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Outlaws & Armadillos: Country's
® COUNTRY MUSIC HALL OF FAME AND MUSEUM ANNOUNCES NEXT MAJOR EXHIBITION: OUTLAWS & ARMADILLOS: COUNTRY’S ROARING ’70s The work above is by artist and illustrator Jim Franklin, who created posters for Austin’s Armadillo World Headquarters. The Country Music Hall of Fame and Museum commissioned the work for its exhibit Outlaws & Armadillos. Nashville, Tenn. – Jan. 11, 2018 – Willie Nelson. Waylon Jennings. Kris Kristofferson. Jessi Colter. Bobby Bare. Jerry Jeff Walker. David Allan Coe. Cowboy Jack Clement. Tom T. Hall. Billy Joe Shaver. Guy Clark. Townes Van Zandt. Tompall Glaser. Today, all names synonymous with the word “outlaw,” but 40 years ago they started a musical revolution by creating music and a culture that shook the status quo on Music Row and cemented their place in country music history and beyond. The Country Music Hall of Fame® and Museum's upcoming major exhibition, Outlaws & Armadillos: Country’s Roaring ’70s, will explore this era of cultural and artistic exchange between Nashville, Tenn., and Austin, Texas, revealing untold stories and never-seen artifacts. The exhibition, which opens May 25 for a nearly three-year run, will explore the complicated, surprising relationship between the two cities. While the smooth Nashville Sound of the late 1950s and ’60s was commercially successful, some artists, such as Nelson and Jennings, found the Music Row recording model creatively stifling. By the early 1970s, those artists could envision a music industry in which they would write, sing and produce their own music. At the same time, Austin was gaining national attention as a thriving music center with a countercultural outlook. -
Willie Nelson
LESSON GUIDE • GRADES 3-6 TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 5: Literary Lyrics 17 Lyric Sheet: Daddy What If? 18 Lyric Sheet: Act Naturally 19 Complete Tennessee Standards 21 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time. -
Longhunter, Southern Kentucky Genealogical Society Newsletter Volume 20, Number 4 Kentucky Library Research Collections Western Kentucky University, [email protected]
Western Kentucky University TopSCHOLAR® Longhunter, Southern Kentucky Genealogical Kentucky Library - Serials Society Newsletter Fall 1997 Longhunter, Southern Kentucky Genealogical Society Newsletter Volume 20, Number 4 Kentucky Library Research Collections Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/longhunter_sokygsn Part of the Genealogy Commons, Public History Commons, and the United States History Commons Recommended Citation Kentucky Library Research Collections, "Longhunter, Southern Kentucky Genealogical Society Newsletter Volume 20, Number 4" (1997). Longhunter, Southern Kentucky Genealogical Society Newsletter. Paper 129. https://digitalcommons.wku.edu/longhunter_sokygsn/129 This Newsletter is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Longhunter, Southern Kentucky Genealogical Society Newsletter by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. VOLUME XX - ISSUE 4 SOUTHERN KENTUCKY GENEALOGICAL SOCIETY P.o. Box 1782 Bowling Green, KY 42102 - 1782 1997 OFFICERS President Mark Lowe Springfield, TN ph. 800-556-4021 Vice President John E. Danielson, PO Box 1843 Bowling Green, KY 42102-1843 Recording Secretary Gail Miller, 425 Midcrest Dr. Bowling Green, KY 42101 ph. 502-781-1807 Corresponding Secretary Betty B. Lyne, 613 E. Ilth Ave. Bowling Green, KY 42101 ph. 502-843-9452 Treasurer Ramona Bobbitt. 2718 Smallhouse J<.d. Bowling Green, KY 42104 ph. 502-843-6918 Chaplain A. Ray Douglas, 439 Douglas Lane Bowling Green. KY 42101 ph. 502-842-7101 Longhunter Editors Sue and Dave Evans, 921 Meadowlark Dr. Bowling Green, KY 42103 ph. 502-842-2313 MEMBERS HlP Membership in the Southern Kentucky Genealogical Society is open to all persons, especially to those who are interested in research in Allen, Barren, Butler. -
Is Rock Music in Decline? a Business Perspective
Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse, -
SOUTH SEATTLE COMMUNITY COLLEGE Academic Programs
