Disabled Is Met B Neighbor Disappro
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download Full Edition
HTTP: / AJ IAS. LEIDENUNIV.NL VISIT OUR WORLD WIDE WEB THE x S S u f / 9 9 9 ;|0 ° /nstit ute for 5, 2300 RA LEIDEN. THE N E T H E R L A N D S, T E L E P H O N E: + 31-71-527 22 27. TELEFAX: +31-71-527 41 62, E-MAIL: 11 AS N E WS@ RU LLET. Lei d e n U niwNL^ O. BOX 95 1 P eople deport ■Programme ■Call for lAgenda Publication Vacancy ■Short News ■ P a p e r s ► W w- ? GENERAL NEWS SOUTH ASIA EAST ASIA Pink Pages The main theme of Dr Tjeerd de Graaf received Ashin Das Gupta (1922-1998) 11 AS an honorary doctorate was a fine historian with an P-. the 6th European Conference The Programme for for accomplishing some unique international reputation, Is on Agricultural and Rural Europe-Asia Research Linkages projects. He financed an exceptional teacher, a beautiful Development in China will be forms an intellectual partnership the reconstruction of linguistic stylist of written and spoken ‘the factors that will shape China’s between scholars in databases from the archives of Bengali and English, and a perfect rural society in the 21st century' the Social Sciences and Humanities the Puskinskij Dom, Russian gentleman with a keen sense of is the main theme. A call for papers in Asia and Europe. Academy of Sciences in humour. He specialized in Indian focusing on the social, economic, St. Petersburg. Moreover he supplied maritime trade and merchants and and political transformations 41 stressed the human aspect of For centuries the Iban of West of rural China, and particularly departments in St. -
Bull 2-2006.Pmd
bulletin Newsletter from the EABH 2/2006 European Association for Banking and Financial History e.V. Editorial Dear Colleagues, Money- everybody’s talking about, everybody wants it! In this 18th edition of the EABH Bulletin, we examine money and banking in a variety of forms- from the pre-banking world of a Mennonite set- tler in Russia who struggled to survive without the convenience of modern financial services, to banking in Central Africa in the interwar period; we inspect the creation of savings banks in Tsarist controlled Lithuania and look at the development of economic nationalism in Central East Europe in the late 19th and early 20th centuries. We also examine the magnificently simple financial inven- tion- the bond, which enabled cross-border money-lending, and we take a look at an informative anthology of Greek banknotes which trace the history of modern Greece. We also take a look at the marvellous architectural creations designed by Norman Forster, and dedicated to the housing of money. Although one normally associates money with a certain coldness and frigidness- it is seen as im- personal and without character- money has a lot to do with identity and belonging. Indeed, money is an essential motivation for people to live together in a social setting. While the basic functions of money are stability, measurement and exchange, money also has a cultural function. The ways people in a small town, city, country or pan-national political system handle (and mishandle) money offers a deep insight into cultural practices. This cultural character is related to the deep symbolism of money. -
Ausstellungskalender
Ausstellungskalender Objekttyp: Group Zeitschrift: Werk, Bauen + Wohnen Band (Jahr): 80 (1993) Heft 5: Ingeniöse Architektur = Architecture d'ingénieur = Architecture by engineers PDF erstellt am: 06.10.2021 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Forum Ausstellungskalender Aarau, Aargauer Kunsthaus Antwerpen, Rubenshaus Basel, Kunstmuseum Bern, PTT-Museum Ruth Oehler, Raphael Rubens Cantoor Eremiten und Ermitagen in 150 Jahre Schweizer Kessler: Zeichnungen 15.5.-27.6. der Kunst vom 15. bis zum Briefmarken bis 29.5. 20. Jahrhundert bis 3.10. Aosta, Tour bis 23.5. (Ohne Verantwortung Fromage Amsterdam, Rijksmuseum Giovanni Testori der Redaktion) Biel, Kunsthaus Meeting of Masterpieces III bis 30.6. -
