Stephen Malkmus & the Jicks Real Emotional

Total Page：16

File Type：pdf, Size：1020Kb

Stephen Malkmus & The Jicks Real Emotional Trash mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Real Emotional Trash Country: Taiwan Released: 2010 Style: Alternative Rock, Psychedelic Rock, Indie Rock, Classic Rock MP3 version RAR size: 1437 mb FLAC version RAR size: 1301 mb WMA version RAR size: 1770 mb Rating: 4.6 Votes: 720 Other Formats: MIDI MOD AUD TTA VQF DTS DMF Tracklist 1 Dragonfly Pie 5:08 2 Hopscotch Willie 6:56 3 Cold Son 3:43 4 Real Emotional Trash 10:09 5 Out Of Reaches 4:51 6 Baltimore 6:37 7 Gardenia 2:54 8 Elmo Delmo 6:42 9 We Can't Help You 3:04 10 Wicked Wanda 5:06 Credits Bass, Backing Vocals, Synthesizer – Joanna Bolme Drums, Backing Vocals – Janet Weiss Guitar, Vocals, Other [Etc.] – Stephen Malkmus Keyboards, Guitar, Synthesizer – Mike Clark Mastered By – Greg Calbi Mixed By – Nicolas Vernhes, The Jicks Recorded By – TJ Doherty* Recorded By [Additional Pdx Recording] – Sean Flora, Zach Okun* Recorded By [Assistant] – Brett Allen Notes Comes in a cardboard slipcase. stephenmalkmus.com matadorrrecords.com www.hinote.com (C)(P)2008 Matador Records 304 Hudson NYC 10013 Barcode and Other Identifiers Barcode: 4712765164908 Matrix / Runout: HN742CD Mastering SID Code: IFPI LM58 Mould SID Code: IFPI 3Z02 Other versions Category Artist Title (Format) Label Category Country Year Stephen Malkmus Real Emotional Trash USA & OLE 772-2 Matador OLE 772-2 2008 & The Jicks (CD, Album) Canada Real Emotional Trash Stephen Malkmus OLE 772-1 (LP + LP, S/Sided, Matador OLE 772-1 US 2008 & The Jicks Etch + Album) Stephen Malkmus Real Emotional Trash URA242 Spunk URA242 Australia 2008 & The Jicks (CD, Album) Stephen Malkmus Real Emotional Trash P-Vine PCD-93105 PCD-93105 Japan 2008 & The Jicks (CD, Album) Records Stephen Malkmus Real Emotional Trash ANGLO 025 UltraPop ANGLO 025 Argentina 2008 & The Jicks (CD, Album) Related Music albums to Real Emotional Trash by Stephen Malkmus & The Jicks Various - The Best Of 2014 Jenni Potts - Take This And Go Greg Graffin - Cold As The Clay Various - Intended Play, Spring 2008 Stephen Malkmus And The Jicks - Stick Figures In Love SM & Jicks - Live In PDX Stephen Malkmus - Swedish Reggae Stephen Malkmus & The Jicks - Pig Lib.

Copy Link

Recommended publications

Caltech Pulls Off Second Rose Bowl Prank
The California Tech [email protected] VOLUME CXVII NUMBER 10 PASADENA, CALIFORNIA TECH.CALTECH.EDU JANUARY 13, 2014 Caltech pulls off second Rose Bowl prank -Julie Jester PARUL PUBBI prank, so we thought we’d merge With a location secured, work on then taped to the Pasadena sign so took charge of ensuring the lights Contributing Writer the two and pay homage to both.” the sign continued. that they would spell out “Caltech” worked. Car batteries were used It all started when Julie Jester, Caltech’s prank fund, which and excess lights were taped off. to provide the voltage necessary to The Caltech culture is an president of the Prank Club, alumni periodically donate to, The green strings of wire were then produce the effect. integral part of any Techer’s emailed potential recruits a week provided the $10,000 necessary painted white to match the sign. collegiate experience. It comes before construction began. Five for supplies. Christmas lights were Hannah Dotson of Dabney House Continued on page 3 as no surprise, then, that over a days before the championships, hundred undergrads across every the construction of eight 12 feet by house and class partook in the 20 feet frames started with a core largest-scale prank that Caltech has group of about 20 people. Though seen this year. the initial plan was to build and On Jan 6th, just 5 minutes show the sign at the Art Center before halftime at the Bowl College of Design, the group Championship Series, the moment received word on the second day of truth arrived.
