A Description of Figurative Language Found in Maroon 5’S Overexposed Album

Total Page:16

File Type:pdf, Size:1020Kb

A Description of Figurative Language Found in Maroon 5’S Overexposed Album A DESCRIPTION OF FIGURATIVE LANGUAGE FOUND IN MAROON 5’S OVEREXPOSED ALBUM A PAPER BY ANGGIA RIZKI REG NO : 152202028 DIPLOMA III ENGLISH STUDY PROGRAM FACULTY OF CULTURAL STUDY UNIVERSITY OF SUMATERA UTARA 2018 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I am ANGGIA RIZKI, declare that I am the sole author of this paper. Except where reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person‟s work has been used without due acknowledgement in the main text of this paper. This paper has not been submitted for the award of another degree in any tertiary education. Signed : Date : 2018 i UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION Name: ANGGIA RIZKI Title of Paper: A DESCRIPTION OF FIGURATIVE LANGUAGE FOUND IN MAROON 5‟S OVEREXPOSED ALBUM. Qualification: D-III / Ahli Madya Study Program : English 1. I am willing that my paper should be available for reproduction at the discretion of the Libertarian of the Diploma III English Faculty of Culture Studies University of North Sumatera on the understanding that users are made aware of their obligation under law of the Republic of Indonesia. 2. I am not willing that my papers be made available for reproduction. Signed : Date : 2018 ii UNIVERSITAS SUMATERA UTARA ABSTRACT This paper is entitled A Description of Figurative Language Found in Maroon 5‟s Overexposed Album. The purpose of this paper is to find out the type of the figurative language and also the dominant type of figurative language. In writing this paper, the writer conducts a library research, collecting data and information from some books and internet. The writer collects data figurative language from of Maroon 5‟s song lyrics, select figurative language in the song lyrics, classify the figurative language then interpret the figurative language. Based on the results of the analysis, the writer found 22 the use of figurative language consisting of each thirteen times hyperbole, each six of personification and each one times of metaphor, simile and imagery. The results of the analysis also show that hyperbole and personification are the most figurative type of language that appears in Maroon 5‟s song lyrics. Keywords: Figurative language and song lyrics. iii UNIVERSITAS SUMATERA UTARA ABSTRAK Kertas karya berjudul A Desciption of Figurative Language found in Maroon 5‟s Overexposed Album. Tujuan dari penulisan ini adalah untuk mengetahui tipe jenis bahasa kiasan tersebut dan juga kemunculan bahasa kiasan yang paling dominan dari semua jenis bahasa kiasan. Dalam penulisan kertas karya ini, penulis melakukan metode penelitian ke pustakaan, mengambil data dan informasi dari beberapa buku dan internet. Penulis mengumpulkan data bahasa kiasan yang terdapat pada lirik lirik lagu Maroon 5, menyeleksi bahasa kiasan dalam lirik lagu, mengelompokkan bahasa kiasan dalam jenisnya, kemudian menginterpretasikan bahasa kiasan. Berdasarkan hasil analisis, penulis menemukan 22 penggunaan bahasa kiasan yang terdiri dari 13 bentuk hiperbola, 6 bentuk personifikasi dan metafora, simile dan imagery masing masing 1 bentuk. Hasil analisis juga menunjukkan bahwa hiperbola dan personifikasi adalah jenis bahasa kiasan yang paling banyak muncul dalam lirik lagu Maroon 5. Kata Kunci: Gaya bahasa dan lirik lagu. iv UNIVERSITAS SUMATERA UTARA ACKNOWNLEDGEMENTS First of all, I would like thanks to Allah SWT, for his blessing and gives me health, strength and inspiration to accomplish this paper as one of the requirements to get the Diploma III Certificate from English Study Program Faculty of Culture Studies, University of Sumatera Utara. Also, I would like to express my deep gratitude, love, appreciation, and thanks to: • My Parents, Zulkifli Zuhri and Haswida who always loving, caring, praying, supporting, and gives me advices in completing this paper. • Dra. Swesana Mardia Lubis, M.Hum. as the Head