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Ethics in Photojournalism: Past, Present, and Future
Ethics in Photojournalism: Past, Present, and Future By Daniel R. Bersak S.B. Comparative Media Studies & Electrical Engineering/Computer Science Massachusetts Institute of Technology, 2003 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY SEPTEMBER, 2006 Copyright 2006 Daniel R. Bersak, All Rights Reserved The author hereby grants to MIT permission to reproduce and distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _____________________________________________________ Department of Comparative Media Studies, August 11, 2006 Certified By: ___________________________________________________________ Edward Barrett Senior Lecturer, Department of Writing Thesis Supervisor Accepted By: __________________________________________________________ William Uricchio Professor of Comparative Media Studies Director Ethics In Photojournalism: Past, Present, and Future By Daniel R. Bersak Submitted to the Department of Comparative Media Studies, School of Humanities, Arts, and Social Sciences on August 11, 2006, in partial fulfillment of the requirements for the degree of Master of Science in Comparative Media Studies Abstract Like writers and editors, photojournalists are held to a standard of ethics. Each publication has a set of rules, sometimes written, sometimes unwritten, that governs what that publication considers to be a truthful and faithful representation of images to the public. These rules cover a wide range of topics such as how a photographer should act while taking pictures, what he or she can and can’t photograph, and whether and how an image can be altered in the darkroom or on the computer. -
Film Camera That Is Recommended by Photographers
Film Camera That Is Recommended By Photographers Filibusterous and natural-born Ollie fences while sputtering Mic homes her inspirers deformedly and flume anteriorly. Unexpurgated and untilled Ulysses rejigs his cannonball shaming whittles evenings. Karel lords self-confidently. Gear for you need repairing and that film camera is photographers use our links or a quest for themselves in even with Film still recommend anker as selections and by almost immediately if you. Want to simulate sunrise or sponsored content like walking into a punch in active facebook through any idea to that camera directly to use film? This error could family be caused by uploads being disabled within your php. If your phone cameras take away in film photographers. Informational statements regarding terms of film camera that is recommended by photographers? These things from the cost of equipment, recommend anker as true software gizmos are. For the size of film for street photography life is a mobile photography again later models are the film camera that is photographers stick to. Bag check fees can add staff quickly through long international flights, and the trek on entire body from carrying around heavy gear could make some break down trip. Depending on your goals, this concern make digitizing your analog shots and submitting them my stock photography worthwhile. If array passed by making instant film? Squashing ever more pixels on end a sensor makes for technical problems and, in come case, it may not finally the point. This sounds of the rolls royce of london in a film camera that is by a wide range not make photographs around food, you agree to. -
Photography Days at IWM Duxford
Wednesday 18 May 2016 Photography Days at IWM Duxford On Wednesday 25 May, Sunday 26 June and Saturday 13 August, budding photographers can improve their camera skills by capturing superb historic aircraft at IWM Duxford’s Photography Days. The days are specially designed for entry-level photographers, but will also cater for enthusiasts wishing to improve their skills. The purpose of these sessions is to encourage photographers to move away from the auto mode on their cameras and learn to use basic manual operations. Aviation Photography Days are themed to reflect IWM Duxford’s 2016 air shows: Wednesday 25 May – American Classic Aviation Photography Day Sunday 26 June – Vintage British Aviation Photography Day Saturday 13 August – RAF Second World War Photography Day The Photography Days are led by internationally-published professional aviation photographer Darren Harbar, whose photography is featured in national and international magazines. Each Photography Day will start with a practical exercise using an indoor subject, designed to teach photographers how to best capture aircraft in a museum. During the afternoon, the Photography Day will focus on portrait photography in an outdoor setting using historic aircraft and a model dressed in period clothing. The Photography Days will conclude with an opportunity to photograph a flying aircraft. Darren Harbar, professional photographer and instructor says: “I've run several aviation photography workshops now, and my clients have found the content to be both informative and easy to learn. They are the perfect way to get more from a DSLR camera at an air show.” – Ends – For further press information please contact: Rachel McClure 01223 499 373 [email protected] Notes to Editors All workshop places can be booked online at http://www.iwm.org.uk/events/iwm- duxford/photography-days. -
