Jack Savoretti Cantautore Sofisticato Sulle Cime Del Brenta

Total Page:16

File Type:pdf, Size:1020Kb

Jack Savoretti Cantautore Sofisticato Sulle Cime Del Brenta Ufficio Stampa della Provincia autonoma di Trento Piazza Dante 15, 38122 Trento Tel. 0461 494614 - Fax 0461 494615 [email protected] COMUNICATO n. 2160 del 18/08/2017 I Suoni delle Dolomiti, lunedì 21 agosto in Val Rendena Jack Savoretti cantautore sofisticato sulle cime del Brenta Riprende dopo la pausa ferragostana la programmazione del festival I Suoni delle Dolomiti. Cinque concerti con grandi nomi della scena internazionale e varietà di generi musicali per soddisfare tutti i gusti.. Sui verdi prati di Camp Centener – lunedì 21 agosto, ore 13 – proprio sotto le cime del Brenta e affacciati sullo scenario dell'Adamello-Presanella ad accogliere i tanti che sicuramente saliranno in Val Rendena la voce appassionata e struggente di Jack Savoretti ormai un nome di fama internazionale con un talento particolarissimo per la canzone d'autore. Nato a Londra da padre italiano e madre tedesco-polacca, con studi in Svizzera, Jack Savoretti è il simbolo di una generazione eclettica, aperta alle culture del mondo. Una sensibilità che in lui si fa musica attraverso un cantautorato sofisticato e allo stesso tempo capace di parlare alle emozioni. Influenzato dalla musica cantautorale americana, inglese e italiana, inizia ancora giovanissimo a scrivere poesie. Sarà la madre, una ex modella che frequentava nei suoi anni giovanili Jimi Hendrix e i Rolling Stones, a suggerirgli di prendere in mano una chitarra e di trasferire in musica le sue parole. Il risultato è un insieme di melodie semplici e incisive dominate dal suono della chitarra acustica e da una rara attenzione ai testi che lo porta ad essere spesso paragonato ai grandi cantautori della tradizione anglosassone. Dal primo lavoro in studio “Between the minds” nel 2007 – un album intenso, molto apprezzato dalla critica inglese che non tarda a descrivere Jack Savoretti, nonostante la sua giovane età, come il nuovo Bob Dylan – la strada percorsa è stata molta. Son arrivati cinque album da “Harder than easy” a “Before the storm” passando per “The Dirty romantics” e “Written in Scars”, innumerevoli concerti, apparizioni – tra cui anche il Festival di Sanremo del 2014 – successi e la consacrazione di alcuni brani diventati colonne sonore di serie tv cult come The Vampire Diaries. Come si raggiunge il luogo del concerto Il luogo del concerto è raggiungibile da Madonna di Campiglio con la telecabina Monte Spinale e poi a piedi in 40 minuti di cammino, dislivello 50 metri, difficoltà E; da Passo Campo Carlo Magno con cabinovia Grostè e poi a piedi in 20 minuti di cammino, dislivello 10 metri, difficoltà E. L'escursione Per l'occasione è possibile partecipare a una escursione con le Guide Alpine del Trentino di ore 3.30 di cammino, dislivello 550 metri, difficolta E. Iniziativa su prenotazione fino ad esaurimento dei posti disponibili: - gratuita per i possessori di Dolomeet Card (+39 0465 447501), per i possessori di Trentino Guest Card visittrentino.info/card (+39 0465 447501) - a pagamento su prenotazione con le Guide Alpine Madonna di Campiglio +39 0465 442634. In caso di maltempo il recupero è previsto alle ore 21 al PalaCampiglio di Madonna di Campiglio. Informazioni: 0465 447501 www.isuonidelledolomiti.it ().
