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Departmental Options for Creative Cloud Always Have Access to the Latest Adobe Creative Apps
Departmental Options for Creative Cloud Always have access to the latest Adobe creative apps. Creative Cloud‡ Creative Cloud for education, What it’s used for for education, named-user device license license Edit and composite images, use 3D tools, edit Adobe Photoshop CC video, and perform advanced image analysis •• Create vector-based graphics for print, web, Adobe Illustrator CC video, and mobile •• Design professional layouts for print and Adobe InDesign CC digital publishing •• Browse, organize, and search your photos Adobe Bridge CC and design files in one central place •• Design tools Collaborate in editorial workflows with this solution Adobe InCopy CC that tightly integrates with InDesign •• Create, protect, sign, collaborate on, and print Adobe Acrobat Pro DC PDF documents and forms •• Adobe Photoshop Lightroom CC Organize, edit, and publish digital photographs •• Design, develop, and maintain standards-based Adobe Dreamweaver CC websites and applications •• Create rich interactive content across varied Adobe Animate CC platforms and devices •• Adobe Flash Builder Build exceptional applications for iOS, Android, 4.7 Premium and BlackBerry devices using a single codebase •• Web tools Web Adobe Fireworks CS6 Rapidly create graphics for websites and apps •• Adobe Experience Design CC Design and prototype websites and mobile apps (Preview) •• Edit video with high-performance, industry- Adobe Premiere Pro CC leading tools •• Create industry-standard motion graphics Adobe After Effects CC and visual effects •• Create, edit, and enhance -
Adobe Trademark Database for General Distribution
Adobe Trademark List for General Distribution As of May 17, 2021 Please refer to the Permissions and trademark guidelines on our company web site and to the publication Adobe Trademark Guidelines for third parties who license, use or refer to Adobe trademarks for specific information on proper trademark usage. Along with this database (and future updates), they are available from our company web site at: https://www.adobe.com/legal/permissions/trademarks.html Unless you are licensed by Adobe under a specific licensing program agreement or equivalent authorization, use of Adobe logos, such as the Adobe corporate logo or an Adobe product logo, is not allowed. You may qualify for use of certain logos under the programs offered through Partnering with Adobe. Please contact your Adobe representative for applicable guidelines, or learn more about logo usage on our website: https://www.adobe.com/legal/permissions.html Referring to Adobe products Use the full name of the product at its first and most prominent mention (for example, “Adobe Photoshop” in first reference, not “Photoshop”). See the “Preferred use” column below to see how each product should be referenced. Unless specifically noted, abbreviations and acronyms should not be used to refer to Adobe products or trademarks. Attribution statements Marking trademarks with ® or TM symbols is not required, but please include an attribution statement, which may appear in small, but still legible, print, when using any Adobe trademarks in any published materials—typically with other legal lines such as a copyright notice at the end of a document, on the copyright page of a book or manual, or on the legal information page of a website. -
Adobe Creative Cloud Licensing Overview Flexible Licensing Options for Primary and Secondary Schools and Districts
K–12 Licensing Overview Adobe Creative Cloud licensing overview Flexible licensing options for primary and secondary schools and districts Bring Adobe Creative Cloud to your school or district with affordable, easy- to-manage licensing options available through the Adobe Value Incentive Plan (VIP). You’ll enhance teaching and learning while helping students develop essential digital skills for college and career success. Site license benefits: • Universal access—Give your students, teachers, and staff access to the latest industry-leading creative software so they can design, share, and publish compelling content across all media and devices. • Budget predictability—A low-cost, flat-fee, single-license purchase with one annual or multiyear contract for school-owned or leased computers, with the option to cover more at or after the time of purchase. • Flexible deployment and management—Designed for an individual school or district, licensing options offer a web-based Admin Console that makes it easy to centrally manage and deploy licenses. • Classroom and home use—Schools have the flexibility to use licenses for in-classroom deployment, including BYOD environments, or at home on teacher-owned machines. • Free instructional resources—Your educators can access the Adobe Education Exchange for free professional development, teaching resources, and peer-to-peer collaboration to help them get up to speed on Creative Cloud apps and ignite creativity in the classroom. Licensing for your entire school or district: Creative Cloud for education Site license • Device licenses for each computer, rather than each user, with rights Reference the Adobe Creative Cloud to install on one computer per license for education K–12 Site License • Complete set of Creative Cloud desktop applications (services not included) • Scalable software deployment for a single school site FAQ and VIP Program Guide • Minimum purchase of 100 licenses for additional information. -
