Stephen Malkmus & the Jicks Pig Lib Mp3, Flac

Total Page:16

File Type:pdf, Size:1020Kb

Stephen Malkmus & the Jicks Pig Lib Mp3, Flac Stephen Malkmus & The Jicks Pig Lib mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Pig Lib Country: US Released: 2003 Style: Alternative Rock, Indie Rock MP3 version RAR size: 1237 mb FLAC version RAR size: 1713 mb WMA version RAR size: 1951 mb Rating: 4.9 Votes: 170 Other Formats: MP3 VOX VOC MMF DTS FLAC MPC Tracklist Hide Credits Pig Lib 1-1 Water And A Seat 4:16 1-2 Ramp Of Death 2:35 1-3 (Do Not Feed The) Oyster 4:47 1-4 Vanessa From Queens 3:18 1-5 Sheets 3:17 1-6 Animal Midnight 5:10 1-7 Dark Wave 2:24 1-8 Witch Mountain Bridge 5:20 1-9 Craw Song 2:38 1-10 1% Of One 9:11 1-11 Us 4:15 Bonus Disc 2-1 Dynamic Calories 2:23 2-2 Fractions And Feelings 3:28 2-3 Old Jerry 6:18 Poet And The Witch (Live) 2-4 2:05 Written-By – Clodagh Simonds 2-5 Shake It Around (Live) 4:04 Companies, etc. Copyright (c) – Matador Records Phonographic Copyright (p) – Matador Records Produced For – Iced Wave Productions Copyright (c) – Stephen Malkmus Copyright (c) – Treble Kicker Music Pressed By – WEA Mfg. Olyphant – Y20710 Pressed By – WEA Mfg. Olyphant – Y21032 Recorded At – Bear Creek Studios Recorded At – Jackpot! Recording Studio Mixed At – Bear Creek Studios Mastered At – Sterling Sound Credits Bass, Backing Vocals – Joanna Bolme Drums, Backing Vocals – John Moen Keyboards, Guitar [Some Guitar] – Mike Clark Lead Guitar, Vocals, Synthesizer – Stephen Malkmus Mastered By – Greg Calbi Mixed By – Ryan Hadlock Mixed By [Helped] – Jicks* Performer [Jicks] – Joanna Bolme, John Moen, Mike Clark , Stephen Malkmus Producer – Ryan Hadlock, Jicks* Recorded By – Larry Crane* (tracks: 1-5, 1-9, 1-11), Ryan Hadlock (tracks: 1-1 to 1-4, 1-6 to 1-8, 1-10) Notes Initial pressing contains bonus CD with separate catalog number (OLE 586-2). CP 2003 Matador Records An Iced Wave Production. Recorded, mixed at Bear Creek Studios, Woodinville, WA. 1-5, 1-9 and 1-11 recorded at Jackpot, PDX. When: May-August 2002. Mastered at Sterling Sound. "The Poet & The Witch" recorded live Malmö, Sweden, Feb 10, 2001. "Shake It Around" recorded live Melbourne, Australia, July 18, 2001. © 2003 Stephen Malkmus, Treble Kicker Music, BMI except 2-4 copyright control. Track durations for bonus disc not listed on release. Barcode and Other Identifiers Barcode: 7 44861 05722 2 Other (Catalogue number on bonus CD): OLE 586-2 Matrix / Runout (Pig Lib): wea mfg. OLYPHANT Y20710 LN OLE 572-2 01 M1S1 Matrix / Runout (Bonus disc): wea mfg. OLYPHANT Y21032 LN OLE 586-2 02 M1S1 Mastering SID Code (Both CDs): ifpi L903 Mould SID Code (Both CDs): IFPI 2U8C Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year Stephen Malkmus & OLE 572-2 Pig Lib (CD, Album) Matador OLE 572-2 US 2003 The Jicks Stephen Malkmus & Pig Lib (CD, Album + WIGCD122X Domino WIGCD122X UK 2003 The Jicks CD) Stephen Malkmus & WIGCD122 Pig Lib (CD, Album) Domino WIGCD122 UK 2003 The Jicks Stephen Malkmus & URA091 Pig Lib (CD, Album) Spunk URA091 Australia 2003 The Jicks Pig Lib (LP, Album, UK & WIGLP122 SM & Jicks* Domino WIGLP122 2018 RE, 180) Europe Related Music albums to Pig Lib by Stephen Malkmus & The Jicks Stephen Malkmus - Jo Jo's Jacket Mountain Witch - Scythe & Dead Horse Stephen Malkmus - Baby C'Mon Stephen Malkmus & The Jicks - Wig Out At Jagbags Lesser - Gearhound Various - Matador At 21 Stephen Malkmus & The Jicks - Cold Son Stephen Stills - Stephen Stills Live The Crust Brothers - Marquee Mark Esben And The Witch - Live In Manchester.
