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Aleister Crowley and the Hidden God to Assume
Introduction THIS BOOK contains a critical study of Aleister Crowley's system of sexual magick and its affmities with the ancient Tantric rites of Kali, the dark goddess of blood and dissolution represented in Crowley's Cult as the Scarlet Woman. It is an attempt to supply a key to the work of an Adept whose vast knowledge of occultism was unsurpassed by any previous Western authority. I have emphasized the similarity between Crowley's Cult of Thelema and Tantra because the present wave of interest in the Tantric System makes it probable that readers will be able to assess more fully the importance of Crowley's contribution to occultism in general and to the Magical Path in particular. As a result of many years' research into obscure phases of occultism I have evolved a method of dream control for contacting extra-terrestrial and non-human entities; this forms the substance of Chapters Six and Seven. This method is described in relation to the mysteries of Kundalini, the supreme magical power symbolized by the sleeping Fire Snake at the base of the spine which, after its awakening, activates the subtle power-zones in the human body. Aleister Crowley, Austin Spare, Dion Fortune and the German occultist Eugen Grosche were among the first Adepts in the West to teach the use of the psycho-sexual energies, the Ophidian Current that informed the most ancient arcana of Africa and the Far East. Although it was Crowley who first integrated this current with the Westem Esoteric Tradition, this was not achieved without some doubtful interpretations of oriental symbolism. -
CD Review: Behemoth - Chaotica - the Essence of the Underworld Posted by Cosmo Lee on April 25Th, 2007 in CD Reviews Tags: Behemoth, Black Metal, Chaotica, Metal Mind
« Metal Inejction Presents LIVE COVERAGE of New England Metal and Hardcore Fest This Weekend CD Review: Behemoth - Chaotica - The Essence of the Underworld Posted by Cosmo Lee on April 25th, 2007 in CD Reviews Tags: Behemoth, black metal, chaotica, metal mind. Before Behemoth became a death metal juggernaut, it played black metal. Of course, its death metal is often called “blackened,” and the Polish band still plays live in corpsepaint, albeit sparingly. However, those used to its recent 7-string crunchings will be shocked to hear its early sounds - primitive, lo-fi, with high shrieks far removed from the monstrous, processed death growls of Demigod. Behemoth’s pre-1999 discography is quite rich. However, what was once rare and scattered has been reissued repeatedly, flooding the market with similarly-named packages. Here’s the lowdown on these compilations: 1. Chaotica - The Essence of the Underworld - Metal Mind recently re-released this two-disc set from 1999 (Season of Mist seems to have also reissued it in 2003). It contains And the Forests Dream Eternally (EP, 1994), Sventevith (Storming Near the Baltic) (full-length, 1995), Grom (full-length, 1996), Bewitching the Pomerania (EP, 1997), and four previously unreleased covers and demo tracks. 2. Historica - released in 2003, the Historica box set is the same thing as Chaotica, but spreads its contents across five discs, adding Pandemonic Incantations (full-length, 1998), and a disc of live recordings and rarities. This is the most complete collection of Behemoth’s black metal era. 3. Demonica - released in 2006, this two-disc set collects previously unreleased tracks mostly from Behemoth’s black metal era, and does not overlap with Chaotica or Historica. -
Historia Heavy Metalu Test Sprawdzający Wiedze O Historii Muzyki Heavymetalowej
Historia heavy metalu test sprawdzający wiedze o historii muzyki heavymetalowej Poziom trudności: Średni 1. Który zespół nagrał w 1969 roku na swej debiutanckiej płycie utwór "Communication Breakdown"? A - Led Zeppelin B - Black Sabbath C - Deep Purple D - AC/DC 2. Który z n/w utworów nie jest utworem zespołu Kat? A - "Diabelski dom" B - "Metal i piekło" C - "Kawaleria Szatana" D - "Czarne zastepy" 3. "Dissident Agressor", to utwór zespołu... skowerowany w 1988 roku przez zespół... A - Black Sabbath/Slayer B - Black sabbath/Testament C - Judas Priest/Slayer D - judas Priest/Testament 4. Wokalistą zespołu Turbo w "klasycznym" składzie był: A - Marek Piekarczyk B - Grzegorz Kupczyk C - Roman Kostrzewski D - Tomasz Pukacki 5. Liderem zespołu Iron Maiden jest: A - Steve Harris B - Bruce Dickinson C - Dave Murray D - Nicko McBrian Copyright © 1995-2021 Wirtualna Polska 6. "Under Jolly Roger", to płyta zespołu: A - Accept B - Saxon C - Venom D - Running Wild 7. Za prekursorów black metalu nie uznaje się: A - Bathory B - Dimmu Borgir C - Venom D - Celtic Frost 8. Za prekursorów power metalu uznaje się: A - Gamma Ray B - Iron Maiden C - Avantasia D - Helloween 9. Za prekursorów thrash metalu nie uznaje się A - Metallica B - Slayer C - Sepultura D - Anthrax 10. Były basista Metalliki, autor m.in utworu "Orion", to: A - Jason Newsted B - Cliff Burton C - Robert Trujillio D - dave Mustaine 11. Ze Śląska nie pochodzi zespół: A - Behemoth B - TSA Copyright © 1995-2021 Wirtualna Polska C - Kreator D - Kat 12. Wydany w 1986 roku trzeci album zespołu Slayer nosi tytuł: A - "Show No Mercy" B - "Reign In Blood" C - "Divine Intervention" D - "God Hates Us All" 13. -
„Cinematic“ Ist Ein Sphärischer Soundtrack Zu Einem Nie Gedrehten Film
Cinematic POLISH ALBUM OF THE YEAR 2010 “Megastacja.Rock listeners” BEST DEBUT ALBUM & BEST ALBUM IN POLAND 3RD PLACE “Pro-Radio listeners” BEST POLISH DEBUT ALBUM 2ND PLACE “METAL HAMMER readers” RECENZJE /REVIEWS POLSKA/FRANCE/ GERMANY/ITALY/SWEDEN/FINLAND/SWITZERLAND/ RUSSIA/CANADA USA/NETHERLANDS/ISRAEL/DENMARK/HUNGARY/BELGIUM//NORWAY/BRAZIL/BELARUS WWW.LEBOWSKI.PL 1 (Israel) JAZZIS Lebowski "Cinematic" Subtitled "Music To A Non-Existent Movie", this is an excellent debut album by Polish Prog group, which consists of guitarist / composer Marcin, keyboardist / composer Marcin Luczaj, bassist Marek Zak and drummer Krzysztof Pakula. Vocalist / violinist Katarzyna Dziubak guests on two tracks. As the group´s name ("The Big Lebowski" – Joel Coen´s 1998 brilliant movie – a non- confirmed guess?) and the album´s title / subtitle suggest, the band is deeply involved with cinematography and indeed the album´s Prog / Ambient vistas should be ideal as soundtracks, but they do hold their ground as a great stand-alone instrumental album. The music is beautifully melodic and rich, with layers upon layers of instrumental sound placed one of top of another, creating a full-body sound. The usage of various keyboards is tasteful and manages to avoid "overdoing", which usually plagues most keyboard-oriented albums. The guitar plays most of the leads, changing its sound from delicately acoustic to heavy-metal, but never being obtrusive. Bass and drums keep the massive sound together beautifully, gluing everything to perfection. The musical themes are diverse and present a wide spectrum of harmonic approaches and rhythmic subtleties, keeping the listener on his toes for the entire duration of the album. -
ANSAMBL ( [email protected] ) Umelec
ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol. -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
Advances in Fingerprint Technology.Pdf
Advances in Fingerprint Technology SECONDSECOND EDITIONEDITION CRC SERIES IN FORENSIC AND POLICE SCIENCE BARRY A. J. FISHER, Series Editor L.A. County Sheriff’s Department TECHNIQUES OF CRIME SCENE INVESTIGATION Sixth Edition Barry A. J. Fisher SCIENTIFIC EXAMINATION OF QUESTIONED DOCUMENTS Revised Edition Ordway Hilton ADVANCES IN FINGERPRINT TECHNOLOGY Second Edition Henry C. Lee R. E. Gaensslen INSTRUMENTAL DATA FOR DRUG ANALYSIS Second Edition, Volumes 1–4 Terry Mills, III J. Conrad Roberson INSTRUMENTAL DATA FOR DRUG ANALYSIS Second Edition, Volume 5 Terry Mills, III J. Conrad Roberson H. Horton McCurdy William H. Wall INSTRUMENTAL DATA FOR DRUG ANALYSIS Second Edition, Volumes 6-7 Terry Mills, III J. Conrad Roberson William H. Wall Kevin L. Lothridge William D. McDougall Michael W. Gilbert Advances in Fingerprint Technology SECONDSECOND EDITIONEDITION EDITED BY Henry C. Lee and R. E. Gaensslen CRC Press Boca Raton London New York Washington, D.C. 0923 FmFrame Page iv Wednesday, May 16, 2001 12:10 PM Library of Congress Cataloging-in-Publication Data Advances in fingerprint technology / edited by Henry C. Lee, R.E. Gaensslen.--2nd ed. p. cm -- (CRC series in forensic and police science) Includes bibliographical references and index. ISBN 0-8493-0923-9 (alk. paper) 1. Fingerprints. 2. Fingerprints--Data processing. I. Lee, Henry C. II. Gaensslen, R. E. (Robert E.) III. Series. HV6074 .A43 2001 363.25'8--dc21 2001025816 This book contains information obtained from authentic and highly regarded sources. Reprinted material is quoted with permission, and sources are indicated. A wide variety of references are listed. Reasonable efforts have been made to publish reliable data and information, but the author and the publisher cannot assume responsibility for the validity of all materials or for the consequences of their use. -
Marek Bodusz