These Works Reflect on the Stock Photography Company Getty's Dominance in the Market, Capitalization, and Control of Images On
PRESS RELEASE Berlin, September 10, 2019. Property Artwork by Paolo Cirio. These works reflect on the stock photography company Getty’s dominance in the market, capitalization, and control of images on the Internet. The series adopts the semantics of appropriation art through transforming images into compositions of colored shapes and texts, which overlay with the prints of the original photos appropriated from Getty’s websites. Property examines images as a form of capital accumulation, bound by intellectual property laws, trade agreements, legal contracts, and litigations. Getty aggregates images from public archives, agencies, and photographers; then it repackages them with legal terms to exclusively license and sell millions of photos. Images become an asset and a revenue stream, with Getty Inc becoming a monopoly and a gatekeeper of photos (see gettyimages.com, photos.com, images.com, etc). To dominate the economy of images at a time in which the Internet allows easy reproduction and sharing, Getty Images Inc aggressively controls and polices the use of photos through extensive legal threats and litigations. While limiting access, Getty Images Inc, acquires archives and collections by any means and strikes agreements with search engines and publishers to lure viewers to their sites. These often deceptive and aggressive business practices are necessary for Getty to gain control over the market of photos. With the series Property, White House, Cirio found historical photographs of U.S. presidents in the public domain that Getty Images Inc. licenses and sells on their platform. This series questions the use, trading, and ownership of photo archives through utilizing direct evidence of Getty’s deceptive marketing of public domain images. -
The Stock Photography As a Part of Cultural and Creative Industries of the Digital Age
THE STOCK PHOTOGRAPHY AS A PART OF CULTURAL AND CREATIVE INDUSTRIES OF THE DIGITAL AGE Zorislav KALAZIĆ , M.Sc. Ph.D.Student, Faculty of Economics in Osijek, Croatia [email protected] Jasna HORVAT , Ph.D. Faculty of Economics in Osijek, Croatia [email protected] Josipa MIJOČ , Ph.D. Faculty of Economics in Osijek, Croatia [email protected] Abstract Photography of the digital age has lost the properties of a physically tangible product and has become intellectual property. Simultaneously with this process, the process of transition of photography into a mass-produced good has taken place. Market demands towards photography as a product of mass consumption often reduce the aesthetic and artistic standards that have been set by its develop- ment period in the process of photography coming to life as a medium. Despite the negative eff ects that accompany the transition of photography in its process of transformation into a mass-produced good, even such photographic “products” are able to encourage to a particular activity and ultimately generate revenue for numerous industries standing in the background of the “photography-product”. Production and distribution of stock photographs 1 is one of the derivates of the 1 Stock photography derives from the word „stock“ and implies the sale/rent of an already existing pho- tograph, which was not taken according to the customer’s order. On the other hand, the use of stock INTERDISCIPLINARY MANAGEMENT RESEARCH XI 189 digital age in which business in the domain of production of photographs is ex- panded to their distribution to users of websites and/or digital communication channels. -
Getting Started in Stock Photography
A Quick Guide To Getting Started In Stock Photography A Special Report By From Matt Brading CEO/Founder OzImages International Pty Ltd Stock Library & Freelance Photographer Search This is a free ebook! You are encouraged to give it away or sell it in any way you see fit but you may not change any of the contents in any way. This ebook is copyright protected. The ebook is Copyright © Matt Brading. This ebook is supplied for information purposes only and the material herein does not constitute professional advice. This ebook is designed to provide accurate and authoritative information with regard to the subject matter covered. It is distributed with the understanding that the publisher and the contributors are not engaged in rendering legal, accounting, or other professional advice. If legal advice or other professional assistance is required, the services of a competent professional should be sought. The reader is advised to consult with an appropriately qualified professional before making any business decision. Matt Brading and any additional contributors do not accept any responsibility for any liabilities resulting from the business decisions made by purchasers of this book. *EARNINGS DISCLAIMER: Results are not typical. Your results may vary. We make no claim whatsoever that you will earn any income using this ebook or any strategies or techniques outlined within. Where specific figures are quoted from individuals, they are simply examples of what is possible and there is no assurance you will do as well. Introduction: Thanks for downloading this report. I'll keep it short-and-sweet because all the best photographers I've encountered over the years are always extremely busy and they just aren't interested in 'fluff' . -