[Show full text]
Michael Grace / Tapeop Behind the Gear
was getting pretty busy at night building custom mic Behind The Gear preamps for people, so I quit working for that company This Issue’s Prince of Preamps and started out on my own. That remained a garage operation for several years until my brother Eben and I Michael Grace joined forces and became partners. We decided we by Walt Szalva wanted to start a manufacturing company and build preamps on a larger scale so we could take advantage of the economies of scale, being able to buy better components and build things that were not absolutely stressed in terms of cost. That was almost twelve years ago when we came out with the first official Grace Design product, which was the 801 preamp. What kind of problems does a small manufacturer like yourself encounter in terms of designing and building Michael Grace started Grace feedback amplifier, or a trans-impedance amp, and something that a larger manufacturer Design in 1994, a boutique pro these types of amplifiers use a different kind of might not encounter? audio company located in Boulder, negative feedback in the current domain instead of the CO. The story of his rise as a Quality control is the top issue for any manufacturing designer is one born from a love voltage domain. They are able to track really complex company. Being a boutique manufacturer, most of our of music. His need for a preamp to waveforms, resolve rich harmonic structures and track products are fairly expensive and not something that record Grateful Dead concerts transients without the various aberrations of slew rate someone just plunks down on a credit card on a whim drove him to design his first limiting and things that are associated with textbook for their studio.
[Show full text]
Hunger Makes Me a Modern Girl: a Memoir Free
FREE HUNGER MAKES ME A MODERN GIRL: A MEMOIR PDF Carrie Brownstein | 256 pages | 05 Nov 2015 | Little, Brown Book Group | 9780349007922 | English | London, United Kingdom Hunger Makes Me a Modern Girl by Carrie Brownstein: | : Books Look Inside. Oct 27, Minutes Buy. Before Carrie Brownstein became a music icon, she was a young girl growing up in the Pacific Northwest just as it was becoming the setting for one the most important movements in rock history. Seeking a sense of home and identity, she would discover both while moving from spectator to creator in experiencing the power and mystery of a live performance. With Sleater-Kinney, Brownstein and her bandmates rose to prominence in the burgeoning underground feminist punk-rock movement that would define music and pop culture in the s. With deft, lucid prose Brownstein proves herself as formidable on the page as on the stage. That quality has become obvious over the course of eight albums with bandmates Corin Tucker and Janet Weiss… and now in her refreshingly forthright new memoir, Hunger Makes Me a Modern Girl. Instead, she candidly recounts the panic attacks and stress-induced shingles she experienced on tour. More important, it shows how compelling she is when she opens up. She carries a lot of humor and gentle self-deprecation throughout the work. For Carrie Brownstein, who grew up in the Riot Grrrl movement in the Pacific Northwest, they did: She started out playing in countless punk bands until settling on one with her BFF and romantic partner, Corin Tucker, which they eventually turned into the best rock band of all time, Sleater-Kinney.