STUDIA NORWIDIANA 27-28:2009-2010 MAREK BODUSZ CYPRIAN NORWID W RYTMACH ROCKOWYCH Lecz Ty? – lecz ja? – uderzmy w s˛adne pienie, Nawołuj˛ac: „C i e s z s i e˛, p ó z´n y w n u k u!...” Je˛kły – głuche kamienie: Ideał – sie˛gn ˛ał bruku–– Fortepian Szopena , w. 114-117 „Bez zbytecznej przesady powiedziec´ moz˙na, z˙e jak dot ˛ad przynajmniej, «czas pracuje dla Norwida» i w konteks´cie tendencji rozwojowych sztuki dwu- dziestowiecznej dzieło poety […] wypełnia sie˛ i rozbłyska niedostrzegalnymi walorami […], staj˛ac sie˛ i chyba w tym procesie i coraz lepiej poznanym, i coraz bardziej swojskim, przyste˛pnym” – stwierdza Marek Bus´1. Rozpoznana w muzyce rockowej XX w. praktyka s´piewania poetyckich teks- tów Norwida, od wykonan´ art-rockowych 2 Czesława Niemena, Ewy Demar- czyk, Stana Borysa do róz˙nych odmian muzyki rozrywkowej (Maciej Malen´czuk – Homo Twist, DePress, Budka Suflera, Closterkeller), potwierdza cytowan ˛a teze˛Busia. Mamy tu bowiem „poete˛rockowego” (popularnego), a wie˛c bardziej swojskiego, zwykłego, przyste˛pnego. Z drugiej strony obecnos´c´ Norwida w „obiegu popularnym” pos´wiadcza teze˛Maryli Hopfinger o zmianie kulturo- wej, jaka dokonała sie˛w XX w.: od kultury typu werbalnego do kultury audio- wizualnej 3. Audiowizualny typ kultury znacz˛aco wpływa na sytuacje˛ tekstu 1 M. B u s´. Zagadnienie „trudnos´ci” Norwida (uwagi wste˛pne) . W: Zbliz˙enia historycz- noliterackie. Prace ofiarowane Prof. Stanisławowi Burkotowi . Red. T. Budrewicz, M. Bus´. Kraków 2003. 2 Art-rock – „styl w muzyce rockowej, charakteryzuj ˛acy sie˛ bogat ˛a, wzorowan ˛ana muzyce klasycznej harmoni ˛ai rytmik ˛a, złoz˙onymi aranz˙acjami utworów i refleksyjnymi tekstami pio- senek”. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED
©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED SILENCING POLO: CONTROVERSIAL MUSIC IN POST-SOCIALIST POLAND By RENATA JANINA PASTERNAK-MAZUR A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Music Written under the direction of Andrew Kirkman And approved by _____________________________________ _____________________________________ _____________________________________ _____________________________________ New Brunswick, New Jersey January 2017 ABSTRACT OF THE DISSERTATION Silencing Polo: Controversial Music in Post-Socialist Poland by RENATA JANINA PASTERNAK-MAZUR Dissertation Director: Andrew Kirkman Although, with the turn in the discipline since the 1980s, musicologists no longer assume their role to be that of arbiters of “good music”, the instruction of Boethius – “Look to the highest of the heights of heaven” – has continued to motivate musicological inquiry. By contrast, music which is popular but perceived as “bad” has generated surprisingly little interest. This dissertation looks at Polish post-socialist music through the lenses of musical phenomena that came to prominence after socialism collapsed but which are perceived as controversial, undesired, shameful, and even dangerous. They run the gamut from the perceived nadir of popular music to some works of the most renowned contemporary classical composers that are associated with the suffix -polo, an expression -
DECAPITATED Release Date Pre-Order Start Anticult Uu 07/07/2017 Uu 28/04/2017
New Release Information uu July DECAPITATED Release Date Pre-Order Start Anticult uu 07/07/2017 uu 28/04/2017 uu advertising in many important music magazines MAY/JUN 2017 uu album reviews, interviews in all important Metal magazines in Europe’s MAY/JUN/JUL 2017 issues uu song placements in European magazine compilations uu Spotify playlists in all European territories Price Code: CD03 uu retail marketing campaigns NB 3925-0 CD-Digi uu instore decoration: flyers, poster A1 uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and display networks, Bing ads and Gmail ads (tbc) uu Banner advertising on more than 60 of the most important Metal Price Code: LP15 & Rock websites all over Europe NB 3925-1 LP uu additional booked ads on Metal Hammer Germany and UK, and in (black in gatefold) the Fixion network (mainly Blabbermouth) uu video and pre-roll ads on YouTube uu ad campaigns on iPhones for iTunes and Google Play for Androids uu banners, featured items at the shop, header images and a back- ground on nuclearblast.de and nuclearblast.com Territory: World uu features and banners in newsletters, as well as special mailings to targeted audiences in support of the release uu Tracklists: CD: 01. Impulse We connected death, thrash, of metal and all kinds of music in general. It will be so hard 02. DeathValuation for me to make a pure death metal album now. And I think it 03. Kill The Cult rock ‘n’ roll, even black metal, 04.