of Diploma III English Study Program, who gives me a lot knowledge. • Drs. M. Syafi‟i Siregar, M.A. as my Supervisor, who gives the correction, suggestion and knowledge in completing this paper. • All my lecturer in Diploma III English Study Program who have taught me and gives me advice and knowledge. • My beloved Brothers, Rizki Nanda and Febio Rizki who gives me attention and support when I was completing this paper. • My lovely friends, Elva Rahmi and Yenni Tri Astuti, thanks for support and help that them give to me and this sweet friendship. I will treasure every moments that I have spent with them. Finally, the writer realize that this paper is still far from being perfect. The writer hope who read this paper may gives critics and suggestions for making it better. Medan, 2018 The writer Anggia Rizki REG. No: 152202028 v UNIVERSITAS SUMATERA UTARA TABLE OF CONTENTS AUTHOR’S DECLARATION .................................................................................... i COPYRIGHT DECLARATION ................................................................................. ii ABSTRACT .................................................................................................................. iii ABSTRAK ..................................................................................................................... iv ACKNOWLEDGMENTS ........................................................................................... v TABLE OF CONTENTS ............................................................................................ vi CHAPTER I: INTRODUCTION ............................................................................... 1 1.1 The Background of Study ................................................................. 1 1.2 The Problem of Study ...................................................................... 4 1.3 The Purpose of Study ...................................................................... 4 1.4 The Scope of Study .......................................................................... 5 1.5 The Method of Study ........................................................................ 5 CHAPTER II: REVIEW OF LITERATURE ........................................................... 6 2.1 Figurative Language ......................................................................... 6 2.1.1 Characteristic Features of Figurative Language .................... 8 2.2 Types of Figurative Language .......................................................... 9 2.2.1 Hyperbole .............................................................................. 9 2.2.2 Metaphor ................................................................................ 10 2.2.3 Personification ........................................................................ 10 2.2.4 Simile ..................................................................................... 11 vi UNIVERSITAS SUMATERA UTARA 2.2.5 Synecdoche ........................................................................... 12 2.2.6 Imagery .................................................................................. 13 2.2.7 Oxymoron ............................................................................. 14 2.2.8 Paradox ................................................................................... 14 2.2.9 Repetition ................................................................................ 15 2.3 Song ................................................................................................. 16 CHAPTER III : DESCRIPTION ............................................................................... 18 3.1 Hyperbole .................................................................................... 18 3.2 Simile .......................................................................................... 21 3.3 Metaphor ……………... .............................................................. 22 3.4 Personification ............................................................................ 