1 ______SOUTH SEATTLE COMMUNITY COLLEGE Academic Programs COURSE OUTLINE Revision: Diane Schmidt, April 2008 DEPARTMENT: Academic Programs CURRICULUM: Visual, Literary, and Performing Arts, Individuals & Societies, Integrated Studies COURSE TITLE: Rock Music II COURSE NUMBER: MUSC 117Z TYPE OF COURSE: Academic Transfer Special Requirement Met: Integrated Studies AREA(S) OF KNOWLEDGE: Music, Art & Drama and US Cultures COURSE LENGTH: 1 quarter CREDIT HOURS: 5 LECTURE HOURS: 55 LAB HOURS: 0 CLASS SIZE: 35 PREREQUISITES: None COURSE DESCRIPTION: Examines rock music as a musical, social, cultural, economic, and political force in the United States. Emphasizes the later decades of rock music development. No prerequisite. Fulfills the Integrated Studies requirement. 2 MUSC 117 Rock Music - II April 2008 STUDENT LEARNING OUTCOMES ADDRESSED: 1. Communications - To promote learning and clear communications with others, the student is expected to read all assigned work carefully and in its entirety. Fully understanding this material will allow the student to participate thoughtfully in group discussions as well as to write insightful papers and exams. Feedback from other students and the instructor will permit the student to assess and improve his reading and writing skills. Improving ones listening skills is another critical learning outcome emphasized in this music course. To this end, we will consider what to listen for in a piece of music by identifying important musical elements and practicing focused listening. 2. Human Relations - With the many group discussions and other interactions among students or between the student and instructor in this course, there will be many opportunities to be attentive to and respectful of a diversity of cultural influences and values. -
Rock Music Is a Genre of Popular Music That Entered the Mainstream in the 1950S
Rock music is a genre of popular music that entered the mainstream in the 1950s. It has its roots in 1940s and 1950s rock and roll, rhythm and blues, country music and also drew on folk music, jazz and classical music. The sound of rock often revolves around the electric guitar, a back beat laid down by a rhythm section of electric bass guitar, drums, and keyboard instruments such as Hammond organ, piano, or, since the 1970s, synthesizers. Along with the guitar or keyboards, saxophone and blues-style harmonica are sometimes used as soloing instruments. In its "purest form", it "has three chords, a strong, insistent back beat, and a catchy melody."[1] In the late 1960s and early 1970s, rock music developed different subgenres. When it was blended with folk music it created folk rock, with blues to create blues-rock and with jazz, to create jazz-rock fusion. In the 1970s, rock incorporated influences from soul, funk, and Latin music. Also in the 1970s, rock developed a number of subgenres, such as soft rock, glam rock, heavy metal, hard rock, progressive rock, and punk rock. Rock subgenres that emerged in the 1980s included new wave, hardcore punk and alternative rock. In the 1990s, rock subgenres included grunge, Britpop, indie rock, and nu metal. A group of musicians specializing in rock music is called a rock band or rock group. Many rock groups consist of an electric guitarist, lead singer, bass guitarist, and a drummer, forming a quartet. Some groups omit one or more of these roles or utilize a lead singer who plays an instrument while singing, sometimes forming a trio or duo; others include additional musicians such as one or two rhythm guitarists or a keyboardist. -
Biography: Waylon Jennings
BIOGRAPHY: WAYLON JENNINGS COUNTRY REBEL WITH A ROCK BEAT Along with Willie Nelson, Waylon Jennings is considered the most important creative force in country’s Outlaw movement. He brought a rebel spirit and a raw rock & roll beat to country, and he set an example for other artists to strive for the same musical freedom. Born in the tiny northwest Texas town of Littlefield on June 15, 1937, Jennings grew up in a musical home; both parents were talented guitarists. By the time he turned twelve, he was playing in a country band and working as a disc jockey at a local radio station. After dropping out of tenth grade, he moved to nearby Lubbock to be a musician, and in 1955, he became close friends blues, rock & roll, and country are just a beat with Buddy Holly, who was among the most apart,” he said. important early rock artists. Jennings’s career soared, and his popular albums Jennings joined Holly’s band as the bass player. showed off his songwriting skills. In 1976, he In 1959, he gave up his seat on the tour’s private appeared on Wanted! The Outlaws, an album that plane to take the tour bus instead. Shortly after also featured Willie Nelson, Tompall Glaser, and takeoff, the plane crashed and killed all on board, Jennings’s wife, Jessi Colter. The album became including Holly. In his grief, Jennings returned to the first in country music to sell more than one Lubbock to work as a disc jockey for a time before million copies, and it also launched Jennings and moving to Phoenix to restart his music career. -