Frankfurtrheinmain 15.–20. April 2012 Biennale
Biennale der Lichtkultur Biennale Lighting Culture FrankfurtRheinMain 15.–20. April 2012 www.luminale.de Parallel zur Impressum Luminale 2012 –Biennale der Lichtkultur Luminale 2012 –Biennale Lighting Culture Projektbüro Luminale Helmut M. Bien Liebe Luminale-Fans, Dear Luminale Fans, Westermann Kommunikation Gesellschaft für Publizistik mbH Stiegelgasse 39 seit zehn Jahren gibt es Luminale has existed for 55218 Ingelheim die Luminale. Sie hat sich the past ten years. It has Telefon 0 61 32-78 00 87 zu einem Fixstern im Ver- become a fixed star in [email protected] anstaltungskalender ent- our calendar of events. www.westermann-kommunikation.de wickelt. Im Zusammen- In conjunction with the spiel mit der Weltleit- world‘s leading trade fair Redaktion messe Light+Building Light+Building, it draws Helmut M. Bien bringt sie die Fachleute both professionals and Angelika Kroll-Marth wie die Bürger auf Straßen und residents onto streets and squares, Plätze, in die Parks und an die Fluss- into parks and to the river bank. Layout, Grafik, Produktion ufer. Die Luminale hat den Blick auf Luminale has changed the view of Peter Sauer die Stadt und ihre Skyline über die the city and its skyline over the Messe Frankfurt Jahr verändert. Das gilt für die Gäste years. This is true for the guests Medien und Service GmbH aus aller Welt ebenso wie für die from all over the world as well as Publishing Services Frankfurterinnen und Frankfurter. for the Frankfurt residents. Ludwig-Erhard-Anlage 1 60327 Frankfurt am Main Glanz und Glamour, Labor -
Kard You and Me Album Download You in Me
kard you and me album download You In Me. " You In Me " is a single recorded by KARD. It is the fifth and title track in the second mini album You & Me, following song "Because" and before "Trust Me" (BM & Somin ver.) . The music video and single was released on November 21, 2017. Lyrics. 나의 넌 내 꺼 My everything 나의 넌 내 꺼 My everything Why don’t you know 그 어떤 것도 너를 대신할 순 없어 어둠이 삼켜버린 방 한켠 곳곳에 박힌 네 흔적 또는 파편 널 삭혀도 눈에 밟혀 아침이 날 밝혀도 현실은 안 바뀌어 상실감 안에 갇혀 온전한 날 못 밝 혀 네 부재와 결핍 무기력증에 잃은 갈피 고달파진 갈증 내 목을 휘감듯 숨조차 버거운 내 박동은 못해도 반쯤 죽어있는 내 사 투. 너 왜 날 밀어내려 해 말해봐요 진심이 아닌 걸 알 수 있는데 자꾸 왜 날 밀어내 다 느껴지는데 아무런 말도 왜 안 해주나요. 이렇게 널 불러 널 대답 없는 너 I apologize You are the only one I love love 보낼 수 없어 널 널 영원할 거야 나의 넌. My love you are my everything My love you are my everything Why don’t you know 나의 사랑을 (나의 넌 내 꺼) 야 영원히. So painful propane을 너와 나의 불신 위에 뿌린 듯 태워버려 죽인 우릴 되돌리기엔 너무 멀리 와버린 이 Story는 Nightmare 지나치 게 아낀 게 숨을 쉰 이유가 돼야 했었는데 오히려 네 숨을 막았네 홀로 남아 어둠을 삼킨 방안에 Damn. 왜 날 밀어내려 해 말해봐요 진심이 아닌 걸 알 수 있는데 자꾸 왜 날 밀어내 다 느껴지는데 아무런 말도 왜 안 해주나요. -
Presentation Hfg Offenbach
Hochschule für Gestaltung Offenbach University of Art and Design Offenbach Geschichte der HfG Offenbach History of HfG Offenbach 1832 Gründung der Handwerkschule Offenbach 1832 Foundation of Offenbach Crafts School 1945 Umbenennung in Offenbacher Werkkunstschule 1945 Renaming: Offenbach School of Applied Industrial Arts 1970 Gründung der Hochschule für Gestaltung Offenbach 1970 Foundation of University of Art and Design Offenbach Fakten und Zahlen Facts and Figures 2 Fachbereiche: Kunst & Design Departments: School of Art & School of Design 650 Studierende Students 25 Professoren Professors 40 Dozenten Lecturers 66 Mitarbeiter Other Staff Diplom Designer: 10 semesters Postgraduate Study: 2 semesters Doctorate - Dr. Phil. / Ph.D: 6 semesters Preise und Auszeichnungen Prizes and