[Show full text]
Students Attend Radical Activist Workshop in Dc
OBSERVER Volume 19, Issue 3, March 21st, 2008 March 19 marks the fifth anniversery of the war in Iraq. Students attend radical Budget forum: activist workshop in dc a hostile would have been more helpful to attend environment? workshops that played to her strengths Concerns about diversity as a demonstration organizer. During the Q&A sessions after every workshop, “the prompt consideration of best questions were asked by the people a new budget allocation who were actually organizers, or who were process actually knowledgeable about the subject being discussed,” said Birnbaum. BY RYAN GUSTAFSON The majority of the attendees appeared to be college-aged or environs, but a Responding to the outrage of affinity number were older, more experienced groups over the most recent Budget Forum’s organizers. In many workshops, Bard allocation process, Dean of Students students found themselves in attendance Erin Cannan and other members of the administration have pursued legal council photo/Kendra Schirmer photo/Kendra with independent media journalists, labor organizers, members of sustainable to determine if Budget Forum violates the communes, and alternative educators. rights of some Bard students. This action When not in a workshop, there was may bring about fundamental changes time for browsing amongst many booths to club funding procedures. The decision run by activist groups, most of whom to pursue legal council is indicative of had also sponsored workshops. There, the administration’s desire to reform the attendees could buy radical books, zines, allocation process, which has traditionally and apparel, and pick up radical flyers, been managed by Student Government’s pamphlets and buttons.
[Show full text]
TWO LOUIES, April 2003
OREGON MUSIC / APRIL 2003 photo Buko Page 2 - TWO LOUIES, April 2003 TWO LOUIES, April 2003 - Page 3 photo Buko hirty years after recording “Louie Louie” the estranged members of the Kingsmen reunite in the Two Louies kitchen to welcome Billy Gibbons of ZZ Top to Portland. Kingsmen drummer Lynn Easton, vocalist Jack Ely and guitarist Mike Mitchell recorded “Louie Louie” as a demo for Ta cruise ship gig. Ely quit shortly thereafter. This month the UK’s Mojo Magazine selected the Kingsmen’s “Louie Louie” #1 on their Ultimate Jukebox of The 100 Singles You Must Own. April 15th RCA Victor releases the new ZZ Top album “Mescalero” followed by the “Beer Drinkers & Hell Rais- ers 2003 Tour” beginning April 25th. Look for Mister Gibbons on the streets of Portland the second or third week of June. LL if anybody has an address, telephone number PDX KISS GUITARIST or email for Joe. I must have thought this was Greetings Two Louies, an audition for a new Buster Keaton fi lm. That Back from Vegas and the KISS show at the Yellow Pages tee shirt was purchased for $1.25 at Palms featuring my pal Tommy Thayer! Flew down the Salvation Army, I cut off the sleeves like any with John Thayer, Tommy put us up at the Palms young rocker would do in 1983. I wanted to take and passes all around. After a nice preshow visit BED STAINS the band to Los Angeles but no takers, so I mar- with the band we were herded down to the Maloof’s “Tommy breathed new life into the boys that night, even Peter was pounding harder then usual.
[Show full text]
June 7-13, 2018
JUNE 7-13, 2018 FACEBOOK.COM/WHATZUPFTWAYNE // WWW.WHATZUP.COM ------------------ Feature • Fitz & The Tantrums ---------------- Proudly presents in Fort Wayne, Indiana Clapping All the Way By Steve Penhollow The decision to recruit outside help was a difficult one, said singer Noelle Scaggs. We live in strange times. “It was especially hard being the unit that we Many once-ubiquitous pop acts that had their hey- are, where we have pretty much done everything our- WEDNESDAY, days prior to the year 2000 have trouble getting record selves,” she said. “There’s this pride that hits, and then JULY 11 • 8PM deals while younger acts that pay tribute to those older it’s kind of like, ‘Well, what will people think when Foellinger Outdoor Theatre acts can do quite well. they see another writer on there? Will they think we WEDNESDAY, JUNE 27 • 8PM Fort Wayne, Indiana Into the latter camp fall Fitz and the Tantrums. can’t do this or that we’re phony?’ You have all these Foellinger Outdoor Theatre The band performs at the Clyde Theatre on June different fears that are wrapping into your project be- Fort Wayne, Indiana 12. fore you even really start it.” Fitz and the Tantrums started out in 2011 as a soul Scaggs told the Ohio State Journal that working revival act a la Sharon and the Dap-Kings. with outside songwriters gave the band a mirror to They revisited several musical tropes from the look into. 1980s on their sophomore release, More Than Just a “It gave us a direction. ‘What are you think- Dream.