Revolutionary Film to Be Shown Medieval Tale of Japan
THURSDAY, APRIL 29,1971 PAGE 8 UCSB D A ILY NEXUS and you send us tons the first side. “ Good Friend o f o f starches; Mary’s” and “He Loves Them” M ason Prof fit play country but when we ask for work, are in an easier vein and sound you cannot hire us very nice. The last cut is one o f the protest songs. With a By RICK DERAGON with “ heavy” lyrical content. The making too positive an A worthy enough message but chant/chorus o f ‘^everybody was The trend in today’s rock majority of the record’s songs impression. completely out of place in a wrong,” and words concerned music is that no trends exist. contain socio-political messages “ Movin’ Toward Happiness” foot-tapping, country music with war and ecology, the tune is Acid-rock, folk-rock, jazz rock of some sort — very unfitting for is clearly a well thought out mood. likewise un-country, sounding have all had their times, and the good-time sounding tunes in production. It is filled with These questionable lyrics are like a medium-heavy rock song indeed, some examples o f each which they occur. From “ Voice pleasant chord progressions, less conspicuous, though, when with a heavy, heavy message. still remain. But still no single o f Change” : tasteful pedal steel and dobro compared to “ Wanted.” Michael ■ The music heard on “ Wanted” type o f music prevails today. Hey Businessman working throughout, and original Dodge” , “ Hard Luck Woman” , and “ Movin’ Toward Happiness” Some claim country-based You turn and give me a sideways arrangements. -
Jemf Quarterly
JEMF QUARTERLY JOHN EDWARDS MEMORIAL FOUNDATION VOL. XII SPRING 1976 No. 41 THE JEMF The John Edwards Memorial Foundation is an archive and research center located in the Folklore and Mythology Center of the University of California at Los Angeles. It is chartered as an educational non-profit corporation, supported by gifts and contributions. The purpose of the JEMF is to further the serious study and public recognition of those forms of American folk music disseminated by commercial media such as print, sound recordings, films, radio, and television. These forms include the music referred to as cowboy, western, country & western, old time, hillbilly, bluegrass, mountain, country ,cajun, sacred, gospel, race, blues, rhythm' and blues, soul, and folk rock. The Foundation works toward this goal by: gathering and cataloguing phonograph records, sheet music, song books, photographs, biographical and discographical information, and scholarly works, as well as related artifacts; compiling, publishing, and distributing bibliographical, biographical, discographical, and historical data; reprinting, with permission, pertinent articles originally appearing in books and journals; and reissuing historically significant out-of-print sound recordings. The Friends of the JEMF was organized as a voluntary non-profit association to enable persons to support the Foundation's work. Membership in the Friends is $8.50 (or more) per calendar year; this fee qualifies as a tax deduction. Gifts and contributions to the Foundation qualify as tax deductions. DIRECTORS ADVISORS Eugene W. Earle, President Archie Green, 1st Vice President Ry Cooder Fred Hoeptner, 2nd Vice President David Crisp Ken Griffis, Secretary Harlan Dani'el D. K. Wilgus, Treasurer David Evans John Hammond Wayland D. -
Remembering Waylon