Recommended publications
  • Malcolm Braff's Approach to Rhythm for Improvisation
    Malcolm Braff’s Approach to Rhythm for Improvisation: Definition, Analysis and Aesthetic Daniel Jacobus Steyn de Wet A dissertation submitted to the faculty of humanities, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree of MMUS. Johannesburg 2017 Plagiarism Declaration 1. I know that plagiarism is wrong. Plagiarism is to use another’s work and to pretend that it is one’s own. 2. I have used the author date convention for citation and referencing. Each significant contribution to, and quotation in, this thesis from the work or works of other people has been acknowledged through citation and reference. 3. The essay is my own work. 4. I have not allowed and will not allow anyone to copy my work with the intention of passing it off as his or her own work. _______________________ _________________________ Signature Date Human Research Ethics Clearance (non-medical) Certificate Number: 2 Acknowledgements I would like to thank my friends and family for the support they have shown through this time. I further thank the various supervisors and co-supervisors who have at some point had some level of input into this study. On the practical side of my study I thank Malcolm Ney for the high level of classical training that I have received. I thank Andre Petersen for his input into the jazz specific aspects of my performance training. Special thanks to Dr. Carlo Mombelli for the training I received in his ensembles and at his home with regard to beautiful and improvised music. Thanks also go to the supervisors for the majority of my proposal phase Dr.
    [Show full text]
  • Four Years Ago, Jack Savoretti Quit Making Music. He
    KÜNSTLER: JACK SAVORETTI SINGLE: TIE ME DOWN ALBUM: WRITTEN IN SCARS LABEL: BMG Chrysalis/ rough trade LC: 19813 VÖ: 13.02.2015 Four years ago, Jack Savoretti quit making music. He’d had enough – of scratching a living as an independent artist, of business bust-ups, of being touted as a soon-to-be star. He’d spent two years (and all of his savings) in legal dispute with a former manager and seen the release of his second album so botched it barely came out. He was 26 and recently married, with a baby on the way. “I thought that was my run, I’d had fun and now it was time to get a proper job,” says Savoretti. “I was done with music and, honestly, I didn’t mind.” What happened next couldn’t have surprised the singer more. “As soon as I said, ‘screw this’, I couldn’t stop writing,” he recalls. “I wrote out of anger, although the songs were more of a cry for help. It was the best, most personal music I’d ever made. I realised I had really learnt how to write, how to express exactly what was in my head.” That album, 2011’s critically-acclaimed ‘Before The Storm’, saw Savoretti turn a corner. That he was an exceptional singer was never in dispute – those gorgeous, gritty, soul- soaked vocals that caused such a fuss when he first emerged and saw his DIY debut, 2007’s ‘Between The Minds’, championed by Radio 2 – but by his own admission, his early work was him finding his feet.
    [Show full text]
  • Karaoke Book
    10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO.
    [Show full text]
  • Karaoke Mietsystem Songlist
    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
    [Show full text]
  • Songs by Title
    16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A.
    [Show full text]
  • Star Clubland Shaped Cushions V.G.C
    Visit our website at www.sthelensstar.co.uk Thursday March 22 2007 - Page 37 Holidays Wales Bargains Under £100 Album reviews DYSON upright cleaner exc. Trance night at the Zoo condition just serviced £30. NEED A HOLIDAY? Can deliver. Tel: (01744) Jack Savoretti, Between the Minds. 603025 IF you are into Trance years ago and the idea The album has been a constant in my cd player for 4 PIECE PINE Conservatory then the Zoo Bar on was to create a Trance the whole of March.There are just too many smart suite inc. glass coffee table Westfield Street is the scene, because there lyrics to really take on board the first, second or £90. Tel: (01744) 815568 place to be this Sunday, was nothing around tenth time – you just have to keep listening to it. 3 PIECE SETTEE v.g.c, Can March 25 with Sunset’s Door to door service to deliver £40. Tel: (01744) here. The Anglo-Italian song writer’s debut album features 631208 first classics night. “ Well our first night some really poetic storytelling, uplifted by some fine sunny North Wales 8 days DOUBLE BED pine, good DJs Phil Reid and Ant was a big hit and it has guitar work. Savoretti’s moody and often haunting condition £50. Tel: (0151) Smith will be playing the full board is THE holiday 4309909 just snowballed from lyrics and seasoned voice and tone belie his 23 Top 20 run down of the MOBILE GAS Heater with there. years.Well worth buying. for the over 60’s. bottle v.g.c £40.