[Show full text]
Words and Guitar
# 2021/24 dschungel https://jungle.world/artikel/2021/24/words-and-guitar Ein Rückblick auf die Diskographie von Sleater-Kinney Words and Guitar Von Dierk Saathoff Vojin Saša Vukadinović Zehn Alben haben Sleater-Kinney in den 27 Jahren seit ihrer Gründung aufgenommen, von denen das zehnte, »Path of Wellness«, kürzlich erschienen ist. Ein Rückblick auf die Diskographie der wohl besten Band der Welt. »Sleater-Kinney« (LP: Villa Villakula, CD: Chainsaw Records, 1995) 1995 spielten die beiden Gitarristinnen Corin Tucker und Carrie Brownstein erst seit einem Jahr unter dem Namen Sleater-Kinney, waren nach Misty Farrell und Stephen O’Neil (The Cannanes) aber bereits bei der dritten Besetzung am Schlagzeug angelangt, der schottisch-australischen Indie-Musikerin Lora MacFarlane. Nach einer frechen Single und Compilation-Tracks auf Tinuviel Sampsons feministischem Label Villa Villakula erschien dort das Vinyl vom Debütalbum, die CD-Version aber auf Donna Dreschs Queercore-Label Chainsaw. Selten klang Angst durchdringender als auf diesem derben wie dunklen Erstlingswerk, das mit zehn Liedern in weniger als 23 Minuten aufwartet. Corin Tucker kreischt sich die Seele aus dem Leib und Carrie Brownsteins Schreien auf »The Last Song« stellt mit Leichtigkeit ganze Karrieren mediokrer männlicher Hardcore-Bands in den Schatten. Mit Sicherheit nicht nur das unterschätzteste Album der Bandgeschichte, sondern des Punk in den neunziger Jahren überhaupt. »Call the Doctor« (Chainsaw Records, 1996) Album Nummer zwei zeigte eine enorme musikalische Weiterentwicklung. »Call the Doctor« ist das streckenweise intelligenteste Album von Sleater-Kinney, das sich einerseits vor der avancierten Musikszene im Nordwesten der USA verneigte, in der die Band entstanden war (Olympia, Washington), zugleich aber äußerst eigenständig vorwärtspreschte und bei allem Zorn auf die Ausprägungen misogyner Kultur Anflüge von Zärtlichkeit nicht scheute: Selten wurde Unsicherheit so ehrlich vorgetragen wie auf »Heart Attack«.
[Show full text]
Be Bold, Assume Good Faith, and There Are No Firm Rules
Wikipedia @ 20 Three links: Be bold, assume good faith, and there are no rm rules Amy Carleton, Rebecca Thorndike-Breeze, Cecelia A. Musselman Published on: Jun 26, 2019 Updated on: Aug 27, 2019 License: Creative Commons Attribution 4.0 International License (CC-BY 4.0) Wikipedia @ 20 Three links: Be bold, assume good faith, and there are no rm rules Three links in what? A chainmail mesh that protects against despair, fake news, and cynicism. Overstatement? Perhaps. Like all compelling utopias, Wikipedia and working in the Wikipedia community does have a dark underside. But let’s look at the light . The Working Wikipedia Collaborative is a group of scholars, teachers, archivists, and librarians working with Wikipedia in higher ed in the Boston area — all women, some rogues, and all convinced of the educational and societal value of the utopian Wikipedia project. Three of us share our stories in this chapter, but these are just a part of the work the Collaborative has done together — workshops local, national, and global, presentations, in-class orientations, cross-institutional visits, publications, edit-a-thons, mentoring circles, and elevator pitches. Collaborative members are active sharers in the participatory and collaborative knowledge creation movement that some have come to call Wikiworld. We always write as the Working Wikipedia Collaborative, but each of our origin stories is unique — and strongly shaped by working with and on Wikipedia. For us, working with the encyclopedia and its community has been a valuable forging ground, shaping each of us into links in a wide-reaching mesh of personal and professional connections.
