Lo Giudice (fig. 1-5); Ezio Ferreri (fig. 45) Dario Di Vincenzo (fig. 32-36, 41-44, 54-58, 67-73); Vincenzo Aluia (fig. 83-87). All the other photographs have been given by the libraries and the historical archives with the collaboration of: Francesca Buffa and Marina Mancino editorial staff: Ignazio Romeo, Maria Concetta Picciurro graphics and printing: Ediguida s.r.l. translations: Logoteum Language Services Please note: Opening times for each library and archive are printed in the individual information sheets in this booklet. Given that these times are subject to change we suggest that you check them on their individual web sites. Treasure maps: Twenty Itineraries Designed to Help You Explore the Cultural Heritage of Palermo and its Province. - Palermo: Regione siciliana, Assessorato dei beni culturali e dell’identità siciliana, Dipartimento dei beni culturali e dell’identità siciliana. – v. 709.45823 CDD-22 SBN Pal0274341 18.: Paper treasures: Libraries and Archives / by Claudia Oliva. -
2019–2020 Mtna Competitions Finals
NATIONAL2019–2020 MTNA COMPETITIONS FINALS 2020 NATIONAL CONFERENCE March 21–25 Chicago, IllinoisIllinois MUSIC TEACHERS NATIONAL ASSOCIAT ION MTNA would like to offer special thanks to the generous sponsors of the MTNA National Student Competitions. MTNA COMPOSITION COMPETITION • Alfred Music, sponsor of the elementary and junior competitions MTNA JUNIOR PERFORMANCE COMPETITIONS • Kawai America, sponsor of the piano competition • Yamaha Corporation of America, Orchestral Strings Department, sponsor of the string competition • Chopin Foundation of the United States, sponsor of awards for best Chopin performance by Junior Solo Piano MTNA SENIOR PERFORMANCE COMPETITIONS • Yamaha Corporation of America, Piano Division, sponsor of the piano competition • Weekley & Arganbright, sponsors of the piano duet competition • Evelyn Lindblad Folland Endowment Fund, sponsor of the second-place piano award • Chopin Foundation of the United States, sponsor of awards for best Chopin performance by Senior Solo Piano MTNA YOUNG ARTIST PERFORMANCE COMPETITIONS • Steinway & Sons, sponsor of the piano competition MTNA CHAMBER MUSIC PERFORMANCE COMPETITIONS • The Allen I. McHose Scholarship Fund, sponsor of the competitions MTNA–STECHER AND HOROWITZ TWO PIANO COMPETITION • Melvin Stecher and Norman Horowitz, sponsors of the competition Thanks to Our Sponsors Thanks to Our CHICAGO, ILLINOIS 1 2019–2020 MTNA National Competitions MTNA COMPOSITION COMPETITIONS Sponsored by Alfred Music and the MTNA FOUNDATION FUND MTNA-ALFRED MUSIC ELEMENTARY COMPOSITION COMPETITION -
An a to Z of the Piano Trio Repertoire Discography & Review Index: “E” Composers Compiled by David Barker
An A to Z of the Piano Trio Repertoire Discography & Review Index: “E” Composers Compiled by David Barker Project Index Survey (+ op. 8/1 & 3, Keyboard sonatas) Christophorus CHE01312 Colin Eatock 1958-, Canada Anneke Veenhoff, Alida Schat, Thomas Pitt (+ Grand sextet, Potpourri) Trio, 'The Lotos-Eaters' (2000) Ramee RAM1103 [review] Timothy Minthorn, Laurel Mascarenhas, Karl Trio in c, op. 8/3 Toews (+ Suite for piano, Songs) Playel Trio St Petersburg Centredisc CMCCD17812 (+ op. 8/1 & 2) Christophorus CHR77237 (+ op. 8/1 & 2, Keyboard sonatas) Petr Eben Christophorus CHE01312 1929-2007, Czech Trio (1986) Sonia Eckhardt-Gramatté 1899-1974, Russia/Canada Florestan Trio (+ Martinu 1, Smetana) Ein wenig Musik (1910) Hyperion CDA67730 [review] Barbara Moser, Thomas Albertus Irnberger, Martinů Qt, Karel Košárek David Geringas (+ String Quartet, Piano Quintet) (in “It’s A Girl”) Supraphon SU432322 [review][review] Gramola 99225 Puella Trio (+ Bodorova: Megiddo; Fiala) Ross Edwards Arco Diva UP1142 [review][review] 1943-, Australia Trio (1999) Anton Eberl 1765-1807, Austria Apollo Trio (+ Holland, Cradle song, Nock: Fictional Trio in E flat, op. 8/1 realities, Sculthorpe: Irkanda III, Night song, Smalley) Playel Trio St Petersburg Wirripang WIRR054 (+ op. 8/2 & 3) Christophorus CHR77237 Australian Trio (+ op. 8/2 & 3, Keyboard sonatas) (+ Arensky 1, Bernstein, Brahms 2, Brimer 1, Christophorus CHE01312 Debussy, Hummel 1 & 4, Smetana, Tchaikovsky) Trio in B, op. 8/2 ABC 4765235 [review][review] Playel Trio St Petersburg Benaud Trio (+ op. 8/1 & 3) (+ Buc: Trailer music, Hindson, Stanhope) Christophorus CHR77237 Melba MR301139 [review] MusicWeb International Updated: June 2021 Piano Trios: E Composers NZ Trio (+ Sheng: 4 movements, Takemitsu: Between Joseph Elsner tides, Whitehead) 1769-1854, Poland Rattle RATD017 Trio in B flat, op. -
CMSA 2015 Austin