After the Shooting Period the Editor Made a First Rough Cut of the Movie on His Own Only Guided by the Script and Some General Discussions with the Directors
After the shooting period the editor made a first rough cut of the movie on his own only guided by the script and some general discussions with the directors. This first rough cut was 2 hrs 40 min long. (the final film is near to an hour shorter) Below follows the director’s reactions to the first rough cut London/Amsterdam 22 april 2015 Ok Antonio below some notes please take them as a guidance not as a verdict, use them, abuse them and let them broaden your thinking instead of limiting the possibilities. Sc 1/2 – opening scenes The original plan was to not see Arthur and Vida together until they emerge on the rooftop sc 4 where they’re still partially disguised in their weird outfits. The underlying thought was that they were still hiding their souls towards each other and the audience’s journey was piggy bagging on their journey. The rave material does not support the above thought. We see them –I think—quite clearly and very often together. We should investigate your suggestion to ‘mix’ the intro shots of awakening London, the pigeons, the skin details and the rave, while hearing the voice-overs apres l’amour. The script –at the moment—does not challenge time concept, all is linear, but that shouldn’t stop us from trying. Sc 4 – Rooftop The intention is to capture that short moment in love where you don’t want to see each others demons yet, where the adrenaline rush of believing love is possible still rules. Goofing is the expression of that belief. -
Adobe Creative Cloud for Enterprise Overview
Requires Services New CS6 Since Creative Cloud for enterprise App Single Always have access to the latest Adobe creative apps, services, IT tools and enterprise support Apps All Apps, Services, and Features What it’s used for Adobe Photoshop Edit and composite images, use 3D tools, edit video, and perform advanced image analysis. • • Adobe Illustrator Create vector-based graphics for print, web, video, and mobile. • • Adobe InDesign Design professional layouts for print and digital publishing. • • Adobe Bridge Browse, organize and search your photos and design files in one central place. Design • Adobe Acrobat Pro Create, protect, sign, collaborate on, and print PDF documents. • Adobe Dreamweaver Design, develop, and maintain standards-based websites and applications. • • Web Adobe Animate Create interactive animations for multiple platforms. • • • Adobe Premiere Pro Edit video with high-performance, industry-leading editing suite. • • Adobe After Effects Create industry-standard motion graphics and visual effects. • • Adobe Audition Create, edit, and enhance audio for broadcast, video, and film. • • Adobe Prelude Streamline the import and logging of video, from any video format. • • • Video and audio and Video Adobe Media Encoder Automate the process of encoding video and audio to virtually any video or device format. • Exclusive Creative Cloud Apps (not available in Adobe Creative Suite) Adobe XD Design and prototype user experiences for websites, mobile apps and more. • • • • Adobe Dimension Composite high-quality, photorealistic images with 2D and 3D assets. • • • • Adobe Character Animator Animate your 2D characters in real time. • • Adobe InCopy Professional writing and editing solution that tightly integrates with Adobe InDesign. • • Adobe Lightroom Classic Organize, edit, and publish digital photographs. -
Adobe Apps for Education Images and Pictures
Adobe Images and pictures › Figures and illustrations › Documents › Apps for Education Empowering students, educators, Portfolios and presentations › Productivity and collaboration › Apps › and administrators to express their creativity. Websites › Video and audio › Games › See page 11 for a glossary of Adobe apps. Adobe Apps for Education Images and pictures Images and pictures › Sample project Create Beginner Retouch photos on the fly Portfolio and presentations › Create an expressive drawing Websites › Make quick enhancements to photos Figures and illustrations › Learn five simple ways to enhance a photo Productivity and collaboration › Make a photo slide show Video and audio › Intermediate Make non-destructive edits in Camera Raw Edit and combine images to make creative compositions Documents › Shoot and edit a professional headshot Apps › Comp, preview, and build a mobile app design Games › Expert Create a 3D composition Adobe Apps for Education Portfolio and presentations Images and pictures › Sample project Create Beginner Convert a PowerPoint presentation into an interactive online presentation Portfolio and presentations › Create an oral history presentation Websites › Create a digital science fair report Figures and illustrations › Productivity and collaboration › Create a digital portfolio of course work Video and audio › Intermediate Create a self-paced interactive tutorial Documents › Create a slide presentation Apps › Expert Turn a publication into an ePub Games › Adobe Apps for Education Websites Images and pictures › Sample -