[Show full text]
Wegart Novinky Marec - Apríl 2008
WEGART NOVINKY MAREC - APRÍL 2008 The Kills – Midnight Boom (Domino) Doposia ľ najkonzistentnejší, najpestrejší a najtvorivejší album The Kills. Dôkaz, že váše ň a kreativita sú nadovšetko. - All Music Guide Je to album minimálne porovnate ľný s ich predchádzajúcimi nahrávkami, v niektorých oh ľadoch lepší - a ak vás dostali svojím kúzlom v minulosti, bu ďte si istí, že im úplne prepadnete aj tentokrát. - Drowned In Sound Nielenže The Kills vytvorili zna čkový rock'n'rollový album, je to jeden z tých, ktorý s neprístojnou ľahkos ťou bude odoláva ť nástrahám času. - Dot Music Formát: CD Cena: 550 Sk Kat. č.: WIGCD184 EAN: 5034202018421 Ďalšie tituly The Kills na sklade: No Wow CD+DVD 650 Sk No Wow CD 550 Sk Keep On Your Mean Side CD 550 Sk Black Roster CDEP 280 Sk Love Is A Deserter CDS 230 Sk Sons And Daughters – This Gift (Domino) Nový album glasgowskej štvorice je mixom zakaleného pôvabu šes ťdesiatych rokov a post- miléniovej kultúry celebrít, kultových filmov a literárnej klasiky. Kapela prekro čila elegantne vytvorené hranice svojich predošlých nahrávok novou ambíciou a plnos ťou zvuku. Produkoval nekompromisný producent a bývalý gitarista skupiny Suede Bernard Butler. Za posledných pä ť rokov si kapela vytvorila jednozna čný zvuk, imidž a históriu, inšpirovaná čistou silou country, bluesu a folku. Ich fanúšikmi sa stali Nick Cave, Franz Ferdinand a kritici, ktorí ozna čili Sons And Daughters ako jedine čnú skupinu vybraného vkusu a názoru. Obsahuje live CD. Formát: 2CD Cena: 590 Sk Kat. č.: WIGCD197 EAN: 5034202019725 Ďalšie tituly Sons & Daughters na sklade: The Repulsion Box CD 490 Sk Stephen Malkmus and the Jicks – Real Emotional Trash (Domino) Štvrtý album ex-frontmana Pavement.
[Show full text]
TWO LOUIES, March 2001 John Fahey 1939-2001
Joanna Bolme of the Stephen Malkmus Band 2 – TWO LOUIES, March 2001 John Fahey 1939-2001 ohn Fahey was a giant influence on the cultur- Chants, Breakdowns, and Military Waltzes, I al development of America. He was the first asked, “Who are these two guitar players?” I pic- Jperformer to expand American folk-blues tured a couple of 50-year-old masters whose melodies into a concert style similar to Segovia— vision of music and spatial technique reminded that is, one man, one guitar, and one grand vision me of pianist Glenn Gould. Here was a performer that encompassed the spiritual essence of Delta who carried his genre to a higher level, whose Blues, cosmic folk, and classical music. probes were deeper, whose vision was wider, “Here was a performer who carried his genre to a higher level, whose probes were deeper, whose vision was wider, whose understanding of the universe was more complete and profound than any before him.” Without John Fahey, there may not have whose understanding of the universe was more been a Windham Hill label of acoustic guitar mas- complete and profound than any before him. John ters. There would have been no Takoma label, gave us the same kind of breakthroughs that we which featured John’s first seven albums and got from Debussy and Stravinsky. It may not have more. There may not have been a Music been possible without him. Millennium... certainly not as we know it. It was It’s incredible that so much talent was John Fahey’s music that inspired the Millennium brought out in a guitarist in his twenties from a founders to open their little Portland record shop little town in Maryland.