August 2015 • Volume XXXII #3 CMSA 2015 Austin: Día de las Mandolinas – October 14–18 by Joane Rylander, Host Committee Chair The state motto of Texas is “Friendship.” The word Texas CMSA website. We recommend that you make your is from the Caddo Indian word teyshas, meaning friends. hotel reservations at the Holiday Inn Austin Midtown The folks with the Austin Mandolin Orchestra are looking (6000 Middle Fiskville Rd.) soon, since they may sell out. forward to spending time with friends–old and new–as Call the hotel at 877-834-3613 and identify that you are we host your CMSA 2015 convention in Austin. In fact, with the CMSA, or book your room through the CMSA the city is rolling out the red carpet by declaring October website at http://classicalmandolinsociety.org/upcoming- 1st Austin Mandolin Orchestra convention.asp to get the special Day! We’ll be playing at city hall to rate of $114 per night. spread the news of the convention. We have chosen the theme Día Austin Bergstrom Airport is about de las Mandolinas, or Days of the 11 miles (or 25 minutes in traffic) Mandolins, and we invite you to join to the hotel. Unfortunately, there is us to make these days to remember. not a public transportation option that we can recommend for this While some plans are still being trip (public buses are available but finalized, we are excited to have would require several transfers). many of the details well in hand, For ground transportation from the which is largely a tribute to the airport, your best options are taxi, hard work and coordination of Lou, SuperShuttle, Car2Go, Lyft or Uber. -
2021 Summer Festival Program Lucernefestival.Ch Member of Constantly the Fontenay Is a Reflection of Modern Hamburg – an Homage to the Hanseatic City
20300-FPS-E Program 2021 Program | Summer Festival Festival Summer CRAZY 10.08. – 12.09. 2021 Summer Festival Program lucernefestival.ch Member of Constantly The Fontenay is a reflection of modern Hamburg – an homage to the Hanseatic city. Located on the tranquil banks of reinterpret old Alster Lake, you will find the perfect balance between nature and urbanity at The Fontenay – a city resort in the heart of Hamburg. The fascinating, sculpture-like architecture mirrors the fluid lines of the lake and lush parkland. Lakeside luxury in its most beautiful form. And for all culture enthusiasts: It is not far to the Elbphilharmonie, the State Opera and masterpieces? numerous museums and galleries. Why not Presenting old works anew requires dedication, passion, Main sponsor and entrepreneurial courage. That’s why we support the Lucerne Festival. since 1993 credit-suisse.com/sponsoring Fontenay 10 | D-20354 Hamburg Tel: +49 (0)40 605 6 605-0 | [email protected] | www.thefontenay.com Copyright © 2021 Credit Suisse Group AG and/or its affiliates. All rights reserved. WELCOME! What would life be without music? During the coronavirus cri- sis, we painfully learned just how much we lose when we have to forgo live concerts. Even if the pandemic is not yet over, we are looking ahead and have prepared an abundant program for the 2021 Summer Festival – which of course meets all require- ments in place to safeguard health. We have used the mandatory interruption of recent months to make creative changes. Going forward, Lucerne Festival will use a new design to present its programming. -
The Reconstruction of Post-War West German New Music During the Early Allied Occupation
The Reconstruction of Post -War West German New Music during the early Allied Occupation (1945 -46), and its Roots in the Weimar Republic and Third Reich (1918 -45) PhD Submission, 2018 Cardiff University Ian Pace Abstract This thesis is an analysis of the development of new music in occupied Germany from the end of World War Two, on 8 May 1945, until the end of 1946, in terms of the creation of institutions for the propagation of new music, in the form of festiva ls, concert series, radio stations, educational institutions and journals focusing on such a field, alongside an investigation into technical and aesthetic aspects of music being composed during this period. I argue that a large number of the key decisions which would affect quite fundamentally the later trajectory of new music in West Germany for some decades were made during this period of a little over eighteen months. I also argue that subsequent developments up to the year 1951, by which time the infra structure was essentially complete, were primarily an extension and expansion of the early period, when many of the key appointments were made, and institutions created. I also consider the role of new music in mainstream programming of orchestras, opera h ouses, chamber music societies, and consider all of these factors in terms of the occupation policies of the three Western powers – the USA, the UK and France. Furthermore, I compare these developments to those which occurred in during the Weimar Republic and the Third Reich, of which I give an overview, and argue as a result that the post -war developments, rather than being radically new, constituted in many ways a continuation and sometimes distillation of what was in place especially in the Weimar years .