Editing 2: Final Cut Pro X Basics
Editing 2: Final Cut Pro X Basics Battle Creek Area Community Television 70 West Michigan Ave., Suite 112 • Battle Creek, MI 49017 • (269) 968-3633 • www.accessvision.tv What is editing? Editing is the post-production process, or anything that you do to a video after recording. Raw pieces are assembled into a coherent whole, by arranging them into a context that tells a story. Editing is referred to as the “invisible art”, because when it is done well, the viewer can become so engaged that they’re not even aware of the editor’s work. What can you do in the process of editing? The majority of editing work consists of trimming clips to remove unwanted sections and arranging the order of scenes. You can also remove/add sound, add narration and music and change the volume and sound mix. You can swap audio for video, apply special effects, add transitions between clips and add titles. Digital or “non-linear” editing is non-destructive; edits are easy to revise and you can assemble a program out of order. What CAN’T you do in the process of editing? No amount of editing can make bad footage good. Blurry or under-/over-exposed video and audio that is poorly-recorded cannot be fixed. Process Overview and Terms Final Cut Pro X is Apple’s professional non-linear editor. The editing workflow usually consists of these steps: 1. Collect source material: Import media (raw footage and any other source files) into Final Cut. 2. Organize media: Rename, tag and trim clips in preparation for editing into project. -
Adobe Prelude
ADOBE PRELUDE Junio de 2016 Contenido Novedades 1 Resumen de las nuevas funciones 2 Espacio y flujo de trabajo 5 Vincular guiones de Adobe Story con clips de película en Prelude 6 Espacio de trabajo de Prelude 9 Panel y plantillas de etiquetas 17 Importación de archivos multimedia 20 Ingesta de clips multimedia con Adobe Prelude 21 Registrar clips de película 27 Registrar clips de película 28 Montajes iniciales 34 Montajes iniciales 35 Montaje inicial y Edit Anywhere (EA) 40 Configuración de preferencias 42 Configuración de las preferencias de Prelude 43 Métodos abreviados de teclado 48 Métodos abreviados de teclado 49 Novedades 1 Resumen de las nuevas funciones Versiones 2015 de Adobe Prelude CC (noviembre de 2015, marzo de 2016 y junio de 2016) Siga leyendo para obtener información detallada sobre las nuevas funciones y mejoras de la versión 2015.4 de Prelude CC. La versión 2015.4 de Prelude CC (junio de 2016) proporciona un rendimiento optimizado de AVC LongG y opciones de filtrado para el panel Eventos. Novedades y cambios Adobe Prelude CC 2015.4 | Junio Mejora del rendimiento de AVC LongG Opciones de filtrado para el panel Eventos Adobe Prelude CC 2015.3 | Marzo Asignación de canales de audio Adobe Prelude CC 2015 | Noviembre Exportación de marcadores en archivos de texto Compatibilidad con el formato HEVC Adobe Prelude CC 2015 | Junio Voz en off en montajes iniciales Nueva API para ingestar medios Ir al principio Adobe Prelude CC 2015.4 | Junio Mejora del rendimiento de AVC LongG Novedades de Adobe Prelude CC 2015.4 | Junio de 2016 Esta versión de Adobe Prelude optimiza el rendimiento del formato AVC LongG en los flujos de trabajo siguientes: Ingesta de medios Reproducción más suave Flujo de trabajo de registro mejorado Nota: Esta mejora también afecta a otros flujos de trabajo. -
Adobe Prelude
ADOBE PRELUDE Июнь 2016 г. Содержание Новые возможности 1 Обзор новых возможностей 2 Рабочая среда и рабочий процесс 5 Привязка сценариев Adobe Story к клипам в Prelude 6 Рабочая среда Prelude 9 Панель тегов и шаблоны тегов 17 Импорт медиаданных 20 Процедура вставки медиаклипов в Adobe Prelude 21 Журнал событий клипов 27 Журнал событий клипов 28 Черновой монтаж 34 Черновой монтаж 35 Черновой монтаж и Edit Anywhere (EA) 40 Настройка установок 42 Настройка установок Prelude 43 Сочетания клавиш 48 Сочетания клавиш 49 Новые возможности 1 Обзор новых возможностей Выпуски Adobe Prelude CC 2015 (ноябрь 2015 г., март 2016 г. и июнь 2016 г.) Ознакомьтесь с подробными сведениями о новых функциях и усовершенствованиями в выпуске Prelude CC 2015.4. В выпуске Prelude СС 2015.4 (июнь 2016 г.) оптимизирована производительность AVC LongG и добавлены параметры фильтрации панели событий. Новые возможности и изменения Adobe Prelude CC 2015.4 | Июнь Улучшение производительности AVC LongG Параметры фильтрации панели событий Adobe Prelude CC 2015.3 | Март Возможность отображения аудиоканалов Adobe Prelude CC 2015 | Ноябрь Экспорт маркеров в текстовый файл Поддержка формата HEVC Adobe Prelude CC 2015 | Июнь Закадровый голос в черновых монтажах Новый API-интерфейс для вставки медиаданных Наверх Adobe Prelude CC 2015.4 | Июнь Улучшение производительности AVC LongG Новые возможности в выпуске Adobe Prelude CC 2015.4 | Июнь 2016 г. Этот выпуск Adobe Prelude обеспечивает оптимизацию производительности AVC LongG в следующих процессах: Вставка медиафайла Улучшенная плавность воспроизведения Улучшенный процесс регистрации Примечание. Это улучшение также распространяется на ряд других процессов различного назначения. Параметры фильтрации панели событий Новые возможности в выпуске Adobe Prelude CC 2015.4 | Июнь 2016 г. -
Videographic Scholarship And/As Digital Humanities