22 3.5 Imagery ......................................................................................... 24 3.6 The Result of Analysis ................................................................. 24 CHAPTER IV: CONCLUSION AND SUGGESTION ........................................... 26 4.1 CONCLUSION ........................................................................... 26 4.2 SUGGESTION ............................................................................ 26 BIBLIOGRAFY ........................................................................................................... 28 APPENDIX vii UNIVERSITAS SUMATERA UTARA CHAPTER I INTRODUCTION 1.1 The Background of Study Language is the system of sound and word used by human to express, convey, share their thoughts, feelings, ideas and expression. In fact there are many language all over the world, one of the language is English. Almost all people know English, because English as an International Language. So that, it is important for us to learn English. With language we can know about something of the world and we can learn language from reading books, magazine, internet or from of the song. Language has an important role in people daily activities. As a human, people use language to communicate with each other. People cannot do their activities well without language. Futhermore, language is an important instrument of social interaction. Through language, someone can also express
Recommended publications
  • Maroon 5 Red Pill Blues Mp3, Flac, Wma
    Maroon 5 Red Pill Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Red Pill Blues Country: Brazil Released: 2017 Style: Pop Rock MP3 version RAR size: 1142 mb FLAC version RAR size: 1160 mb WMA version RAR size: 1295 mb Rating: 4.5 Votes: 474 Other Formats: AA XM AUD FLAC WAV ASF RA Tracklist Hide Credits 1.1 –Maroon 5 Best 4 U What Loves Do 1.2 –Maroon 5 + SZA Featuring – SZA 1.3 –Maroon 5 Wait 1.4 –Maroon 5 Lips On You 1.5 –Maroon 5 Bet My Heart Help Me Out 1.6 –Maroon 5 + Julia Michaels Featuring – Julia Michaels Who I Am 1.7 –Maroon 5 + LunchMoney Lewis Featuring – LunchMoney Lewis Whiskey 1.8 –Maroon 5 + A$AP Rocky* Featuring – A$AP Rocky* 1.9 –Maroon 5 Girls Like You 1.10 –Maroon 5 Closure Bônus Track 1.11 –Maroon 5 Denim Jacket 1.12 –Maroon 5 Visions Don't Wanna Know 1.13 –Maroon 5 Featuring – Kendrick Lamar Cold 1.14 –Maroon 5 Featuring – Future 2.1 –Maroon 5 Moves Like Jagger (Live In Manchester) 2.2 –Maroon 5 Stereo Hearts (Live In Manchester) 2.3 –Maroon 5 Animals (Live In Manchester) 2.4 –Maroon 5 Daylight (Live In Manchester) 2.5 –Maroon 5 Maps (Live In Manchester) 2.6 –Maroon 5 This Love (Live In Manchester) Companies, etc. Marketed By – Universal Music Credits Executive-Producer – Adam Levine, Jacob "J Kash" Hindlin* Notes Deluxe edition with exclusive content Barcode and Other Identifiers Barcode: 602567053002 Other versions Category Artist Title (Format) Label Category Country Year 222 Records , Red Pill Blues B0026740-02 Maroon 5 Interscope B0026740-02 US 2017 (CD, Album) Records 222 Records , Red Pill
    [Show full text]
  • Assessment Day 2013 1. Gender 2. Race Or Ethnicity
    Campus Activities Board Survey Results – Assessment Day 2013 Last Modified: 03/28/2013 1. Gender # Answer Response % 1 Male 67 34% 2 Female 133 67% Total 200 100% 2. Race or Ethnicity # Answer Response % 1 White 182 91% African 2 9 5% American 3 Hispanic 3 2% Asian/Pacific 4 4 2% Islander American 5 Indian/Alaskan 0 0% Native 6 Other 2 1% Total 200 100% Other white/black Human 3. Current Classification # Answer Response % 1 Freshman 24 12% 2 Sophomore 38 19% 3 Junior 32 16% 4 Senior 77 39% Graduate or 5 29 15% Professional Total 200 100% 4. Major # Answer Response % 1 Accounting 2 1% 2 Economics - BBA 1 1% 3 Economics - BA 1 1% 4 International Business 0 0% 5 Finance 3 2% 6 Management 10 5% 7 Marketing 8 4% 8 Management Information Systems 0 0% 9 MBA 2 1% 10 Health Care Administration 1 1% 11 Human Resource Management 1 1% 12 Nurse Anesthesia 0 0% 13 Business Undecided 