Guide to the Will Cuppy Papers Circa 1884-1949
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A Humble Protest a Literary Generation's Quest for The
A HUMBLE PROTEST A LITERARY GENERATION’S QUEST FOR THE HEROIC SELF, 1917 – 1930 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jason A. Powell, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Steven Conn, Adviser Professor Paula Baker Professor David Steigerwald _____________________ Adviser Professor George Cotkin History Graduate Program Copyright by Jason Powell 2008 ABSTRACT Through the life and works of novelist John Dos Passos this project reexamines the inter-war cultural phenomenon that we call the Lost Generation. The Great War had destroyed traditional models of heroism for twenties intellectuals such as Ernest Hemingway, Edmund Wilson, Malcolm Cowley, E. E. Cummings, Hart Crane, F. Scott Fitzgerald, and John Dos Passos, compelling them to create a new understanding of what I call the “heroic self.” Through a modernist, experience based, epistemology these writers deemed that the relationship between the heroic individual and the world consisted of a dialectical tension between irony and romance. The ironic interpretation, the view that the world is an antagonistic force out to suppress individual vitality, drove these intellectuals to adopt the Freudian conception of heroism as a revolt against social oppression. The Lost Generation rebelled against these pernicious forces which they believed existed in the forms of militarism, patriotism, progressivism, and absolutism. The -
Writing Celebrity: Modernism, Authorial Personas, and Self-Promotion in the Early Twentieth Century United States
Writing Celebrity: Modernism, Authorial Personas, and Self-Promotion in the Early Twentieth Century United States Timothy W. Galow A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2008 Approved by: Linda Wagner-Martin (Director) Erin Carlston (Chair) María DeGuzmán John McGowan Janice Radway ABSTRACT Timothy W. Galow: Writing Celebrity: Modernism, Authorial Personas, and Self- Promotion in the Early Twentieth Century United States (Under the direction of Linda Wagner-Martin, Erin Carlston, John McGowan, Maria Deguzmán, and Janice Radway) “Writing Celebrity” argues that the rise of a national celebrity culture at the turn of the twentieth century transformed cultural production in the United States. While most literary studies of this period focus on the relationship between elite authors and the mass market, I assert that the influence of personality marketing transcended traditional aesthetic categories and reshaped the profession of authorship for both “highbrow” and “lowbrow” writers. Against this backdrop, my work traces the impact that an emergent celebrity culture had on the careers of Gertrude Stein and F. Scott Fitzgerald. Drawing on archival documents, literary texts, and various extant publicity materials, I examine how both of these authors attempted to market distinctive personas and the various ways in which readers and critics responded to their public identities. Gertrude Stein, immediately following the runaway success of The Autobiography of Alice B. Toklas , theorized an authorial identity that exists only in the very instant of creation and instills texts with permanent value. -
Chancellor Criticized in House of Commons
EIGHTEEN PAGES PRICE rUKEB CENTS VOL. U L, NO. 226. BfANCHESTER, CONN., FRIDAY, JUNE 28, DENY REPORTS Mitehell Smiles After Jury Acquits Him ESCAPED PRISON MARCH OF UME Of Tax Giaixe ■in IS DRAMATIZED ROOSEVELT TO i *m >• ' NINE YEARS AGO; / • ■ A T G R ^ A I I O N GOTOIDNDON JUST*• • ARRESTED '■ '4 High Sdiool Sodors Get U. S. Cntiser Merdy to Take Uved for Y ean Widnn 20 Ptresideiit o( Worid EcononF the PresideBt B a d to Hilet of Now.Haven Jai^ 5 OS Wireless Messdfge Diploniu Today Anudst 'y V - * ■'V k Conference Declares ft Modern Siting — Bad W ad^on After He '"'•'""'’y/'y,. Anonymons Phone CaD May Concern Mattetn Wffl Net Adjonm M d y/f Z, V '< . ^ <' •< X-: . -r-y //■y. ■■ ■' . ■.’/ /'liry r ‘ // Notifies tte Police. I Completes ffiaVacatioiL 'fy. Keep Conrage by Speaker. A. Progress Is Being Made-4- 'A A 'w A - y - Seattle, June 28,— (AP)—^Power-.^wlth whom, he said, the sender was } A.y'i'.VV ful wlrdess stations of the' NorthTtiying to communicate. Station New Haven, June 28.— (AP)— Padfio “listened, in!’ today for an i RMAZ la at Vladorska. 1& a drastic .sad Improved de Portland, Ma, June 28.—(AP) — . tttrrency Uncertainties Joseph Masserelli,-81, known for explanation ot a mysterious call in! The Naval operator, however, parture from the programs of othe^ Stephen T. Early, secretary to Presi which the signals' of “SOS and who heard the message on his home nine years as Joseph Morrow of yearSi the class o t- 1988 of Maa- dent Roosevelt denied today the “Aeroplane” were leard yesterday I set, said it sounded as though it Are Net Going to D eb ; Waterbury, today was back in the afternoon. -