Recommended publications
  • Caltech Pulls Off Second Rose Bowl Prank
    The California Tech [email protected] VOLUME CXVII NUMBER 10 PASADENA, CALIFORNIA TECH.CALTECH.EDU JANUARY 13, 2014 Caltech pulls off second Rose Bowl prank -Julie Jester PARUL PUBBI prank, so we thought we’d merge With a location secured, work on then taped to the Pasadena sign so took charge of ensuring the lights Contributing Writer the two and pay homage to both.” the sign continued. that they would spell out “Caltech” worked. Car batteries were used It all started when Julie Jester, Caltech’s prank fund, which and excess lights were taped off. to provide the voltage necessary to The Caltech culture is an president of the Prank Club, alumni periodically donate to, The green strings of wire were then produce the effect. integral part of any Techer’s emailed potential recruits a week provided the $10,000 necessary painted white to match the sign. collegiate experience. It comes before construction began. Five for supplies. Christmas lights were Hannah Dotson of Dabney House Continued on page 3 as no surprise, then, that over a days before the championships, hundred undergrads across every the construction of eight 12 feet by house and class partook in the 20 feet frames started with a core largest-scale prank that Caltech has group of about 20 people. Though seen this year. the initial plan was to build and On Jan 6th, just 5 minutes show the sign at the Art Center before halftime at the Bowl College of Design, the group Championship Series, the moment received word on the second day of truth arrived.
    [Show full text]
  • KWLC Fall Semester 2011
    KWLC Fall Semester 2011 The Fall 2011 schedule is here! From Rock, to Dubstep, Classical to Jazz, KWLC is serving up a bit of everything on the platter of commercial-free radio broadcasting this semester. Shows marked with an asterisk are web-only and stream online at luther.edu/kwlc. Monday Wednesday Friday 8–9 PM: Mike Jungbluth (Rock)* 8 – 9P: Travis Houle (Rock)* *8 – 9P: Peter Jarzyna (Rock) 9-10 PM: Logan Langley and 9 – 10P: Erik Sand and Sam Zook *9 – 10P: Dylan Hinton (Rock) Andrew Meland (Variety Hour)* (Rock/Folk Rock)* 10 – 11P: Josh Bacon and Jamison 10-11 PM: Bianca Lutchen (Rock) 10 – 11P: Joe Thor (Rock) Ash (Rock) 11-12 AM: Cate Anderson (Rock) 11 – 12A: Kelsey Simpkins (Rock) 11 – 12A: Michaela Peterson 12-1 AM: Rahul Patle and Perran 12 – 1A: Carl Sorenson (Rock) (Rock) Wetzel (House/Dubstep) 12 – 1A: Marissa Schuh (Rock) Tuesday Thursday 9–10 PM: Kenza Sahir (Acoustic *9 – 10P: Ryan Castelaz (Rock) Rock)* 10 – 11P: Seth Duin (Rock) 10–11 PM: Quincy Voris (Rock) 11 – 12A: Katherine Mohr (Rock) 11–12 AM: Gunnar Halseth (Rock) 12 – 1A: Michael Crowe (Loud 12–1 AM: Georgia Windhorst Rock) (Rock) The AM | October 7th, 2011 2 KWLC Fall Semester 2011, cont. Saturday Sunday 7 – 8A: Lilli Petsch-Horvath (Classical) 7A – 12P: Sunday Services 8 – 9A: Hannah Strack (Broadway) 12 – 1P: Maren Quanbeck (Classical) 9 – 10A: Thando May (Afro-Pop) 1 – 2P: Alex Robinson (Classical) 10 – 11A: Marin Nycklemoe (Blues) 2 – 3P: Matt Lind (Classical) 11 – 12P: Noah Lange (Bluegrass/Folk) 3 – 4P: Michael Peterson (Classical) 12 – 12:50P: Margaret Yapp (Folk) 4 – 5P: Leif Larson (Jazz) 12:50 – 4:30P: Fall Football Coverage 5 – 6P: Kevin Coughenour (Jazz) 4:30 – 5P: Kyle Holder (Rock) 6 – 7P: Ted Olsen (Jazz) 5 – 6P: Cole Matteson (Folk/Bluegrass) 7 – 8P: Fred Burdine (Jazz) 6 – 7P: Ashley Urspringer (Rock) 8 – 9P: David Clair (Jazz) 7 – 8P: Rose Weselmann (Rock) 9 – 10P: Carl Cooley (Jazz/Rock) 8 – 9P: Gene Halverson (Rock) 10 – 11P: Emily Cochrane (Rock) 9 – 10P: Imsouchivy Suos (World) 11 – 12A: Matt Dickinson (Rock) 10 – 11P: Megan Creasey (Elec.