Digital Photography II (Elective)
Course Scope & Sequence TCH032: Digital Photography II (Elective) Course Overview | Course Length | Materials | Prerequisites | Course Outline COURSE OVERVIEW In today’s world, photographs are all around us, including in advertisements, on websites, and on the wall as art. Many of the images have been created by professional photographers. In this course, students learn about various aspects of professional photography, including the ethics of the profession, and examine some of the areas that professional photographers may choose to specialize in, such as wedding photography and product photography. Students also learn about some of the most respected professional photographers in history and how to critique photographs to better understand what creates an eye-catching photograph. COURSE LENGTH One semester MATERIALS Digital camera (not supplied) A cell phone camera will not fulfill the requirement for this course. NOTE: List subject to change PREREQUISITES None COURSE OUTLINE Unit 1: Photography as a Career Unit 2: Legal and Ethical Concerns Unit 3: Photographers and Critiques Unit 4: Photography Software Digital Photography II Midterm Exam Unit 5: The Darkroom Unit 6: Art, Product, and Stock Photography Unit 7: Photojournalism Unit 8: Wedding Photography Page 1 of 2 © 2014 K12 Inc. All rights reserved. K¹² is a registered trademark of K12 Inc. The K¹² logo and other marks referenced herein are trademarks of K12 Inc. and its subsidiaries, and other marks are owned by third parties. Course Scope & Sequence Digital Photography II Final Exam COURSE OBJECTIVES Discuss professional photography and what this career is like. Discuss the different types of professional photography. Examine some of the steps to becoming a professional photographer. -
Civil War Photography and Its Impact from 1863-1993
DOCUMENT RESUME ED 370 593 IR 055 046 AUTHOR Seels, Jody M.; Seels, Barbara A. TITLE Civil War Photography and Its Impact from 1863-1993. PUB DATE 93 NOTE 11p.; In: Visual Literacy in the Digital Age: Selected Readings from the Annual Conference of the International Visual Literacy Association (25th, Rochester, New York, October 13-17, 1993); see IR 055 055. PUB TYPE Historical Materials (060) Speeches/Conference Papers (150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Civil War (United States); Editing; Photographic Equipment; *Photographs; Photography; *Photojournalism; *Reprography; *Technological Advancement; *United States History IDENTIFIERS *Digitizing ABSTRACT The United States Civil War was the first American war to be documented extensively by photographs, and these photographs have had tremendous impact and importance. During thewar and immediately following, the cost and difficulty of reproducing photographs limited their appeal. Economic pressures actually caused Matthew Brady, the most famous photographer of the Civil War, to sell his collection to the War Department. The invention of the half-tone process, which enabled mass reproduction of photographs, renewed public interest in photography and gave historians readyaccess to photographic materials. As Civil War survivors died, photographs became vital records of detail and lent a feeling of timelessnessto the works they illustrated. The ease with which photographsmay now be edited through digitized methods means that it is increasingly important to establish the history -
Creative Commons and Stock Photography
Finding Quality, Free Imagery Online Creative Commons and Public Domain* Flickr Wikimedia Museums High-quality images. Use Commons Public Domain Creative Commons images and The Commons images for Images, video, audio of Use of collection images Public Domain content from varying quality. Easy from The Met, New York museums and libraries attribution generator Public Library, Rijksmuseum around the world. *To filter for Creative Commons content on Google: Enter Google search term >Click Images >Click Tools >Click on Usage Rights Free Stock Photography *Pexels Pixabay Kaboompics Creative Commons Zero Free but with some Photos, vector graphics, (CC0) license. This means stipulations: "Please do not and art illustrations the pictures are completely publish any photos from free to be used for any Kaboompics on your own website with free images legal purpose. without my permission." * Top Pick *Negative Publicdomain Max pictures.net Space Free but with added stipulations: Pixel "Pictures featuring products should Advanced filters allow you to CC0 license. Also includes be used with care . Be aware search by color, size, easy search and that some photos do require a category. Link referral required navigation. model or property release" on some pictures. "All works published in the United States before 1923 are in the public domain. Works published after 1922, but before 1978 are protected for 95 years from the date of publication. If the work was created, but not published, before 1978, the copyright lasts for the life of the author plus 70 years." --Source: fairuse.stanford.edu/overview/faqs/copyright-basics/ MuseWeb Foundation | museweb.us | #bHereMainSt. -
Digital Photography II: Discovering Your Creative Potential