[Show full text]
February 1999
alpha tech C 0 M P ·UTE R 5 671-2334 2300 James St. Bellingham, WA 98225 www.alphatechcomputers.com Cream Ware transforms ~our Winaows PC into ani~n ~ertormance, multitracK ai~ital auaio recorain~, eaitin~ ana masterin~ worKstation witn ultra fast ~. ~·bit Si~nal ~rOC9SSin~ Ca~acit~. Desi~nea lor com~lete ai~ital music ~roaution, CreamWare consists ol ootn naraware ana its own versatile auaio wo~station software· offenn~ acom~lete solution, not just a~artial ste~. Eait mulntrac~ arran~ements on ~our nara arive witn CreamWare · rrom 2to 12~ trac~s ana more ae~enain~ on ~our PC/CreamWare con~~uration. Process effects to trac~s ana sauna files !rom aso~nisticatea suite ol Pentium oasea DSP ~lters ana effects, re~lacin~ rac~s ol ex~ensive outooara ~ear, all in real time witn no wa~in~ lor tne s~stem to calculate ana a~~~~. rull~ automatea mixin~ tnat incluaes: volume curves, cross laaes, unlimrrea non~estrucnve eaitin~ ana almost an~nin~ else ~ou've ever areamea aoout navin~ at ~our ais~osal at ONE TENTH THE COST , ~our own cas! creamw@re© • 4in /4 out (32 tracks apporx. ) • 16 in /16 out (64 tracks approx.) • Optical, S/PDIF &MIDI I/O • 2ADAT Optical, ADAT 9-pin Sync, BNC, $225 50 $14Q.gQnth 161\0 ND DIA Converter TRS, Monitor Out 'per month • Wave Walkers DSP Suite • WaveWalkers, FireWalkers DSP Suites & • Near Field Monitors w/ Apmlifier Osiris DSP I Mastering I Finalizing Suite • 12 Channel Mixer/Microphone Preamplifier • Mid Field Monitors w/ Apmlifier • Merit Pentium 11266 MidTower ·64MB RAM •8.4GB Hard Drive • 16/32 Channel Recording Console w/lnline Monitor 36x CDROM ·16x4x4 CDRW, 56k Modem -8MB Video RAM • Merit Pentium 11266 MidTower ·128MB RAM ·10.2GB Hard Drive 40x CDROM ·16x4x4 CDRW · 56k Modem- 8MB Video RAM 15" SVGA, Win 98 · MS Works 17' SVGA, Win 98 · MS Works ._...
[Show full text]
TWO LOUIES, July 1999 - Page 3 Bodybag; Together Again at the Tonic Lounge July 24Th
Y 1999 OREGON MUSIC / JUL SUNN BACK CONFESSION NO FERNANDO LIVE ARTHUR o k u B o t o TIM ELLIS ph STUDIO/MASTERING GUIDE In celebration of one hundred years of advocating for musicians’ rights in this business that we call MUSIC, the American Federation of Musicians, Local #99 and AT&T have put together some of the greatest minds and organizations to present to YOU the most up-to- the-minute information on MUSIC AND THE INTERNET What: A two-day intensive that deals with issues that affect a musician and sales of musical product on the Internet. Day 1 Topics Include: *Intellectual Property and Copyrights *Performance Issues and Protections *Are Big Labels Relevant in the Internet Era *Distribution, PR and Marketing on the Net Day 2: *In-depth, hands-on opportunities in the areas of net technology with the leading tech. experts! Cost: Free to Local #99 members! (make the best investment of the year, join today!) Information on Local #99 and on the Music and the Internet Seminar, contact us at 235-8791 or via e-mail ROSE GARDEN at www.afm99.org Friday, July 2nd vs Arizona Rattlers 7:00PM Friday, July 15th vs Buffalo Destroyers 7:00PM AFM, LOCAL #99 Celebrating a Centennial of Advocacy in the Arts AFM, LOCAL #99 ready to work for today’s musicians. (If we don’t do it, who else will?) Guitarist Chris Newman’s catchy-tunes and Jimi- tones made him an underground favorite in the local club scene of the late 70’s, early 80’s A regular at the Club Long Goodbye, Newman’s break came at an opening slot for X at the Euphoria Tavern in 1981.
[Show full text]