FOR IMMEDIATE RELEASE Contact: Jaclyn Todisco 646-695-7053 [email protected] REMEMBERING WAYLON AN UNPRECEDENTED AUCTION FOCUSING ON THE LIFE AND TIMES OF WAYLON JENNINGS, THE LEGENDARY OUTLAW COUNTRY MUSICIAN WHO CARVED HIS WAY TO SUPER-STARDOM Memorable objects from Jennings’ career, plus remarkable items from many of his fellow musicians and friends including Hank Williams, John Lennon, Chet Atkins, Johnny Cash, Willie Nelson, and Muhammad Ali New York, NY (August 5, 2014) – On October 5 at Phoenix's stunning Musical Instrument Museum, New York City-based auction house Guernsey’s will resurrect the aura of outlaw country megastar Waylon Jennings with the sale of many of his personal belongings. For the first time, Jennings’ legions of fans will have a chance to own a piece of musical history. The featured collection is being offered by country music legend Jessi Colter, Jennings’ wife of more than thirty years with whom he often shared the stage. The event will help bring attention to the important care provided at the Phoenix Children’s Hospital. A driving force of the Outlaw Country movement that erupted in the ‘70s, Jennings rejected the conventions of country’s manufactured “Nashville Sound” and reached superstardom with his commanding baritone and stripped-down, updated honky tonk, which gave his music a gritty edge all its own. His style changed the face of country music and influenced countless musicians, as his songs consistently appeared on both Billboard’s country and pop charts throughout a career that spanned more than five decades. Jennings’ album Wanted! The Outlaws – featuring collaborations with his wife, Jessi Colter, Willie Nelson, and Tompall Glaser – peaked at No.1 on the charts and was the first country album to be certified platinum. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center, our multimedia, folk-related archive). All recordings received are included in Publication Noted (which follows Off the Beaten Track). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention Off The Beaten Track. Sincere thanks to this issues panel of musical experts: Roger Dietz, Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Andy Nagy, Angela Page, Mike Regenstreif, Peter Spencer, Michael Tearson, Rich Warren, Matt Watroba, Elijah Wald, and Rob Weir. liant interpretation but only someone with not your typical backwoods folk musician, Jodys skill and knowledge could pull it off. as he studied at both Oberlin and the Cin- The CD continues in this fashion, go- cinnati College Conservatory of Music. He ing in and out of dream with versions of was smitten with the hammered dulcimer songs like Rhinordine, Lord Leitrim, in the early 70s and his virtuosity has in- and perhaps the most well known of all spired many players since his early days ballads, Barbary Ellen. performing with Grey Larsen. Those won- To use this recording as background derful June Appal recordings are treasured JODY STECHER music would be a mistake. I suggest you by many of us who were hearing the ham- Oh The Wind And Rain sit down in a quiet place, put on the head- mered dulcimer for the first time. -
BB-1971-12-25-II-Tal
0000000000000000000000000000 000000.00W M0( 4'' .................111111111111 .............1111111111 0 0 o 041111%.* I I www.americanradiohistory.com TOP Cartridge TV ifape FCC Extends Radiation Cartridges Limits Discussion Time (Based on Best Selling LP's) By MILDRED HALL Eke Last Week Week Title, Artist, Label (Dgllcater) (a-Tr. B Cassette Nos.) WASHINGTON-More requests for extension of because some of the home video tuners will utilize time to comment on the government's rulemaking on unused TV channels, and CATV people fear conflict 1 1 THERE'S A RIOT GOIN' ON cartridge tv radiation limits may bring another two- with their own increasing channel capacities, from 12 Sly & the Family Stone, Epic (EA 30986; ET 30986) month delay in comment deadline. Also, the Federal to 20 and more. 2 2 LED ZEPPELIN Communications Commission is considering a spin- Cable TV says the situation is "further complicated Atlantic (Ampex M87208; MS57208) off of the radiated -signal CTV devices for separate by the fact that there is a direct connection to the 3 8 MUSIC consideration. subscriber's TV set from the cable system to other Carole King, Ode (MM) (8T 77013; CS 77013) In response to a request by Dell-Star Corp., which subscribers." Any interference factor would be mul- 4 4 TEASER & THE FIRECAT roposes a "wireless" or "radiated signal" type system, tiplied over a whole network of CATV homes wired Cat Stevens, ABM (8T 4313; CS 4313) the FCC granted an extension to Dec. 17 for com- to a master antenna. was 5 5 AT CARNEGIE HALL ments, and to Dec.