0 0% 14 Early Childhood Education 0 0% 15 Elementary Education 4 2% 16 Secondary Education 7 4% 17 Pre-Elementary Education 0 0% 18 Pre-Secondary Education 1 1% 19 Family and Consumer Science 0 0% 20 Hospitality Management 0 0% 21 Education Undecided 0 0% 22 Special Education 2 1% 23 Literacy Education 0 0% 24 Educational Leadership Studies 0 0% 25 Counseling 1 1% 26 EdD Program 0 0% 27 EdS Program 0 0% 28 EdS in School Psychology 0 0% 29 MAT Program 0 0% 30 RBA Program 1 1% 31 Bachelor of Applied Science Program 1 1% 32 Education Undecided 0 0% 33 Music 4 2% 34 Theatre 2 1% 35 Art 4 2% 36 Pre-Music 0 0% 37 Undecided Fine Arts 0 0% 38 Athletic Training 4 2% 39 Exercise
    [Show full text]
  • Song List - by Song - Mr K Entertainment
    Main Song List - By Song - Mr K Entertainment Title Artist Disc Track 02:00:00 AM Iron Maiden 1700 5 3 AM Matchbox 20 236 8 4:00 AM Our Lady Peace 1085 11 5:15 Who, The 167 9 3 Spears, Britney 1400 2 7 Prince & The New Power Generation 1166 11 11 Pope, Cassadee 1657 4 17 Cross Canadian Ragweed 803 12 22 Allen, Lily 1413 3 22 Swift, Taylor 1646 15 23 Mike Will Made It & Miley Cyrus 1667 16 33 Smashing Pumpkins 1662 11 45 Shinedown 1190 19 98.6 Keith 1096 4 99 Toto 1150 20 409 Beach Boys, The 989 7 911 Jean, Wyclef & Mary J. Blige 725 4 1215 Strokes 1685 12 1234 Feist 1125 12 1929 Deana Carter 1636 15 1959 Anderson, John 1416 7 1963 New Order 1313 1 1969 Stegall, Keith 1004 13 1973 Blunt, James 1294 16 1979 Smashing Pumpkins 820 4 1982 Estefan, Gloria 153 1 1982 Travis, Randy 367 5 1983 Neon Trees 1522 14 1984 Bowie, David 1455 14 1985 Bowling For Soup 670 5 1994 Aldean, Jason 1647 15 1999 Prince 182 9 Dec-43 Montgomery, John Michael 1715 4 1-2-3 Berry, Len 46 13 # Dream Lennon, John 1154 3 #1 Crush Garbage 215 12 #Selfie Chainsmokers 1666 6 Check Us Out Online at: www.AustinKaraoke.com Main Song List - By Song - Mr K Entertainment (I Know) I'm Losing You Temptations 1199 5 (Love Is Like A) Heatwave Reeves, Martha And The Vandellas 1199 6 (Your(The Angels Love Keeps Wanna Lifting Wear Me) My) Higher Red Shoes And Costello, Elvis 1209 4 Higher Wilson, Jackie 1199 8 (You're My) Soul & Inspiration Righteous Brothers 963 7 (You're) Adorable Martin, Dean 1375 11 1 2 3 4 Feist 939 14 1 Luv E40 & Leviti 1499 9 1, 2 Step Ciara & Missy Elliott 746 5 1, 2, 3 Redlight 1910 Fruitgum Co.
    [Show full text]
  • Andy Arleo Université De Nantes (CRINI)
    LAURA NYRO’S ELI AND THE THIRTEENTH CONFESSION: TRANSCENDING THE DICHOTOMIES OF THE WOODSTOCK YEARS Andy Arleo Université de Nantes (CRINI) As Wavy Gravy says, if you can remember the sixties, you weren't really there (Van Ronk 141) Introduction1 As a member of the so-called Woodstock Generation, I am aware of the potential pitfalls of writing about this period. As Dave Van Ronk points out in his quote from Merry Prankster Wavy Gravy (Hugh Romney), memories of those times tend to be hazy. On the other hand, research on memory has shown that there is a “reminiscence bump,” that is “people tend to remember disproportionately more events from the period between their adolescence and early adulthood” (Foster 64). In any case, it is clear that memory, whether it is individual and collective, reconstructs past experience, and that my own experience of the era has inevitably flavored the content of this article, making it impossible to aspire completely to the traditional ideals of scholarly distance and detachment. Future generations of cultural analysts will no doubt reassess the Woodstock Years through different lenses. The name “Laura Nyro” may not ring a bell for many readers, as it did not for many of my students, colleagues and friends whom I have informally surveyed. This is understandable since, unlike other singer-songwriter icons of the period (e.g., Bob Dylan, Joni Mitchell, James Taylor), Nyro was never really in the mainstream, although her songs have often been covered by a broad spectrum of singers and bands in a remarkable variety of musical styles, sometimes achieving a fair amount of commercial success.