Course Syllabus Digital Photography II: Discovering Your Creative Potential Course Description In today’s world, photographs are all around us, including in advertisements, on websites, and hung on our walls as art. Many of the images that we see have been created by professional photographers. In this course, we will examine various aspects of professional photography, including the ethics of the profession, and examine some of the areas that professional photographers may choose to specialize in, such as wedding photography and product photography. We will also learn more about some of the most respected professional photographers in history and we will learn how to critique photographs in order to better understand what creates an eye catching photograph. Required Materials • A digital camera or camera phone Table of Contents Unit 1: Photography as a Career . 3 Unit 2: Legal and Ethical Concerns . 4 . Unit 3: Photographers and Critiques . 5 Unit 4: Photography Software . .6 . Midterm Exam . 7 Unit 5: The Darkroom . .8 . Unit 6: Art, Product and Stock Photography . 9 Unit 7: Photojournalism . .10 . Unit 8: Wedding Photography . 11. Final Exam . .12 © eDynamic Learning | All Rights Reserved 2 Unit 1: Photography as a Career Unit Summary In this unit, we will examine photography as a career. Taking photographs is a favorite hobby for many people, but some individuals choose to make a career out of taking photographs of people, places, and objects. Individuals who are thinking about a career as a professional photographer should keep in mind that the field offers both benefits and challenges. We will discuss what professional photographers do, the types of professional photographers, and the steps that many professional photographers take in reaching their goal of a career in photography. -
Step-By-Step Guide: How to Become a Photographer
Step-by-step Guide: How to Become a Photographer jotform.com/photography/ How to Become a Photographer, Try JotForm for FREE! 2 Introduction 4 How to know if photography is right for you 5 Knowing yourself 5 Choose photography because you love it 7 Becoming a professional photographer 8 Practice makes perfect 9 Education can take you to the next level 11 Formal photography education 13 Rule of thirds 15 Getting feedback makes you better 16 Learn how to self-edit — and self-criticize 17 Deciding on your educational path 19 Finding the right equipment and tools 20 Choosing a camera 21 Which camera type is the best for you? 22 Use some of these popular online photography tools 22 Finding the right laptop 22 Lenses, tripods, and lights — oh my! 24 Mastering photo editing 25 Setting up your photography business: Where to start 28 Popular types of photography 29 How to make money with photography 29 What’s the best drone for photography? 30 Promoting your photography 31 Self-promote with some business cards 32 Setting up a portfolio and website 32 Spread the word on social media 33 Network in the photography world 35 Optimizing your business — and making more profit 37 How can JotForm help you optimize? 38 Saving time and money with JotForm 39 Common photography forms 40 Customer feedback can go a long way 41 How to Become a Photographer, Try JotForm for FREE! 3 Introduction “My life is shaped by the urgent need to wander and observe — and my camera is my passport,” says famous American photographer Steve McCurry. -
Instructional Program Review Spring 2014
Laney College Photography Department Instructional Program Review Spring 2014 Peralta Community College District Core Data Elements See Attachment A The Instructional (Academic Affairs) Program Review Narrative Report 1. College: Laney College Discipline, Department or Program: Photography Date: March, 2014 Members of the Instructional Program Review Team: Steve Lomba and Diane Rosenblum, with assistance from Franklin Avery, Black Moon, Joan Bobkoff, Dean Freeman, Mike Mejia and Mike Moya, under the direction of Matthews Jackson and Felix Robles. 2. Narrative Description of the Discipline, Department or Program: I. Industry overview: Photography is a nineteenth century medium playing an increasingly central role in twenty first century culture. What was a slow, intensely technical and laborious process a century ago is now readily available in a smart phone. According to businessinsider.com, Facebook users are uploading 350 million photographs a day. The photographic image is overtaking the written word as the medium through which we comprehend the world. To understand the aesthetics of photography is to understand how meaning is communicated in our society. For the professional commercial photographer or artist, a deep grounding in the history, theory and techniques of photography are essential as well for a viable career. The photographic industry has undergone great change since the Laney photography department was founded just after World War Two, and especially since the current facility was constructed in 1968. In addition to the explosion of general interest in photography, the move to digital technologies has changed how photographs are taken, processed and presented. The field of fine art photography has grown from a few specialized galleries and museum collections in the 1970s into a large, vibrant market with many galleries, collectors, fairs, and lively museum programs.