Awards Alumni Design Alumni Design Barbara Ott Oliver Grabes Sebastian Herkner MESO Alumni Design Alumni Design Sebastian Herkner Barbara Ott Alumni Design Alumni Design Sebastian Herkner Barbara Ott Alumni Design Alumni Design Oliver Grabes Barbara Ott Sebastian Herkner Barbara Ott Alumni Design Alumni Design Oliver Grabes Barbara Ott Sebastian Herkner MESO Alumni Kunst Alumni Art HLZ – Achim Heine, Michael Lenz & Peter Zizka Christiane Feser Nasan Tur Pixelgarten Alumni Kunst Alumni Art Nasan Tur HLZ – Achim Heine, Michael Lenz & Peter Zizka Alumni Kunst Alumni Art Nasan TurNasan Tur HLZ – Achim Heine, Michael Lenz & Peter Zizka Alumni Kunst Alumni Art HLZ – Achim Heine, Michael Lenz & Peter Zizka Christiane Feser Nasan Tur HLZ – Achim Heine, Michael Lenz & Peter Zizka Alumni Kunst Alumni Art HLZ – Achim Heine, Michael Lenz & Peter Zizka Christiane Feser Christiane Feser Pixelgarten Nasan Tur Pixelgarten Rankings Rankings Kunsthochschulen DAAD-Förderung seit 2015 / Art Universities DAAD Sponsorship since 2015 (pro Studierende im 3. -
ARTISTSWBOOKS: News and Reviews MEWS 13 April - 2 7 May; and for Members Only, Bookworks by Members of the Center, Through the Month of June
ARTISTSWBOOKS: news and reviews MEWS 13 April - 2 7 May; and For Members Only, bookworks by members of the Center, through the month of June. The first part of a two-part exhibition, Artists' Use of Lan- guage, opened at Franklin Furnace on 5 January, curated by * The Kathryn Markel Gallery had its Second Annual Barbara Kruger. It includes work from the FF archive and Artists' Book Show during December 1982. The gallery is private collections including artists' books, periodicals and commited to showing bookworks throughout the year, posters engaging exercises of language and visual exposition but during December showed the works of over 20 artists. which occasionally fall under the rubric of "political". The Gallery is located at 50 West 57th St., New York, NY 10019. Electrographics is a journal that reviews artists' Xerox and Edition Hunderunark, which has celebrated its 10th anni- Copy Art books. Volume 1, Number 1 will be appearing versary in 1982, has a catalog of new editions available from shortly and if you're interested, write to Richard Torchia, Reinoldstrasse 6, D-5000 Koln 1, West Germany. 158 Valley Rd., Princeton, NJ 08540. Eaton/Shoen Gallery has an exhibition of Unique Bookworks The Maine Book Catalogue/Sampler Number 2 is once again including work of Timothy Ely, Harry Fritzius, Jim Koss and an example for all collectives to promote bookworks by ar- James Zunk through 29 January. The gallery is at 500 Paul tists and writers. This is the only book co-op in Maine, and Avenue, San Francisco, CA 94124. includes books, magazines, postcards and other printed matter published and written in Maine. -
"Westkunst. Zeitgenössische Kunst Seit 1939"
The history of exhibitions: beyond the white cube ideology (second part) Course on Contemporary Art and Culture MACBA, Autumn 2010 “““Westkunst.“Westkunst. Zeitgenössische Kunst seit 19391939”””” (1981) “““V“VVVonon hier aus. Zwei Monate neue deutsche Kunst in DüsDüsseldorfseldorfseldorf”””” (1984) Kasper König October 25 ththth 2010, 19 h MACBA Auditorium From an iinterviewnterview with Kasper König (KK) by Noemi Smolik (NS)(NS) “NS: Your first big show after your return to Germany was ‘Westkunst’. What was the exhibition's intention, and why that title, which some thought presumptuous? KK: The title was a pun on the word Weltkunst [World art], and was meant as a conscious distortion of the kind of imperial ideology that we now consider old-fashioned. In addition, insofar as it evoked what then had been the reality of Europe since 1939 –-the division