    [Show full text]
  • Michael Grace / Tapeop Behind the Gear
    was getting pretty busy at night building custom mic Behind The Gear preamps for people, so I quit working for that company This Issue’s Prince of Preamps and started out on my own. That remained a garage operation for several years until my brother Eben and I Michael Grace joined forces and became partners. We decided we by Walt Szalva wanted to start a manufacturing company and build preamps on a larger scale so we could take advantage of the economies of scale, being able to buy better components and build things that were not absolutely stressed in terms of cost. That was almost twelve years ago when we came out with the first official Grace Design product, which was the 801 preamp. What kind of problems does a small manufacturer like yourself encounter in terms of designing and building Michael Grace started Grace feedback amplifier, or a trans-impedance amp, and something that a larger manufacturer Design in 1994, a boutique pro these types of amplifiers use a different kind of might not encounter? audio company located in Boulder, negative feedback in the current domain instead of the CO. The story of his rise as a Quality control is the top issue for any manufacturing designer is one born from a love voltage domain. They are able to track really complex company. Being a boutique manufacturer, most of our of music. His need for a preamp to waveforms, resolve rich harmonic structures and track products are fairly expensive and not something that record Grateful Dead concerts transients without the various aberrations of slew rate someone just plunks down on a credit card on a whim drove him to design his first limiting and things that are associated with textbook for their studio.
    [Show full text]
  • Students Attend Radical Activist Workshop in Dc
    OBSERVER Volume 19, Issue 3, March 21st, 2008 March 19 marks the fifth anniversery of the war in Iraq. Students attend radical Budget forum: activist workshop in dc a hostile would have been more helpful to attend environment? workshops that played to her strengths Concerns about diversity as a demonstration organizer. During the Q&A sessions after every workshop, “the prompt consideration of best questions were asked by the people a new budget allocation who were actually organizers, or who were process actually knowledgeable about the subject being discussed,” said Birnbaum. BY RYAN GUSTAFSON The majority of the attendees appeared to be college-aged or environs, but a Responding to the outrage of affinity number were older, more experienced groups over the most recent Budget Forum’s organizers. In many workshops, Bard allocation process, Dean of Students students found themselves in attendance Erin Cannan and other members of the administration have pursued legal council photo/Kendra Schirmer photo/Kendra with independent media journalists, labor organizers, members of sustainable to determine if Budget Forum violates the communes, and alternative educators. rights of some Bard students. This action When not in a workshop, there was may bring about fundamental changes time for browsing amongst many booths to club funding procedures. The decision run by activist groups, most of whom to pursue legal council is indicative of had also sponsored workshops. There, the administration’s desire to reform the attendees could buy radical books, zines, allocation process, which has traditionally and apparel, and pick up radical flyers, been managed by Student Government’s pamphlets and buttons.
    [Show full text]
  • TWO LOUIES, April 2003
    OREGON MUSIC / APRIL 2003 photo Buko Page 2 - TWO LOUIES, April 2003 TWO LOUIES, April 2003 - Page 3 photo Buko hirty years after recording “Louie Louie” the estranged members of the Kingsmen reunite in the Two Louies kitchen to welcome Billy Gibbons of ZZ Top to Portland. Kingsmen drummer Lynn Easton, vocalist Jack Ely and guitarist Mike Mitchell recorded “Louie Louie” as a demo for Ta cruise ship gig. Ely quit shortly thereafter. This month the UK’s Mojo Magazine selected the Kingsmen’s “Louie Louie” #1 on their Ultimate Jukebox of The 100 Singles You Must Own. April 15th RCA Victor releases the new ZZ Top album “Mescalero” followed by the “Beer Drinkers & Hell Rais- ers 2003 Tour” beginning April 25th. Look for Mister Gibbons on the streets of Portland the second or third week of June. LL if anybody has an address, telephone number PDX KISS GUITARIST or email for Joe. I must have thought this was Greetings Two Louies, an audition for a new Buster Keaton fi lm. That Back from Vegas and the KISS show at the Yellow Pages tee shirt was purchased for $1.25 at Palms featuring my pal Tommy Thayer! Flew down the Salvation Army, I cut off the sleeves like any with John Thayer, Tommy put us up at the Palms young rocker would do in 1983. I wanted to take and passes all around. After a nice preshow visit BED STAINS the band to Los Angeles but no takers, so I mar- with the band we were herded down to the Maloof’s “Tommy breathed new life into the boys that night, even Peter was pounding harder then usual.