Pointing Our Thoughts
POINTING OUR THOUGHTS NEIL L. RUDENSTINE POINTING OUR THOUGHTS REFLECTIONS on Harvard and Higher Education d 1991– 2001 foreword by HANNA HOLBORN GRAY ILLUSTRATIONS BY BARRY MOSER HARVARD UNIVERSITY CAMBRIDGE · MASSACHUSETTS Copyright © 2001 by the President and Fellows of Harvard College Introduction copyright © 2001 by Hanna Holborn Gray Frontispiece illustration copyright © 2001 by Barry Moser “There Are Roughly Zones,” “The Road Not Taken,” and “The Star-Splitter,” from The Poetry of Robert Frost, edited by Edward Connery Lathem Copyright © 1923, 1969 by Henry Holt and Company, Copyright © 1936, 1951 by Robert Frost, Copyright © 1964 by Lesley Frost Ballantine. Reprinted by permission of Henry Holt and Company, LLC. “This Is Just to Say,” by William Carlos Williams, from Collected Poems 1909–1939, Volume I, Copyright © 1938 by New Directions Publishing Corp. Reprinted by permission of New Directions Publishing Corp. “Vacillation” IV reprinted with the permission of Scribner, a Division of Simon & Schuster, from The Collected Poems of W.B.Yeats, Revised Second Edition edited by Richard J. Finneran Copyright © 1933 by Macmillan Publishing Company; Copyright renewed © 1961 by Bertha Georgie Yeats Frontispiece: The Memorial Hall tower, destroyed in a 1956 fire, was rebuilt in 1999, and stands as a symbol of the University’s renewal and restoration of its campus. A new student dining hall and commons are now also part of Memorial Hall. Contents hj Foreword ix The Enduring University The Values of Education 3 The University and Diversity -
Read Ebook {PDF EPUB} How to Get from January to December by Will Cuppy How to Get from January to December by Will Cuppy
Read Ebook {PDF EPUB} How to get From January to December by Will Cuppy How to get From January to December by Will Cuppy. by birthday from the calendar. TimeSearch for Books and Writers by Bamber Gascoigne. American humorist and journalist. Cuppy was best-known for his mock-scientific observations of nature. One of his favorite places for observation was the Bronx Zoo, from where he perhaps picked up the following note: "The Chameleon's face reminded Aristotle of a Baboon. Aristotle wasn't much of a looker himself." Cuppy satirized with his dry and subtle humor everything from arrogant experts to modern society and popular culture. His method was to read as much as possible about his subject, and then squeeze everything into an essay of about two pages. His knowledge of history and literature was extensive, but he abandoned academic studies for the sake of journalism. William Cuppy was born in Auburn, Indiana. His father, Thomas Jefferson Cuppy (1844-1912), was a lumber buyer for a railroad, whose m iscellaneous jobs kept him away from his family for periods of time and eventually he disappeared completely. Cuppy's mother, Frances Stahl Cuppy (1855-1927), ran a millinery shop and was devoted to her children. In his childhood young Will spent happy summers on the Cuppy farm near South Whitley, where he acquired his first knowledge of nature. He attended the Auburn public schools and in 1902 he entered the University of Chicago, where he studied for 12 years. Most of the time he spent in the English library. -
Instant Lives
Instant Lives by Howard Moss illustrated by Edward Gorey Ever wondered what happens between the lines of biography? If the lights and lives remained on after you closed the book? Perfect for those who love literature too much to hold it too closely to actual facts, Instant Lives’s imagined encounters between literary figures and their real or imagined family mem- bers, friends, and bitter enemies is guaranteed to delight. These fractured and fabricated lives are recounted in the clipping pace of Howard Moss’s witty prose and rendered by Edward Gorey, in his iconic, spindly black-and-white Victorian style. In Moss’s satirical voice and Gorey’s twenty-five deadpan illustrations, we see Jane Austen wielding artful passive aggres- sion and Sense & Sensibility galleys, the Alcott girls sculpting Format: Hardcover fudge, the rise of Emily Dickinson’s ruthless witch hazel business, ISBN: 978-1-56792-651-4 and (among other delights) the tiniest nun in Spain. Descend Size: 4 ¼ x 7 ¾ inches into literary chaos with Instant Lives—just add water (and a Pages: 104 little vinegar), and suspend disbelief. Price: $19.95 Publication: October 2019 Rights: World Howard Moss (1922–1987) was the poetry editor of The New Yorker for almost forty years, a role that he used to promote the work of then-little-known poets like Anne Sexton, Richard Wilbur, and Sylvia Plath. Hugely influential on American poetry as we know it today, Moss was also a poet himself, as well as a distinguished literary critic and a professor at Vassar. Edward Gorey (1925–2000) began his career as a child prod- igy, drawing at the age of two, reading by the age of three. -
Hooray for Hollywood!
