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JM Frey – Press
J.M. Frey Press Kit, 2012 Author. Actor. Speaker. Fanthropologist. Professional Geek. Thoughtful, insightful, and quirky, J.M. is the go-to gal in the Toronto scifi/fantasy scene for anything academic-nerd. Biography There's more to J.M. than just a pretty face. With a BA in Dramatic Literature from Brock University, and an MA in Communication's Culture from both Ryerson and York Universities, J.M. is a proven intellectual with a passion for pop culture. Self-proclaimed Doctor Who fan and anime otaku, J.M. grew up in the comic book convention circuit, consuming copious amounts of scifi and Japanese TV, spending all her pocket money on comics and manga, and honing her skills as an award winning costumer. And all the while watching her fellow fans – which later became the basis for her academic studies in theatre, performance, sociology, anthropology, and gender. Trained from an early age in musical theatre and voice acting, J.M. is fearless before a crowd. She has appeared as a model for art exhibitions, a model for a charity cosplay calendar, and in Liana K's Toronto-based Steampunk Fashion Show circuit. She was an invited panellist on the SPACE Channel's premier chat show InnerSPACE, has appeared in documentaries, and lent costumes to the Ontario Science Centre for their exhibition on Steampunk in spring 2011. She appears in the lauded 2012 webseries LESlieVILLE, and can be found on the soundtrack for A Life In The Library, a musical tribute to Canadian national treasure Lillian H. Smith. Already being compared to Robert J. -
Vector the Critical Journal of the British Science Fiction Association
Vector The critical journal of the British Science Fiction Association Fairy Tales of Victorian Science and Technology No. 270 LATE SPRING 2012 £4.001 Vector 270 The Critical Journal of the British Science Fiction Association ARTICLES BSFA Reviewers’ Poll – The Best of 2011 Vector Edited by Martin Lewis .......................... 4 http://vectoreditors.wordpress.com 2011 in Pictures Features, Editorial Shana Worthen Jonathan McCalmont ............................ 17 and Letters: 127 Forest Road, Loughton, Essex IG10 1EF, UK From Outcasts to Black Mirror: British [email protected] SF Television 2011 Book Reviews: Martin Lewis Alison Page .......................................... 21 14 Antony House, Pembury Place, London, E5 8GZ Gaia Beware: Infertility in Science Production: Martin McGrath Fiction due to Bioterrorism, Pollution [email protected] and Accidental Iatrogenic Events British Science Fiction Association Ltd Victor Grech with Clare Thake-Vassallo The BSFA was founded in 1958 and is a non-profitmaking and Ivan Callus .................................... 26 organisation entirely staffed by unpaid volunteers. Registered in England. Limited by guarantee. BSFA Website www.bsfa.co.uk Modern Marvels: The Fairy Tales of Company No. 921500 Victorian Science and Technology Registered address: 61 Ivycroft Road, Warton, Tamworth, Melanie Keene ..................................... 31 Staffordshire, B79 0JJ President Stephen Baxter Vice President Jon Courtenay Grimwood Chair Ian Whates [email protected] RECURRENT Treasurer Martin Potts 61 Ivy Croft Road, Warton, Kincaid in Short: Paul Kincaid ............. 33 Nr Tamworth, B79 0JJ Picture This: Terry Martin .................... 36 [email protected] Membership Services Peter Wilkinson Resonances: Stephen Baxter ................ 38 Flat 4, Stratton Lodge, 79 Bulwer Road Foundation Favourites: Andy Sawyer .. 40 Barnet, Hertfordshire, EN5 5EU [email protected] MEMBERSHIP FEES UK £29 pa or (Unwaged - £20 pa). -
AVATAR: Ecopolitics, Technology, Science, Art and Myth
AVATAR: ecopolitics, technology, science, art and myth Bert Olivier Department of Journalism, Media and Philosophy, Nelson Mandela Metropolitan University, Port Elizabeth [email protected] This paper is an ecopolitical interpretation of James Cameron’s recent film, Avatar. By ‘ecopolitical’ is meant that the film is not merely ecologically significant – in so far as it stresses the vital intercon- nectedness of all living beings as well as with their environment – but communicates and promotes a political stance which should galvanize people into the kind of action that is intent on rescuing the planetary ecosystem(s) from continued exploitation and degradation at the hands of an economic (and political) system that is not receptive to the needs of living beings. Heidegger’s critique of technol- ogy, as well as his understanding of art is enlisted to make sense of the remarkable fusion of advanced cinema technology and creative film-art in Avatar, and Joel Kovel’s analysis of the phenomenon of life provides a conceptual grid for the interpretation of Cameron’s thematization of life on the fictional planet of Pandora (which functions here as metaphor for Earth). It is argued that, through viewer- identification with the protagonists in the film, it engenders a ‘transformative’ experience on the part of audiences, allowing them to conceive of moving from a state of ‘paralysis’ (represented in the character of Jake) to one of ecopolitical action. Attention is also given to the countervailing images of technology and science projected by the film, as well as to the question, whether its representation of the relation between science and myth is commensurate with Nietzsche’s conception of this relation and with Lyotard’s distinction between narrative and scientific knowledge. -