into West and East–- it had a contemporary, political meaning as well as a historical one. So the focus suggested by the title wasn't some kind of ‘regionalism’. The focus of ‘Westkunst’ was artistic innovation; the artwork was at the center. (...) NS: Your next exhibition, ‘von hier aus’, focused on art of the '80s. What criteria informed your selection? KK: ‘Von hier aus’ had its ironic side. I had signed a contract to produce an exhibition of West German art, and had to do it quite fast. But the way the problem was posed seemed dubious to me: I wanted to avoid a nationalist viewpoint completely. I had a lot of space –-an industrial building of over 100,000 square feet. So I had the idea of an imaginary city. -
Summer Write201 9
SUMMER WRITE201 9 SPRING & SUMMER YOUTH CREATIVE DAYCAMPS & WORKSHOPS Things to Know Group Size and Instructor Ratio: Camps are limited to a total addition, daily playground break-time or other outdoor activities are scheduled for enrollment of 12 students with a few exceptions. Most classes are led by one adult each group. Some classes also take place at our rural facility, Gell: A Finger Lakes teaching artist and one high school or college apprentice. Creative Retreat, located on 24 acres in scenic South Bristol. What to Bring: Unless otherwise noted in the description, all you need is Map & Directions: a pen and paper, water bottle, and lunch if you’re staying all day. Please leave cell Writers & Books is located at phones and other electronic devices at home or turned off completely and tucked in a 740 University Avenue between backpack or bag. Merriman Street and Atlantic Avenue in the Neighborhood of Food: Snacks are provided for breaks, though please bring a water bottle. Full day the Arts. participants bring their own lunches. Please make note of any allergies or dietary restrictions on the registration form and we will do our best to accommodate. Where to Park: There is parking in our lot, which can be Choose Full Days or Half Days: Workshops offered are either half entered from University Avenue Fink Sarah photo by days or full days. A morning camp may be combined with an afternoon camp for a or Atlantic Avenue. Parking is full day of programming. Students staying all day will be supervised during the lunch also available on the streets hour, 12 pm-1 pm. -
Marlene Dumas: Selected Exhibition History Solo Exhibition Gallery 2020
Marlene Dumas: selected exhibition history Solo exhibition gallery 2020 Double Takes, Zeno X Gallery, Antwerp, Belgium 2018 Myths & Mortals, David Zwirner, New York City, United States 2017 Marlene Dumas, Die Entstehung eines Altarbildes, in Zusammenarbeit mit Jan Andriesse und Bert Boogaard, Galerie Gebr. Lehmann, Dresden, Germany 2015 Marlene Dumas / Juan Muñoz: Drawings, Frith Street Gallery, London, United Kingdom 2013 Twice, Zeno X Gallery, Antwerp, Belgium 2012 Marlene Dumas, Galerie Paul Andriesse, Amsterdam, Netherlands 2011 Forsaken, Frith Street Gallery, London, United Kingdom 2010 Against the Wall, David Zwirner, New York City, United States 2008 For Whom the Bell Tolls, Zeno X Gallery & Zeno X Storage, Antwerp & Antwerp Borgerhout, Belgium 2007 Wave and The Fog of War: Marlene Dumas and Marijke van Warmerdam, Le Case D'Arte, Milan, Italy Light and Dark 1987-2007, Gallery Koyanagi, Tokyo, Japan 2006 Man Kind, Galerie Paul Andriesse, Amsterdam, Netherlands 2005 Marlene Dumas: Selected Works, Zwirner & Wirth, New York City, United States 14-09-2021 https://www.marlenedumas.nl/wp-content/uploads/exhibition_history.pdf p. 1 2004 The Second Coming, Frith Street Gallery, London, United Kingdom 2002 Bert Boogaard / Marlene Dumas, Galerie Paul Andriesse, Amsterdam, Netherlands Time and Again, Zeno X Storage, Antwerp, Belgium 2001 All is Fair in Love and War, Jack Tilton/Anna Kustera Gallery, New York City, United States 1999 MD-light, Frith Street Gallery, London, United Kingdom Diletto - Laudanum: Marlene Dumas - Tracey Moffat, Le -