Videographic Scholarship and/as Digital Humanities Steve F. Anderson For cinema and media studies scholars, the emergence of two areas of scholarly practice—namely videographic scholarship and the Digital Humanities (DH)—has created opportunities for new forms of argumentation, analysis and research, as well as new venues for the dissemination of scholarly output related to the study of the moving image. While videographic scholarship and DH overlap in many ways, they also remain distinct, with few scholar-practitioners actively working in both realms. How can we understand this separation and begin to imagine a more productive relationship between them? Key to our understanding of both videographic scholarship and DH is the ongoing cultural contestation between images and data, bearing important implications for the ways each practice stakes claims about its access to new ways of knowing, researching and presenting information. I explore here some of those distinctions and overlaps, and suggest that the primarily image-based practice of videographic scholarship would benefit from adapting a process of serial review and revision derived from early experiments with data-based digital scholarship. Adapting these protocols to the specific needs of videographic scholarship would better support the scholarly benefits of process, evaluation and collaboration. The center of gravity in today’s understanding of DH lies with large-scale, computational analysis of machine-readable data (think of text-encoding initiatives in which vast collections of literary works are converted into searchable data). The “digital” in this understanding of DH offers one way 2 to bring computation into partnership with humanistic inquiry. However, this is not the only possible framework for recognizing the potential contributions of computation to the humanities. -
Adobe Premiere Pro CS6 What's
Adobe Premiere Pro CS6 What’s New Adobe® Premiere® Pro CS6 Edit your way Edit professional productions with greater speed and precision in Adobe Premiere Pro CS6, the industry-leading cross-platform video editing software that comes with Adobe Encore® CS6 and Adobe Media Encoder CS6 software. Redesigned by and for editors, Adobe Premiere Pro CS6 software combines blazing performance with a sleek, highly intuitive and customizable user interface that lets you work the way you want to. Dynamic timeline trimming, Warp Stabilizer for smoothing uneven footage, Rolling Shutter Repair to correct wobble and skew, the revamped Three-Way Color Corrector effect, expanded multicam support, and a host of other powerful new features and enhancements simplify the editing workflow and help you meet the most challenging production deadlines. Get even more stunning performance from the Adobe Mercury Playback Engine with new support for OpenCL-based AMD GPUs on certain MacBook Pro computers and NVIDIA Maximus™ dual GPU- configurations. Open projects faster, scrub through HD and higher resolution footage more fluidly, and play back complex long-format and effects-heavy projects more reliably. In addition, the new GPU- Everything you need, accelerated uninterrupted playback feature lets you edit, trim, or adjust effects and correct color during everywhere you work playback, all in real time. Buy Adobe Premiere Pro CS6 as Work with multiple streams of content from virtually any source—from the latest mobile phones to 5K a standalone desktop application RAW footage. This release includes new native support for RED SCARLET-X, RED EPIC, and ARRI Alexa or as part of an Adobe Creative Cloud™ membership. -
Adobe Creative Cloud Licensing Overview
K–12 Licensing Overview Adobe Creative Cloud licensing overview Flexible licensing options for primary and secondary schools and districts. Bring Adobe Creative Cloud to your school or district with affordable, easy-to-manage licensing options available through the Adobe Value Incentive Plan (VIP). You’ll enhance teaching and learning while helping students develop essential digital skills for college and career success. Benefits include: Universal access for all ages Give your students, teachers, and staff access to the latest industry-leading creative software so they can design, share, and publish compelling content across all media and devices. And now, students under the age of 13 can have their own Creative Cloud accounts provided that your school deploys in accordance with COPPA and other legislation. Budget predictability A low-cost, flat-fee, single-license purchase with one annual or multiyear contract for devices owned or leased by the school, and users attending or working for the school. Flexible deployment and management Designed for an individual school or district, licensing options include a web-based Admin Console that makes it easy to centrally manage and deploy licenses. Lab, classroom, and home use Schools can use shared device licenses to allow anyone to access Creative Cloud apps on a given device in the lab or classroom. Shared device licenses also allow those with their own paid subscriptions to log into entitled machines and access their profiles and saved work. With named-user licenses, schools can give a student or teacher access to Creative Cloud on any device they use, including personal devices at home.