    [Show full text]
  • Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
    Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home
    [Show full text]
  • Reading Between the Minds: Intersubjectivity and The
    READING BETWEEN THE MINDS: INTERSUBJECTIVITY AND THE EMERGENCE OF MODERNISM FROM ROBERT BROWNING TO HENRY JAMES by Jennie Hann A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland May 2017 © 2017 Jennie Hann All Rights Reserved DEDICATION For my parents, Alan and Mary Kay Hann And in memory of Shaughnessy ii Is the creature too imperfect, say? Would you mend it And so end it? Since not all addition perfects aye! Or is it of its kind, perhaps, Just perfection— Whence, rejection Of a grace not to its mind, perhaps? Shall we burn up, tread that face at once Into tinder, And so hinder Sparks from kindling all the place at once? —Robert Browning, “A Pretty Woman” (1855) Really, universally, relations stop nowhere, and the exquisite problem of the artist is eternally but to draw, by a geometry of his own, the circle within which they shall happily appear to do so. He is in the perpetual predicament that the continuity of things is the whole matter, for him, of comedy and tragedy; that this continuity is never, by the space of an instant or an inch, broken, and that, to do anything at all, he has at once intensely to consult and to ignore it. All of which will perhaps pass but for a supersubtle way of pointing the plain moral that a young embroiderer of the canvas of life soon began to work in terror, fairly, of the vast expanse of that surface, of the boundless number of its distinct perforations .
    [Show full text]
  • Law, Music, and Other Performing Arts
    ESSAY/BOOK REVIEW LAW, MUSIC, AND OTHER PERFORMING ARTS SANFORD LEVINSON AND J. M. BALINt "[I]nterpretation" is a chameleon. When a performing musician "interprets" a work of music, is he expressing the composer's, or even the composition's, "meaning," or is he not rather expressing himself within the interstices of the score? 1 -Richard Posner Today the conductor, more than any one musical figure, shapes our musical life and thought. That may not be how things should be, but it is the way they are. In a future, fully automated age, it may be that the conductor, along with all performing musicians, will be obsolete. Musical creators are working toward that day, assembling electronic scores that, once put on tape, never vary.... But until that unfortunate day is here, let us be thankful that there still remain interpretive musicians to synthesize the product of the composer. For without the interplay between the minds of the creator and interpreter, music is not only stale, flat and unprofit- able. It is meaningless.... Musical notation is an inexact art, no matter how composers sweat and strive to perfect it. Symbols and instructions on the printed page are subject to various interpreta- tions, not to one interpretation. 2 -Harold Schonberg The legislature is like a composer. It cannot help itself: It must leave interpretation to others, principally to the courts. -Jerome Frank3 t Levinson is St.John Garwood Chair in Law, University of Texas School of Law. Balkin is Charles Tilford McCormick Professor of Law, University of Texas School of Law. The authors wish to thank Joseph Dodge, Doug Laycock, Dennis Patterson, Richard Posner, Robert Post, Tom Seung, Allan Stein, Carol Weisbrod, and Jay Westbrook for their comments on previous drafts, as well as the participants in faculty workshops at Rutgers-Camden School of Law and the University of Texas School of Law, where earlier versions of this essay were presented.