    [Show full text]
  • Volume CXXVII, Number 15, February 19, 2010
    FEATURES OP/ED A & E SPORTS Professor Adenwalla Dinosaurs are Appleton’s Corey Chisel Brengel qualifies to recalls a storied career missing in action performs with Dawes swim at nationals >> page 4 >> page 6 >> page 8 >> page 10 FRIDAY, FEBRUARY 19, 2010 THE LAWRENTIAN Vol. CXXVII, No. 15 Lawrence University's student newspaper since 1884 www.Lawrentian.com Lawrence grants tenure to seven faculty members Bridget Donnelly the enduring success of Lawrence didate, the teaching aspect is cru- Burrows said these activities bers observe the candidate’s class- Staff Writer through “bringing together strong cial. Burrows finds the particular are “important to ensure intel- es, lectures and performances and students and excellent faculty.” strength of teaching in both the lectual and creative stimulation, write recommendations based on The Lawrence board of trust- Professors hired into tenure- ability to engage a student and in to ensure being up-to-date and to their experience with the candidate ees recently granted tenure track positions undergo a reap- the “importance of learning useful model for students the processes as fellow committee members, to seven members of the fac- pointment review, headed by the skills for the future — to be ready of obtaining knowledge and creat- partners in research and in other ulty. The newly tenured profes- tenure committee, in their third for everything, for a future that ing what is new.” collaborative roles. sors include Associate Professor year of hire. Candidates then gen- does not yet exist.” The final criterion is that of The tenure committee also of Anthropology Mark Jenike, erally stand for tenure in their The legacy of Lawrence as an service, which includes service to collects “evidence of professional Associate Professor of Physics sixth year at Lawrence, though this institution of superior learning, the Lawrence community as well productivity,” which may include Megan Pickett, Assistant Professor may occur earlier if the faculty according to Burrows, depends on as to the professional community.
    [Show full text]
  • System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
    NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera.
    [Show full text]
  • June 7-13, 2018
    JUNE 7-13, 2018 FACEBOOK.COM/WHATZUPFTWAYNE // WWW.WHATZUP.COM ------------------ Feature • Fitz & The Tantrums ---------------- Proudly presents in Fort Wayne, Indiana Clapping All the Way By Steve Penhollow The decision to recruit outside help was a difficult one, said singer Noelle Scaggs. We live in strange times. “It was especially hard being the unit that we Many once-ubiquitous pop acts that had their hey- are, where we have pretty much done everything our- WEDNESDAY, days prior to the year 2000 have trouble getting record selves,” she said. “There’s this pride that hits, and then JULY 11 • 8PM deals while younger acts that pay tribute to those older it’s kind of like, ‘Well, what will people think when Foellinger Outdoor Theatre acts can do quite well. they see another writer on there? Will they think we WEDNESDAY, JUNE 27 • 8PM Fort Wayne, Indiana Into the latter camp fall Fitz and the Tantrums. can’t do this or that we’re phony?’ You have all these Foellinger Outdoor Theatre The band performs at the Clyde Theatre on June different fears that are wrapping into your project be- Fort Wayne, Indiana 12. fore you even really start it.” Fitz and the Tantrums started out in 2011 as a soul Scaggs told the Ohio State Journal that working revival act a la Sharon and the Dap-Kings. with outside songwriters gave the band a mirror to They revisited several musical tropes from the look into. 1980s on their sophomore release, More Than Just a “It gave us a direction. ‘What are you think- Dream.
    [Show full text]
  • The History of Rock Music - the 2000S
    The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were.