Ellis Kirkham Waterhouse Notebooks and Research Files, 1801-1987, Bulk Ca
http://oac.cdlib.org/findaid/ark:/13030/tf067n9785 No online items Finding aid for the Ellis Kirkham Waterhouse notebooks and research files, 1801-1987, bulk ca. 1924-ca. 1979 Finding aid prepared by Hillary Brown. 870204 1 Descriptive Summary Title: Ellis Kirkham Waterhouse notebooks and research files Date (inclusive): 1801-1987 (bulk ca. 1924-ca. 1979) Number: 870204 Creator/Collector: Waterhouse, Ellis Kirkham, 1905- Physical Description: 15.0 linear feet(34 boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles, California, 90049-1688 (310) 440-7390 Abstract: The archive documents the scholarly career of Ellis Waterhouse, art historian and museum director. A major part of the archive consists of notebooks, maintained from 1924 until his death in 1985, in which he recorded paintings seen in private and public collections. The remainder of the papers are research materials on various subjects within art and architecture, manuscripts of lectures, notes on sales, and reviews by Waterhouse and others. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical/Historical Note Ellis Kirkham Waterhouse was distinguished as both a scholar and a museum director. Waterhouse began studying art history when the subject was not yet taught at Oxford, his alma mater, and by the end of his career was a major figure among British art historians. Waterhouse's legacies to British art historical studies are his pioneering research in the areas of 18th century British painting and the Italian Baroque, his exacting methods of provenance studies and connoisseurship, and his passion for creating well organized and endowed scholarly libraries. -
Milford Rotary Club's Wine, Food & Craft Beer Tasting!
TOWN CRIER UPTON & MENDON, MASSACHUSETTS April 4, 2014 Vol. 23 No. 6 Est. 1993 • Mailed FREE to all 5,800 addresses in Upton and Mendon. www.TownCrier.us A Small Step in Construction but a Giant Leap for the Hospital By Jane Bigda Editor With the aim of meeting the challenges of healthcare in the 21st Century, Mil- ford Regional Medical Center (MRMC) held a groundbreaking ceremony on March 28 for a $54 million expansion of the main hospital campus in Milford. Th e 115,000 square, three story structure, the largest expansion in the hospital’s history, will encompass lower level parking, a new emergency department (ED) and an intensive care unit (ICU). “Th is is a transformational project that will result in a new, more modern, more effi cient, more comfortable, and better healthcare facility,” said Francis M. Saba, MRMC CEO. He added that the addition is “the culmination of the col- lective vision of the hospital and the community” to bring the best possible care to the local area. Th e new structure, to be built by Consigli Construction of Milford, will more than double the size of the current ED from 30 to 52 private treatment rooms Tossing the ceremonial shovelfuls of sand at the groundbreaking for the new addition to Milford Regional along with other treatment facilities, increase the number of patient rooms in Medical Center on March 28 are, l-r: state Sen. Richard Moore, D. Milford; Vascen Bogigian, Building the ICU from 10 to 16 expanding their size to accommodate the latest technol- Committee chair; Edward Kelly, MRMC president; Frank Saba, MRMC CEO; John Burns, MRMC Board of HOSPITAL GROUNDBREAKING p 7 Trustees chair; Tina Robakiewicz, MD, Medical Staff president; and state Rep.