'Medieval Film' on the Public Understanding of the Middle Ages
Based on a True History?: The Impact of Popular ‘Medieval Film’ on the Public Understanding of the Middle Ages Paul B. Sturtevant Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Institute for Medieval Studies and Centre for World Cinemas September, 2010 ii The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Paul B. Sturtevant to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. © 2010 The University of Leeds and Paul B. Sturtevant iii Acknowledgements An early draft of this thesis contained the line ‘Epic films do not spring, fully-fledged, from the skull of Mel Gibson’. While that line (and the glibness and amusing metaphor it contains) are gone, the sentiment is still there; no matter whose name is in bold on the poster, films are a collaborative art form with hundreds of people working to create the final product. A thesis is no different; just because my name is on the title page does not mean that I did not enjoy the collaborative efforts of a number of people, all of whom deserve acknowledgement and thanks. First and foremost, my supervisors. The interdisciplinarity of this project demanded expertise from a variety of fields, and as such I received helpful advice from a larger-than-usual number of people in different disciplines. -
April 2012 NASFA Shuttle
Te Shutle April 2012 The Next NASFA Meeting is 21 April 2012 at the Regular Time and Location ConCom Meeting 3P, 21 April at Renasant Bank meeting Saturdays. When possible, they will be at the bank d Oyez, Oyez d meeting room. When that room is not available early enough, the concom meeting will typically be at Mike Kennedy’s The next NASFA Meeting will be Saturday 21 April 2012 at house. The July club meeting is one week earlier than usual; the regular time (6P) and the regular location. Meetings are the concom meeting that month will probably (but not yet cer- at the Renasant Bank’s Community Room, 4245 Balmoral tainly) be on the same day as the club meeting. Drive in south Huntsville. Exit the Parkway at Airport Road; CHANGING SHUTTLE DEADLINES head east one short block to the light at Balmoral Drive; turn The deadline for the NASFA Shuttle is in the process of being left (north) for less than a block. The bank is on the right, just tweaked yet again. The likely repro date has shifted somewhat past Logan’s Roadhouse restaurant. Enter at the front door of to the right (roughly the weekend before each meeting) but the bank; turn right to the end of a short hallway. most of each issue will still need to be put to bed as much as APRIL PROGRAM The April program will be Paul Wieland <www. The turn onto English threshold2020.com/author.html> speaking on “The Future of Map To Drive is about 4 miles Space Exploration.” ATMM south of the turn from APRIL ATMM Airport Road onto The April After-the-Meeting Meeting will be at Adam and Location Memorial Parkway Parkway Memorial Maria Grim’s house—2117 Buckingham Drive SW, off South Parkway in Huntsville. -
Science Fiction
SCIENCE FICTION Science Fiction explores the genre from 1895 to the present day, drawing on examples from over forty countries. It raises questions about the relationship between science fiction, science and technology, and examines the interrelationships between spectacle, narrative and self-reflexivity, paying particular attention to the role of special effects in creating meaning and affect. It explores science fiction’sevo- cations of the sublime, the grotesque, and the camp, and charts the ways in which the genre reproduces and articulates discourses of colonialism, imperialism and neo-liberal globalization. At the same time, Science Fiction provides a thorough analysis of the genre’s representation of race, class, gender and sexuality, making this text an essential guide for students, academics and film fans alike. Key films discussed include: Le voyage dans la lune (1902) 20,000 Leagues Under the Sea (1916) L’Atlantide (1921) King Kong (1933, 2005) Gojira (1954) La Jetée (1962) The Abominable Dr Phibes (1971) Tetsuo (1989) Sleep Dealer (2008) ) Avatar (2009) Mark Bould is Reader in Film and Literature at the University of the West of England and co-editor of Science Fiction Film and Television. He is co-author of The Routledge Concise History of Science Fiction, author of The Cinema of John Sayles and Film Noir, and co-editor of The Routledge Companion to Science Fiction, Fifty Key Figures in Science Fiction, Red Planets, Neo-noir and Parietal Games. Routledge Film Guidebooks The Routledge Film Guidebooks offer a clear introduction to and over- view of the work of key filmmakers, movements or genres. Each guidebook contains an introduction, including a brief history; defining characteristics and major films; a chronology; key debates surrounding the filmmaker, movement or genre; and pivotal scenes, focusing on narrative structure, camera work and production quality.