    [Show full text]
  • This Is Your Canvas
    This Is Your Canvas Mercy Excellence 2012 Walking Down Main Street A poem by: Nicole O’Keefe Walking down Main Street is a sight to remember All the memories lit up all around you Look! Snow coming down from above The white fluffy speck coming down and landing on your face Photo By: Olivia Moir Hearing the voices of people, old and young Do you remember smelling the Mermaid chocolate? The candy and taffy? She swims gracefully across the sea The nighttime sky, drowned out by Making every moment the sounds and laughter of others One huge memory Mermaid I now know the magic in this place So rare in every choice she makes Happiness can be seen in every She wishes for that one special day corner Where she can walk on earth Will you come with me on this adven- Water, ture? Her only friend The only difference between her and us Where dreams truly come true? Trapped she feels Trapped by this evil gift Mermaid Her fins glow bright through the translucent blue ocean waves While her faith Slowly dies away A bulge of energy rushes through her body As she swims through the sea… She passes the Atlantic Pacific Dead sea All in one second. Passing all her ocean friends In this moment of reality The night…it’s like no other The moon glows brightly As the mermaid swims by the pier Staring enviously at every person passing by Enviously at the legs she wish were hers… Waiting for the day she can call them her own.
    [Show full text]
  • No Bad Juju Song List Dance / Uptempo Song Artist
    No Bad JuJu Song List Dance / Uptempo Song Artist Chain of Fools Aretha Franklin I’ll Take You There Staple Singers Son of a Preacher Man Dusty Springfield Honky Tonk Woman Rolling Stones Brown Sugar Rolling Stones I Wish Stevie Wonder Superstition Stevie Wonder It’s Your Thing The Isley Brothers Give Up The Funk Parliment Shining Star Earth Wind & Fire Hold On Sam and Dave Hard to Handle The Black Crowes Jungle Boogie Kool & the Gang Word Up Cameo Shaky Ground Various Artists Gimme Shelter Rolling Stones Let’s Get it Started Black Eyed Peas What I Got Sublime Lady Madonna The Beatles Midnight Rider The Allman Brothers Hey Ya Outkast Black Horse & A Cherry Tree KT Tunstall Crazy Gnarls Barkley Love Rollercoaster The Ohio Players Canned Heat Jamiroquai The Bird The Time Makes Me Wonder Maroon 5 Groove is in the Heart Deee-Lite Rehab Amy Winehouse You Know That I’m No Good Amy Winehouse Mercy Duffy So Right Dave Matthews Band Apache/ We Run This Sugar Hill Gang/ Missy Elliot I Don’t Wanna Be Gavin Degraw Harder to Breathe Maroon 5 Let’s Go Crazy Prince Just Dance Lady Gaga S.O.S. Rihanna Tainted Love Soft Cell Billie Jean Michael Jackson Thriller Michael Jackson Don’t Stop Till You Get Enough Michael Jackson Wanna Be Starting Something Michael Jackson I Know You Want Me Pitbull Uprising Muse This Is How We Do It Montell Jordan Rumor Has It Adele Under My Thumb Rolling Stones Nothing on You B.O.B. & Bruno Mars California Girls Katy Perry Misery Maroon 5 Forget You Cee Lo Green What’s My Name? Rihanna Firework Katy Perry Rolling in Deep Adele
    [Show full text]
  • Uptownlive.Song List Copy.Pages
    Uptown Live Sample - Song List Top 40/ Pop 24k Gold - Bruno Mars Adventure of A Lifetime - Coldplay Aint My Fault - Zara Larsson All of Me (John Legend) Another You - Armin Van Buren Bad Romance -Lady Gaga Better Together -Jack Johnson Blame - Calvin Harris Blurred Lines -Robin Thicke Body Moves - DNCE Boom Boom Pow - Black Eyed Peas Cake By The Ocean - DNCE California Girls - Katy Perry Call Me Maybe - Carly Rae Jepsen Can’t Feel My Face - The Weeknd Can’t Stop The Feeling - Justin Timberlake Cheap Thrills - Sia Cheerleader - OMI Clarity - Zedd feat. Foxes Closer - Chainsmokers Closer – Ne-Yo Cold Water - Major Lazer feat. Beiber Crazy - Cee Lo Crazy In Love - Beyoncé Despacito - Luis Fonsi, Daddy Yankee and Beiber DJ Got Us Falling In Love Again - Usher Don’t Know Why - Norah Jones Don’t Let Me Down - Chainsmokers Don’t Wanna Know - Maroon 5 Don’t You Worry Child - Sweedish House Mafia Dynamite - Taio Cruz Edge of Glory - Lady Gaga ET - Katy Perry Everything - Michael Bublé Feel So Close - Calvin Harris Firework - Katy Perry Forget You - Cee Lo FUN- Pitbull/Chris Brown Get Lucky - Daft Punk Girlfriend – Justin Bieber Grow Old With You - Adam Sandler Happy – Pharrel Hey Soul Sister – Train Hideaway - Kiesza Home - Michael Bublé Hot In Here- Nelly Hot n Cold - Katy Perry How Deep Is Your Love - Calvin Harris I Feel It Coming - The Weeknd I Gotta Feelin’ - Black Eyed Peas I Kissed A Girl - Katy Perry I Knew You Were Trouble - Taylor Swift I Want You To Know - Zedd feat. Selena Gomez I’ll Be - Edwin McCain I’m Yours - Jason Mraz In The Name of Love - Martin Garrix Into You - Ariana Grande It Aint Me - Kygo and Selena Gomez Jealous - Nick Jonas Just Dance - Lady Gaga Kids - OneRepublic Last Friday Night - Katy Perry Lean On - Major Lazer feat.