The quarterly journal of The Wodehouse Society Volume 26 Number 1 Spring 2005 Hooray for Hollywood! an it be 2005 is here already? Wasn’t it just yesterday C we were browsing, sluicing, and whooping it up in Toronto? Is the Los Angeles convention really only a few months away? The answers to those questions are yes, no, and yes—and that final yes means it’s time to fill out your registration form and send in your oof for what promises to be a dashed good time in the splendid environment UCLA will be providing for this year’s gathering. Hold on to your hats as you look over this tantalizing schedule (please note that times in italics are tentative): Thursday, August 11 1:00 P.M.–5:00 P.M.: Early registration Evening free. Hit the town, or dine with other Wodehousians arriving early. Friday, August 12 9:00 a.m.–5:00 p.m.: Registration, booksellers, chapters corner, etc. 10:00 A.M.–3:00 P.M.: Bus tour of Hollywood (including Paramount Studios tour) 5:00–6:00 p.m.: Clients of Adrian Mulliner meeting 6:00–8:00 p.m.: Barbecue on the terrace, with wine and beer included 8:00–11:30 p.m.: Clean Bright Entertainment, with wine and beer included, in the Grand Horizon Room (to which the terrace is attached) • Max Pokrivchak: The Great Wodehouse Movie • Music and other bits of fun guaranteed to Pitch Challenge (see page 3 for details) keep all Wodehousians entertained well into the evening! • The NEWTS: “Penny’s from Hades” (skit) Saturday, August 13 Presentations (tentative; subject to change) Getting Around in L.A. -
The Sundayjtribune's News and Reviews of Books and Authors
v ~- 'l________BT l i7 ¿i it The SundayJTribune's News and Reviews of Books and Authors i Note on James Branch Cabell The Lay Critic London Letter By Burton Rascoe ÚSa Hurst's New York The Latest Fiction FIOVRj;-- or EARTH, THE CREAM OF THE JEST, CHIVALRY, WHEN Miss Hurst chose for By Douglas GoIdrtrtg OF tX>VB, A u*?**1* *_Itkt THS UN» CERTAIN HOUR, THE CORDS OF her recent volume of short AHOPEFUL of Isabel Paterson THE RIVET IN GRANDFATHER'a stories the title "The Verti¬ sign the vitality) By Î***»ïf,lrNE! NECK. HEYOND I.IFE, of English letters has been THE eONKIOSST^NS OF A WEM, MEAN- it. And the of Ann'*» «^.^ juPDESN WAT. THE LINEAGE OF LICKFIELD. Published by cal City" she trespassed on IN'i; ,'OMAN, By Sto-p-a-an McK.eD.-iu. 'repetition Lady '-o. New York. the of dozens of the foundation the Doran. cliches becomes tedious. Still, for M M.tínte territory during 0 «hose with SweetiM-M and senti¬ ÉÜ. writer., and of million- of New Yorkers. past few years of a number of THE HTKONOEH INFLUENCE. By F. E. cloyod wore astute critics who have John Mill« Younir Dornn, mentality it ought to bn refreshing, trw of th«- appraised the work of Galsworthy has »aid that every "amateur" publishing house» like lemon after have failed to call man has two countries.-his own and THE JUDGMENT <>F CHARIS. By Mrs. à drop much chocolat«-«. F i mes Branch Cabell attention to that extraordi- France. which specialize in the of Baillle Heynold«. -
How to Be a Hermit by Will Cuppy
This site is full of FREE ebooks - Check them out at our Home page - Project Gutenberg Australia Title: HOW TO BE A HERMIT or, A BATCHELOR KEEPS HOUSE Author: WILL CUPPY * A Project Gutenberg of Australia eBook * eBook No.: 0607881.txt Language: English Date first posted: October 2006 Date most recently updated: October 2006 This eBook was produced by: Malcolm Farmer Project Gutenberg of Australia eBooks are created from printed editions which are in the public domain in Australia, unless a copyright notice is included. We do NOT keep any eBooks in compliance with a particular paper edition. Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this file. This eBook is made available at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg of Australia License which may be viewed online at http://gutenberg.net.au/licence.html To contact Project Gutenberg of Australia go to http://gutenberg.net.au -------------------------------------------------------------------------- Title: HOW TO BE A HERMIT or, A BATCHELOR KEEPS HOUSE Author: WILL CUPPY TO Isabel Paterson THAN WHOM THERE IS NO ---- WELL, THAN WHOM THERE JUST ISN'T, THAT'S ALL. ACKNOWLEDGMENTS The author wishes to thank THE NEW YORK HERALD TRIBUNE, MC CALL'S MAGAZINE and MORROW'S ALMANACK for permission to reprint the articles in this book. They are nor responsible for the second thoughts--some of them highly inflammable--strewn recklessly through the original pieces, nor for the several added starters. -