    [Show full text]
  • RASSEGNA STAMPA 247.Libero.It 25 Giugno 2015
    RASSEGNA STAMPA 247.libero.it 25 giugno 2015 Pagina 1 di 2 Serravalle Designer Outlet si prepara al ‘Summer Program 2015’ » Cronaca, attualità 25 giugno 2015 Una sfilata di talenti internazionali dalla canzone allo spettacolo, alla comunicazione all’arte: così il Centro di Serravalle Designer Outlet, il primo dei cinque McArthurGlen Designer Outlet Italiani si prepara al Summer Program 2015. Sarà la presentazione di un libro a dare il via alle celebrazioni estive del Centro di Serravalle. Il 27 giugno alle ore 18 nella piazza del lusso, Aperitivo con l’autore: un dialogo con Mario Calabresi, che racconterà il suo libro “Non temete per noi, la nostra vita sarà meravigliosa”. Il giornalista incontrerà i lettori per portarli sulle tracce di Peter, Aldo, Simonetta, Giovanni, Elia, Ugo e Tatiana, “ragazzi che non hanno avuto paura di diventare grandi”. Un incontro nato nell’ambito della partnership con il Festival della Comunicazione di Camogli (10-13 settembre 2015) di cui Serravalle Designer Outlet è sponsor e promotore. L’arte contemporanea troverà invece spazio per il secondo anno nelle piazze e nelle vie del Centro con una bellissima esposizione di opere e installazioni il cui tema sarà “I colori del viaggio. Nutrire la mente nei cieli del mondo”, tema che richiama volutamente i contenuti di Expo 2015. Saranno 14 gli artisti che allestiranno splendide sculture, dipinti e installazioni: tra di loro Umberto Milani, l’italo americana Jessica Carroll e la giapponese Setsuko. Gli appuntamenti con la musica prenderanno il via il 18 luglio, con il concerto di Chiara, l’interprete di Due Respiri reduce dal successo sanremese dove ha partecipato con il brano Straordinario.
    [Show full text]
  • Collaborative Painting Between Minds and Hands: Art Criticism, Connoisseurship, and Artistic Sodality in Early Modern Italy
    Collaborative Painting Between Minds and Hands: Art Criticism, Connoisseurship, and Artistic Sodality in Early Modern Italy by Colin Alexander Murray A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Colin Murray 2016 Collaborative Painting Between Minds and Hands: Art Criticism, Connoisseurship, and Artistic Sodality in Early Modern Italy Colin Alexander Murray Doctor of Philosophy Department of Art University of Toronto 2016 Abstract The intention of this dissertation is to open up collaborative pictures to meaningful analysis by accessing the perspectives of early modern viewers. The Italian primary sources from the fifteenth to the seventeenth centuries yield a surprising amount of material indicating both common and changing habits of thought when viewers looked at multiple authorial hands working on an artistic project. It will be argued in the course of this dissertation that critics of the seventeenth century were particularly attentive to the practical conditions of collaboration as the embodiment of theory. At the heart of this broad discourse was a trope extolling painters for working with what appeared to be one hand, a figurative and adaptable expression combining the notion of the united corpo and the manifold meanings of the artist’s mano. Hardly insistent on uniformity or anonymity, writers generally believed that collaboration actualized the ideals of a range of social, cultural, theoretical, and cosmological models in which variously formed types of unity were thought to be fostered by the mutual support of the artists’ minds or souls. Further theories arose in response to Giovanni Paolo Lomazzo’s hypothesis in 1590 that the greatest painting would combine the most highly regarded old masters, each contributing their particular talents towards the whole.
    [Show full text]
  • HLB 25 2 BOOK.Indb
    Literary works of Harry Levin’s youth: The making of a major-minor modernist The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Dunaway, David King, and Stephanie Spong. 2016. Literary works of Harry Levin’s youth: The making of a major-minor modernist. Harvard Library Bulletin 25 (2), Summer 2014: 37-61. Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37363347 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Literary Works of Harry Levin’s Youth: Te Making of a Major-Minor Modernist Stephanie Spong and David King Dunaway arry Tuchman Levin (1912–1994) was an author, critic, and formative literary infuence in the twentieth century. Troughout his career, HLevin was admired by other writers and critics.1 In 1947 Richard Watts called Levin simply “one of our wisest and most interesting authorities on Joyce.” 2 More recently, in 2000, Morton Levitt considered Levin “a critic who knows too much and sees too broadly to specialize and who has too much respect for literary history to simply forget the past.” 3 Levin spent most of his academic career at Harvard: AB, MA, PhD; assistant, associate, and professor, as well as chair of the Departments of English and Comparative Literature. Tis capacious mind grew out of an earlier history of late-night reading sessions, fedgling literary journals, and an early dedication to the life of a poet-critic.
    [Show full text]