    [Show full text]
  • Through Romany Songland. [With Musical Notes.]
    BkhhP 1 rais mMBit mm THE GLEN COLLECTION OF SCOTTISH MUSIC Presented by Lady Dorothea Ruggles- Brise to the National Library of Scotland, in memory of her brother, Major Lord George Stewart Murray, Black Watch, killed in action in France in 1914. 28th January 1927. THROUGH ROMANY SONGLAND Digitized by the Internet Archive in 2011 with funding from National Library of Scotland http://www.archive.org/details/throughromanysonOOsmit THROUGH ROMANY SONGLAND BY LAURA ALEXANDRINE SMITH Authoress 0/""The Music of the Waters." " Only in the Land of Dreams is Freedom, Only blooms the beautiful in Song." "In ancient Germany there was a town known by the name of Sing-one, and referred to by Ptolemy ; it is believed that in all probability our English word "sing," in Dutch "zingen," and its various forms in other languages, were derived from the habit of singing of the gypsies." —Henry Kilgour. DAVID STOTT, 370, OXFORD STREET, W. 1! : LONDON HENDERSON & SPALDING, GENERAL PRINTERS 3 & 5, MARYLEBONE LANE, W. Deoicateb by special permission MR WILSON BARRETT CONTENTS. PAGE Gypsy Song .. ... i x Introduction xi Magyar or Hungarian Gypsy Songs ; or, Songs of the Tzigani I Songs of the Gitanos or Spanish Gypsies 47 Russian Romany Songs ; or, Songs of the Tziggani 89 Anglo- Romany Songs ... - 107 Scotch Gypsy or Tinkler Songs ... 157 Songs of the Bohemiens; or, French Gypsy Songs 1S1 The Zigeuner or Gypsies of the Vaterland ... 205 Indian Gypsy Songs and Dance Tjnes 211 Finale 225 : You ask, what is the gypsy life ? Hark, then, and I will tell GYPSY SONG. gg^iSgg± Tra la la la.Tra la la la, A gj'p-sy gay and free, Tra liiliiiillll^ la la la, Tra la la la, A rov-inglife for me— Tra -J£=ZJK=WZ^^^^^^m.
    [Show full text]
  • Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
    2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive
    [Show full text]
  • How to Take a Private Jet to Super Bowl 50
    http://onforb.es/22XLGIK Doug Gollan Contributor I write about travel, from jets to hotels, shopping and dining. Opinions expressed by Forbes Contributors are their own. LIFESTYLE 1/12/2016 @ 12:23PM 316 views How To Take a Private Jet To Super Bowl 50 Super Bowl 50 will be a big party, held at Levi’s Stadium in Santa Clara, located between San Jose and San Francisco, and predictions are there will be over 1,200 private jets. For big events like the big game, planes are typically filled up, which means there may be around 10,000 folks arriving privately. For the aviation companies that service this high- end market, the trip doesn’t end when their passengers get off the plane. In fact, in some cases it starts before they leave home and extends during their entire visit to the Bay Area. Over 1,200 private jets will bring as many as 10,000 styling fans to Super Bowl 50 arriving at five different Bay Area airports (Photo by Rich Schultz /Getty Images). In addition to setting up lounges for owners and crew members, Berkshire Hathaway-owned NetJets will have Maroon 5 playing at its private Saturday afternoon concert in Nob Hill. And while the event is only open to customers and their guests, that doesn’t mean it’s a small event. Past bashes have drawn over 1,000 partiers, mingling with the likes of Chris Berman, Jim Nantz, Tony Dungy and Lenny Kravitz. Of course Warren Buffett won’t be alone in providing his customers a good time.