Burton Rascoe Papers Ms
Burton Rascoe papers Ms. Coll. 1145 Finding aid prepared by Ben Rosen and Holly Mengel. Last updated on February 27, 2017. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2016 July 27 Burton Rascoe papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 6 Administrative Information........................................................................................................................... 6 Related Materials........................................................................................................................................... 7 Controlled Access Headings..........................................................................................................................8 Collection Inventory...................................................................................................................................... 9 Series I. Correspondence......................................................................................................................... 9 Series II. Diaries and notebooks........................................................................................................ -
Ocaso Y Caída De Prácticamente Todo El Mundo Es Una Aguda Revisión De La Historia De Occidente a Través De Aquellos Personajes Que La Hicieron Posible
Libro proporcionado por el equipo Le Libros Visite nuestro sitio y descarga esto y otros miles de libros http://LeLibros.org/ Descargar Libros Gratis, Libros PDF, Libros Online He aquí un libro excéntrico y agudo, una invitación a recorrer una galería de retratos, ordenados cronológica y espacialmente, que nos acerca a personajes que hicieron historia en épocas muy diversas: desde el lejano Egipto hasta la “cercana” época del descubrimiento y conquista de América. Guiados por un autor documentado y escéptico, mundano y terriblemente irónico, veremos cómo la grandeza histórica generalmente atribuida a estos personajes queda hecha añicos. Will Cuppy los somete a un escrutinio que revela las miserias humanas de figuras de la talla de Pericles, Carlomagno o Luis XIV entre otras muchas. Ocaso y caída de prácticamente todo el mundo es una aguda revisión de la historia de Occidente a través de aquellos personajes que la hicieron posible. Will Cuppy Ocaso y caída de prácticamente todo el mundo Breve historia de la humanidad a través de sus grandes personajes ePub r1.4 GONZALEZ 06.06.16 INTRODUCCIÓN por FRED FELDKAMP Cuando Will Cuppy murió, en septiembre de 1949, llevaba trabajando en este libro, de forma intermitente, dieciséis años. Durante la mayor parte de ese tiempo estuvo ocupado con otros proyectos, claro: una columna semanal de reseñas de libros de misterio para el Herald-Tribune de Nueva York, artículos para diversas revistas y una serie de libros sobre aves, mamíferos, reptiles y peces. El primero de estos libros de animales, How to Tell Your Friends from the Apes, apareció en 1931 y marcó las pautas que otros seguirían. -
Oral History Interview with Esther Mccoy, 1987 June 7-Nov. 14
Oral history interview with Esther McCoy, 1987 June 7-Nov. 14 The digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Esther McCoy on June 7-8 and November 14, 1987. The interview was conducted by Joseph Giovannini for the Archives of American Art, Smithsonian Institution. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. TABLE OF CONTENTS Pages 1-6 Childhood; early education; college education in Ann Arbor, Michigan; moves to New York City in 1926; living and working experience there; works for Theodore Dreiser, researching Emma Goldman; modernism in literature. 6-13 Lives in Greenwich Village; meets writers; moves to Paris in 1928; develops a writing style; travels to Berlin. 14-16 Returns to New York; has further contact with New York writers and continues development of writing style; goes to Key West, Florida, for five months and meets prominent writers. 16-19 Moves to Los Angeles in 1932; West Coast life. 19-24 Great Depression; returns to New York in 1936; her involvement with radical movement; Sacco and Vanzetti case; William Lescaze; develops interest in architecture, International Style; Theodore Dreiser; John Flannagan. 24-28 Childhood and family life; Great Depression; her life as a free-lance writer; marries Berkeley Tobey in 1941; meets R.