    [Show full text]
  • TWO LOUIES, March 2001 John Fahey 1939-2001
    Joanna Bolme of the Stephen Malkmus Band 2 – TWO LOUIES, March 2001 John Fahey 1939-2001 ohn Fahey was a giant influence on the cultur- Chants, Breakdowns, and Military Waltzes, I al development of America. He was the first asked, “Who are these two guitar players?” I pic- Jperformer to expand American folk-blues tured a couple of 50-year-old masters whose melodies into a concert style similar to Segovia— vision of music and spatial technique reminded that is, one man, one guitar, and one grand vision me of pianist Glenn Gould. Here was a performer that encompassed the spiritual essence of Delta who carried his genre to a higher level, whose Blues, cosmic folk, and classical music. probes were deeper, whose vision was wider, “Here was a performer who carried his genre to a higher level, whose probes were deeper, whose vision was wider, whose understanding of the universe was more complete and profound than any before him.” Without John Fahey, there may not have whose understanding of the universe was more been a Windham Hill label of acoustic guitar mas- complete and profound than any before him. John ters. There would have been no Takoma label, gave us the same kind of breakthroughs that we which featured John’s first seven albums and got from Debussy and Stravinsky. It may not have more. There may not have been a Music been possible without him. Millennium... certainly not as we know it. It was It’s incredible that so much talent was John Fahey’s music that inspired the Millennium brought out in a guitarist in his twenties from a founders to open their little Portland record shop little town in Maryland.
    [Show full text]
  • TWO LOUIES, July 1999 - Page 3 Bodybag; Together Again at the Tonic Lounge July 24Th
    Y 1999 OREGON MUSIC / JUL SUNN BACK CONFESSION NO FERNANDO LIVE ARTHUR o k u B o t o TIM ELLIS ph STUDIO/MASTERING GUIDE In celebration of one hundred years of advocating for musicians’ rights in this business that we call MUSIC, the American Federation of Musicians, Local #99 and AT&T have put together some of the greatest minds and organizations to present to YOU the most up-to- the-minute information on MUSIC AND THE INTERNET What: A two-day intensive that deals with issues that affect a musician and sales of musical product on the Internet. Day 1 Topics Include: *Intellectual Property and Copyrights *Performance Issues and Protections *Are Big Labels Relevant in the Internet Era *Distribution, PR and Marketing on the Net Day 2: *In-depth, hands-on opportunities in the areas of net technology with the leading tech. experts! Cost: Free to Local #99 members! (make the best investment of the year, join today!) Information on Local #99 and on the Music and the Internet Seminar, contact us at 235-8791 or via e-mail ROSE GARDEN at www.afm99.org Friday, July 2nd vs Arizona Rattlers 7:00PM Friday, July 15th vs Buffalo Destroyers 7:00PM AFM, LOCAL #99 Celebrating a Centennial of Advocacy in the Arts AFM, LOCAL #99 ready to work for today’s musicians. (If we don’t do it, who else will?) Guitarist Chris Newman’s catchy-tunes and Jimi- tones made him an underground favorite in the local club scene of the late 70’s, early 80’s A regular at the Club Long Goodbye, Newman’s break came at an opening slot for X at the Euphoria Tavern in 1981.
    [Show full text]
  • Stephen Malkmus Pr En
    STEPHEN MALKMUS & THE JICKS (USA ) Sparkle Hard Label: Domino Records Release Date: 18.05.2018 Web: stephenmalkmus.com/ EPK: irascible.ch/de/releases/stephen-malkmus-the-jicks/sparkle-hard/ Modesty and plain good manners might prevent them from saying so themselves, but the fact that Stephen Malkmus & The Jicks have thrived, rather than simply endured over 17 years and delivered six albums of buzzy, sub -cultural significance, constitutes an impressi ve legacy. The challenge with album number seven is one that any successful band with integrity faces: how to safeguard that legacy and hold on to their identity without rehashing old ground (unthinkable), and also say something meaningful while (crucially ) having fun doing it? Meeting that issue head on in the run up to The Jicks’ seventh record involved some “navel gazing”, according to singer, songwriter and guitarist Malkmus and not only in terms of what it means to be releasing music in 2018. If, like him, you’re a voracious consumer of all kinds of culture and feel the need to interact with it, rather than just react, then inevitably “there’s a world that prompts you to put your best foot forward”. With ‘Sparkle Hard’ Malkmus, Mike Clark (keyboards), Joanna Bolme (bass) and Jake Morris (drums) do exactly that. And they hit the ground running – on air treads. It’s light ’n’ breezy, head-down heavy, audacious, melancholic and reflective, goodtime and bodacious, and it pulls off the smartest trick: it’s both unmistakeably The Jicks and – due to the streamlining of their trademark tics and turns, plus the introduction of some unexpected flourishes (Auto-Tune! A fiddle! Guest vocalist Kim Gordon! One seven-minute song with an acoustic folk intro!) – The Jicks refashioned.
    [Show full text]