    [Show full text]
  • Girls Like You Vineright.Com
    Girls Like You VineRight.com PHRASED IMPROVER 64 COUNT 4 WALL Choreographer Mitzi Day and Lisa McCammon – August 2018 Music Girls Like You (Clean) by Maroon 5, CD Red Pill Blues, 3:35 (do not use the 3:55 version ft. Cardi B)120 bpm #16 COUNT INTRO, CLOCKWISE ROTATION; START WEIGHT ON L SEQ: A A B B A A B B A A T B- T B B A FACING: 12 3 6 9 12 3 6 9 12 3 6 6 6 6 9 12 COUNTS: 32 32 32 32 32 32 32 32 32 32 4 16 4 32 32 16 PART A (32 COUNTS, ROTATES RIGHT ¼ EACH REPETITION; YOU ALWAYS DANCE PART A FACING 12:00 AND 3:00) A1: SIDE, HOLD, BACK, CROSS; SIDE, HOLD, BEHIND, SIDE 1-4 : Step R to side, HOLD, step L back and slightly behind R, cross R slightly over 5-8 : Step L to side, HOLD, step R back and slightly behind L, step L to side A2: STEP, SWEEP ¼, CROSS, SIDE; BACK, SWEEP, BEHIND, TURN ¼ 1-4 : Step R forward, sweep L whilst turning right ¼ (3:00), cross L, step R to side 5-8 : Step L back, sweep R, step R back and slightly behind L, turn left ¼ (12:00) stepping forward L A3: STEP, SWEEP, STEP, ANCHOR STEP, SWEEP, BACK, ROCK-ROCK 1-2-3 : Step R forward, sweep L, step L forward 4&5 : Step R instep to L heel, rock onto L, step back onto R (this occurs in place) 6-7 : Sweep L back, step L back (this is not a big step; feet are fairly close together) 8& : Rock onto R, replace weight to L (this occurs in place) A4: STEP, POINT, STEP, POINT; JAZZ BOX RIGHT ¼, CROSS 1-4 : Step onto R, point L toes to side, step L forward, point R toes to side 5-8 : Cross R, step back L starting turn, step R to side finishing turn (3:00), cross L PART B (32 COUNTS,
    [Show full text]
  • Adam Levine's Pre-Marital Love Life: Anne V, Behati Prinsloo Levine, and Their 5 Element Types
    Adam Levine's Pre-Marital Love Life: Anne V, Behati Prinsloo Levine, and their 5 Element Types Lindsey Seigle Slott, L.Ac. Adam Levine's Pre-Marital Love Life: Anne V, Behati Prinsloo Levine, and their 5 Element Types Adam Levine, like most singer-songwriters, is predominantly a FIRE type — charismatic, creative, and loves being in the spotlight. His good looks, talent, and passion made him a favorite among the ladies when he was single, but in his last few years of bachelorhood, we saw him slow down just a little. His last ex-girlfriend, supermodel Anne V, captivated his heart and soul for about 2 years, although their relationship wasn’t always smooth sailing. They reportedly had a publicized ght back in early 2012 over her not feeling appreciated, and she broke up with him later that year because she felt he did not give her enough attention, and because he did NOT have any plans to propose marriage. After Anne V broke up with him, he dated future wife model Behati Prinsloo, then had a brief relationship with model Nina Agdal, and then eventually proposed to Behati. All 3 of these women are drop-dead gorgeous and highly respected, successful models, so what made him choose Behati and why has their marriage lasted over 2 years? Let’s take a step back and look at the 5 elements at play. First you have Adam, a FIRE type. Then you have Anne V. What type is she? Based on how she became a model, I’d say she is a WOOD type.
    [Show full text]